Ancient Tamil Encyclopaedia- Part 9; One Thousand Interesting Facts! (Post No.15,005)

 Written by London Swaminathan

Post No. 15,005

Date uploaded in London –  20 September 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx   

Caste ridden Tamil Society

PART NINE

69.

Sangam Age Tamil society was a caste ridden society; there were upper and lower castes. They lived in different ‘cheris’ i.e. different areas of the town. The lower castes were attacked with derisive, degrading, disgraceful and impolite terms.

All these were seen in today’s Tamil society and in hundreds of old proverbs. But we have poets from different castes in Sangam literature. The surprising thing is we don’t see these many castes in 2000 year old Sanskrit literature. We did not see such things either in seven works of Kalidasa or 13 works of Bhasa.

Educated people were always respected through out India at all times. We see butcher Dharmavyadha teaching Rishi Kausika in Mahabharata. We see King Janaka teaching Brahmins in Upanishads. We see Arundhati, the low cate woman and wife of Rishi Vasistha is saluted by everyone until this day. Tamil kings also respected all poets from all castes.

Purananuru, which gives a true picture of a society that lived 2000 years ago has got many interesting things. The same caste followed the same vocation or profession. They included their vocation in their names. But we don’t see any low caste words in the poets’ names such as Pulaiyan or Paraiayan or Kadamban or Thudian.

Now let us look at some verses where caste is predominant:

Izisinan- Puram 287, 289, 82 இழிசினன் Low caste fellow

Izipirappinon – Puram 363 இழிபிறப்பினோன் Man of Low Birth

(Z is used for special L sound in Tamil)

The prefix IZI means low, base, degraded, down

Some scholars argued that we see love marriages more in Sangam Literature that shows that there were no strict caste rules or caste bias. This is a dangerous argument. If we apply the same rule with Paraththai= Para Stri= Prostitute occurring in the poems, then Tamil society will get a very bad name. If we apply the same rule to infighting among the Tamil society, the longest in the History of the World, then Sangam Tamil society will be dubbed as war mongers. We must always differentiate between poetic conventions and actual conditions of the period.

Above all, the true picture is seen in Today’s Tamil community. Except Brahmins, all the castes are begging to the government to include them in the lowest divisions of society. Though the have millions and billions of rupees, they receive all economic benefits like the fraudulent refugee community in the Western Countries.

Following is from Puram verses.

இழிசினன் – 287 -2 ; 82 -3; 289 -10

துடி எறியும் புலைய!

எறிகோல் கொள்ளும் இழிசின!-287-2.

***

சாறுதலைக் கொண்டெனப், பெண்ணீற்று

உற்றெனப் பட்ட மாரி ஞான்ற ஞாயிற்றுக்

கட்டில் நிணக்கும் இழிசினன் கையது-82

இவற்குஈக என்னும் அதுவும்அன் றிசினே;

***

கேட்டியோ வாழி பாண! பாசறைப்

பூக்கோள் இன்றென்று அறையும்

மடிவாய்த் தண்ணுமை இழிசினன் குரலே.-289

Pulaiyan, Pulaiththi புலையன் புலைத்தி They eat dead animals or Dogs. They are used in crematoriums and burial grounds. It is in Bhagavad Gita (5-18) as well

****

Four important low caste sects

Thudiyan, Paraiyan, Paanan, Kadamban in Puram Verse 335

Even Oxford Dictionary has the word Pariah:–

sometimes offensive, an outcast.

“they were treated as social pariahs”

Outcast, persona non grata, leper, reject, untouchable, undesirable, unperson

**

a member of a group of castes concentrated in the Indian states of Kerala and Tamil Nadu and in Sri Lanka, included among the Scheduled Castes or Dalits.

**

Of the four low castes, three are linked with music. But Kadamban is an odd word. No one can give precise meaning; still struggling with the word.

நான்கு முக்கிய ஜாதிகள்

துடியன்பாணன்பறையன்கடம்பன்என்று

இந் நான்கு அல்லது குடியும் இல்லை;– புறம் 335.

***

Pulaiya :

Puram புறம் –259-5; 311-2; 287-1; 360-19;

Kali கலி.72-14;117-7;55-18; 95-10;68-19;85-22

Akam அகம்.34-11;

Narrinai 90-3; 77-1; 347-5;

Kuru.குறு.330-1;

***

Four Main Castes

Like we see the four castes, based on vocation or profession in the latest part of Rig Veda (Purushasuktam in Tenth Mandala), we see same four divisions in Purananuru where Upper and Lower divisions in the society are mentioned.

Puram 183

உற்றுழி உதவியும் உறுபொருள் கொடுத்தும்

பிற்றைநிலை முனியாது கற்றல் நன்றே;

பிறப்போ ரன்ன உடன்வயிற்று உள்ளும்

சிறப்பின் பாலால் தாயும்மனம் திரியும்

ஒருகுடிப் பிறந்த பல்லோ ருள்ளும்

மூத்தோன் வருக என்னாது அவருள்

அறிவுடை யோன்ஆறு அரசும் செல்லும்

வேற்றுமை தெரிந்த நாற்பால் உள்ளும்

கீழ்ப்பால் ஒருவன் கற்பின்

 மேற்பால் ஒருவனும் அவன்கண் படுமே.

This poem gives us three points:

1.Even a mother is more favourable to a learned son.

2.Even a king will favour educated one than an illiterate (in the society or royalty).

3.Even in the society, where there are four fold divisions, a learned person from the lowest community person will be approached by upper caste man (Four Divisions or Sects- Brahmana, Kshatriya, Vaisya and Shudra).

Tiru Valluvar confirmed it:

“Though high born, an unlettered man is deemed lower than a learned man of lower birth. “—Tirukkural 409.

மேற்பிறந்தா ராயினும் கல்லாதார் கீழ்ப்பிறந்தும்

கற்றார் அனைத்திலர் பாடு.–409

***

Manu Smriti also emphasizes this point:

“A man who has faith may receive good learning even from a man who is lower, the ultimate law even from a man of the lowest castes, and a jewel of a woman even from a bad family”–2-239

***

“Ambrosia may be extracted even from poison,

And good advice even from a child,

Good behaviour even from enemy

And gold even from something impure “– Manu 2- 240

***

“Women, jewels, learning, law, purification, good advice and various crafts may be acquired from anybody” – Manu 2-241

***

In the last stage of Vedic period we come across four castes. They were based on vocations. Bhagavad Gita verse confirms it.

चातुर्वर्ण्यं मया सृष्टं गुणकर्मविभागश: |

तस्य कर्तारमपि मां विद्ध्यकर्तारमव्ययम् || 4-13||.—Bhagavad Gita

chātur-varṇyaṁ mayā sṛiṣhṭaṁ guṇa-karma-vibhāgaśhaḥ

tasya kartāram api māṁ viddhyakartāram avyayam.—Bhagavad Gita

The four categories of occupations were created by Me according to people’s qualities and activities. Although I am the Creator of this system, know Me to be the Non-doer and Eternal.—Bhagavad Gita.

Tiru Valluvar of Post Sangam period translated it verbatim:

பிறப்பொக்கும் எல்லா உயிர்க்கும் சிறப்பொவ்வா

செய்தொழில் வேற்றுமை யான்.- திருக்குறள் –972 Tirukkural

Tirukkural English Couplet 972:

All men that live are one in circumstances of birth;
Diversities of works give each his special worth.


Couplet Explanation:

All human beings agree as regards their birth but differ as regards their characteristics, because of the different qualities of their actions.

