HINDU DICTIONARY IN ENGLISH AND TAMIL 73; இந்து மத கலைச்சொல் அகராதி- 73 (Post No.15,915)

Written by London Swaminathan

Post No. 15,915

Date uploaded in London –25 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 73

N words continued…………………….

Nakkirar

A controversial and challenging Tamil poet of Sangam age. His clashes with Lord Shiva and others are in the stories of Tiru Vilaiyatal Purana and Tiru Murugatruppadai in Tamil . Tiru Murugu. Is a Sangam age work, that is 2000 years old. His poems are in Purananuru in praise of Hindu Gods. His controversy was documented by Appar (600 CE) in one of his poems, and so he must have lived at least 300 or 400 years before Appar.

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Nalangu

A Tamil Post Wedding Ceremony to reduce the stress and strain of a wedding ceremony. It is full of fun and frolicks.

Both the bride and bridegroom are asked to take part in various competitive games. One example: a ring is placed in a pot full of water. When they are asked to GO, both dip their hands into the water pot; whoever takes the ring first is the winner; the winner’s family and friends jump with joy making big noise.

Both of them are asked to roll a coconut, powder a few Pappads in the air with both hands; both parties tease or mock at the other group with  some songs; they are like song caricatures of the bride or bride groom family.

An example : bride groom has Hitler moustache or pot belly; bride has a fake plait; hair is not long enough.

Nalangu is a traditional South Indian and Tamil post-wedding ceremony involving the application of sacred pastes and the playing of games to help the couple relax. As documented in ancient texts, this ritual aims to reduce stress and foster bonding between families.

In some communities it is done before the wedding. The bride and others are applied with turmeric paste. Participants also, particularly women, apply the turmeric paste on their feet and hands..

Something similar to North Indian Hindu ceremonies like Mehandi and Sangeet ceremonies.

***

Naalvar – The Four

The Great Four Saivite Saints; Naalvar means The Four persons; they are Appar alias Tirunavukkarasar, Sambandar (Tiru Gnana Sambanthar), Sundarar and Manikkavasagar (maanikkavaasakar); latest research shows that the last one lived at least 100 years before Appar, a contemporary of Mahendra varman, the greatest Pallava king (600 CE).

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Namam ( naamam )

It is a symbol on the forehead of Vishnu devotees. They are three vertical lines in the shape of English letter Y or U. between the thick white lines a straight red line is drawn in the middle. Tamil Vaishnavites wear Dvaadasa Naamams on 12 places in the body that is comparable to Saivite Brahmins 12 placed Vibhuti (holy ash).

Y shaped Naamam- symbol of Tenkalai sect of Tamil Viashnavites; those who sing Tamil hymns of Alvars (Tamil Vaishnavite Saints)

U shaped Naamam- symbol of Vadakalai sect of Tamil Viashnavites; those who sing Sanskrit hymns of Vedanta Desikan.

Then= south ; Vada = north .

Even the Naamam on temple elephants will show one to which sect the temple belongs.

But when it comes to big temples like Titupati Balaji temple or Srirangam Ranganatha Temple, common devotees don’t bother about the sectorial divisions. But there are extremists in both sects who take the symbol cases up to the highest court in the country.

Vaishnavite Gurus/Acharyas called Jeeyars are very ardent followers of their respective sects and its practices.

***

Nammazvaar


One of the greatest Vaishnavite saints known in Tamil as Alvars (aazvaar).

Tamil Vishnu devotees believe that he composed Vedas in Tamil; his poems are great and meaningful. He was born in Alvar Titunagari in the southern part of Tamil Nadu. Like Buddha attained wisdom under the Peepal/Bodhi tree, Nammalvar  (nammaazvaar) attained wisdom under a Tamarind tree. Like Tansen’s tamarind tree, this tamarind also attained fame and worshipped until this day.

Following Thirumangai Alvar who composed 1,361 verses, Nammalvar is the second most prolific contributor, having composed exactly 1,296 verses across four works (most notably the Tiruvaymoli). They are part of Naalayira Divya Prabandham (the canonical collection of 4,000 Alvar hymns).

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Nayanmar or Nayanar (naayanmaar or Naayanaar)

Sixty three Tamil saints and mystics are called Nayanmar or Nayanars. They were ardent followers of Lord Siva. Their stories are sung by Sekkizar in Periya Puranam in Tamil. They revived and spread Bhakti movement between fifth and ninth centuries. They belong to all castes. Of them three are women.

We know the date of Sambandar, the greatest of the 63 saints. He lived around 650 CE. Kannappa Nayanar who was a hunter gave his eye to Lord Siva and attained Mukti/liberation. Woman saint Karaikkal Ammaiyar became famous and worshipped in southeast Asian countries too. Of the Four Great Saivite Saints, Manikkaavasagar is left out and not included in the list of 63. This problem has been debated until this day without a definite conclusion. But his poems are included in the Saivite Tirumurais (Scriptures or Hymns on Lord Siva). Indirect references show that he lived before 600 CE.

****

Narada

A great rishi who undertook frequent trips between heaven and earth.

Narada Muni is portrayed as the quintessential traveller, a supreme devotee of Vishnu, and the “first investigative journalist” of the cosmos. He was a messenger of divine wisdom, an Inter Galactic Traveller. He delivered essential philosophical lessons and stories of devotion to many.

He visited the Pandavas a number of times specially during the period of their banishment in the forest and gave them good advice. About righteous conduct and harmonious living. He illustrated his points by appropriate anecdotes  from past history/puranas. He also tried to persuade Dhritarashtra  to keep his son Duryodhana  in check and make peace with the Pandavas.

Nārada (नारद) was one of the twelve, who knew the dharma ordained by Hari; a celibate; an attendant of Hari; was taught the bhāgavata by the father; and he gave it in his turn to Vyāsa. Wherever he  goes he will create a problem and that will bring something good; end justifies means was his policy.

He was in the company of Bharata when he recited the Nāṭyaveda, according to the Nāṭyaśāstra chapter 35.

He was a celebrated Devarṣi (deified saint or divine sage). He is one of the ten mind-born sons of Brahmā, being supposed to have sprung from his thigh (Manusmṛti 1. 35). He is represented as a messenger from the gods to men and vice versa and as being very fond of promoting discords among gods and men; hence his epithet of Kalipriya or kalahapriya. He is said to have been the inventor of the lute or Vīṇā. He is also the author of a code of laws which goes by his name.

In Tamil literature, he was referred to in Tamil epic Silppadikaram as Naradar Veenai (Veena of Narada). He always travelled with his Veena singing the glory of Vishnu.

Many people born later also had his name. So we find many books in his name. But the original Narada is attributed with one famous book, Narada Bhakti Sutra.

Narada Bhakti Sutra has 84 aphorisms on the nature of Bhakti and the condition of Bhaktas/devotees. Swami Vivekananda has explained it in good English. (see my blogs for more details).

***

Narakasura

Asura killed by Lord Krishna and that day is celebrated as Deepavali (Diwali) in Tamil Nadu.

Narakasura was the son of Goddess earth, (referred to as Dharthi), by Lord Vishnu himself during his Varaha (boar) avatar. It was foretold that he would be destroyed by a later incarnation of Vishnu. His mother, the earth, sought the boon from Vishnu that her son should have a long life, and that he should be all powerful. Vishnu readily granted these boons.

Narakasura became evil, in association with another Asura named Bana. Drunk with power, as he knew himself to be unrivalled in prowess, he brought all the kingdoms on earth under his control. Next he turned his eyes towards Swargaloka/ heaven. Even the mighty Indra could not withstand the assault of this son of Vishnu and had to flee the heavens. Now Narakasura had become the overlord of both the heavens and earth. His reign of oppression was in full swing. His capital was in modern Assam

Once granted immense power, he built a seemingly impregnable fortress, terrorized the three worlds, stole divine treasures (such as the earrings of Aditi), and imprisoned 16,000 celestial princesses

Divine Intervention: The tormented devas sought the help of Lord Krishna to defeat Narakasura.

The Battle: Accompanied by his wife Satyabhama—who was the earthly incarnation of Bhudevi—Lord Krishna rode to Pragjyotishapura to confront the demon.

The Final Blow: Because of the boon that only his mother could kill him, Satyabhama took the bow and struck the decisive blow, paving the way for Krishna to sever Narakasura’s head with his Sudarshana chakra.

Liberation: Following Narakasura’s defeat, Krishna liberated the 16,000 captive women and married them to restore their societal honour.

Festival of Lights: The triumph of good over evil that day is spiritually commemorated as Deepavali (Diwali), specifically the day of Naraka Chaturdashi

Sanskrit phrase 60,000 0r 16,000 means a lot, uncountable, innumerable. Even in English we use a million dollar question etc

***

Nikhumba

Several rakshasas had this name. one of them is referred to in Ramayana .

According to Mahabharata, Nikhumba was the father of demons Sunda and Upasunda who killed each other in an intoxicated fight to get hold of apsara

Tilottama . he was a descendent of Hiranyakasipu.

According to Ramayana,

Nikumbha (निकुम्भ).—A very mighty Rākṣasa. Son of Kumbhakarṇa (Rāvaṇa’s brother) by his wife Vajramālā. He had an elder brother called Kumbha.

When Kumbha was killed in the Rāma-Rāvaṇa war Nikumbha rushed to the front line and fought fiercely, and he was killed by Hanūmān. (Vālmīki Rāmāyaṇa, Yuddha Kāṇḍa, Canto 77).

Nikumbha (निकुम्‍भ): One of Ravana’s generals who led the rakshasas against the host of monkeys and was slain

When Indrajit, son of Ravana tried to do an all powerful Yaga to destroy Rama, timely intervention of Lakshmana spoiled it

According to Puranas

the “dreadful cave of Shatpura” is a foreboding site of deception and imprisonment famously linked to the powerful being Nikumbha.

According to ancient texts, Nikumbha—a powerful figure and lord of the Pisacas—used this cave to harbour captives. Its mythological significance centres around a few key details:

The Standoff: Nikumbha emerged from the dreadful cave wielding a thorn-covered club.

The Conflict: Upon stepping out, he was confronted in combat by Dhananjaya (Arjuna), who shot arrows from his Gandiva bow to block the thoroughfare.

Symbolism: The cave serves as an ominous backdrop for themes of entrapment and trickery during pivotal battles.

***

Nimi

Son of Dattatreya. He grieved greatly at the death of his son Shrimana and then he undertook various ritual for the eternal good of his son. It is said that this constituted the beginning of thee “Shraddha” ceremonies relating to death.

***

Nivatakavacha, Nivātakavacha

These innumerable Danavas/demons occupied a city which previously belonged  to Devas. Not being able to defeat the Nivatakavacha danavas, Indra sought the help of Brahma who said that Indra himself in another form would be able to defeat them. Thus it was when Arjuna  had come to the end of his five years stay in Swarga/heaven and was preparing to return to earth, Indra asked as a parting gift he should get rid of his enemies the Nivatkvachas.  Arjuna went to the abode of the Danavas with Matali as his charioteer and using various divine weapons obtained from heaven he defeated the  Nivatkvacha demons.

More  details

The nivatakavachas (Sanskrit: निवातकवच, romanized: Nivātakavaca, lit. ‘the impenetrable armoured ones’) are a sect of daityas, the children of Kashyapa and Diti, classified under the race of asuras in Hindu mythology. They are best known for their battles against Ravana and Arjuna, the latter of which caused their annihilation.[1]

Thirty million nivatakavachas were born in the daitya clan. Allied with the kalakeyas, they triumphed over the devas in battle. They are described to have been skilled in magic and warfare, wielding powerful weapons to defeat their foes.

From Ramayana

The nivatakavachas are said to have terrorised the world, living deep beneath the ocean, and residing in the city of Maṇimatī after securing boons from Brahma. In the Ramayana, Ravaṇa with his sons Meghanada, Atikaya, and with his army attacked these daityas, but found himself unable to defeat the sect after centuries of battle. The two sides finally formed an alliance after Brahma intervened.

