Vastu Shastra, Thali, Zodiac! Purananuru wonders-61; Tamil Encyclopaedia 101 (Post.16,146)

Written by London Swaminathan

Post No. 16,146

Date uploaded in London – 30 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

part 61

Item 854

The next book we are going to see is Nedu Nal Vaadai, one of the Ten Idylls ( Paththup Paattu) in Sangam Tamil Literature.

 First let me list the wonders in it:

Vaastu shaastra in Sangam literature;

Zodiac in poem;

Reference to stars Rohini, Uttara;

Gajalakshmi figure ;

Thaali = Mangala Sutra;

Full description of Queen’s Bed with elephant tusks;

Mattress with feathers of Swan that were shed during mating;

Yavana lamp;

Women won’t put on ornaments when husband is away;

White umbrella and Valampuri Chank (conch) as in Kalidasa books;

Description of Army Camp as in Mahabharata.

Women using their swelling breasts to warm Veena Strings!

***

Item 855

Name of the book: Nedu= long; Nal=good; Vaadai= Northerly, cold wind.

(Vadai is fried spicy doughnut; vAAdai is hated cold northerly wind in India).

Author : Brahmin poet Nakkirar who is the author of Tiru Murugu Aatruppadai as well.

Subject: how queen suffered because of Pandya King Neduncheziyan’s absence/separation; he was in battle field.

Length of the poem- 188 lines.

Strange thing: no mention of the name of the king; only from famous commentator Nachchinarrkiniyar, we know it was Nedunchezian; and Tamils  know that there were two Nedunchezians. So, a bit of little confusion.

Lines 29, 30 – Streets were as broad as rivers and with tall buildings.

It is guessed the poet is talking about the great Madurai city, capital of Pandya Kingdom.

Madurai is the only planned city in the whole of India 2000 years ago which we knew from another Sangam book called Paripaatal.

Whenever the poets describe tall buildings they say Seven Storied Buildings; but here poet said only mansion.

***

Item 856

Gods in the houses!

Lines 36 to 44 show what Hindu women did in the evenings in ancient Madurai.

We know from these lines and from line 578 in Maduraik Kaanchi, another Sangam book, every house has a prayer room or prayer place. There was a god before which Hindu women lighted lamps and offered paddy and flowers around sunset. Even today Tamil Hindu women do it. This gives a severe blow to anti Hindu political Dravidians!

***

Item 857 two linguistic points:

In Sanskrit literature, poets say Aho Raatri= Day (and) Night; in Tamil, poets say Iravum Pahalum= Night(and) Day (line  47).

Both Iravu and Pahal are Sanskrit words but in Tamiized form.

I am writing this because South Indians and North Indians changed direction of writing at one time. In the Indus Valley, scholars believe that they wrote from Right to left. But now in India, we write from left to right.

This is seen in many other places as well

Tamils say Lava Kusa (sons of Rama); north Indians say Kusa Lava.

This is a subject for research. Hindus always give respect for Right hand; they are still Rightists! If anyone use left hand to receive anything, it is disrespect; in temples, it is blasphemy.

Mothers force their children to use right hand from the birth.

Another linguistic point here is the poet used PITHI (line 40) for a kind of jasmine flower. But in modern Tamil it is called PICHCHI.

This shows T=S. I have been showing it in all my linguistic articles.

English pronounce TION as SION (E.g. Condition, education and hundreds of such words)

Again, I use this to say all ancient languages can be traced back to Tamil and Sanskrit.

Again, I emphasize there is no Dravidian or Aryan language in India. One language split it into two, and thousands of years gap in time and location,changed them

Example : French spoken in Indian ocean island countries.

***

Item 858– round stone from Himalayas

வடவர் தந்த வான் கேழ்  வட்டம் -51

Very interesting line is 51 where we come across north Indian, round, grinding stone for south Indian sandal!

Poet deliberately used it to emphasize the unity of India.

In Purananuru book, we saw southern pothiyam compared to north Indian Himalayas.

Here also poet refers to Himalayas which is confirmed by Tamil epic Silappadikaram 4-37-8

Commentators showed it. What a wonderful unity 2000 years ago!