***

புலையன் ஸ்வபாக undefined பகவத் கீதை 5-18

विद्याविनयसम्पन्ने ब्राह्मणे गवि हस्तिनि |

शुनि चैव श्वपाके च पण्डिता: समदर्शिन: ||5-18||.—Bhagavad Gita

vidyā-vinaya-sampanne brāhmaṇe gavi hastini

śhuni chaiva śhva-pāke cha paṇḍitāḥ sama-darśhinaḥ.—Bhagavad Gita

BG 5.18: The truly learned, with the eyes of divine knowledge, see with equal vision a Brahmin, a cow, an elephant, a dog, and a dog-eater (PULAIYAN in Tamil). .—Bhagavad Gita

***

Low caste people worked in Crematoriums

புறம்.363

இருங்கடல் உடுத்தஇப் பெருங்கண் மாநிலம்

உடைஇலை நடுவணது இடைபிறர்க்கு இன்றித்

தாமே ஆண்ட ஏமம் காவலர்

இடுதிரை மணலினும் பலரே; சுடுபிணக்

காடுபதி யாகப் போகித் தத்தம்

நாடு பிறர்கொளச் சென்றுமாய்ந் தனரே;

அதனால் நீயும் கேண்மதி அத்தை; வீயாது

உடம்பொடு நின்ற உயிரும் இல்லை;

மடங்கல் உண்மை மாயமோ அன்றே;

கள்ளி ஏய்ந்த முள்ளியம் புறங்காட்டு 

வெள்ளில் போகிய வியலுள் ஆங்கண்

உப்பிலாஅ அவிப்புழுக்கல்

கைக்கொண்டு பிறக்கு நோக்காது

இழிபிறப்பினோன் ஈயப்பெற்று

நிலங்கல னாக விலங்குபலி மிசையும்

இன்னா வைகல் வாரா முன்னே,

செய்ந்நீ முன்னிய வினையே,

முந்நீர் வரைப்பகம் முழுதுடன் துறந்தே.

Puram–363

***

—subham—

Tags- Castes, Low castes, Pariah, Pulaiyan, Caste ridden, Tamil Society, Ancient Tamil Encyclopaedia- Part 9;  One Thousand Interesting Facts,  Bhagavad Gita, Manu Smriti

Who is a Good Wife? More from Mahabharata -Part 10 (Post No.14,995)

Written by London Swaminathan

Post No. 14,995

Date uploaded in London –  17 September 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Heated argument between Sulabha, a Sanyasini and Janaka , King of Mithila is in Shanti parva chapter 320 of Mahabharata.

When Miss Sulabha came to the assembly of King Janaka, he  asked her Who are you? Where are you coming from? Where are you going from here?

First Janaka introduced himself saying,

“I am a disciple of that great sage Panchashikha, of whom there is no equal in knowledge  of the philosophies of Sankhya and Yoga and Moksha ;it is from that Guru of mine who happened to pass this way and spent with me for the four months of the rainy season (It is called Chatur Masya period) that I received the enlightenment of true knowledge, and all my doubts have been resolved”

“In my sight a lump of earth, a piece of iron, and a piece of gold, all are alike, of the same value; I am a king but without any attachment. With the sword of detachment sharpened further on the flint of the philosophy of moksha, I have cut the binding cords of glory and power of being king and those of worldly affection and love. I am a jivan mukta”.

Then Janaka asked her awkward questions and Sulabha attacked him with suitable reply. Here are some excerpts:

“In this world, the renouncers are sustained by the households. Renouncing family, the renouncers depend for their sustenance upon families, nevertheless.  It is from there they arise, and it is from them that they receive recognition and respect”.

Next, she played on two similar sounding words.

“If passions, kashaaya are not removed from one’s heart, then wearing the ochre robe kaashaaya , should be regarded as nothing more than a means of selfish ends. In my opinion it is another profession adopted by those shaven heads waving the flag of dharma but insincerely.

“To wear the ochre robe, to shave one’s head; to carry a trident and a begging bowl—these are mere outward signs of renunciation; in themselves they do not lead to moksha.

“No one is a monk merely because he has renounced  and he begs. He alone is a genuine monk who has naturally risen above petty self -interests and is not attached to pleasures”.

When jJnaka attacked her more implying that she is not a true Sanyasini Miss Sulabha continued and said,

“What I will say will be productive, meaningful, fair and just. I shall not speak out of anger, or from fear, or from some greed.

The form of a child has at the time of his or her birth  changes progressively- childhood to youth then to old age. Likewise, the different characteristics each individual has, which distinguish him or her from others, also keep changing; but those changes, as in the flame of a  lamp, are so subtle that they are mostly imperceptible.

“Just as a running horse is one moment here and in next moment not seen, this world, too, is moving very swiftly  from one state to another. Therefore, it is impossible to say,

From where does one come from or from where one does not?

To whom one does belong, or to one whom does not?

If you have a sense of unity with the other, seeing your own self in the other, then why do you keep asking me: who are you? Who do you belong to?

 I am not a Brahmani, neither a Vaishya, nor a Shudra; by birth I am like you a Kshatriya. I was born in a royal family. You may have heard King Pradhana; I was born in that great family. My name is Sulabha.

Because I did not find a man worthy of me, I did not marry, and took the path of renunciation. Living the disciplined life of a renouncer, a Muni, I live alone and travel around alone”.

She concluded by saying,

“If despite all that flourishing your royal umbrella and royal silver mace still you think that you are a liberated man, a jivan muktha,  then it may be your delusion.

Pursuit of dharma, ordering of life, and of Artha, material property and of Kama, sexual fulfilment  or fulfilment of desires generally are described as tri varga , the three ends of life, which express themselves  in seven forms. Where is the sign of liberation in the one perpetuality involved in those three?

“King! I don’t think you are liberated; you have only the wrong impression. I don’t think you have benefited much from the teachings of your Guru Panchasikha.

I am not saying anything with partiality, but sincerely for your good. Just as a Sanyasi dwell for a night in an empty house in a town, I will spend the night in the emptiness of your inner being, and shall happily leave tomorrow morning. You have given me much respect and hospitality”.

Having heard Miss Sulabha say this, King Janaka said nothing more- Anusashana Parva 320-193

***

Mahabharata has more interesting stories of Suvarchala and Shwetaketu, Madhavi, Draupadi etc where power of women is glorified.

All Hindus, particularly, women must read the following book:

The Women of the Mahabharata, The Question of Truth, Chaturvedi Badrinath, Orient Longman Publication, 2008 (Pages 276) Rs.395 .

—subham—

Tags-Who is a good wife, part 10, Sulabha, Janaka.

Who is a Good Wife? Damayanti said….Part 8 (Post No.14,989)


Written by London Swaminathan

Post No. 14,989

Date uploaded in London –  15 September 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

The Mahabharata narrates the story of Nala Damyantti in Vanaparva Chapters 53-79. It is one of the longest stories in the epic. Brhadashva came to see the Pandavas in exile. Then Yudhishthira described his distressing condition. In answer to a question Brhadashva gave this story. Nala was the king of Nishada country and Damayanti was the princess of the kingdom of Vidharba. Both fell in love when they heard the virtues of both through a swan.

It is interesting in many aspects:

1

Bird Messenger: In the Rig Veda we have the oldest Dhuta Kavya in the story of Dog Messenger (Sarameyas)

Later in this epic we have Swan Messenger. 2000 year old Sangam Tamil Literature has many Birds, Insects as Messengers.

2

It described the Trade Routes of Sarthvahans. Business people travelled with big caravans. The dangers they met with are in graphic detail.

3

Horse Riding

Nala was famous for Cooking, Horse Riding and Gambling. The speed of the Horse drawn chariots show the best Road transport in the world. The speed of the horse chariots is also described.

4

Swayamvara

Hindu Kshatriya women had the wonderful freedom of choosing their husband. We see this in Bhisma attack on Kasi kingdom, then Sita Devi, then Draupadi, Damayanti Swayamvaras. Later we never hear about it until Kalidasa described Aja- Indumati Swayamvara.

Swayamvara shows that they followed one man – one woman principle.