From Mahabharata

In the Mahabharata, Indra sought the destruction of the nivatakavachas from his son, Arjuna, as his dakshina (honorarium). Describing the sect as his foes, he stated that the nivatakavachas lived in a fortress under the ocean, numbered thirty million, and were alike in shape, size, and prowess. To achieve this task, Indra sent his own charioteer, Matali, to drive Arjuna to the location of his foes. The devas offered Arjuna a conch named Devadatta, and Matali offered him ornaments that resembled his own. When the two reached the city of the daityas, they closed their gates, fearing that Indra himself had appeared to slay them. When Arjuna blew his conch, the nivatakavachas attacked him, loosing tridents, spears, and arrows upon him. Arjuna released arrows from his Gandiva, slaying the daityas in the thousands. The nivatakavachas rendered themselves invisible, and showered elemental attacks on Arjuna. The prince grew disheartened when he realised that he was unable to manoeuvre their attacks due to the intensity of their barrage.

Matali urged him to employ the thunderbolt missiles he had brought with him, which devastated the daityas, and defeated them. The daitya women sought shelter in their houses as Arjuna entered Maṇimatī, thinking that it looked better than the city of the devas. The charioteer explained that the city had previously belonged to the devas, but had been captured by the daityas following a boon granted to them by Brahma. Brahma assured Indra that the latter himself, in another form, would defeat the daityas, which had just transpired. He encouraged Arjuna to also lay waste to Hiranyapura, a neighbouring city of the danavas who opposed his father as well, which the prince achieved.

***

Nara Narayana

Nara-Narayana are twin sages and a twin-brother avatar of Lord Vishnu in Hinduism, representing the eternal connection between humanity (Nara) and divinity (Narayana). Together, they represent human effort and divine grace working in harmony to uphold righteousness (dharma

The Name: In Sanskrit, Nara means “human being” or “eternal spirit,” while Narayana refers to the Supreme Being (Vishnu).

Divine Origins: They were born as the sons of Dharma (the god of righteousness) and Murti (the daughter of Daksha).

Life of Penance: The twins famously traveled to the Badari hermitage (modern-day Badrinath) in the Himalayas. They engaged in severe austerities and deep meditation to defeat evil and preserve world order.

Mahabharata Connection: Hindus believe Nara and Narayana reincarnated as the heroes Arjuna (human) and Krishna (divine guide) during the events of the Mahabharata.

Iconography: In traditional art, Nara is usually depicted with two hands and wearing deer skin, while Narayana is portrayed with four hands, holding a mace, discus, conch, and lotus.

***

Narasimha

Narasimha is the fourth, half-man and half-lion avatar of Lord Vishnu, manifesting in the Satya Yuga to protect the devotee Prahlada by destroying the demon king Hiranyakashipu. By overcoming Hiranyakashipu’s invincibility boon at twilight on a threshold, this form symbolizes divine intervention that transcends conventional limitations to uphold dharma.

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Nalanda

Nalanda was an acclaimed university, a large Buddhist monastery in the ancient kingdom of Magadha (modern-day Bihar) in India. The site is located about 95 kilometres southeast of Patna near the town of Bihar Sharif, and was a centre of learning from the fifth century CE to1200 CE. It is a UNESCO World Heritage Site.

 The highly formalized methods of Vedic learning helped inspire the establishment of large teaching institutions such as Taxila, Nalanda, and Vikramashila which are often characterised as India’s early universities. Nalanda flourished under the patronage of the Gupta Empire in the 5th and 6th centuries and later under Harsha, the emperor of Kannauj.The liberal cultural traditions inherited from the Gupta age resulted in a period of growth and prosperity until the ninth century. 

Muslims burnt the library

Historical consensus and primary records attribute the final destruction and burning of the Nalanda Mahavihara to a Turko-Afghan military general Bakhtiyar Khilji of the Delhi Sultanate in the late 12th century.

The Sacking (c. 1200 CE): During his conquests in northern and eastern India, Khilji famously led a marauding army that attacked and plundered several major Buddhist centers, including Nalanda, Vikramashila, and Odantapuri.

The Library Burning: Nalanda boasted a colossal collection of manuscripts housed in multi-story libraries known as RatnasagaraRatnadadhi, and Ratnaranjaka. The attackers set fire to the institution, with historical accounts stating the massive fires burned for three months.

While Khilji is widely cited for the fatal sacking and mass slaughter of the monks, historians and researchers point out that the destruction was not a one-time total evaporation:

Eyewitness Accounts: Tibetan monk Dharmasvamin visited the site in 1234 CE, nearly 40 years after Khilji’s campaign. He found the institution heavily ruined but still functioning, with a small fraction of about 70 monks being taught by a 90-year-old abbot.

Continuous Raids: Surviving monks and local patrons attempted to revive the university, but persistent raids by subsequent groups of Turkish soldiers over the following decades ultimately forced the permanent abandonment of the site

Tags- Nakkirar, Nalangu, Namam, Nalanda, Narasimha, Nivatakavacha, Narakasura, HINDU DICTIONARY IN ENGLISH AND TAMIL 73; இந்து மத கலைச்சொல் அகராதி- 73

To be continued……………………

Oldest Skanda -Kartikeya- Murugan Coins! (Post No.15,900)

Written by London Swaminathan

Post No. 15,900

Date uploaded in London –21 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Yaudheyas who ruled Northwest part of India had issued Skanda- Kartikeya -Murugan Coins 2000 years ago. They ruled Sapta Sindhu area (Punjab, Haryana regions) from 200 BCE to 300 CE. They issued various types of Skanda coins. The surprising thing is that they were the one who issued Skanda (Murugan in Tamil) coins with his Six Heads and his vehicle peacock. Later Gupta rulers issued such coins. Six Headed Skanda is called Shanmukha in Sanskrit and Aarumukham in Tamil. Adi Sankara who formed six groups of worship called Skanda worship Kaumaram because Kalidas made that name (Kumaara) popular 2200 years ago.

Sangam Tamil literature has one whole work written by a Brahmin poet named Nakkirar on Skanda and it is called Tiru Murugatruppadai. Anti God Dravidians dubbed it as a later interpolation, but Yaudheya coins explode such arguments. Added to this Patanjali’s Mahabhashya reference to Skanda, a commentary on world’s first grammar book by Panini known as Ashtadhyayi. In the 2200-year-old Mahabhasya, Patanjali gives us information about selling Murtis/figures of Skanda -Vishaka. This also gives credence to Sangam book Tiru Murugatruppadai.

Through this we come to know that the Skanda worship was popular from Himalayas to Kanyakumari 2000 years ago.

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Who are Yaudheyas?

Panini  refers to them specifically as an Ayudhajivin Sangha—a community of warriors who lived by the profession of arms. He explains that the suffix “-ya” was used in Sanskrit to signify martial and warrior tribes, a linguistic detail that fits the Yaudheyas’ historical reputation as a formidable military force

The tribal republics or Janapadas like Audumbara, Kuninda and Yaudheya issued their coins in the name of their presiding deities-Mahadeva. Chitresvara and Brahmanya. The early tribal republics of the 2nd century B.C.E, refer to their names and places in Brahmi script. Some republics issued coins with their names and title Raja or Maharaja. Copper was used as the prime metal for such issues. A few tribes issued coins in silver too.

Monarchies like Surasena and Panchala that sprang up during this period were located in the Ganga-Yamuna plain. The kingdom of Panchala issued copper coins bearing the names of no less than 35 kings.

***

Gupta Coins on Skanda

The golden age of Indian history was the rule of Guptas. They were great worshippers of Vishnu and they called themselves Parama Bhagavatas. But the world famous poet Kalidasa changed them into Saivites. Kalidasa lived in the first or second century BCE. His work Kumarasambhava on the birth of Kumara/ Skanda made Guptas to name their children Skanda Gupta, Kumara Gupta etc.  They issued coins with Skanda with peacock.

Even Asvagosha , author of Buddha Carita in Sanskrit, compared Skanda with Buddha! According to Hindu literature in Tamil and Sanskrit, Skanda was a war god. He was the commander in chief of the Divine army. He married Indra’s daughter Devasena. In spite of his association with war, red colour and planet Mars, Asvagosha compared him to Buddha because of Kalidasa. In Raghuvamsa, Kalidasa compared three kings to Skanda. Tamils of Sangam age also followed Kalidasa and compared the kings with Muruga. Such was the influence of Kumarasambhava Kavya. Not only this, Tamil Sangam poets used the first ten slokas on Himalayas in Kumarasambhava, in their poems.

The greatest Art Historian of India Mr Sivaramanurti (Curator of Madras Museum) was a Sanskrit scholar. He argued Literature comes first Sculptures follow it like the Tamil saying Literature comes first Grammar follows it. He placed Kalidasa in Pre Gupta period,because Gupta coins show whatever Kalidasa said in his seven works.

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Other coins on Muruga/Skanda/Kartikeya

Huvishka,successor of Kanishka, issued coins on all Hindu gods including Kartikeya around first century CE. Earlier rulers used pictures of Siva only. Huvishka used names in Mahabhashya such as Masena/ Mahasena , Skandakumaro Vizaka . His coins show that Skanda holding Trisula/trident like Shiva.

They spelt the names in strange ways

Shiva – oeso, uma – ommo

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Yaudheya coins showed Skanda holding a spear; Vel in Tamil.

Kumara Gupta 415-450 CE issued beautiful Skanda coins in gold. The legend on his coin was Mahendrakumarah.

Gold coin issued by Chalukya Vikramaditya of Badami/Vatapi 655-681 CE has the figure of Kartileya. Peacock feather and snake are also seen.

Though  kanda Murugan is called Tamil God, we don’t have any ancient coin with Muruga!

As late as seventeenth century, king Ragunatha Nayak of Thanjavur displayed standing figure of Kartikeya in his coin.

Later Kanthirava Narasaraja Wodeyar (1638-56) of Mysore issued coins with Kartikeya seated on a peacock.

***

Maurya dynasty was named after Peacock (Mayura) growers. Asoka was very fond of peacock meat. Even after spreading Buddhism, he never stopped killing peacocks for food, but he ordered to kill lesser number of the birds. Their coins show peacock with its feather. Since India made peacock its national bird, we can even say that India’s national God is Lord Skanda, Mahasenatipati, Commander in Chief!

–Subham—

Tags- Oldest coin, on Muruga, Kartikeya, Skanda, Visaka, Shanmuka, Yaudheya, Gupta, Chalukya, Peacock ,

Important Upanishad Mantras in English and Devanagari- Part 2 (Post No.15,895)

Written by London Swaminathan

Post No. 15,895

Date uploaded in London –20 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

 Part 2

9

आसीनो दूरं व्रजति शयानो याति सर्वतः ।

कस्तं मदामदं देवं मदन्यो ज्ञातुमर्हति ॥ २१ ॥

āsīno dūraṃ vrajati śayāno yāti sarvataḥ |

kastaṃ madāmadaṃ devaṃ madanyo jñātumarhati || 21 ||

21. Sitting, he goes far; lying, he goes everywhere. Who else but me deserves to know the God, who is joyful and joyless. .(Katopanishad)

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10

  In the Svetasvatara Upanishad Chapter 4 Verse 20,

na saṃdṛśe tiṣṭhati rūpam asya na cakṣuṣā paśyati kaścanainaṃ:

न संदृशे तिष्ठति रुपमस्य न चक्षुषा पश्यति कश्चनैनम् ।
हृदा हृदिस्थं मनस य एनमेवं विदुरमृतास्ते भवन्ति ॥२०

20) The form of Him stands not within the vision and none beholdeth Him by the eye; but by the heart and the mind, for in the heart is His station; who thus know Him, they become immortal.