Just to grind south Indian sandal and other spices, they imported Himalayan stones, round in shape.

This also shows the pilgrimage. Tamils bring Ganges water even today from North Indian holy spots.( I also did bring Ganga Jal from Haridwar).

***

Item 859 Breast for warming Veena

Verey interesting and strange habit of lute players.

When the cold windblows in winter, women warmed the strings of the lute by rubbing them against their breasts!  Strange indeed! Poet was a keen observer!

He says,

Fair dancing girls to keep their songs in tune

With small and dark stemmed Ayaz on which they play

Warm the sweet toned strings made useless by the cold

By rubbing them upon their swelling breasts….

***

Item 860 -VAASTU SHASSTRA-

Lines 76-80

The broad sun travelling in its western course

Its widespread rays diffuse everywhere

And shadows cast by two poles planted straight

Do not incline at noon tide either way.

Then architects with care compute tapes

And note the quarters where the gods reside

They mansions build befitting noted kings…..

Because all the ancient Tamil kings were Hindus, they followed Shilpa Shastra and Vastu Shastra to build temples and palaces. They were very different from other parts of the world.

In Vastu, they have different Gods managing or controlling different directions. If the builders want to set up Treasury then they do it in Kubera Direction (North).

Ancient Hindu Palaces like Mysore Palace, Tirumalai Nayak Mahal in Madurai were all constructed following Vastu rules.

For the measurements, they plant two sticks straight and see that no shadows cast at noon. That means 100 % straight. Then they use threads or strings as tapes for the measurement. In Sanskrit, Sutra. Egyptian Pyramid Builders also used Sutra (String or rope).

நூலறி புலவர் நுண்ணிதின் கயிறிட்டு

தே எம் கொண்டு தெய்வம் நோக்கி  76/77

Play on words : Nuul = Suutra; both in Tamil and Sanskrit it has two meanings =thread and book.

If you say one who knows Nuul= Suutra, it means one who knows to handle plumbing line and one who knows scriptures (Vaaastu Shasstra books etc). Once again, it shows that both languages have the same source.

***

Item 861 -Zodiac and Stars

Though we have indirect reference to Zodiac in Purananuru, here we see poet himself refers to Aries (goat sign). He refers also to Rohini star and Uttara star. This shows the knowledge of astronomy in ancient Tamil Nadu.

Line 82 – Uttara nakshatra

Uttaram is beam in Tamil; poet plays on words following Kalidasa.

Rohini – line 163;

Mesha rasi – goat sign- line 160;

***

Item 862- Gaja Lakshmi Lines 81-83

Gaja Lakshmi is also in another Sangam book Kalittokai 44.

When I went to palatial houses in Chettinadu, Karaikkudi areas in Tamil Nau and Mysore Palace in Karnataka I noticed Gaja Lakshmi sculpted on doors. It is a symbol of wealth. Goddess Lakshmi is in the centre and two elephants on either side pour water on her.

This shows flow of water; even in British library in London, they have set up big fountain of flowing water.

You can notice that wherever there are big fountains at the entrance, those places doing roaring business.

Gaja Lakshmi was found from Denmark to Sri Lanka . Gaja Lakshmi is in Sri Suktam, part of Vedas.

(Please see my article written in 2012. Hindu Goddess’ march to Denmark !)

Following three Sangam books referred to Gajalakshmi also found in Gundestrup Cauldron in Denmark)

குறிஞ்சிக் கலி- Kurichik Kali in Kalittokai.