The half -baked idiots who said that Hindus came from outside India could not show any example in any part of the world of Swayamvara. So, their Aryan Invasion theory is exploded by this and hundred more examples (use of water, wedding mantras etc).

5

If one is unclean, Kali will trouble him

6

ETs – Alien Civilization

The description of Aliens. They won’t wink; their feet won’t touch earth; their garlands wont wither etc.

7

This Nala Damayanti story inspired Kalidasa to write about Swaymavara, Cloud Messenger etc. This inspired Tamils to translate Nala Damayanti in Tamil verses.

8

Damyanti Quotations- Who is a Good Wife?

“In the face of even the most trying circumstances of life, women of good breeding protect themselves by the power of their own self, conquering thereby truth and the heavens, too: of this there is no doubt”.

Vanaparva – chapter 70-8

“When the Providence appears to be against and self effort bears no fruit, men living in truth do not grieve, nor lose heart”.

During Swayamvara – choosing your own husband—four gods from alien civilisation also joined the contest. They appeared exactly as Nala

Damayanti told the gods,

“On hearing about Nala from the white swan, I have from my heart chosen him as my husband. With the power of that truth, may the gods reveal to me Nala.

“In thought, in speech and in act (this is a phrase we see throughout Tamil and Sanskrit literature- Mano- Vaak- Kaayam), if I have never strayed from good conduct, by the power of that truth may the gods reveal to me Nala”.

****

Like Yudhisthira nala also lost his kingdom in a gambling game and they went to the forest. They suffered a lot, and Nala ran away in the middle of the night with half of Damayanti’s sari.

After wandering for three days, she went to another forest. The seers / rishis in the forest welcomed her. Astonished by her extraordinary beauty and grace, they asked her,

“Tell us who you are. Are you a goddess of this forest or the deity of the hills here or are you a deity of the river?”

Damayanti said,

“I am neither a goddess of this forest nor am I the deity of the hills, nor am I the deity of the river. I am a human being.”

Tamil Comparison

Sangam Tamil literature also talks about deities of hills, rivers, sea, lakes, even the musical instruments. This shows they had the same belief from Kanyakumari to Kashmir. A lover even mistakes his lady love to be a deity of the forest in Tamil verses. And all these deities were only women!!!

After narrating her story to the seers and enjoying their hospitality, she joined a caravan with their help which was attacked by forest elephants. Many traders died and a few of them thought Damayanti was an evil spirit causing this attack. Fearing that they would kill her she joined some Brahmins crossing the forest. She went to the capital of Chedi country and met the Raj mata/ Queen Mother; She helped her to go to Vidharba where she announced a Second Swayamwara, just to attract Nala. As expected, Nala came and joined her and  the story ended happily.

Before that ,

Having heard about second Swayamvara , Nala doubted her integrity. He questioned Damayanti about it.

Damayanti said

“Do not fling at me that accusation. I am not a wayward woman, the three gods of the universe Vayu/wind, Surya/sun and Chandra/ moon are the witness of my truth. I do not propose to take another husband and there is no second Swayamvara for Damayanti. The whole thing was set up as a ploy to bring you here”.

Her plan to bring him from Ayodhya to Vidharba and her test to see whether it was Nala or not etc are described in detail in Vanaparva of Mahabharata. How they covered such aa long distance in a short time also described in detail. Though it is a long story, there are many things which describe the condition of ancient Bharat.

All Hindu women must read the stories of Satyavan -Savitri, Nala-Damayanti and Draupadi to know the Woman Power and Woman’s Freedom. Neither in Greece, nor in Rome, nor in Egypt and Sumerian we have such true stories.

–Subham—

Tags= Who is a good wife, Part 8, Nala Damayanyi, Swayamvara, Horse Chariot, Ayodhya to Vidarbha

Himalaya Mountain in Three Languages மூன்று மொழிகளில் இமய மலை வருணனை -2 (Post.14,950)

Written by London Swaminathan

Post No. 14,950

Date uploaded in London –  6 September 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

PART 2

உள்ளங்கால் மிக நொந்து உறைந்த பனிக்கட்டி மேலே

கடினமான தங்களது கொங்கைகளின் கனத்தால்

மெல்ல மெல்லச் செல்வார்கள் மங்கையர்கள் அங்கு

उद्वेजयत्यङ्गुलिपार्ष्णिभागान्मार्गे शिलीभूतहिमे ऽपि यत्र ।

न दुर्वहश्रोणिपयोधरार्ता भिन्दन्ति मन्दां गतिमश्वमुख्यः ॥ १।११॥

Where the celestial damsels are unable to desist from their usual leisurely walking even if their toes and heels are disquieting to tread on the pathways condensed with snow, appurtenance to the slowed down pace owing to the weight of their broad hips and beamy bosoms, that sort of leisure-mountain is there in the North. [1-11]

****

கதிரவனைக் கண்டதினால் கலக்கமுற்று ஓடும்

காரிருளைக் குகையினிலே காப்பாற்றுவான் ஹிமவான்;

சரணடைந்த சிறியோரை மேலோர்கள் 

 நட்புடனே காப்பது  பெரியோருக்கு இயல்புதானே

दिवाकराद्रक्षति यो गुहासु लीनं दिवा भीतमिवान्धकारम् ।

क्षुद्रे ऽपि नूनं शरणं प्रपन्ने ममत्वमुच्चैःशिरसां सतीव ॥ १।१२॥

He who safeguards the lowly darkness that burrowed itself in his caves, as though that darkens is frightened from the day making sun, is objectionable insofar as his propriety as a shelter is concerned; but that objection is voidable, as noblemen ought to protect anyone or anything seeking shelter as his own person. [1-12]

****

மதியின் ஒளிக்  கிரணம்போல மிக அதிகம்  வெளுத்த

வால்களையே சாமரமாய் வீசும் கவரிமான்கள்;

கிரிராஜன் இவரென்று அழகாக காட்டும் !

लाङ्गूलविक्षेपविसर्पिशोभैरितस्ततश्चन्द्रमरीचिगौरैः ।

यस्यार्थयुक्तं गिरिराजशब्दं कुर्वन्ति वालव्यजनैश्चमर्यः ॥ १।१३॥

On whom the thick furred animals, chAmara, wave their tails spreading breeze in the quality of moonbeams; in doing so they appear to be fanning a royal with furred fanning instruments, and thus they render the title of ‘king of the mountains’ more meaningful to that mountain that is there in the North. [1-13]

***

அம்மலையின் குகைகளிலே அன்பான  தங்கள்

கணவருடன்  விளையாடும் கிம்புருஷ மாதரரின் 

ஆடையில்லா வெட்கத்தை  அழகான திரைபோல 

காக்குமாங்கே மேகங்கள் குகை வாயை மூடி .

यत्रांशुकाक्षेपविलज्जितानां यदृच्छया किम्पुरुषाङ्गनानाम् ।

दरीगृहद्वारविलम्बिबिम्बास्तिरस्करिण्यो जलदा भवन्ति ॥ १।१४॥

Where the clouds dangling on the doorways of homelike caves are luckily becoming door curtains for the much-abashed celestial womenfolk when their upper cloths are suddenly snatched away by their males, such a romantic mountain is there in the North. [1-14]

****

தேவதாரு மரங்களது திவ்ய கந்தம் வீசும்

கங்கை நீர் திவளைகளால் குளிர்ந்து சுகம் கொடுக்கும்

மயிலின் தோகைகளை மெல்ல மெல்ல அசைக்கும்

காற்றுவாங்கி வேடர்கள் சிரமம் தன்னைக் களைவார்கள்

भागीरथीनिर्झरसीकराणां वोढा मुहुः कम्पितदेवदारुः ।

यद्वायुरन्विष्टमृगैः किरातैरासेव्यते भिन्नशिखण्डिबर्हः ॥ १।१५॥

On which the breeze wafts the spays of River Ganga’s watercourses wobbling the deodar trees time and again, whereby peacocks apprehensive of rainfall outspread their plumage, and commingling all the other perfumes that breeze becomes enjoyable to the tribal people that are fatigued in their hunting, such a breezy mountain is there in the North. [1-15]

Both the actions are in hyperbole. Neither the sages in highest constellation can bend down, nor the sun with downward sunrays can possibly shoot his rays up. This is only to show the loftiness of Himalayas.