OR

4-20. His form cannot be seen, no one perceives him with the eye. Those who through heart and mind know him thus abiding in the heart, become immortal. — Svetasvatara Upanishad

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11

बृहच्च तद्दिव्यमचिन्त्यरूपं सूक्ष्माच्च तत्सूक्ष्मतरं विभाति ।
दूरात्सुदूरे तदिहान्तिके च पश्यन्त्विहैव निहितं गुहायाम् ॥ ७ ॥

bṛhacca taddivyamacintyarūpaṃ sūkṣmācca tatsūkṣmataraṃ vibhāti |
dūrātsudūre tadihāntike ca paśyantvihaiva nihitaṃ guhāyām || 7 ||

7. That shines as vast, heavenly, of unthinkable form and subtler than the subtle, much farther than the distant, near, also here, and seen fixed in the cavity, by the intelligent. (7) –Mundakopanishad

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12

एष देवो विश्वकर्मा महात्मा सदा जनानां हृदये संनिविष्टः ।
हृदा मनीषा मनसाभिक्लृप्तो य एतद् विदुरमृतास्ते भवन्ति ॥4-17

4-17) This is the God, the mighty Soul, the Architect of all, seated for ever in the hearts of creatures and he is realised by the heart and the intellect and the mind; who know this, they become immortal.– Svetasvatara Upanishad

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13

तदेजति तन्नैजति तद्दूरे तद्वन्तिके ।
तदन्तरस्य सर्वस्य तदु सर्वस्यास्य बाह्यतः ॥ ५ ॥

tadejati tannaijati taddūre tadvantike |
tadantarasya sarvasya tadu sarvasyāsya bāhyataḥ || 5 ||

5. It moves, it is motionless. It is distant, it is near. It is within all, it is without all this. (Isavasyopanishad)

***

14

आनन्दो ब्रह्मेति व्यजानात्। आनन्दाध्येव खल्विमानि भूतानि जायन्ते। आनन्देन जातानि जीवन्ति। आनन्दं प्रयन्त्यभिसंविशन्तीति।सैषा भार्गवी वारुणी विद्या। परमे व्योमन्प्रतिष्ठिता।स य एवं वेद प्रतितिष्ठति। अन्नवानन्नादो भवति। महान्भवति प्रजया पशुभिर्ब्रह्मवर्चसेन ंअहान्‌ कीर्त्या॥

Transliteration

ānando brahmeti vyajānāt| ānandādhyeva khalvimāni bhūtāni jāyante| ānandena jātāni jīvanti | ānandaṁ prayantyabhisaṁviśantīti |saiṣā bhārgavī vāruṇī vidyā | parame vyomanpratiṣṭhitā |sa ya evaṁ veda pratitiṣṭhati | annavānannādo bhavati| mahānbhavati prajayā paśubhirbrahmavarcasena ṁahān kīrtyā||

Meaning

He knew Bliss for the Eternal. For from Bliss alone, it appeareth, are these creatures born and being born they live by Bliss and to Bliss they go hence and return. This is the lore of Bhrigu, the lore of Varouna, which hath its firm base in the highest heaven. Who knoweth, getteth his firm base, he becometh the master of food and its eater, great in progeny, great in cattle, great in the splendour of holiness, great in glory. –Taitriopanishad

***

15

हिरण्मयेन पात्रेण सत्यस्यापिहितं मुखम् ।
तत्त्वं पूषन्नपावृणु सत्यधर्माय दृष्टये ॥ १५ ॥

hiraṇmayena pātreṇa satyasyāpihitaṃ mukham |
tattvaṃ pūṣannapāvṛṇu satyadharmāya dṛṣṭaye || 15 ||

15. The entrance of the True is covered as if by a golden vessel. Remove, O sun, the covering that I who have been worshipping “The True” may behold it. (Isavasyopanishad)

***

16

स तस्मिन्नेवाकाशे स्त्रियमाजगाम बहुशोभमानामुमां हैमवतीं तां होवाच किमेतद्यक्षमिति ॥ १२ ॥

 sa tasminnevākāśe striyamājagāma bahuśobhamānāmumāṃ haimavatīṃ tāṃ hovāca kimetadyakṣamiti || 12 || Kena-upaniṣad mantra 3.12:

12. He (seeing) a woman in that very space (where the Yakṣa had lately stood) came towards (her.) (She was) the very fair Umā, the daughter of the Himavat. He asked her “who was that Yakṣa?”– Kenopanishad

****

17

ना॒राय॒णप॑रो ज्यो॒ति॒रा॒त्मा ना॑राय॒णः प॑रः ।

ना॒राय॒णपर॑-म्ब्र॒ह्म॒ तत्त्व-न्ना॑राय॒णः प॑रः ।

nā̠rāya̠ṇapa̍rō jyō̠ti̠rā̠tmā nā̍rāya̠ṇaḥ pa̍raḥ ।

nā̠rāya̠ṇapara̍-mbra̠hma̠ tattva-nnā̍rāya̠ṇaḥ pa̍raḥ ।

Narayana is the supreme light; Narayana is the supreme self. Narayana is the supreme Brahman; Narayana is the supreme truth.—Mahanarayana Upanishad

OR

नारायण परो ज्योतिरात्मा नारायणः परः ।

नारायण परं ब्रह्म तत्त्वं नारायणः परः ।

नारायण परो ध्याता ध्यानं नारायणः परः ॥

 The Lord Narayana is the Supreme Absolute; Narayana is

 the Supreme Reality; Narayana is the Supreme Light; Narayana

is the Supreme Self; Narayana is the Supreme Meditator; Narayana

is the Supreme Meditation. .—Mahanarayana Upanishad

***

18

दिव्यो ह्यमूर्तः पुरुषः स बाह्याभ्यन्तरो ह्यजः ।अप्राणो ह्यमनाः शुभ्रो ह्यक्षरात् परतः परः ॥ २॥ Mundaka Upanishad (Chapter 2, Section 1, Verse 2

divyo hyamūrtaḥ puruṣaḥ sa bāhyābhyantaro hyajaḥ |aprāṇo hyamanāḥ śubhro hyakṣarāt parataḥ paraḥ || 2 ||

2. He is bright, formless, all-pervading, existing without and within, unborn, without prana, without mind, pure and beyond the avyakrita, which is beyond all.

****

19

अणोरणीयान् महतो महीयान् आत्मास्य जन्तोर् निहितो गुहायाम् ।

तमक्रतुः पश्यति वीतशोको धातुप्रसादान्महिमानमात्मनः ॥

aṇoraṇīyān mahato mahīyān ātmāsya jantor nihito guhāyām |

tamakratuḥ paśyati vītaśoko dhātuprasādānmahimānamātmanaḥ ||

Smaller than the smallest, greater than the greatest, the Self (ātmā) is hidden in the heart-cave of this creature… One who is free from desire… sees that glory of the Self through divine grace. It can only be perceived not by the senses,but by a pure mind free from desire, and only through divine grace. –Katha Upanishad .

****

20

श्रवणायापि बहुभिर्यो न लभ्यः

शृण्वन्तोऽपि बहवो यं न विद्युः ।

आश्चर्यो वक्ता कुशलोऽस्य लब्धा

आश्चर्यो ज्ञाता कुशलानुशिष्टः ॥ ७॥kathopanishad

śravaṇāyāpi bahubhiryo na labhyaḥ

śṛṇvanto’pi bahavo yaṃ na vidyuḥ .

āścaryo vaktā kuśalo’sya labdhā

āścaryo jñātā kuśalānuśiṣṭaḥ  1-2-7 kathopanishad

7 There are many who do not even hear of Atman; though hearing of Him, many do not comprehend. Wonderful is the expounder and rare the hearer; rare indeed is the experiencer of Atman taught by an able preceptor.

To be continued…………….

Tags- Part 2, Important, Upanishad Mantras

Important Upanishad Mantras in English and Devanagari- Part 1 (Post.15,890)

Written by London Swaminathan

Post No. 15,890

Date uploaded in London –19 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

(Tamil version posted separately)

ईशा वास्यमिथम् सर्वम् यथकिन्च्च जकथ्याम् जगथ् !

तेन त्यक्तेन भुन्चिच्था मा ग्रुध कस्य स्विद् ध्नम्  !!

OM

 Ishaa Vaasyam Idam Sarvam

Yat Kincha Jagatyaam Jagat Tena

Tyaktena Bhunjeethaa

Maa Grudhah Kasya-svit Dhanam.

The whole Universe is enclosed or enveloped in God. And also, He dwells or resides in the entire Universe. So, God is in everything and everything is clothed within God.

Whatever is moving (or not moving) in this Universe, is all penetrated and also enclosed by Him. All that is living or non-living, pleasing or otherwise, planets, stars or even our Self, the Atma, is pervaded by him.As everything is in Him and He is in everything, you may “let go”, “rejoice” or experience Bliss! Do not grab or hold on to anyone’s wealth.

****

2

dahraṁ vipāpaṁ varaveśmabhūtaṁ yat puṇḍarīkaṁ puramadhya saṁstham |tatrāpi dahre gaganaṁ viśokaṁ tasmin yadantastadupasitavyam ||

द॒ह्रं॒-विँ॒पा॒प-म्प॒रमे᳚श्म भूतं॒-यँ-त्पु॑ण्डरी॒क-म्पु॒रम॑द्ध्य स॒ग्ग्॒स्थम् ।

त॒त्रा॒पि॒ द॒ह्र-ङ्ग॒गनं॑-विँशोक॒-स्तस्मि॑न्. यद॒न्तस्त-दुपा॑सित॒व्यम् ॥

Dahram: The subtle or small (space of the heart).Vipāpam: Sinless, pure, and untainted by any evil. Varaveśmabhūtam: A beautiful, exalted abode or mansion.Yat Puṇḍarīkam: The lotus of the heart.Puramadhya saṁstham: Situated directly in the center of the city of the body.Tatrāpi: Inside that.Dahre gaganam viśokam: An inner expanse (ether) that is entirely free from sorrow.Tasmin yadantaḥ tadupāsitavyam: That which resides inside it is what must be meditated upon.

****

3

yō vēda̠ nihi̍ta̠-ṅguhā̍yā-mpara̠mē vyō̍mann । sō̎-‘śnu̠tē sarvā̠nkāmā̎n​thsa̠ha

यो वेद॒ निहि॑त॒-ङ्गुहा॑या-म्पर॒मे व्यो॑मन्न् । सो᳚-ऽश्नु॒ते सर्वा॒न्कामा᳚न्​थ्स॒ह ।

Yō: He who / whoeverVēda: Knows / realizesNihi̍taṅ: Hidden / placed / establishedGuhā̍yām: In the cave / secret place (representing the intellect or the heart)Para̠mē: In the highest / supreme

ALL HIS DESIRES ARE FULFILLED.

****

4

एको देवः सर्वभूतेषु गूढः सर्वव्यापी सर्वभूतान्तरात्मा।
कर्माध्यक्षः सर्वभूताधिवासः साक्षी चेता केवलो निर्गुणश्च॥

—Shvetashvatara Upanishad (Chapter 6, Verse 11)

eko devah sarvabhuteshu gudhah sarvavyapi sarvabhutantarathma I

karmadhyakshah sarvabhutadhivasah sakshi cheta kevalo nirgunascha II 6.11 II

–Shvetashvatara Upanishad (Chapter 6, Verse 11)

The non-dual and resplendent Lord is hidden in all beings. He is all-pervading and is the innermost Self of all creatures.  He presides over all actions and He is the support of all beings. He is the Witness, the Animator and the Absolute, free from the three gunas.

OR

One God who alone is & He lurketh hidden in every creature for He pervadeth and is the inmost Self of all beings, He presideth over all work and is the home of all things living. He is the Mighty Witness who relateth thought with thought and again He is the Absolute in whom mood is not nor any attribute.

****

5

ॐ त्र्यम्बकं यजामहे सुगन्धिं पुष्टिवर्धनम् ।उर्वारुकमिव बन्धनान्मृत्योर्मुक्षीय माऽमृतात् ॥

Transliteration (IAST)Aum Tryambakam yajaamahe sugandhim pushtivardhanam |Urvaarukamiva bandhanaan-mrityormuksheeya maamritaat ||

-Rig Veda (Mandala 7, Hymn 59). YAJUR VEDA RUDRAM, MAHA NARAYANA UPANISHAD 56-1

Meaning

“We worship the three-eyed Lord Shiva, who is fragrant and nourishes all beings. Just as a ripe cucumber is effortlessly detached from the vine, may He liberate us from death and mortality, and lead us to immortality.”