வரிநுதல் எழில் வேழம் பூநீர் மேல் சொரிதரப்,

புரிநெகிழ் தாமரை மலரங்கண் வீறு எய்தித்,

திரு நயந்து இருந்தன்ன தேங்கமழ் விறல் வெற்ப! (கலி.44-8-5/7)

மதுரைக் காஞ்சி Maduraik Kaanchi

விண் உற ஓங்கிய பல் படைப் புரிசை

தொல் வலி நிலை இய அணங்குடை நெடி நிலை(352-353)

நெடுநல்வாடை Nedun al Vaadai

ஐயவி அப்பிய நெய் அணி நெடு நிலை

வென்று எழு கொடியொடு வேழம் சென்று புக

குன்று குயின்றன்ன ஓங்கு நிலை வாயில்

திருநிலை பெற்ற தீது தீர் சிறப்பின் (86-89)

Gajalakshmi’s figures have travelled from the Himalayas to the southern most part of Sri Lanka. It is in the form of old coins, lamps, wooden figures, idols and stone sculptures. It has travelled from India to Denmark !! We have Gajalakshmi figure carved in to Gundestrup silver Cauldron. Now it is in Copenhagen. When they dug up a marshy area in Jutland , Denmark in 1891 they recovered a big silver vessel which is dated to second century BC. A very interesting fact about this vessel is that there is a god surrounded by animals like we see in the Indus valley seal (For more details please read my article Vishnu in Indus Valley Seal) The earliest reference to Gajalakshmi is in Sri Suktam of the Vedas:

“Laksmir –divyair-gajendrair-manigana-kasithai: snabitha hemakumbhair nithyam sa pathma hastha”

(Holding a lotus in hand she is bathed by water from the gem studded golden pot by the celestial elephants)

The above is from my article posted here in 2012.

***

Item 863- sanctum sanctorum

Now we have Garbha Grihas (Karu Arai) in temples ;Temple is compared to human body and the sanctum sanctorum is called Garbha Griha (womb) This has been there from Sangam days.

Here the queen’s private inner chamber is called Karu Arai

English word core = Tamil Karu.

Garbhagriha – line 114;

***

Item 864 Dasa Naanku 10 X 4=40 in Sanskrit

In Line 115 we find a strange Sanskrit word Dasa=10; naanku=4;

When the poet wanted to tell us that the queen’s bed had tusk decoration and those ivory objects came from 40 year old elephant, he used it.  It is interesting to note the age of the elephant.

There is a linguistic point as well: D becomes R in the lines.

It is shown as an example for distorting or corrupting Sanskrit words by poets.

***

Item 865 Yavana Lamps

Yavana- we have at least five refences in Sangam literature including Purananuru in addition to intro in Pathitruppaththu.

Yavana made lamps – lines 101-102.

Yavana is a confusing word; in Sangam literature it meant Romans from Italy. But later it is used for Greeks.

But I have a big question. Did Yavana mean carpenters from North west India?

The reason is I could not find Yavana lamps in Greek and Roman sculptures.

Yavana is found in Mahabharat and Valmiki Ramyana too.

By the middle of 15th century, it meant Arab merchants( also called Sonakar).

***

Item 866 Mating Swans shed Feathers!

Swan feathers – 131-133

Poet Nakkirar has described Queen’s bed, her mattress and pillows in minute details.

Someone must draw a picture of it.

Nakkirar added one more interesting detail. Quen’s mattress and pillows had swan feathers which shed them during sexual intercourse/mating because of body heat.

Use of swan feather in bedding is already in Kalidasa who lived before Sangam age.

***

Item 867- Mangala Sutra  of Hindu Women!

Thaali = mangala sutra = 136/37

Very often bad women who want to be in magazines write that Tamil women did not wear Thaali or Mangala Suutra during Sangam Age. They were proved wrong by commentators who lived 700 years ago. They have clearly mentioned Thaali worn by Tamil Hindu women. I wrote on these many years ago quoting famous writers.

Puram 177, Nedu Nal Vaadai 136/7 and Tamil epic Silappadikaram, their commentators said it.

பெண்கள் தாலி :–புறம்127, சிலப்பதிகாரம் 1-47, 4-50
தமிழர்களுக்கு தாலி உண்டு:–ம.பொ.சி

தமிழர்கள் திருமணத்தில் தாலி கட்டும் வழக்கத்தைக் கடைப்பிடித்தனரா என்று அவ்வப்போது விவாதங்கள் எழுகின்றன.