****

வேள்விக்கு வேண்டுவதாம் வித விதமாம் பொருளும்

பூமியெல்லாம் வசிப்பதற்குப் போதுமான பலமும்

பர்வதத்தில் கண்டதால் பிரம்மாவும் மகிழ்ந்து

மலைகளது ராஜனுக்கு வேள்வியில் பங்கும்

நடப்புடனே தானாக முன்னாளில் ஈந்தார்

सप्तर्षिहस्तावचितावशेषाण्यधो विवस्वान्परिवर्तमानः ।

पद्मानि यस्याग्रसरोरुहाणि प्रबोधयत्यूर्ध्वमुखैर्मयूखैः ॥ १।१६॥

Whose plenteousness to provide sacred material like special firewood, Soma creepers etc to Vedic rituals, and whose capacity and perseverance to bear the earth is clearly examined by Brahma, whereby Brahma personally ordered for oblational share of oblations in Vedic rituals to him along with the lordship on other mountains, such a munificent mountain Himavan is there in the North. [1-16]

****

यज्ञाङ्गयोनित्वमवेक्ष्य यस्य सारं धरित्रीधरणक्षमं च ।

प्रजापतिः कल्पितयज्ञभागं शैलाधिपत्यं स्वयमन्वतिष्ठत् ॥ १।१७॥

He who is the provisioner to Vedic rituals with sacred material like special firewood, Soma creepers etc, and whose capacity and perseverance to bear the earth is clearly examined by Brahma, whereby Brahma personally ordered for oblational share of Vedic rituals to Himavan along with the lordship on other mountains, such a beneficent mountain is there in the North. [1-17]

***

மேருவுக்குத்  தோழனான மன்னன் ஹிமவானும்

முன்னோரின் கடன் தீர்க்க மனதினிலே எண்ணி  

தன்னழகுக்கிசைந்தவளாம், தபசிகளும் புகழும் ,

மேனையென்னும்  பெண்மணியை  மணம்புரிந்தார் முறையே 18

स मानसीं मेरुसखः पितॄणां कन्यां कुलस्य स्थितये स्थितिज्ञः ।

मेनां मुनीनामपि माननीयामात्मानुरूपां विधिनोपयेमे ॥ १।१८॥

Such a well-mannered lord of the mountains Himavan who is the friend of Mt. Meru customarily married Lady Mena Devi, the daughter of manes called agniShvAt et al, an estimable girl even for sages, thus becoming a worthy maiden for himself for the flourish of his dynasty. [1-18]

*****

***

HERE IS TRANSLITERATION

asty uttarasyāṃ diśi devatātmā himālayo nāma nagādhirājaḥ /
pūrvāparau toyanidhī vigāhya sthitaḥ pṛthivyā iva mānadaṇḍaḥ // Ks_1.1 //

yaṃ sarvaśailāḥ parikalpya vatsaṃ merau sthite dogdhari dohadakṣe /
bhāsvanti ratnāni mahauṣadhīś ca pṛthūpadiṣṭāṃ duduhur dharitrīm // Ks_1.2 //

anantaratnaprabhavasya yasya himaṃ na saubhāgyavilopi jātam /
eko hi doṣo guṇasaṃnipāte nimajjatīndoḥ kiraṇeṣv ivāṅkaḥ // Ks_1.3 //

yaś cāpsarovibhramamaṇḍanānāṃ saṃpādayitrīṃ śikharair bibharti /
balāhakacchedavibhaktarāgām akālasaṃdhyām iva dhātumattām // Ks_1.4 //

āmekhalaṃ saṃcaratāṃ ghanānāṃ cchāyām adhaḥsānugatāṃ niṣevya /
udvejitā vṛṣṭibhir āśrayante śṛṅgāṇi yasyātapavanti siddhāḥ // Ks_1.5 //

padaṃ tuṣārasrutidhautaraktaṃ yasminn adṛṣṭvāpi hatadvipānām /
vidanti mārgaṃ nakharandhramuktair muktāphalaiḥ kesariṇāṃ kirātāḥ // Ks_1.6 //

nyastākṣarā dhāturasena yatra bhūrjatvacaḥ kuñjarabinduśoṇāḥ /
vrajanti vidyādharasundarīṇām anaṅgalekhakriyayopayogam // Ks_1.7 //

yaḥ pūrayan kīcakarandhrabhāgān darīmukhotthena samīraṇena /
udgāsyatām icchati kiṃnarāṇāṃ tānapradāyitvam ivopagantum // Ks_1.8 //

kapolakaṇḍūḥ karibhir vinetuṃ vighaṭṭitānāṃ saraladrumāṇām /
yatra srutakṣīratayā prasūtaḥ sānūni gandhaḥ surabhīkaroti // Ks_1.9 //

vanecarāṇāṃ vanitāsakhānāṃ darīgṛhotsaṅganiṣaktabhāsaḥ /
bhavanti yatrauṣadhayo rajanyām atailapūrāḥ suratapradīpāḥ // Ks_1.10 //

udvejayaty aṅgulipārṣṇibhāgān mārge śilībhūtahime ‘pi yatra /
na durvahaśroṇipayodharārtā bhindanti mandāṃ gatim aśvamukhyaḥ // Ks_1.11 //

divākarād rakṣati yo guhāsu līnaṃ divā bhītam ivāndhakāram /
kṣudre ‘pi nūnaṃ śaraṇaṃ prapanne mamatvam uccaiḥśirasāṃ satīva // Ks_1.12 //

lāṅgūlavikṣepavisarpiśobhair itas tataś candramarīcigauraiḥ /
yasyārthayuktaṃ girirājaśabdaṃ kurvanti vālavyajanaiś camaryaḥ // Ks_1.13 //

yatrāṃśukākṣepavilajjitānāṃ yadṛcchayā kiṃpuruṣāṅganānām /
darīgṛhadvāravilambibimbās tiraskariṇyo jaladā bhavanti // Ks_1.14 //

bhāgīrathīnirjharasīkarāṇāṃ voḍhā muhuḥ kampitadevadāruḥ /
yad vāyur anviṣṭamṛgaiḥ kirātair āsevyate bhinnaśikhaṇḍibarhaḥ // Ks_1.15 //

saptarṣihastāvacitāvaśeṣāṇy adho vivasvān parivartamānaḥ /
padmāni yasyāgrasaroruhāṇi prabodhayaty ūrdhvamukhair mayūkhaiḥ // Ks_1.16 //

yajñāṅgayonitvam avekṣya yasya sāraṃ dharitrīdharaṇakṣamaṃ ca /
prajāpatiḥ kalpitayajñabhāgaṃ śailādhipatyaṃ svayam anvatiṣṭhat // Ks_1.17 //

sa mānasīṃ merusakhaḥ pitṝṇāṃ kanyāṃ kulasya sthitaye sthitijñaḥ /
menāṃ munīnām api mānanīyām ātmānurūpāṃ vidhinopayeme // Ks_1.18 //

THE BIRTH OF THE WAR-GOD

The Birth of the War-god is an epic poem in seventeen cantos. It consists of 1096 stanzas, or about 4400 lines of verse. The subject is the marriage of the god Shiva, the birth of his son, and the victory of this son over a powerful demon. The story was not invented by Kalidasa, but taken from old mythology. Yet it had never been told in so masterly a fashion as had been the story of Rama’s deeds by Valmiki. Kalidasa is therefore under less constraint in writing this epic than in writing The Dynasty of Raghu. I give first a somewhat detailed analysis of the matter of the poem.