****

6

असुर्या नाम ते लोका अन्धेन तमसावृताः ।तांस्ते प्रेत्याभिगच्छन्ति ये के चात्महनो जनाः ॥ ३ ॥

Asuryā nāma te lokā andhena tamasāvṛtāḥ,Tāṃste pretyābhigacchanti ye ke cātmahano janāḥ.

3. Those births partake of the nature of the Asuras and are enveloped in blind darkness. After leaving the body they who kill their Atman attain them.

****

7

नायमात्मा प्रवचनेन लभ्यो न मेधया न बहुना श्रुतेन ।

यमेवैष वृणुते तेन लभ्यस्तस्यैष आत्मा विवृणुते तनूँ स्वाम् ॥ २३ ॥

nāyamātmā pravacanena labhyo na medhayā na bahunā śrutena |

yamevaiṣa vṛṇute tena labhyastasyaiṣa ātmā vivṛṇute tanūm̐ svām || 1-2-23 ||

23. This atman is not to be attained by a study of the Vedas, nor by intelligence, nor by much hearing, but the atman can be attained, only by him who seeks to know it. To him, this atman reveals its true nature.

****

8

न तत्र सूर्यो भाति न चन्द्रतारकं नेमा विद्युतो भान्ति कुतोऽयमग्निः ।
तमेव भान्तमनुभाति सर्वं तस्य भासा सर्वमिदं विभाति ॥

—Katha Upanishad (Chapter 2, Valli 2, Verse 15) and the Mundaka Upanishad (Chapter 2, Verse 10).

Na tatra sūryo bhāti na candratārakaṃ nemā vidyuto bhānti kuto’yamagniḥ |
Tameva bhāntamanubhāti sarvaṃ tasya bhāsā sarvamidaṃ vibhāti ||

—Katha Upanishad (Chapter 2, Valli 2, Verse 15) and the Mundaka Upanishad (Chapter 2, Verse 10).

10. The sun shines not there, nor the moon and the stars. Nor do these lightnings shine. How could this fire? All shine after him who shines. All this is illumined by his radiance.

To be continued………………………

Tags- Part 1, Important Upanishad Mantras, in English and Devanagari

Ornaments in Buddha Charita,Rajatarangini:Ancient Hindu Jewellery! You can get Ph.D.- Part 5 (Post15,885)

Hindu Mather Goddess in Harappan Civilization

Written by London Swaminathan

Post No. 15,885

Date uploaded in London –18 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Research article- Part 5

Madurai Menakshi (Wife of Siva).

We get interesting information about jewels and ornaments from Sangam Tamil literature, Rajatarangini of Kalhana and Buddha Charita of Asvaghosa.

Tamil Sangam literature has many Sanskrit words like Valaya (bangles, bracelets) Nupura (anklet), Mani (gem stones) and Mukta (Muthu,Pearl). Mukta may be taken from Tamil. Pravala is used as Pavalam in Tamil.

Tamils wore ornaments from head to foot like their north Indian counterparts.  Only later epic Silappadikaram has full details. Sangam Tamils wore bangles made up of seashells a lot. Both men and women had anklets (Kazal for men; Silambu for women). Children had foot ornaments as well; later literature mentioned Kolusu; but Sanskrit word Kinkini is in Sangam poems. As I mentioned earlier all the Five Tamil Epics are named with ornaments, but with Sanskrit words!

Most interesting thing is the mention of Makara rings (shark shaped) worn by the Sangam Tamils. We find such rings until today.

Kalhana who wrote the history of Kashmir in Sanskrit says in his work Rajataarangini,

“Now, gentle friend! Drink freely, your ears serving the mother of pearl glasses, of this River of Kings (raajatarangini) delightful with the flow of its sustained sentiment- 1-24”.

For this sloka R S Pandit (India’s first Prime Minister Jawaharlal Nehru’s brother-in-law) has given the following detail in the footnote:

Kalhana hoped his poem would be recited like the great epics in time to come. Mother of pearl glasses for drinking wine must have been in use among the people in his day. In Taranga V verse 169, there is a reference to jewelled glasses for liqueur which were used by the nobility.

Bernier speaks of Tibetan jade presented to Aurangazeb in Kashmir, which was “in great estimation in the court of the Mogol; its colour is greenish, with white veins, and it is hard to be wrought only with diamond powder. Cups and vases were made of this stone. I have some of the most exquisite workmanship, inlaid with strings of gold, and enriched with precious stones”– Bernier

***

Hindu woman in Ashmolean Museum, Oxford, UK.

Asvaghosha wrote four books Saundarananda, Buddha Carita, Vajrasuci and Sraddotpada  Sastra.

Jewellery is mentioned as

Bhuushana,

Aabharana ,

Mandana

It included the following ornaments: various kinds of necklaces called Mala (maalaa), Hara(haara), which sometimes were long enough to dangle up to breasts, special necklaces called Yoktraka, Suvarna Suutra and Kantha suutra.

Dangling earrings-Kundala and Mani kundala (studded with precious jewels);

Anklets (Nuupura), bracelets or armlets called Keyuura, Bhujapaasha;

Valaya- bangles and Angad;

Girdle called Mekhalaa, Kaanchi and Jhaghana Vibhuushana. Some of them had jingling bells.

Mahaavastu also mentioned these ornaments.

While ladies of high pedigree used gold, silver studded jewellery, common people used white shell ornaments.

From Begran in Gandhara region a beautiful collection of fragments of ivory toilet boxes have been found from the ruins of Kanishka’s palace.

The kings and princes used a large number of ornaments. Royal tiara with strings of pearls hanging over their shoulders, armlets in the arms, diadem with blazing jewels and necklaces.

Q.Curtius Rufus (First century CE) writes:

“Indians hang precious stones as pendants from their ears, and persons of high social rank or of great wealth, deck their wrist and upper arm with bracelets of gold…. The luxury of their kings or they call it, their magnificence is carried to a vicious excess without a parallel in the world”.

***

Yakshi with head to foot ornaments

Some important Sanskrit Words in modern usage:

Angada- armlet like a coiled snake;

Anguliyaka- finger ring;

Arsi- thumb ring set with mirror;

Baahu- armlet;

Bali- ring type earring with pearl strung on it;

Bina- star shaped forehead ornament;

Bindi -forehead ornament;

Chaulari- four stringed necklace;

Chuudaamani- ornament for hair, lotus shaped, its petals ornamented with pearls and precious stones;

Ekavali- single strand pearl necklace;

Chungru- anklet with small bells (kinkini)

Hamsa mithuna- decorative motif consisting of a pair of swans;

Hiranya- gold;

Hirnyasraj- gold garlands;

Kaksha- red seeds for making ornaments;

Kanaka kamala – a full blown lotus design earring set in rubies, still used in South India;

Kancala- elaborate earrings with pendants;

Kaachis- hip girdle with bells;

Kangan- bracelet;

male and female jewellery;  Ashmolean Museum, Oxford, UK.

Kanta- short necklace broad and flat;

Karnika- earring;

Karnphul-flower shaped earring;

Kinkini- anklet with small bells suspended;

Kirita- crown;

Kundela- simple earring or circular;

Maangaa maalaai- gold coin necklace of south Indians;

Manjira- hollw anklets;

Mekhalaa- hip belt or girdle;

Mukta – pearl; muktavali-pearl necklace;

Nishka- necklace of gold coins;

Pattabandha- ornamented gold strip for holding the turban in position;

Phalaka- slab like gems;

Phalaka haara- necklace with slab like gems at intervals;

Phalaka valaya – bracelet with slab like gems set into it;

Rasana-girdle;

Ratnajali- a net of braid and pearls worn around chignon by women ;

Ratnanguliya- finger ringsl studded with gems; one of them is NAVA RATNA RING;

Satlar- seven stringed necklace;

Tilari- three  stringed necklace;

Tulakoti- heavy anklets with two ends enlarges at their meeting point;

Valaya- bracelet; bangles;

Yashti- necklace of gems and gold beads with large central head.

Tamils of later days also had a long list of ornaments but not found in ancient literature. The sculptures and paintings show this jewellery.

–subham—

Tags- Ornaments, Buddha Charita, Rajatarangin, :Ancient Hindu Jewellery,  You can get Ph.D., Part 5, Research article

Jewellery in Kamasutra: Ancient Hindu Jewellery! You can get Ph.D.- Part 4 (Post No.15,879)

Written by London Swaminathan

Post No. 15,879

Date uploaded in London –16 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Jewellery in Kamasutra: Ancient Hindu Jewellery! You can get Ph.D.- Part 4 (Post No.15,879)

Hindu Mother Goddess in Indus Valley

Vatsayayana’s Kamasutra, the oldest Sex Book in the world, has details of types of jewellery that was used 2000 years ago.

Kamasutra in Sanskrit has the world’s oldest syllabus for teenage girls; Hindu women were far advanced in learning than other ancient cultures. One of the 64 subjects that a girl should study is JEWELLERY.

Apart from jewellery, he has dealt with garland making, the art of dressing and crowns and head ornaments.

Pronunciation – vaatsyaayana, kaama suutra;

1

Crowns and head ornaments

Headbands or circlets of flowers of all colours used especially by town people.

2

Theart of dressing

To chose garments and jewels to embellish the body, according to place and circumstances.

3

Ivory and mother of pearl ornaments

4

Perfumes

5

Jewellery

These are of two kinds: necklaces ornamented with jewels worn around the hips, used mostly for the theatre.

Under the topic of  the conduct of the well-bred townsmen vatsyayana says,

At dusk numerous people gather for reception, including singers, dancers and the players of instruments.

Gentlemen should go to the reception room elegantly dressed. Elegance is a matter of the quality of the clothes and jewels. Bharata gives some indications in his Natya Shastra (naatya shaastra). An elegant man wears four kinds of clothes made of vegetable silk/kshauma, cotton/kaarpaasa, natural silk/kaushysa or wool/rangava. Vegetable silk is made from hemp fibre and can also be made from bark.

After this gentlemen put on their jewels. Varahamihira describes thirteen kinds of precious stones and nine kinds of golden jewels. The gemstones are

Diamond/ vajra,

Pearl/mukta,

Ruby/pamaraga,

Emerald/ maragata

Sapphire/ indranila,

Lapis lazuli/vaidurya,

Topaz/puhparaga,

A black stone,

A whet stone,

Amber/pulaka,

Garnet/rudhiraaksha,

Amethyst/bhiisma

Crystal/sphatika, opla/pravaala.

Jewels are of four kinds:

picture of African Negro Dancer from Indus Valley with Jewels.

Avedhya – for which the flesh is pierced: earrings, diamond in the nose;

Nibhandaniiya- attached with bands; attached to the arm/angada, headband for the hair/venii; crown /shikaa dridhikaa, belt/shroni suutra, diadem/chuudaamani.

Prakshepya –slipped on : ring/urmikaa, nail guards/kataka, bracelets/valaya, anklets/manjiira.

Aaropya – worn around the neck; necklaces/hara, necklace of twenty seven perarls/nakshatramaalikaa.

Then vaatsyaayana describes other flower decorations and perfume types.

Later in a chapter he gives details of how a woman should behave:

For amorous encounters, she must dress luxuriously with many jewels, many flowers and ointments.

On going out to amusements, she must wear elegant but unpretentious garments, only a few jewels, discreet scent and makeup, white flowers in her hair.

Pretty but simple clothes, simple ear rings, no colours that are too flashy.

If her husband practises periodic abstinence or fasting, she does the same. She tells him” We are bound to one another. I am not independent”.

She does as he does to show her devotion.