தமிழர்கள் திருமணத்தில் தாலி கட்டும் வழக்கத்தைக் கடைப்பிடித்தனர் என்று பல தமிழ் அறிஞர்கள் கூறுகின்றனர். இதற்கு முடமோசியாரின் புறநானூற்றுப் பாடலையும் சிலப்பதிகார வரிகளுக்கு அடியார்க்கு நல்லார் எழுதிய உரையையும் அவர்கள் எடுத்துக் காட் டுகின்றனர்.

இந்தியப் பண்பாடும் தமிழரும் பக்கம் 297/298 ஆசிரியர் எஸ்.ராமகிருஷ்ணன் (மதுரை எஸ். ஆர்.கே). தமிழர் நாகரீகமும் பண்பாடும் பக்கம் 51, ஆசிரியர் ஆ.தட்சிணாமூர்த்தி, பூண்டி, தஞ்சாவூர்.

“ஈகை அரிய இழை அணி மகளிர்” —

(ஆய் அண்டிரனின் மனைவியர் அணிந்திருந்த மங்கல சூத்திரம் பற்றி முடமோசியார் புறம் 127ல் பாடிய வரிகள்)

“அகலுள் மங்கல அணி எழுந்தது”- சிலப்பதிகாரம்1-47

(மங்கல சூத்திரத்தை ஊர்வ லமாக கொண்டுவந்தனர்-அடியார்க்கு நல்லாரின் உரை)

“மங்கல அணியின் பிறிது அணி மகிழாள் “

(கண்ணகி பற்றி இளங்கோ அடிகள் (இதுவும் தாலி என்பது எஸ். ஆர். கே.யின் வாதம்.

. நல்லாவுர் கிழார் குறிப்பிடும் ” வால் இழை மகளிர்” என்பதும் தாலியே என்று அவர் வாதாடுகிறார்.

கி.பி. 10ஆம் நூற்றாண்டில்தான் தாலி இடம்பெற்றது என்று மா. இராச மாணிக்கனார் கூறுவார்.

ம.பொ.சிவஞான கிராமணியார், பேராசிரியர் வீரபத்திரன் ஆகியோர் சங்க காலத்திலேயே தாலி இருந்ததாக வாதிடுகின்றனர்.

***

Item 868

Applying starch to clothes is mentioned here.

134/35- starch to clothes.

***

Item 868 Gold Rings

143/44- finger ring in fish mouth shape.

Queen wore a finger ring shaped like a fish mouth.

Interesting thing is we have found such rings in Tamil Nadu and other places.

They are also known as Makara Mothiram.

***

Item 869

White umbrella is mentioned throughout Kalidasa works and Tamil literature

184- white umbrella

***

Item 869 – Queen without decoration

Hindu women dress their hai , body etc only when their husbands are around.  If they hang their hair without plaits or hair bun something went wrong is the meaning. Here we have a full description of the queen in desperation because her husband was in the battle field.

Her friends even prayed to Goddess Durga for her husband’s safe and quick return.

Tamil lines-136-147

***

Item 870 King in the Army tents

In Mahabharata also we see that after the battle finished , during sun set each leader went to the battle ground or tents of soldiers and treated the wounded soldiers. They consoled some and they boosted confidence in others.

Here also poet Nakkirar described it. Lines 168-177

***

Item 871 Sanskrit words

Saalekam for window is from Jhaalakam in Sanskrit.

Deivam, Dasam,Rohini, Uttaram, Mesham, Gaja Lakshmi, Yavana are also mentioned in Sanskrit or its Tamil translation.

Saalekam – 125 Jalakam in Sanskrit

***

At the end of commentary, we find the following:

Brahmin of Bharadwaja gotra Naccinarkiniyar, teacher in Madurai, finishing the commentary on Nedunal vaadai written by Nakkiranar, son of Maduraik kanakkaayanaar on Pandyan Neduncheziyan .

But Purapporul Veba Malai says it is about Talai aalankaanaththu seru vendra Nedun chezian

–subham—

Tags- Thali, Mangala Sutra, Vastu Shastra, Thali, Zodiac! Purananuru wonders-61; Tamil Encyclopaedia 101, Item 871

மாரிமுத்தா பிள்ளை பாடல்கள் பற்றி 10 கேள்விகள் (Post.16,141)

Written by London Swaminathan

Post No. 16,141

Date uploaded in London – 29 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

1

பார்ப்பனர்களை ஓரம் கட்டுவது எப்படி ? பக்கி பீடியா, மங்கி பீடியா, டாங்க்கி பீடியா விஷமிகள் சொல்லும் ஐடியா என்ன ?