First canto. The birth of Parvati.–The poem begins with a description of the great Himalaya mountain-range.

God of the distant north, the Snowy Range
  O’er other mountains towers imperially;
Earth’s measuring-rod, being great and free from change,
  Sinks to the eastern and the western sea.

Whose countless wealth of natural gems is not
  Too deeply blemished by the cruel snow;
One fault for many virtues is forgot,
  The moon’s one stain for beams that endless flow.

Where demigods enjoy the shade of clouds
  Girding his lower crests, but often seek,
When startled by the sudden rain that shrouds
  His waist, some loftier, ever sunlit peak.

Where bark of birch-trees makes, when torn in strips
  And streaked with mountain minerals that blend
To written words ’neath dainty finger-tips,
  Such dear love-letters as the fairies send. p. 158

Whose organ-pipes are stems of bamboo, which
  Are filled from cavern-winds that know no rest,
As if the mountain strove to set the pitch
  For songs that angels sing upon his crest.

Where magic herbs that glitter in the night
  Are lamps that need no oil within them, when
They fill cave-dwellings with their shimmering light
  And shine upon the loves of mountain men.

Who offers roof and refuge in his caves
  To timid darkness shrinking from the day;
A lofty soul is generous; he saves
  Such honest cowards as for protection pray.

Who brings to birth the plants of sacrifice;
  Who steadies earth, so strong is he and broad.
The great Creator, for this service’ price,
  Made him the king of mountains, and a god.

–SUBHAM–

tags-Himalaya Mountain in Three Languages மூன்று மொழிகளில் இமய மலை வருணனை -2  குமாரசம்பவம் காளிதாசன்  

Who is a Good Wife? Mahabharata Answers- Part 4 (Post.14,948)

Written by London Swaminathan

Post No. 14,948

Date uploaded in London –  6 September 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Satyavan-Savitri story from Vana Parva of Mahabharata continued…………………

Savitri to Yama

I have heard it said that ordinarily it is your messengers who come to take away the mortals. This time, Lord, how have you come yourself?

Yama

This Satyavan was rooted in truth, and possessed rare qualities  in a still rarer combination. He was not to be taken away like other mortals, by my messengers. For him, I have to come myself.

Now go back, and do the last rites. You have discharged your husband debt. You have followed your husband as far as you should have.

Savitri

Where my husband is being taken, there I should go too. That is the abiding dharma (scriptural law). By your grace, and with the strength of my love for my husband, nothing can obstruct my way.

The wise say that on walking even seven steps together, a friendship is established. From such friendship, I shall say to you  a few things. Kindly, listen to me.

(Savitri explained what dharma is)

Yama

Now go back. The tings that you have said, in such perfect combination of word, tone, diction and logic have pleased me very much. Excepting the life of Satyavan, I can give you everything else.

Savitri

My father in law, deprived of his kingdom, now lives in forest. He is blind. I pray that by your grace his eye sight restored to him, and regain his strength, he may again shine like the sun.

Yama

What you have wished shall happen in that way, I give you the boon. Go back now, and do not put yourself to the rigour of further travel , you are tired.

Savitri

Being near my husband, I feel this travel no rigour. Wherever you take him, I shall come there too. And I have something more to say. Please listen to me.

Even a fleeting time with those rooted in truth is greatly desirable, their friendship even more. It is said that the company of such people never in vain. Therefore, one should always seek their nearness.

Yama

What you have said is to the good of all , most pleasing to me. Excepting the life of Satyavan, ask a second boon.

Savitri

The second boon I seek from you is that the lost kingdom of my father-in-law Dyumatsena is restored to him, and he, who I venerate as my guru, may never swerve from the path of dharma.

Yama

Dyumatsena will soon regain his kingdom and without struggle he will never swerve from the path of dharma.

The second wish of yours granted also, now go back. And do not tire yourself more.

Savitri

You keep all living beings within bounds of an eternal discipline and therefore, Deva you are universally known as Yama. Listen to what I will say.

In acts, speech and thought (Mano, Vak, Kaya), not to bear enmity towards any being; to have compassion to all; and giving; are considered the abiding dharma of the good.

Generally, the people of this world are short lived, and human helplessness is well known. Therefore, saints like you show compassion even to an enemy seeking refuge.

Yama

Blessed one! Hearing you say this is to me like water to the thirsty. Excepting the life of Satyavan, ask whatever you wish.

Savitri

My father Ashvapati has no son. May be he blessed with his own hundred sons who will continue his family line This is the third boon I seek from you.

Yama

Blessed one! Your father will have hundred sons that will keep his family line unbroken. Princess! Your third wish also has been granted. Now go back! You have already come too far.

Savitri continued to speak……………………………..

To be continued. ….

Tags – Savitri, Yama, Dialogue, Mahabharata, Good wife, Part 4

Who is a Good Wife? Mahabharata answers! – Part 2 (Post.14,936)

Written by London Swaminathan

Post No. 14,936

Date uploaded in London –  3 September 2025

Contact – swami_48@yahoo.com

Pictures are takn from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx   

Anamika story in Vana Parva of Mahabharata; Chapters 205 and 206

Anaamikaa= nameless woman i.e. Anonymous

English word Anonymous is derived from Sanskrit word Anamika. (Pronunciation- anaamikaa)

Yudhisthira put a question to sage Markandeya about the place of women in life.

“That a woman carries a child in her womb for ten months, and gives birth at the ripe time, what can be more awesome than that?

Often with danger to her life a woman bears a child gives birth in great pain and brings up her children with tender care- this seems to me to be even more difficult.

Still more difficult, indeed exceedingly difficult, is how woman look after a husband who is uncaring and cruel, from whom they receive only insulting behaviour, and yet, regardless, they live in the truth of their own dharma”.

Markandeya narrated the story of arrogant Brahmin Kaushika.

Kaushika was brahmin who mastered all scriptures and did severe penance. One day, sitting under a tree he was reciting Veda.  A bird sitting on the same tree soiled his clothes. In great anger he looked at the bird and the bird instantly fell dead. Then he set out on his daily round of begging for food, what is called Biksha (Tamil word Pichchai is derived from it.)

He had arrived at a house and gave the customary call. Ane the woman answered from inside the house, ‘Please wait’.

The mistress of the house took some time and Kaushika became very angry. When she came out with food, he reproached her.

She apologised for the delay and told that her husband came just before he cam for food. She had been attending on her husband and hence the delay.

Kaushika raised his voice in ager and said,

“So, for you, your husband is has greater importance than a Brahmana. Even Gods bow their head to Brahmanas, what to say about the mortals. You arrogant woman. Don’t you know the power of Brahmanas? They are like fire. If they wish they can burn the whole earth.

Nameless woman/Anaamikaa, said to him,

“Don’t be angry, Sir! I meant no disrespect to you, but I am not that little bird that you reduced to ashes with your anger. What can your ngr do to me? It cannot touch me even remotely”

“The dharma I obtain from taking care of my husband is what I delight in. I put him in a place higher than even the Gods.

It is the kind of life that I live , ordinary, but in devotion to my husband , that brought me some powers too.

Just see that is how I have the foreknowledge of your burning with your anger that little bird. But, Sir, anger is the enemy that resides in man’s body.

This is in Tamil Veda Tirukkural too,

தெய்வம் தொழாஅள் கொழுநன் தொழுதெழுவாள்

பெய்யெனப் பெய்யும் மழை.- குறள் 55

Even rains fall at the command of the wife Who upon rising worships not God, but her husband- Tirukkural 55.