When her husband departs on a journey abroad, she removes the married woman’s marks and her jewels, dedicates herself to devotion, and looks after the house according to the rules established by her husband.

She attends to worshipping the gods, praying, fasting, and must behave as her husband has taught her.

She must sleep beside her parents-in-law and obey their instructions.

Vaatsyaayana gives more details of daily routine. I am not writing here because it has not anything to do with jewellery.

–to be continued

Tags – Kamasutra, Vatsyayana, jewellery, part 4, Jewellery in Kamasutra: Ancient Hindu Jewellery, You can get Ph.D.

Brahmin Gotras on Tamil Inscriptions (Post.15,862)

Written by London Swaminathan

Post No. 15,862

Date uploaded in London –12 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Brahmins lived not only in India but also in Sri Lanka and all over Southeast Asia. The Tamil and Sanskrit inscriptions and books like Mahavamsa confirm it. Agastya and Kaundinya, two Brahmins, occupy an important place in the literature, Historical inscriptions and folklore of Southeast Asian Countries. Sanskrit inscriptions of Mulavaman, Purnavarman (Fourth Century CE) and others were discovered inside the deep virgin forest of Borneo (Indonesia). Yupas (Yaga Pillars) were also found there. That shows Brahmins did big Yagas as well.

The suffix Varman has been continued with the name of Kings from Mahabharata days to the modern period.

Sangam Tamil poets proudly include their Gotra names. Dr R Nagaswamy, famous historian and archaeologist, N.Subramanian, Tamil scholar gave us a list of the gotras found in Tamil Nadu in their books.

Here is a list given by N.Subramanian in his book The Brahmin in the Tamil country, Madurai, 1989 :

The following Brahminical Gotra names are heard of in early and medieval Tamil inscriptions:

1.MAUTKALYAYANA

2.SRIVATSA

3.KAUNDINYA (GNANA SAMBANDAR’S GOTRA)

4.KASYAPA

5.BHARADVAJA (NACHCHINARKINIYAR  GOTRA)

6.JATUKARNA

7.VADULA

8.AGNIVESHYA

9.ATREYA

10.VISHNU VRIDHDHA

11.LOHITA

12.VASISTHA

13.GAUTAMA

14.PARASARA

15.HARITA

16.MUTKALA

17.KAUSIKA

18.SANDILYA

19.TARAYANA

20.AUSITHA

21.SAVARNI

22.SANKRIYAYANA

23.MASHALA

24.GARKA

25.RATHITARA

26.KANEKA

27.SALAVATA

28.KUTSA

29.VARAKYA

30.KAPI

31.TUMRAYANA

32.PAURUKUTSA

33.SAMKRASHTI

34.MATTARA

35.JANATKARNA

36.MADALA

37.KAPPA (KAVYA?

38.UDAMEGHA

39.LAKSHANYA

40.KANVAYANA

41.VISVAMITRA

42.ASHMATYA

****

The following Sutra names are also found in inscriptions:

1.APASTAMBHA

2.PRAVACHANA

3.BAHUVRIKSHA

4.SANDIKA

5.VASAUNI

6.HIRNYAKESI

7.ASVALAYANA

8.BAUVISHYA

9.KALARASPA(KALASARPA?)

10.KALARCHCHA

11.VAJAYANESYA

****

Following suffixes to names occur

1.SARMA, 2.BATTAR, 3.SOMASI (SOMA YAJI), 4.KILAN, 5.SARMAN, 6.CHATURVEDI, 7.VASANTAYAJI, 8.TRIVEDI, 9.SANGHVI (SATANGAVIT), 10.AIYAN, 11.VAJAPEYI, 12.UPADYAYA, 13.DVIVEDI

Chaturvi- one who mastered four Vedas; oldest Tamil book was approved by Chaturvedi Acharya of Tiruvithankodu in Kerala.

Trivedi- one who mastered three Vedas.

Dvivedi – one who mastered two Vedas.

Tamil Brahmins were great scholars; throughout Sangam Tamil literature we hear only Chaturvedi (in Tamil Naan Marai)

Sanghvi is Shat Andga Vit= one who is an expert in Six Angas/parts of Vedas.

In Tamil we call it Sadangu.

***

The following sacrifices are also mentioned:

Vajapeyam (Indian Prime minister Atal Behari Vajpeyi was from the family of Vajapeya Yaga experts)

Agnishtomam;

Asvamedham (horse sacrifice)

Rajasuyam is mentioned in Purananuru (Sangam Tamil Literature)

Kalidasa mentions that Pandyas are always with wet clothes because eof bathing called Avabrudha Snanam (in Raghuvamsa; it may be about Pal yaaga salai Mudu Kudumi Peruvazuthi)

Pal yaaga saalaa= one who constructs many Yaga Kundas at the same time)

The following Sakais (shakaa= branch) or Charanams are mentioned:

Asvalayana – Rig Veda;

Apastambha , Bharadvaja, Baudhayana, Satyasadha, Vaikanasa 0f Yajur Veda; Katyayana- Sukla Yajur Veda; Drahyayana- Sama Veda.

From Madurai N Subramanyam’s book

****

My old article on this subject follows: –

Brahmin Poets and Gotras

Brahmin poets of Sangam age identified themselves by thier Gotras. This gives valuable information to us. Even when Asoka sent his emissaries to Sri Lanka, they were welcomed by Brahmin priests. Mahavamsam says Brahmins were living in Sri Lanka even before Vijayan’s arrival there. It shows Brahmins were there at least from sixth Century BCE.

But most famous Brahmin poets Kapilar, Paranar, Mamulanar (Maamuulanaar) ,Kadiyalūr Uruthirankannanār etc. never mentioned their castes. Only other poets praised Kapilar as the most celebrated Brahmin because he was pure and self-controlled.

Pulan Azukkatra Anthanaalan – in Tamil

செறுத்த செய்யுட் செய் செந்நாவின், வெறுத்த கேள்வி விளங்கு புகழ்க் கபிலன்’  (புறம்.53) ;

‘புலன் அழுக்கற்ற அந்தணாளன்’ – நப்பசலையார் (புறம் 126); ‘

பொய்யா நாவிற் கபிலன் (புறம் 74)

***

We find the following Gotras in Sangam books:

The Gotras mentioned are: Atreya, Kausika, Kaundinya, Gowthama, Kasyapa, Kapya (Kaavya), Vatulya, Gargya,

Ilankousikanār         இளங்கௌசிகனார்

Iraniyamuttathu Perunkundrūr Perunkousikanār     இரணியமுட்டத்துப் பெருங்குன்றூர்ப் பெருங்கெளசிகனார்

Kallil Āthiraiyanār   கள்ளில் ஆத்திரையனார்

Kāppiyan Chēnthanār       காப்பியஞ் சேந்தனார்

Kāppiyātru Kāppiyanār     காப்பியாற்றுக் காப்பியனார்

Kāsipan Keeranār   காசிபன் கீரனார்

Kavuthaman Sāthēvanār  கவுதமன் சாதேவனார் (ஆமூர் கவுதமன் சாதேவனார்)

Kondimankalathu Vāthuli Narchēnthanār       கொடிமங்கலத்து வாதுளி நற்சேந்தனார்

Kōthamanār  கோதமனார்

Madhurai Ilankanni Kōsikanār    மதுரை இளங்கண்ணிக் கோசிகனார்

Madhurai Ilankousikanār மதுரை இளங்கௌசிகனார்

Madhurai Kavuniyan Poothathanār      மதுரைக் கவுணியன் பூதத்தனார்

Neythal Kārkkiyār  நெய்தல் கார்க்கியர்

Pālai Gouthamanār           பாலைக் கெளதமனார்

Perunkousikanār    பெருங்கௌசிகனார்

Sellūr Kōsikan Kannan      செல்லூர் கோசிகன் கண்ணனார்

From other sources we know Chandilya, Bharadvaja Gotras. Most famous commentator Nachchinarkiniyar , and Nedum Bharatayanar, Teacher of a Chera king, belong to Bharadwaja Gotra.

Post Sangam epic Silappadikrama gives more information. Dr Nagaswamy, famous historian and archaeologist, lists 32 Gotras that lived in Tamil Nadu, from post Sangam period inscriptions.

List of Brahmin poets and their contribution in Sangam/ Cankam literature:

List of Famous Brahmin Poets:

Agasthyar ,who received Tamil language from Shiva

Tolkappiyar (Thruna dumagni), who wrote grammar after Agaththiyam became obsolete.

Amur Gowthaman Sathevanar (Sahadevan)

Kadiyalur uruththiran Kannanar ( Rudra Aksha)

Kodimangalam Vathula (Gothra) Narsenthan

Sellur Kosikan (Kausika Gothra) kannanar

Madurai Teacher Nalanthuvan

Madurai Ilam kausikanar

Madurai Kanakkayanar

Nakkiran,son of Madurai Kanakkayanar

Madurai gownian (Kaundinya Gothra) daththnar

Mamulanar

Uraiyur enicheri mudamosi

Perunkundrur Perungkausikan

Kumattur kannan

Gowthaman

Valmiki

Vadamavannakkan damodaran

Vembathur kumaran

Paranar

Kapilar-Paranar

*****

Books written by Brahmin poets

Tolkappiyam (Pre Cankam period); His name was Truna Dhumagni, according to most famous commentator Nachchinarkiniyar. Tolkappiyar beloned to Kavya Gotra (  Kappiyak Kuti in Tamil) Lord Krishna in Bagavad Gita praised this clan. Usanas was the greatest Kavi= Kavya= Kappiya.

Kurinji pattu (lines 261)

Thiru murugatruppadai (lines 317)

Pattinap palai (Lines 301)

Perumpanatrup padai (Lines 500)

Malaipadukadam (lines 583)

Nedunal vadai (lines 188)

Six out of Ten Idylls sung by Brahmins

Pathitrup pathu (all except one)

Ainkurunuru (Kapilar’s 100)

Brahmin’s contribution adds up to 10,000 lines, nearly one third of the Sangam/ Cankam literature.

****

No Brahmins, No Tamil!!


Tamil and Vedashttps://tamilandvedas.com › 2012/01/14 › no-brahmins…

14 Jan 2012 — Without Brahmins Tamil would have died or at least become poorer two thousand years ago. The reason being Brahmins were the teachers of that language

Also more details are given in my article No Brahmins, No Tamil.

–Subham—

Tags- Brahmins, Gotras, Yagas, Tamil inscriptions, Brahmin poets, Sutras, Tolkappiar

Were there Dravidians in India at any time? (Post No.15,847)

Written by London Swaminathan

Post No. 15,847

Date uploaded in London –8 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

NAMES OF ARYAN HUSBANDS???? AND DRAVIDIAN!!!! WIVES (White men Interpretation)

Rig Vedic seer Deergatamas- Married Dasa caste woman Mamata;

Rishi Kavacha Ailusar – married Dasa caste woman;

Sudasa is a famous king in Rig Veda supported by Rishis;

Satyakama kama Jabala- son of  servant maid Jabala.

Rama’s son Kusa- married Naga Princess Kumudavati;

Rama’s son Lava – Naga Princess Kanjajana;

Brahmin Ravana – married Asura kula Mandodari;

Shantanu- Fisher woman Matsyagandha; Son- Veda Vyasa

Matsyagandha means Fish Smell; She was called Yojanagandha, so smelly, her bad smell will go up to one Yojana= eight miles!

Bhima – married Demoness Hidimba; their son- Kadothkajan;

Arjuna- married Naga woman Ulupi; Pandyan Girl Alli (Chitrangatha)- their Son Aravan of Mahabharat;

Lord Muruga- Huntress Valli;

King Yayati- Brahmin Devayani;

Krishna’s son Pradyumna- married Asura Kula Prabhvati;

Vidharpa Desa Princess Maya – married Narakasura; their son Bagatdatta supported Kauravas)

Asura Guru – Brahmin Sukra!

Deva Guru- Brihaspati (These Gurus are in Sangam Tamil Literature)!