2

மாரிமுத்தா பிள்ளையின் புகழ்பெற்ற கீர்த்தனைகள் எவை ?

3

இவர் எழுதிய நூல்கள் யாவை ?

4

மாரிமுத்தா பிள்ளையின் எத்தனை கீர்த்தனைகள் இப்போது கிடைக்கின்றன?

5

நடராஜர் நடனம் பற்றி இவர் எழுதிய புகழ்பெற்ற கீர்த்தனை எது ?

6

காவேரி திரைப்படத்தில் இவருடைய எந்தப் பாடல் இடம்பெற்றது ? அதைப் பாடியவர்  யார்?

7

மாரிமுத்தா பிள்ளையின் பாடல்களில் காணப்படும் சிறப்பு என்ன ?

8

சாரங்கதாரா திரைப்படத்தில் ராதா ஜெயலட்சுமி பாட்டிய பாடல் எது ?

9

தெரிசித்த பேரைப் பரிசுத்தராக்கச் சிதம்பரம் போல வேறு எதுவும் இல்லை என்ற பாடலின் வரிகள் என்ன ?

10

எல்லா கீர்த்தனைகளும் கிடைக்கும் வெப்சைட் எது ? தெய்வீக ஸ்தலமிந்தத் தில்லை- இந்த வைபோக மெங்கெங்குமில்லை   — என்ற பாடலின் வரிகள் என்ன ?

***

விடைகள்

1.”இவர் (மாரிமுத்தா பிள்ளை) தமிழ் இசையில் மும்மூர்த்திகள் என்று போற்றப்படும் தியாகராஜர், முத்துசுவாமி தீட்சிதர், சியாமா சாஸ்திரிகள் ஆகிய மூவருக்கும் முன்னிருந்த ஆதி மும்மூர்த்திகளில் ஒருவர். இவர் இயற்றிய பாடல்கள் தமிழில் உள்ளன. தமிழ் ஆதி மும்மூர்த்திகள் எனப்படுபவர்கள் அருணாசலக் கவிராயர் (1712-1779), மாரிமுத்தாப் பிள்ளை, முத்துத் தாண்டவர் (1525-1625)”..

XXX

இதில் இரண்டு விஷங்கள்/ விஷமங்கள் இருப்பதைக் கவனிக்க வேண்டும் ; அதாவது பார்ப்பனர்களாகிய மும்மூர்த்திகளுக்கும் முன்னவராம் இவர்கள் ; அதனால் இவர்கள் ஆதி மும்மூர்த்திககளாம் . அதையும் சம்ஸ்க்ருதத்தில் ஆதி, மூர்த்தி என்ற சொற்களுடன் போட்டு சங்கீத மும்மூர்த்திகளை வம்புக்கு இழுத்து அவர்களை பின்னுக்குத் தள்ளியுள்ளது அது சரி ! இவர்களுக்கு ஆதி மும்மூர்த்திகள் பட்டம் கொடுத்தது யார் ? அந்த அயோக்கியர் பற்றி பின்னர் எழுதுகிறேன்.

இரண்டாவது விஷமம் ; சில நாட்களுக்கு முன்னர்தான் இதே பிளாக்கில் பத்து கேள்விகள் வரிசையில் ஊத்துக்காடு வேங்கட சுப்பையர் பற்றி பத்து விஷயங்களை போட்டிருந்தேன். அவருடைய காலம் Oothukkaadu Venkata Kavi (c. 1700-1765) வாழ்ந்த காலம் – (16 அக்டோபர் 1700 – 1765) . அதாவது மேலே குறிப்பிட்ட இருவருக்கு முந்தையவர்; அவர் பாடிய அலைபாயுதே , ஆடாது அசங்காது வா  கண்ணா, கண்ணன் வருகின்ற நேரம் – கரையோரம், அசைந்தாடும் மயிலொன்று , தாயே யசோதா என்ற பாடல்கள் உலககப் பிரசித்தம் . அவர் பிராமணர் என்ற காரணத்துக்காக அவரை ஓரம் கட்டி, அயோக்கியர்கள் கொடுத்த டைட்டில் ஆதி மும்மூர்த்தி.