Sanskrit (संस्कृतम्)

पतिमेव हरिं मत्वा प्रातर्या भजते ऽन्वहम् ।

त्वं वर्षेंति तंयाऽऽशप्तो देवोपि किल वर्षति ॥ (५५)

***

Woman said to Kaushika, before leaving,

“Sir if you do not know what Dharma (rightful conduct) is, you should learn it from Dharmavyadha, a meat seller, by going to Mithila. He takes care of his parents. He is truthful and a man of self -control. Should I have said more than I should have, or something offensive, forgive me. Those who live in dharma know also that women are adandaniya, above punishment”

Kaushika said to the woman,

I am very pleased with you. My anger has vanished. Then he went to Mithila and met Dharmavyadha.

To be continued……………….

Similar story is told in Tamil about a Siddha saint called Konkanava. கொக்கென்று நினைத்தாயோ கொங்கணவா?

Hey You Konkanava, Did you think that I am like that bird heron/stork (you burnt a while ago)?

–subham—

Tags- power of woman, arrogant Brahmin, Kaushika, Mahabharata, Vana parva, husband is god, woman is unpunishable. கொக்கென்று நினைத்தாயோகொங்கணவா

Ganesh worship in Ancient Sangam Tamil Literature (Post No.14,915)

 Written by London Swaminathan

Post No. 14,915

Date uploaded in London –  29 August 2025

Contact – swami_48@yahoo.com

Pictures are takn from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Lord Ganesh with Erukkam flowers

Research article by London swaminathan

Tami name of Lord Ganesh is PILLAIYAAR.

We have very clear proof for Ganesh worship in 2000-year-old Sangam Tamil literature.  One must understand that there are two stages in the worship of Hindu Gods. In the first stage, they are not part of popular worship and so the evidence is hidden in literature. When they become popular, we see them clearly in literature, statues and paintings. Ganesh is found around the world in statues. Sri Lanka Buddhist Viharas have Ganesh. Tallest Ganesh statue is in Thailand. Largest Muslim country in the world Indonesia has Ganesh image in their currencies. Roman God Janus is none other than Ganesh. Japanese also worship Ganesh.

Let us look at some examples. In the works of Kalidasa and Sangam Tamil literature we come across Lord Siva in the first verse, that is the Invocation or in praise of God. Four out of seven works of Kalidasa have Lord Shiva in the invocation. In Tamil at least five works have Lord Shiva in the invocation. After ninth century we have Ganesh instead of Shiva.

In the Vedic rituals , they do Ganesh puja first with image made with turmeric powder or clay idol. Tamils just wrote the letter u உ (Tamilஉ Vowel) to symbolise Ganesh. From fifth century onwards  we see big Ganesh statues in South India. Now in Tamil Nadu Ganesh Festival has become more popular like Maharashtra. Even in Maharashtra B G Tilak only made it a grand festival to arouse Nationalism.

Now let us look at some examples:

Because of actors Mookambika, Santoshi Mata, Ayyappa, Ragavendra- all became popular. But the worship of those have been in vogue for centuries. Now Brahmins only worship Vedic Gods thrice a day at home. Others go to Shiva and Vishnu temples also Skanda/Muruga and Ganesh.

Another example of how Gods become popular come from the life of Chaitanya. He popularised the worship of Krishna with street dance and music. Bhakti Vedanta Parabhuapada took it to western countries and now devotees of Hare Krishna movement are doing the same street dance and music around the world. But Krishna worship has been there for more than 2000 years. Ancient Tamils worshipped Balarama along with his younger brother Krishna. But now several ancient Tamil temples have some empty space next to Krishna. Balarama has disappeared. He has lost popularity.

1

Ganesh in Sangam Literature

There is one clear reference to Ganesh in Tiru Murugaatrup Padai , but not in the main verse. So scholars consider it as an appendix. But they forgot to see other references. Face with one hand is found in this book.

2

Kabilar, a Brahmin poet, has contributed the highest number of verses in Sangam Literature. His name itself is the name of Ganesh. Priests in India do Ganesh puja with 16 names of Ganapathy and one of them is Kabila. That poet sys in Purananuru verse 106, “God  wont reject a devotee’s offering even if it just grass or Erukkam flower. Here we see more evidence. A poet who entered Hindu Book of Records by listing 99 flowers at one go, refers just erukkam flower. That is Calotropis gigantea or Arka in Sanskrit. Nowadays this flower is associated with Lord Ganesh only. There is a very big demand for this flower in Tamil Nadu during Ganesh Chaturthy or Vinayaka Chaturthy. Kabila not only used this but also used Pul for grass. Arukam Pul is the only grass used to worship Ganesh on all days like Tulsi for Vishnu and Vilva for Lord Shiva.

And Kabila’s Puram verse 106 is nothing but an echo of Bhagavad Gita

पत्रं पुष्पं फलं तोयं यो मे भक्त्या प्रयच्छति |

तदहं भक्त्युपहृतमश्नामि प्रयतात्मन: ||9- 26||

If one offers to Me with devotion a leaf, a flower, a fruit, or even water, I delightfully partake of that item offered with love by My devotee in pure consciousness.

patraṁ puṣhpaṁ phalaṁ toyaṁ yo me bhaktyā prayachchhati

tadahaṁ bhaktyupahṛitam aśhnāmi prayatātmanaḥ

So, we know Hindu worship with flowers, leaves (Tulsi, Bilva, Dharba, Dhurva/ Arka grass) and water has been there from Mahabharata days, i.e.. for at least 5000 years.

Hindus showering God with water. Hindus invented this shower.

3

Modakam in Sangam Literature

The longest of the 18 Sangam books is Maduraik Kaanchi by a poet named Maangudi Maruthanaar. He mentioned MODAKAM by using the same Sanskrit word. Modakam is associated with Hindu Gad- Ganesh only.

(Modakam or Modak refers to the Sanskrit word for “a small portion of bliss” or “sweetmeat,” and it also refers to a type of sweet rice dumpling, which is a favourite food of the Hindu deity Lord Ganesha. The term also appears in a devotional hymn by Adi Shankaracharya, where the first line, “Muda Karaatta Modakam,” describes Lord Ganesha joyously holding this sweet.)

4

Adi Sankara divided Hindu worship into six main sects and one of them is Gaanaapatyam, i.e. Ganesh worship. If we go by the date of Sankara given by Kanchi Paramacharya (1894-1994), then Ganaapatyam came into vogue in the first century BCE or earlier.

Modakam with Coconut jaggery inside. Adi Shankara mentioned it in his Ganesa Pancharatanam.

5

The reference to Modaka, sold in Madurai shops along with Appam , (Maduraik Kanchi lines 625-629) another sweet dish, show that there existed Ganesh worship in Tamil Nadu. Because Appam (Fried sweet pan cake) is also associated Lord Ganesh. About 500 years ago , famous Tamil devotional poet Arunagiri Natharbegan his book Tiruppugaz with an invocation to Lord Ganesh, he mentioned Appam as a favourite dish of Lord Vinayaka.

Siruthondar, commander in Chief of the Pallava army, defeated the Chaukya king and brought the famous Ganesh statue from Baadaami (correct name Vaataapi). Then Ganesh became popular in Tamil Nadu.

Conclusion

Evidence from Nakkirar’s T M Padai, Kabila’s Puram verse, and Maduraik Kaanchi’s Modakam reference may be taken as a very clear evidence for Ganesh worship during Sanam Age. His worship became popular from fifth century CE.

–Subham—

Tags- Ganesh worship, Pillaiyar, Sangam literature, Kalidasa, Modakam, Kozukkattai, Kabilar, Erukkam flower, Puram 106

How Goddess Meenakshi helped British Collector and King Tirumalai Nayak! 4 Miracles!! (Post No.14,844)

MADURAI KING TIRUMALAI NAYAK WITH HIS WIVES.