Brahmin Asura Vrtrasura was killed by Indra in Rig Veda ;

Brahmin Asura Trisiras was killed by Indra in Rig Veda;

Brahmin Asura Namuchi was killed by Indra in Rig Veda;

(In Bhutan and Nepal Namuchi is used as names of people even today)

Varuna is praised as ASURA in Rig Veda;

Rig Vedic Indra and Varuna are praised as Gods of Tamil Lands by the oldest Tamil book Tolkappiam;

Siva is praised as ARYAN by great Saivite saints who lived around 600 CE or before

No DRAVIDIAN is found anywhere in ancient Tamil literature

All ASURAS prayed to Lord Shiva and Brahma and received boons. Asuras also were practising Hindus.

The above facts explode the myth of foreign writers who said Demons, Asuras, Black skinned men are Dravidians.

Even the Asura names are in Sanskrit!

***

Toda woman in Nilgris

Cousin Marriage

Cousin marriage is followed in Tamil Nadu until this day and it is in all Tamil films as well. But it is also followed in Maharashtra, Gujarat and Orissa. Arjuna married cousin Subhadra, Krishna’s son married cousin Rukmavati. Ther also Northern Aryan custom, Sothern Dravidian custom is exploded.

Whatever foreigners wrote about “Dravidian” and “Aryan” are proved false and mischievous.

***

According to British rulers of India and Christian preachers in India, Dravidians were black and Aryans were white; according to them Dravidians were driven to south by invading Aryans; according to them Dravidians were described as Asuras, Rakshasas and low caste by the Aryans. Look at the list above which explodes this view.

A gang of foreigners led by Max Muller, John Marshall Mortimer Wheeler, John Mackay misled the world by giving racial connotations to two words Aryan and Dravidian. Neither 2000 year old Sangam Tamil literature nor 5000 year old Vedic literature has no evidence for it.

Arya is found in Rig Veda and the later Tamil Sangam literature. In Sanskrit it meant Cultured, educated, disciplined etc. In Tamil Sangam literature it meant Rishis in the Himalayas, People living in the North. No where Arya meant a race of people.

DRAVIDIAN IS NOT AT ALL FOUND IN TAMIL LITERATURE. Later when it is found in Jain literature it meant South. A reference about Dravida Sangam established by a Jain Muni is oft quoted without any detail. It is understood that there is nothing about Tamil or Tamil Nadu. This is the condition in fifth century CE. Three hundred years after this, Kumarila Bhatta mentioned Dravida Bhasa and refereed to Tamil word Soru (cooked rice). That is the only reference to connect this word DRAVIDA with Tamil. There also he meant a language spoken in the SOUTH. Because the ancient division of India as 56 Countries show Dravidian Desa out side Tamil Nadu. Chera Chola, Pandya desas have nothing to do with it.

Desa= country

One more reference from First Century BCE comes from the most famous Jain King Kharavela. He talks about breaking the Dramila Sanghatan which is 130 year old. Here is a controversy, only interesting to linguists. One group argued the very word TAMIL came from DRAVIDA:

Dravida=Dramila= Tamil.

Another group put it in reverse gear and argued:

Tamil=Dramila= Dravida.

It is true that M becomes V.

Most famous Saivite Saint Manikka vasagar changed Mirugam= Virugam (animal-Mrga)

Mandodari= Vandodari (Ravana’s wife and daughter of Demon Mayan, who married Brahmin Ravana)

Tamil Villagers use Muzi= Vizi (pupil in the eye).

Leaving this to linguists, if we move on to Indus Valley (Harappan or Sarasvati River Civilization), there is no Dravidian skeleton; all the skeletons discovered were of Aryan stature. The mischievous gang led by Jonhn Marshall, Mortimer Wheeler and John Mackay used the word Dravidian with racial tone and misled the world. Because  of this misleading, until this day the script remains undeciphered.

Max Muller after getting severe beatings and bricks from scholars like Goldstucker, changed his tone and said I used it without any racial connotation. When he started writing about Vedas he declared I am a German and so I am an Aryan. Germans are Aryans. Hitler used it in his auto biography and killed millions.

***

What did Hindus say about classification of People?

Before foreign Christian preachers and foreign rulers misused and abused the word DRAVIDIANS, Hindus knew nothing about the word.

They divided the mankind into 18 groups of people. It is in Tamil commentaries on Sangam literature. It is also in Sanskrit literature.

One important point is man kind moved from one place to another place in the past 5000 years. But the big question is whether they moved from West to East or East to West. Tamil literature never know there is a river called Indus/Sindhu! But they sang about the Himalayas and Ganges. Since Vedic God Indra was assigned direct East and Rig Vedic rivers list started from Ganga Hindus believe that Hindus originated in this land. Nowhere in Sangam Tamil literature or in Vedic literature there is evidence. Only linguists said look at Matha=Mother, Bratha= Brother, Hora=Hour; this shows you came fromoutside India. But Hindus argue millions of words spoken by Indians are not found outside India, so there is no connection linguistically. They also pointed out thousands of ancient customs of Hindus are not found anywhere in the world. What the Christian foreigners showed so far is HORSE. Even that argument was exploded because Rig Veda mentioned the number of Ribs which is not same in the European horses.

Th Hindus believed in mixed marriages; all the famous Hindus had black skin which exploded the Aryan White Skin and Dravidian Black Skin.

Veda Vyasa= utter  black= born to fisherwoman.

Krishna = utter black= Yadava caste;  now a backward  caste claiming benefits from Government!

Draupadi/ Krishnaaa= Black Woman

Rig Vedic Rishis Dirgatamas (Long Darkness), Kavacha Ailusha, Satyakama Jabala and many others were from Dasa caste!

So called low caste people like meat vendor Dharmavyadha, cart driver Raivak taught Vedic wisdom to great kings according to Upanishads.

The list of Mixed marriages is given in the beginning is only a short list, mostly from ancient literature. If we look into history we get hundreds of examples.

***

Naga Mystery

Over 20 Sangam poets are Naga poets; even Gupta inscriptions have names like Ganapati Nagan. Tamil epic Manimekalai described Sri Lanka as naga island. It said those Naga women used to entice sailors and devour them according to Mahavamsa. Only Buddha civilised them according to Sri Lankan chronicles.

My conclusion is that there were no Dravidians according to Tamil and Sanskrit literature, but black skinned and white skinned people lived together. Asuras followed certain customs like eating human flesh which others detested Even according to Eight Types of marriages in Tolkappiam and Manu Smriti, Asura marriage is violent abduction of brides. It shows Asuras believed in uncontrolled violence. Bhagavad Gita and other scripture also described the qualities of good and bad people. People with balanced mind wont quote one or two slokas from scriptures, but look at the whole picture and judge.

–subham—

Tags- Aryan, Dravidian, Asura, Demon, Devas, marriage, white skin, Black skin, Naga mystery, mixed marriage, Cousin Marriage

HINDU DICTIONARY IN ENGLISH AND TAMIL 71; இந்து மத கலைச்சொல் அகராதி-71 (Post No.15,846)

Written by London Swaminathan

Post No. 15,846

Date uploaded in London –8 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

N  Words

Nabhaga / naabhaaga

Many characters in the Puranas have this name; a bit confusing!

Nabhaga (नभग):—

One of the ten sons of Śrāddhadeva  and Śraddhā. This name is not to be confused with Nābhāga (another son of Manu whose name is sometimes replaced with Kavi). (see Bhāgavata Purāṇa 9.1.11-12)

Nābhāga (नाभाग).—Naabhaaga-

A brother of Ikṣvāku. The famous Ambarīṣa was Nābhāga’s son. After conquering all the worlds, he ruled the kingdom strictly along the path of truth and righteousness. (Vana Parva, Chapter 25, Verse 12). In the evening of his life Nābhāga gifted away the whole land to Brahmins. Since she could not leave Nābhāga, Bhūmidevī herself assumed physical form and went to him on the occasion. This emperor never consumed meat. He lives in Brahmaloka according to Chapter 115, Anuśāsana Parva. (Śānti Parva, Chapter 96, Verse 124).

Another story

 Nābhāga (नाभाग).—A son of Vaivasvata Manu and father of Ambarīṣa.*

The last son of Nabhaga and a bachelor; saw his father’s property divided among his other brothers and himself left with nothing; on his father’s advice he went to the sacrifice of Angīra’s descendants and explained the sixth day rituals relating to Viśvedevas. When the sacrificers went to Heaven their unspent wealth was presented to him. At this time appeared a person of dark complexion who was Rudra and who claimed all the property as his own; when Nabhaga was consulted he said that on a certain occasion, all the remainder in a sacrificial hall was left to Rudra. So Nābhāga apologised and gave away all that wealth. With this Rudra was pleased and initiated him into the knowledge of the Brahman. After making a present of all that wealth to the prince, he disappeared.

***

Naga, Naaga, Naaga loka/ Naaga kanya

Naga (नग) is synonymous with Mountain (śaila).

A mysterious name in Indian History and Tamil Sangam Literature; over twenty Tamil poets have this name. Naga lokam is located in the middle of rivers or seas. Arjuna married Naga Kanya Ulupi. Manimekalai, Tamil epic, described Nagaloka. It says Sri Lanka was full of Naga Kanyas.All the river side beauties and sea side beauties are described as Naga Kanyas (snake nymphs). The very word SNAKE is derived from Sanskrit S+naka!

In Sangam Tamil literature Naaka lokam is heaven/Swarga.

Gupta inscriptions talk about Ganapati Naga etc.

Wisdomlib.org gives more on Nagas:

1) Nāga (नाग).—An asura (demon). (See under Nāgāstra).

2) Nāga (नाग).—A class of serpents. It is stated in Vālmīki Rāmāyaṇa, Araṇya Kāṇḍa, Sarga 14, that of the ten daughters of Kaśyapa, from Surasā, the nāgas and from Kadrū, the Uragas (both are serpents) came into the world.

Nāga (नाग) refers to a group of inhabitants of ancient Kaśmīra (Kashmir valley) according to the Nīlamatapurāṇa.—The Nāga deities of the Nīlamata have power over rain, storm and snow, and dwell generally in lakes, pools and springs.

Creatures born with human forms above the naval and of snakes below; born of Kaśyapa and Kadru; their capital was Bhogavatī; their chief was Ananta;1 came to Dvārakā with the gods;2 attacked the chariot of the Lord;3 residents of the Naiṣadha Hill, of all talams and especially Pātalam; capital Māhiṣmatī, renowned for Karkoṭaka sabhā; worship Pitṛs;4 Vāsuki, as their overlord;5 when milking the cow-earth Takṣaka was the calf;6 celebrated the marriage of Śiva and Umā;7 to be worshipped in Palace buildings.

Nāga (नाग) is a name mentioned in the Mahābhārata (cf. I.34, I.35, I.31.6, I.35, I.60.66) and represents one of the many proper names used for people and places.

From Kashmir Ananta nag to Kanyakumari Nagerkoil ,we have hundreds of names with Naga

***

Nagara

In Sangam Tamil literature Nagar means Temple (in Madurai).

Nāgara (नागर, “townsmen”):—The Sanskrit name for a group of Prāsādas (‘town buildings’), according to the 11th-century Samarāṅgaṇasūtradhāra (chapter 63). This work, authored by Bhojadeva, is an encyclopedia dealing with various topics from the Vāstuśāstra.āsāda

Nāgara (नागर) refers to one of the six types of Temples, according to chapter 4 of the Puruṣottamasaṃhitā

Nagara (नगर) refers to a “city”, according to the Śivapurāṇa 2.5.23

Nagara (नगर) refers to a “city” (suitable for the householder to settle down as a citizen), according to chapter 1.4 of Vātsyāyana’s Kāmasūtra:

***

Nachiketa

Son of Rishi Uddalaka Aruni.

The story of Nachiketas appeared first in the Rig Veda. Later Taitriya Brahmana  and Katha Upanishad dealt with it. Vajra sravasva or Uddalaka Aruni, father of Nachiketa, desirous of attaining heaven, performed great sacrifices and was profuse in his gifts to the Brahmins. Nachiketa, as a boy, noted that his father had given only old and barren cows to them.

Nachiketa told his father that he had not given all and asked him ‘To whom I shall be given?’ On repeating the question three times, father angrily replied, ‘To Death’ (Mrtyu).

Thereupon he fell down as though dead and found himself in the presence of Yama, abode of Death. After staying there for three nights, Yama was forced to offer him a boon. He prayed to see his father again and he reconciled. This boon was granted and another one was offered.  All kinds of blessings were proposed but the boy refused to be contented with anything but a true knowledge of the soul. Yama then proceeded to instruct him.

In Mahabharata , it is told that Nachiketa expressed a desire to see some great persons there. Yama then arranged Nachiketa to see some of the great persons who had given away cows to Brahmanas. Bhishma related this episode to Yudhisthira to stress the importance of gifting cows to Brahmana.

***

Nahusha

An ancestor of Kuru Dynasty; son of Ayu and father of Yayati. Once in the temporary absence of Indra, he became the king of Swarga/heaven. There he became intoxicated with power and began to behave like a tyrant. He even entertained a desire that Indrani (Sachi) wife of Indra, should submit to him. Indrani had to seek the help of Brahma and together they devised a plan to topple him

Sachidevi (Indrani) went to Nahusha’s palace. There, she said, “O mighty king of the gods! Before I become your wife, I have a request to make. I wish you to come majestically to my house in a grander style than the Lord Vishnu or Shiva. Let the seven rishis bear your palanquin.” Nahusha, already riding high in his pride, instantly fell into the trap.

Seven revered rishis carried him in a palanquin on the dreadful day of Nahusha’s supposed meeting. Engulfed in lust, Nahusha was impatient to reach Sachidevi soon.  Agastya, shortest of the Rishis, also joined the seven Rishis. Because he was too short the palanquin had wobbled. So Nahusa began goading the rishis to go faster and, out of mad wickedness, kicked the pious sage Agastya, saying “sarpa, sarpa.” Sanskrit has two meanings of ‘sarpa’- one is ‘‘to move’, and the other is ‘serpent’. Agastya cried out loud in anger, “O wicked Nahusha, you out of pride had made us the rishis bearer of your palanquin. On top of it, you are also goading us and saying sarpa, sarpa constantly. I curse you now and here that thou shall fall from heaven and become a sarpa on earth.”

Immediately, Nahusha fell headlong from heaven and became a python in the jungle. There, he had to wait for long period for deliverance. His progeny, Yudhisthira, came to rescue him in Dwapara Yuga.

When Nahusha got his deliverance from the curse, he told Yudhisthira:

सुप्रज्ञमपि चेच्छूरमृद्धिर्मोहयते नरम् ⁠।

वर्तमानः सुखे सर्वो मुह्यतीति मतिर्मम ⁠।⁠।⁠

suprajñamapi cecchūramṛddhir mohayate naram

vartamānaḥ sukhe sarvo muhyatīti matir mama

“O righteous king Yudhisthira! The wealth and opulence fascinate even the most intelligent and brave man. I believe that everyone immersed in pleasure is disillusioned by it and subjected to the great fall as I did.”

Goswami Tulasidas ji also said in Ramcharitmanas:

नहिं कोउ अस जनमा जग माहीं,

प्रभुता पाई जाहि मद नाहीं ⁠।

nahim kou asa janama jaga māhī,

prabhutā pā’ī jāhi mada nāhī

“Never has a creature born in this world who doesn’t get intoxicated with pride when exalted with power and opulence.”

The story of Nahusha proves that excessive fame and power lead to pride, and pride leads to the ultimate downfall. So, one must always be conscious of one’s surroundings and not allow pride to take over.

***

Nakula

Youngest of the five Pandava brothers, he was the son of Madri and twin brother of Sahadeva. He was an extremely handsome youth renowned for his mastery in sword fighting. As he was an expert rider, he had no difficulty in obtaining a post as the keeper of royal stable of King Virata of Matsya Desa during the thirteenth year of banishment. Under the name of Granthika, he spent one year without anyone recognising him. At the end, just before revealing his identity,  he fought along with the Matsya forces against the invading army of Susharma of Trigarta desa and earned the respect of King Virata.

Mythologically he was the son of Aswins, also known as Nasatya in the Vedas. He had a son named Niramitra by his wife Karenu-mati, a princess of Chedi desa.

In Indonesia, Nakula is a highly prominent name in Bali. It is a major street in the upscale resort town of Seminyak (Jalan Nakula) and the namesake of Nakula, a leading Bali-based hospitality and private villa management company

***

Nala and Damayanthi

This interesting love story of Nala and Damayanthi is in the third chapter, Vana Parva, of Mahabharata. The story was adapted into Tamil by two poets Pukazenthi and Athi Veera Rama Pandyan.  Other poets of Tamil epic Silappadikaram and Thevaram made passing references to it. Because the story is so moving, a lot of other important things in the story are missed by many.

Following subjects are dealt within the story:-

1.Extra Terrestrials

Art of Disguise

Eight Paranormal Powers

4.Bird Migration and Training Birds for communication

5.Art of Cookery

6.Art of Charioting

7.Magic Numbers

8.Art of Gambling and Manipulation

9.invisible Cloaking

10.Toxicology

11.Moral Teaching and Psychology

12.Letter Writing by Kings

13.Truth alone Triumphs

14.Necessity of cleanliness

15.Role of Poetry

16.Brahmin Ambassadors/ Role of Ambassadors

17.Travellers’ Tale & Business Travel & Robbers

18.Geography

19.History

20.Role of Saints/Psychologists

21.Child care

22.Unusual Freedom of Indian Women

23.Body marks

24.Science of Horses

25.Tree Science

NALA DAMAYANTI story was translated into Latin by Bopp and into English verse by Dean Milman. 

DAMAYANTHI was the only daughter of King Bhima of Vidarbha (Nagpur region in Maharashtra). She was very beautiful and clever. Nala, King of Nishada, was a brave and handsome person. He was learned in Vedas and virtuous. He had great skills in arms, management of horses and cooking. His only weakness was addiction to gambling (which we see later in Yudhishthira of Mahabharata as well). Nala and Damayanti loved each other, though they have never met. Nala sent a message using swans.

(This shows the use of animals for human communication; it is in Sangam literature Purananuru verse as well.)

Bhima determined that his daughter should hold a swayamvara. The warrior class Hindu women of India had the highest freedom in the world. They chose the bravest and the cleverest prince or a king as their husband. This explodes the theory of Aryan immigration and Aryan-Dravidian division. Since it was not practised anywhere in the world except Hindus

Bhima sent letters to all the kings inviting them to Swayamvara (princess choosing her own partner).

Kings flocked to Damayanti’s Swayamvara and among them was Nala. Having heard the beauty of Damayanti through the Inter Galactic traveller Narada, even the Vedic Gods Indra, Varuna, Agni and Yama came to it. Nala who met them on the way, without knowing their intention, promised them to help. Even when they asked his help in marrying Damayanti, he did not go back on his words.

Nala reluctantly performed the promised task, but his presence perfected his conquest, and the maiden announced her resolve to pay due homage to Four Vedic Gods, but choose him for her lord. Nala entered the harem of Damayanti by becoming invisible with the power given by the Vedic gods. Now we read in science magazines about ‘Invisible cloaks’. We had such facilities thousands of years ago!

During the Swayamvara (princess freely choosing her own lord), all the four gods looked like Nala (art of disguise), but Damayanti was able to see the features of Extra Terrestrials in the Four heavenly Gods. Their feet never touched the ground (floating), they never winked (no beating of brows) and their garlands never withered.

When Damayanti chose Nala as her husband, they got married formally and lived happily for some time. Kali, the symbol of bad age- Iron Age- also came for the Swayamvara, but very late. When he heard that everything was over, he decided that he would separate the couple in future. One day when Nala did not wash his hands and feet before worshipping God, Kali entered him and made him an addict to gambling. Hindus always quote this event to emphasize cleanliness

At Kali’s instigation Pushkara, younger brother of Nala challenged him to come for a game of dice. Nala lost everything and his brother Pushkara became king. Both Nala and Damayanthi were forced to leave the country

As he lost even his clothes, he shared the cloth of Damayanti and decided at one stage that he should leave her alone. While she was sleeping, he slipped out leaving her in great distress. When she came to forest she wisely sent her two children Indrasena and Indrasenaa (long vowel is used for females in Sanskrit; Krishna is lord; Krishnaa is Draupadi).

This shows the importance of child care. A woman worries more about the safety and welfare of her children than her life.

Damayanti joined the caravan that was passing through the forest. We find such caravans going through forest in Tamil literature as well. The caravan of merchants was attacked by an elephant, and the chaotic scene is described vividly in the Mahabharata. Even Brahmins joined the group of tradesmen passing through the forest.

When the queen mother of Chedi Kingdom saw a beautiful woman with all the features of a queen, walking with the traders, she called her and gave her refuge.

Nala was bitten by the king of serpents Karkotaka in the forest, who was under a curse from which Nala was to deliver him. The serpent bit Nala and the poison should work upon him till the evil spirit (Kali) was gone out of him, and then he should restore his original handsome form. The serpent’s poison made him ugly and deformed. Here we learn about toxicology.

Later, Nala entered the service of King Rituparna of Ayodhya, as a trainer of horses and an accomplished cook, under the name of Bahuka.

Damayanti was sent to her father’s kingdom of Vidarbha where he found her children. Then she devised a clever plan to bring back Nala. She announced a second swayamvara.

In those days Brahmins were used as ambassadors, and Damayanti also employed a Brahmin to find Nala with all the available information. One Brahmin identified and informed Damayanti about his whereabouts.

In the meantime, Rituparna, having heard the second swayamwara of Damayanti, decided to attend it. Since he knew that Nala was a great driver of chariots, he employed the service of him to travel 800 miles in 24 hours (100 yojanas in the original).

On their way Rituparna taught Nala the science of numbers and the rule of chances and learnt from Nala, the science of horses. This shows the Exchange of Knowledge and Sharing Information. As soon as Nala acquired this knowledge, the evil spirit (Kali which means Dark) went out of him.

Damayanti convinced that it was her husband Nala by the flavour of a dish he cooked. Here comes the art of cooking.

Afterwards Nala and Damayanti met and Nala resumed his form. Now that he knew the science of numbers, he challenged Pushkara for a game of dice and won the game. Rituparna’s teaching helped him. Nala got back his kingdom and lived happily with his wife.

—Subham—

Tags-HINDU DICTIONARY IN ENGLISH AND TAMIL 71; இந்து மத கலைச்சொல் அகராதி-71 (Post No.15,846), Nahusa, Nala, Nachiketa, Naga

HINDU DICTIONARY IN ENGLISH AND TAMIL 69; இந்து மத கலைச்சொல் அகராதி-69 (Post No.15,824)

Written by London Swaminathan

Post No. 15,824

Date uploaded in London –3 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

MO, MU words

Modaka/m

Modaka is found in the hand of Ganesh statues. This sweet rice dumpling is his favourite food. Tamil Brahmins and Maharashtrians make it and offer it to Lord Ganesh during Ganesh Chaturthi festival. It is a steamed snack in which coconut mixed with jaggery is stuffed into cups made up of rice flour.

Modaka (मोदक) refers to a “sweet ball”, according to the Vālmīki-Rāmāyaṇa Yuddhakhaṇḍa 131.38

Modaka (मोदक) refers to a type food-stuff used in the worship of Gaṇeśa, according to the Padmapurāṇa 1.65

***

Moksha

One of the four stages in a Hindu’s life: Dharma, Artha, Kama Moksha; of the four stages, Moksha is the final goal all Hindus aim at.

Moksha most commonly refers to the ultimate spiritual goal in Indian religions like Hinduism, Buddhism, and Jainism. Literally translating to “release” or “liberation” in Sanskrit, it signifies freedom from samsara—the eternal cycle of birth, death, and rebirth.