Written by London Swaminathan

Post No. 14,844

Date uploaded in London –  8 August 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Madurai Meenaakshii Sundareswarar (Shiva ) temple is considered one of the wonders of the world. It is because it contains over 30,000 sculptures (stuccos) and paintings. The stone sculptures are carved with very great precision. A small mistake would have made the sculptor to restart the work again and work for many years. It had beautiful and tall towers during the visit of Tamil Miracle Boy Saint Tiru Gnana Sambandar around 600 CE. Sekkilzar of tenth century mentioned the tall towers in Peria Puranam; Sambandar mentioned just the towers. But the present structure has only one old tower built in 12th century by Sundara Pandya. Later Madurai Nayak Kings, particularly Tirumalai Nayak, and Nattukkotai Nagarathar Chettiyars added several towers and Mandapas/buildings.

The British took over the management of the temple when corruption was reported in the 18th century. There are several miracles of Goddess Meenakshi well documented in the temple records. Let us look at some miracles.

1

Peter Pandya alias Rous Peter

Rous Peter was the collector of Madurai between 1812 and 1828. He was a devotee of Madurai Goddess Meenakshi. He made lavish gifts to Madurai temple and Alagarkoil (Kalla Azakar) Vishnu temple.  He was popularly called Peter Pandya. It is said that once he shot a wild elephant and it started attacking him. Immediately he prayed to Goddess Meenakshi and fired another shot which killed the elephant. This story appeared in print.

Another popular version is that one day he was sitting in his court hall and writing a judgement during rainy season. At that time a beautiful little girl appeared before him and asked him to come out of the building. Attracted by her charm he followed her , but she disappeared. As soon as he came out of the building, it collapsed. He realised that it was Goddess Herself came and saved his life twice. As a thanksgiving he donated some jewels to the temple, and they are still used on festival days.

2

Tirumalai Nayak (1623-1659)

Tirumalai Nayak renovated the temple completely during his reign. His wife constructed Ashtasakthi Mandapam. During his reign the beautiful Pudumandapam in front of the temple was built. He showed personal interest in the development of the temple. He revived the Sengol/ sceptre Festival. This meant he was only a servant of Goddess Meenakshi who gives her golden sceptre to him to rule Her country . Since Greek ambassador Megasthenes (3rd century BCE) mentioned the Pandya queen in his book Indica, this must have started 2300 years ago.

Rev. William Taylor has recorded Nayak’s personal involvement in the administration of the temple to weed out corruption. It reports a miracle. Goddess Meenakshi (Parvati, wife of Shiva) appeared in Nayak’s dream and told him there is no care for me. Very next day he called the temple administrator and told him quietly, “for the future we ourselves will piously undertake the anointing, the purveying of offering food (prasaadam) to God, the robing of the images with garlands and flowers, lighting of the sacred lamps and the whole of the daily duties throughout the temple”. He also donated lands yielding 12,000 pons (gold coins) every year for the administration of the temple.

Later, from the first day of the month Thai, Eswara year, on the Makara Sankaranthi Day, he handed charge over to one Paranetha Pandaram, the son of the hereditary female lamp-lighter of the temple. This is recorded in a translation by Rev William Taylor.

3

Early Miracle recorded in Temple Document

In 1365, Kumara Kampana Udayar, a prince of the Vijayanagara Empire, invaded Madurai in Tamil Nadu after conquering many kings on his way. He sounded the death knell of the Muslim Sultanate which ruled Madurai for half a century. Ibn Batuda, the African traveller, has recorded all the atrocities done to Hindus by the Muslim sultans. Though he was a Muslim he was disgusted by the sultans massacring Hindu women and Children; he has given a graphic account of incidents which he saw with his own eyes.

When Kumara Kampana entered Madurai with his wife Queen Ganga Devi (author of Madura Vijayam in Sanskrit) he saw a miracle. Nelson gives a graphic account of the reopening of the Meenakshi temple after the elimination of Sultans:

“Kampana Udayar was taken on an appointed day to witness the reopening of the Pagoda (temple) and on his entering and approaching the shrine for the purpose of looking upon the face of God. Lo! and behold! Everything was precisely in the same condition as when the temple was first shut 48 years ago. The lamp that was lighted on that day was still burning and the sandal wood powder, the garland of flowers and the ornaments usually placed before the idol on the morning of the festival day were found to be exactly as it is .

This is not Nelson’s words. This is written in the Temple Record book called Seethala Kurippedu in old Tamil. Nelson has given a brief translation. And such a record written in the temple never exaggerates nor tell lies.

4

Fourth Miracle

My father V Santanam, freedom fighter and News Editor, Dinamani, Madurai was part of the 1963 Kumbabishekam (consecration done every 12 years) of the Madurai Temple. Then Kumbaabishekams were done in 1974 and 2009. During the last Kumbabishekam there was a controversy about the Consecration Date. A section of the temple priests was not happy about the chosen date. But it was already announced publicly. There was a big embarrassment about changing the date. At last, all the parties concerned, agreed to leave it to Goddess Meenakshi to pass a final judgement.  The modus operandi generally followed in such a dilemma, is to write YES and NO on paper bits and roll them out and put them in a pot. One from the audience of devotees is called at random, again by someone unconnected with this process, and asked to pick up ONE rolled paper bit. A little girl from the audience was called to pick up Yes or No paper bit on an auspicious day. To the surprise of all the girl picked YES paper bit. Then casually someone asked the girl her name, she said MY NAME IS MEENAAKSHI. Everyone was wonderstruck and had the hair stood on end (goosebumps, elation).

Miracles never stop. They do happen even today. My friend Siddhivinayakam on a casual telephone call from India told me how he named his baby daughter. When he was struggling with different names suggested by family members, he heard someone saying Meenakshi suddenly from unknown source. We call it Asariri, i.e. ‘not from human body’ or from an unseen person.

God Shiva and Goddess Meenakshi have been worshipped for at least 2300 years in Madurai temple. Now millions visit the temple every month.

–subham—

Tags- Madurai Temple, Goddess Meenakshi, Four miracles, Peter Pandya, Tirumalai Nayak, Kampana Udayar, Ganga Devi

KASHMIR SAINT LALLA AGAIN!

SOMETIME AGO I POSTED ONE ARTICLE ABOUT SAIVITE SAINT LALLESWARI OF KASHMIR. HERE IS ANOTHER INFORMATIVE ARTICLE.

 Lal Ded: Her Life and Works

July 21, 2025

Dr Shiben Krishen Raina

FROM THE HINDU POST.

The people of Kashmir revere Lal Ded under various names—Laleshwari, Lalyogeshwari, Lala, Lal, and Lalarifa. Scholars have long debated over the precise period of her birth. On analyzing these various views, the year 1335 AD appears to be the most plausible date for her birth.

It is likely that Lal Ded’s birth name was different. In Kashmiri, Lal means ‘belly,’ and Ded is an honorific term used for revered elderly women. It is said she often roamed half-naked, her large belly covering her private parts. Pt. Gopi Nath Raina, in his book Lal Vakya (1920) and The Word of Lalla Prophetss (1929), suggests her birth name was Padmavati.

It is also believed that during her lifetime, Lal Ded interacted with many prominent figures, such as the then prince Shihabuddin, saints like Syed Jalaluddin Bukhari, Syed Hussain Samanani, and Syed Ali Hamadani. These events are recorded around the Hijri years 748, 773, and 781 respectively, indicating that she was not only born before these years but was mature and enlightened by then.

Like her birth, Lal Ded’s death is also shrouded in uncertainty. It is only said that when she passed away, her body shone like pure gold. This event is believed to have occurred near Bijbehara, close to Anantnag (Islamabad). There is no reliable record regarding the final rites or cremation of her mortal remains. Legend has it that the saint-poet Sheikh Noor-ud-din Wali, born in 1376 CE, once suckled her mother’s breast after being reprimanded by Lal Ded, implying she lived at least till 1376 AD.