It is achieved by realizing the ultimate truth and freeing oneself from the illusions of the ego and karmic baggage

Most of the devotional songs or poems pray for this.

***

Mookambhika

Sarasvati or Vak Devi.

Mookambika is Hindu Goddess of Knowledge and her famous abode, the Kollur Mookambika Temple, is located in the Udupi district of Karnataka, India.

She is an aspect of Adi Parashakti (the supreme mother goddess) and is considered a powerful union of Goddesses Parvati, Lakshmi, and Saraswati.

The legend of the Kollur Mookambika Temple is deeply intertwined with the journey of Adi Shankara. The Goddess agreed to follow him to Kerala on the condition that he never looked back; when he did, she stayed in Kollur. Adi Shankaracharya meditated in the Chitramoola caves on the Kodachadri hills and requested the Goddess to come with him to Kerala. She agreed, but on the strict condition that she would walk behind him and he must never look back to check. When the tinkling sound of her anklets abruptly stopped, Adi Shankara turned back, breaking the vow. The Goddess stayed exactly where they were, which is the current location of the temple in Kollur. Adi Shankara then consecrated the four-armed idol and the Sri Chakra inside the shrine.

Tamil politicians and once chief ministers M G Ramachandran, Jayalalitha and others offered the deity valuable Diamond Sword, golden ornaments etc. This made her popular among their followers as well.

***

Mooka kavi

“Mooka Kavi was dumb from birth; but obtaining the grace of Kamakshi he burst forth into exquisite poetry. He sang five hundred verses in praise of Sri Kamakshi in five satakas of 100 verses each. Muka Kavi means dumb (turned) poet. He used to go to Kanchi Kamakshi temple and prostrate before the statue of the goddess every day. One day he saw the goddess and suddenly started composing poems. He was one of the Kanchi Sankaracharyas.

According to Kanchi Mutt calculations Muka Sankara (398-437 CE) was the 20th Shankaracharya. He was the son of Vidyavati, an astronomer. He mastered Vedas after he became eloquent.

Matrugupta, King of Kashmir, and Pravarasena, all considered it a privilege to serve Sri Muka Sankara (Muka Kavi).

The Mooka Pancha Sathi (five hundred verses) is a celebrated Sanskrit devotional text composed by Muka Sankara in praise of Goddess Kamakshi of Kanchi.

The work is divided into five parts (or Shatakas), each containing exactly 100 verses:

Arya Satakam: Focuses on the physical beauty, grandeur, and divine grace of the Goddess, using the melodic Arya meter.

Padaravinda Satakam: Extols the divine, lotus-like feet of Goddess Kamakshi, emphasizing their power to grant salvation and peace.

Stuti Satakam: Comprises hymns of praise and surrender, deeply expressing the devotee’s reverence and reliance on the Goddess’s mercy.

Kataaksha Satakam: Describes the transformative and compassionate sidelong glance of Goddess Kamakshi, which removes sins and brings prosperity.

Mandasmitha Satakam: Details the enchanting and radiant smile of the Goddess, symbolizing her boundless grace and cosmic joy.

***

Muchukunda

Very interesting stories are woven around a Choza king who was not recorded or documented in history. The Choza king Mucukunda is in the Puranas and Tamil literature. But history does not know him. From Kandhapurana and Silappadikaram commentaries we know the following details about him:

1.He helped Indra in defeating a demon.
2.Indra gave him a goblin (Bhuta) to protect his city. Later Chera took it to Vanji.
3.Mucukunda ruled from Pumpukar, Choza port city or Tiruvarur.
4.Mucukunda was an ardent devotee of Shiva.
5.He received several statues from Indra and installed them in and around Tiruvarur.
6.His face looked like a monkey (Musu = Monkey).
7.Mucukunda celebrated Indra Festival. He was very much into it.
8. A lot of Sthalapuranas have recorded Mucukunda’s role in local temples. He is connected with Tiruvarur, Tirumaraikkadu, Nagappatinam, Tirunallaru, Tirukkarayal, Tiruvaymur and Tirukkuvalai.

Following are the references from the Puranas and Tamil Epic Silappadikaram.
Pumpukar was a port city in the Chola kingdom. The importance of Pukar was not long lived. Now part of it is under the sea– Bay of Bengal. Anticipating the forthcoming devastation of the city, ‘buta’ (goblin) at Butachahukkam, which was brought from Indra’s abode by Mucukunta, was removed to Vanji by the Chera king. Source : –Canto 28 commentary of Silappadikaram

Origin of Cholzas is shrouded in mystery. Pura Nanuru of Sangam literature and Silappadikaram of Post Sangam period praised Sibi Chakravarthy in many places as the forefather of the Chozas. Sibi ruled North West of India, far away from the Choza territory of Tamil Nadu.

Tamil Encyclopeadia Abidana Chintamani adds more interesting stories: Mucu means monkey and when he was born as a monkey in the Himalyas, he did offer Bilva leaves to Shiva. As a result of this Puja he was born as a son of Dilipa and Mangalvathy in the solar race found in Hindu Puranas. Then he married Vichitravathy and helped Indra in his fight against Vala. When Indra told him that he would give him a gift, Mucukundan wanted a particular Shiva idol from Indra. That was given to Indra by Vishnu. But Indra gave him a different idol. This happened six times and at last he got the idol he wanted. He installed all the idols in different temples in Thanjavur district. The main idol was installed in Tiruvarur.

***

Mudagalya

Story of Mudgala is in Mahabharata, the longest epic in the world. Mudgala was a great sage. He ate only twice a month on Full Moon Day and New Moon Day. He used to gather grains from the field and cook it for his family. He lived with his wife Nalayani, his son and daughter in law. There may be many Rishis (seers) with this name; but the common belief is that the Maudgalya Brahmins came from this Vedic Rishi (sage).

Though Mudgala lived in poverty, he used to feed all the Brahmins, saints and others whoever came to him. He gleaned grains like a pigeon, but it never underwent diminution. This was a miracle like Akshaya patra (inexhaustible vessel) of Draupadi. Once sage Durvasa wanted to test his patience. He went in the disguise of a mendicant just before his fortnightly meals. Mudgala gave his share, but it did not satisfy the mendicant’s hunger. He demanded more and consumed all the food in the house. He returned after a fortnight and did the same- devoured all the available food. This happened six times. Mudgala never burst out in anger. He was happy to feed him.

Durvasa, the sage who was notorious for his anger, was extremely happy and revealed his identity. At the same time a messenger from the heaven came to take him to heaven in appreciation of his hospitality and generosity. He did not fall a prey for heavenly pleasures. He asked the messenger the benefits of going to heaven. Messenger told him that he would enjoy all the pleasures there as long as his merits are not exhausted. Once all the merits are used he would have to return to earth. Immediately he refused the offer and told him that he wanted to do more penance. He dismissed the messenger of the gods and began to practise ascetic virtues. He decided to go to the eternal abode where there is no sorrow, nor distress nor change. (3-216 Mbh).

***

Mudra

BUDDHA SHOWING FIVE DIFFERENT MUDRAS

A mudra is a hand gesture with fingers pointing different directions or postures. The reason for having different postures is to channelize the body energy. Each Mudra brings or enhances certain type of energy in us.

All Hindu Gods show Mudra mostly Abhaya or Varada. 

Mudras are used by Hindu priests differently. There is a book called ‘Mudra Vidanam’ giving a list of over 125 Mudras. A Brahmin who does Sandhyavandana ritual three times a day use Mudras as well. The Sanskrit slokas in the beginning of the book explain the significance of those Mudras. It says Mudras make the Devas (angels and gods) happy and it drives away the sins. The Devatas in charge of each Mantra (spell) are pleased with the Mudras. It also adds one should learn the Mudras used in Archana, Japa, Dhyana (Prayer and Meditation) Kamya Karmas (desire fulfilling rituals), Snanam , Avahanam (Bathing and Invoking), Prathista, Rakshanam and Naivedyam ( Installing, preserving and offering to god). The book classified Mudras under 11 titles and illustrated all Mudras with line drawings.

 In the classical dance called Bharatanatyam, there are lot of Mudras called Karanas. They are used to express feelings and give different messages. The books about Mudras are in Sanskrit. There are 108 different Mudras shown on the tower of Chidambaram temple where the Lord of Dance Nataraja/Shiva appears in his dancing form. The dance Mudras are different from Yoga Mudras. The Tantric Mudras are different from these two categories.

***

Muralidhara

Muralidhara (often spelled Muralidhar or Muralidhara) is a Sanskrit name meaning “the one who holds the flute.” [12]

In Hindu mythology, it is one of the most popular epithets used for Lord Krishna, who is famously depicted as a cowherd boy enchanting the world by playing the divine melody on his flute (the murali).

Lord Skanda is called Murugan in Tamil.

***

Muruga

Murugan means handsome one, beautiful.

He is the son of Lord Shiva and Goddess Parvati

He is the younger brother of Ganesh .

His vehicle is peacock.

Skanda’s other names are Subrahmanya, Kartikeya, Shanmukha

Hindu gods like Ganesh, Murugan are shown with many hands, some with many heads.

He is the popular god with highest number of heads and hands.

He has six heads and 12 hands in Shanmuga form. Shanmukha means six faces. You may wonder why? If you are at school final level, please got to Level Two of Skanda Murugan.

In normal form, he is also shown as a child like Ganesa. He is Kumara (youth)  or Bala kumara.

Subrahmanya means he possesses all the qualities of Brahman (god).

The name Kartikeya came to him because he was raised by six Krittika women personified as stars in the sky.

He was born in a grass land and so he is known as Saravana bhava.

Saravana is the name of the forest/grass land

We know that Ganesa is the head of Bhuta Ghana’s and in the same way Murugan is the Commander of the Divine Army. He killed Tarakasura and Sura pathman.

Skanda worship is very popular in Tamil speaking world. Tamils give Him a special status and so he is known as Tamil God.

They celebrate all his festivals with Kavadi. They carry it to the

Temple . A normal Kaavadi will have a long pole tied with two baskets on either side. Devotee s carry food and offerings to god in the attached pots or baskets. Later they constructed different shapes.

Another important thing is that his temples are mostly on top of hills or at the foot of the hills. There are six famous temples for him in Tamil Nadu

He married two women and they are Valli and Devasena (Deivaanai)

***

Muladhara/m

Muladhara (the Root Chakra) is the first energy center in the body, located at the base of the spine. It governs your sense of stability, safety, and basic survival needs (like food and shelter). When balanced, you feel grounded and confident; when blocked, it can cause anxiety or fear.

Root Chakra (Mooladhara): The Gateway of Power

Sex Chakra (Svadhisthana): Overcoming Karma and Sensory Delusions

Navel Chakra (Manipuraka): The Seat of Power and Spiritual Mastery

Heart Chakra (Anahata): The Portal to Love and Divine Connection

Throat Chakra (Vishuddha): The Repository of Karma and Truth

Third Eye Chakra (Ajna): The Birthplace of Divine Wisdom

***

Mulam star Mamular Tiru Mular

Mulam (also known as Moola) is the 19th lunar mansion in Vedic astrology, falling within the Sagittarius zodiac sign. Known as the “Foundation Star” or “Root Star,” it is symbolized by a tied bunch of roots and is governed by Ketu (the south lunar node) and the goddess Nirriti.

Mythological Association: It is frequently associated with Lord Hanuman’s birth star.

Literary references – Tiru Mular, Saivite saint of ninth century CE and Ma Mular of Sangam Tamil Literature are linked with Mulam star

The astronomical name of the Moolam star (or Moola Nakshatra) is Lambda Scorpii.

In modern astronomy, this refers to a multiple star system (primarily \(\lambda \) Scorpii) located in the tail of the Scorpius constellation

To be continued…………

Tags – Murugan, Moksha, Mookakavi,  Modaa, Mulam star,HINDU DICTIONARY IN ENGLISH AND TAMIL 69; இந்து மத கலைச்சொல் அகராதி-69