Lal Ded was born in Simpura village near Pampore, about nine miles from Srinagar, into a Brahmin farming family. According to the then prevalent customs, she was married in childhood to a reputed Brahmin family in Pampore. Her husband’s name is recorded as Sonpandit. Even from her young age, this proto-poetess harbored a rebellious spirit toward worldly bonds, which ultimately found expression in her deeply emotional and philosophical Vakhs (verses). She received her early education from her family guru, Shri Siddhamol, who introduced her to the secrets of religion, philosophy, knowledge, and yoga, thereby earning the reverential status of a Guru.

When Sonpandit noticed his wife growing increasingly detached, he requested Siddhamol to guide her towards worldly engagement. During a visit to her house, a profound discussion emerged among Sonpandit, Siddhamol, and Lal Ded. The topics were:

1. What is the greatest light?

2. What is the most sacred pilgrimage?

3. Who is the most important relative?

4. What is the most delightful thing in life?

Sonpandit answered: sunlight, the Ganges, a brother, and a wife.

Siddhamol offered: sight, knees (as the body’s journeying tool), pocket (symbolizing wealth), and health.Lal Ded responded: self-realization is the greatest light, curiosity is the holiest pilgrimage, God is the truest relative, and fear of God is the greatest delight.Both  were stunned by the profundity of her response.

Even in childhood, Lal Ded displayed extraordinary traits. She often sat alone in deep thought, never drawn by the attractions of the world—so much so that her peers mocked her for her eccentricity (Kashmiri Zabaan aur Shayari, Vol. 2, p.113).

After marriage, she endured the bitterness and tyranny of her mother-in-law with great patience. Once, she went to fetch water. Her mother-in-law incited her son to spy on her. As Sonpandit approached with a stick, Lal Ded was returning with a water-pitcher on her shoulder. He struck the pitcher, which shattered, but the water remained suspended as if supported by a divine force. She used this water to fill utensils at home, and the leftover water she threw from the window created a pond that still exists, known as Lal Nag.

On another occasion, during a feast at her in-law’s house, her friends teased her that she would enjoy delicious food today. Lal Ded humbly replied, “Whether sweets or savory dishes are cooked, I am fated to eat stones.” Her cruel mother-in-law would place a stone beneath a layer of rice on her plate. This incident led to a local proverb in Kashmir: “Lali neelvath chali na janah”—“ Lal cannot change her fate of stones.”

By now, her spiritual insight had transcended the limitations of the physical world. She began wandering in search of inner truth, even discarding her clothes. She danced, sang, and roamed freely in bliss. She considered only those men to be real who feared God—and such men, she said, were rare. Hence, she felt no shame being naked before others. When she once spotted the great Sufi saint Syed Hamadani approaching, she tried to cover herself. Hamdani asked why she was ashamed now. Lal Ded replied, “O friend of God, until now, only women passed by. You are the first man with divine vision.”

On another occasion, she ran to a shopkeeper requesting clothes to cover herself, saying, “The saint who is coming recognizes me as I recognize him.” As Saint Hamadani arrived, she jumped into a nearby bakery’s tandoor. When the saint called out, “O Lalla, come out and see who is here,” she emerged clad in radiant, divine garments. This incident inspired a Kashmiri saying: “Aayi vaanas te gayi kandaras”—“She came to the grocer but went to the baker.”

Lal Ded had no children, a bond from which nature freed her. She herself said: .“Na pyaayas, na zaayas, na kheayam hend taney shonth”(Neither did I give birth nor partake in maternal food).

The hardships she faced in her household awakened in her a new vision of life. Her spiritual realizations blossomed into poetic expressions known as Vakhs, just like Kabir, who never used pen and paper. These verses were sung orally before being documented. Dr. Grierson, with the help of Pandit Mukund Ram Shastri, compiled 106 Vakhs, published in 1920 in Lalvakyaani by the Royal Asiatic Society, London. R.C. Temple further studied her sayings in The Word of Lalla, published by Cambridge University Press in 1924. Rajanak Bhaskaracharya translated 60 of her Vakhs into Sanskrit.

Many other scholars, such as Sarvanand Charagi, Anand Kaul Bamzai, Ramju Kalla, Jia Lal Kaul Jalali, Gopi Nath Raina, Prof. Jia Lal Kaul, R.K. Wanchoo, and Nand Lal Talib, have contributed significantly to preserving and translating her work. Sarvanand Charagi translated 100 Vakhs into Hindi under Kalam-e-Lalarifa, Anand Kaul Bamzai 75, and Ramju Kalla published 146 Vakhs in Amritvani. Renowned writer/translator Dr.Shiben Krishen Raina collected around 180 Vakhas and published them in a collection printed by Bhuvan Vani Trust Lucknow(1983)

Lal Ded’s  Vakhs are mostly in free verse with rhythmic cadence. Her philosophical insights reflect influences of Shaivism, Vedanta, and Sufism. When she emerged, Islam had already entered Kashmir as a theological system. Amidst religious dogmatism and socio-political unrest, Lal Ded rose above sectarian divisions and voiced the universal truth in the language of the common people. Her mystic vision was deeply personal: “My guru whispered a secret—turn away from the outer and seek within. Since then, my soul has danced naked.”

She had attained a state beyond ego and duality. She saw no difference between self and other, between honor and insult. Her realization of the Self as Shiva was supreme:

“Let people insult or mock me—

I shall never harbor ill in my heart.

When my Shiva has showered grace,

Why should I fear what others think?”

Shaken by social contradictions, her inner being was stirred:

“I saw a wise man dying of hunger,

His body withered like autumn leaves.

I saw a fool beating for stealing food,

And my soul, disturbed, walked away.”

Her understanding of Advaita (non-dualism) matched that of Shankara. She found God not in temples or rituals but within herself:

“I searched for Him in the world—

Day and night, I wandered.

At last, I found Him in my own home—

And from that day, my true path began.”

She opposed religious hypocrisy and criticized both Hindus and Muslims who strayed from true piety. For Lal Ded, religion meant purity of heart.

“Your face is beautiful; your heart is like stone—

Where is the essence in that?

You read and write till your hands are sore—

But you have not removed the darkness within.”

Lal Ded’s poetry is a blend of philosophical depth, poetic beauty, and spiritual universality. Her expressions use metaphor, paradox, suggestion, and symbolic imagery rooted in everyday life. Most of her Vakhs evoke the tranquil Shanta rasa (aesthetic mood of peace).

Lal Ded’s language marks a milestone in Kashmiri literary history. Though some consider Shitikantha’s Mahanaya Prakash the first Kashmiri text, its language is far less Kashmiri than that of Lal Ded’s verses. Her language is Sanskrit-rooted but also contains Persian and Arabic elements. She used Sanskrit words in original or slightly modified forms: prakash, teerth, anugrah, karm, moorkh, manushya, shiv, .updesh., .geeta., .gyaan., etc. Persian-Arabic words include. sahib.,. dil., .jigar., .mushk., .gul., .bagh., .kalma., .shikar., etc.

There is no significant shrine, memorial, or temple dedicated to Lal Ded in Kashmir. Perhaps she transcended such earthly symbols. She came as a divine emissary and merged silently with the Infinite—beyond life and death:

“For me, birth and death are alike.

No one dies for me—

Nor shall I die for anyone.”.

Lal Ded ranks among the greatest spiritual luminaries of the world. She had attained enlightenment during her lifetime and entered the abode of God. For her, life held purpose and death lost its dread. She loved God wholeheartedly and found Him within herself.

Kashmir’s great Sufi saint Sheikh Noor-ud-din Wali, also known as Nund Rishi, offered the most fitting tribute to Lal Ded:

“That Lalla of Padmapore drank the nectar divine—

She was our incarnation.

O Lord! May I be blessed as she was!”

–SUBHAM–

TAGS- Lalleswari, Saint Lalla, Kashmir, Saivite, Hindu Post.