மூன்றாவது விஷமம், முத்துத் தாண்டவர் ((1525-1625) என்பவருக்கு இவர்கள் கொடுத்த காலம் ஆதாரமற்ற பொய், ஆதி மும்மூர்த்திகளை உண்டாக்கிய அயோக்கியனின் கற்பனை . ஆனால் இவர்கள் மூவரும் மஹா மேதைகள், பெரியவர்கள் என்பதில் எள்ளளவும் ஐயம் வேண்டாம் சங்கீத மும்மூர்த்திகளைத் தாழ்த்தி, மேலே குறிப்பிட்டோருக்கு மூத்தவரான ஊத்துக்காடு வேங்கட சுப்பையரை ஒதுக்கி வைத்ததைக் காட்டவே இதை எழுதுகிறேன் இந்த விஷமும் விஷமமும் மேலே குறிப்பிட்ட ஆதி மும்மூர்த்திகள் சைட்டில் இருப்பதால்தான் இங்கே எழுதுகிறேன் . இதை உண்டாக்கிய அயோக்கியன், கர்நாடக இசை மீது அணுகுண்டு வீசியுள்ளான். அதைத் தனியாகப் பார்ப்போம்

அப்பர் ,சம்பந்தர், சுந்தரர் ஆகியோர் 1400 ஆண்டுகளுக்கு முன்னரே தமிழ் இசையைப் பரப்பினார்கள்; நாளும் இன்னிசையால் தமிழ் பரப்பிய ஞான சம்பந்தன் என்று பின்னர் வந்த சுந்தரமூர்த்தி நாயனார்  போற்றினார் ; ஆகவே தமிழையும் தமிழ் இசையையும் முதலில் பரப்பியவர்கள் தேவார மூவரே ; அதற்குச் சான்றாக இன்றும் ஓதுவா மூர்த்திகள் நிற்கிறார்கள். 

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2. தமிழிசை மூவர்களில் ஒருவரான மாரிமுத்தாப் பிள்ளை (1712–1787) சிதம்பரம் நடராஜ பெருமான் மீது பல புகழ்பெற்ற கீர்த்தனைகளையும் பக்திப் பாடல்களையும் இயற்றியுள்ளார்.

காலைத் தூக்கி நின்றாடும் தெய்வமே (ராகம்: யதுகுலகாம்போதி, தாளம்: ஆதி) – இவரின் மிகப்பிரபலமான பாடல்.

  எதுக்கு இத்தனை மோடிதான் உனக்கு (ராகம்: சுருட்டி, தாளம்: ரூபகம்)

  எந்நேரமும் ஒரு கால் சிவன்கை (ராகம்: ஹனுமத்தோடி)

  தில்லை சிதம்பரமே (ராகம்: ஆனந்தபைரவி / காபி நாராயணி)

  ஒருக்கால் சிவசிதம்பரம் (ராகம்: அரபி)

  என்ன துணிவாய் நெஞ்சே (ராகம்: சாரமதி)

  தரிசித்த பேருக்கு முக்தி (ராகம்: கேதாரகௌளை

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3.மாரிமுத்தாபிள்ளை தெய்வம் தொடர்பான பல நூல்களை இயற்றினார். அவை புலியூர் வெண்பா, சிதம்பரேசர் விறலிவிடு தூது, ,தில்லைப் பள்ளு, சித்திரக் கவிகள், புலியூர்ச் சிங்காரவேலர் பதிகம், தில்லை விடங்கன் ஐயனார் நொண்டி நாடகம், வருணாபுரி ஆதிமூலேசர் குறவஞ்சி, வருணாபுரிப்பள்ளு ஆகியவை இவற்றோடு பல கீர்த்தனைகளும் பாடினார்.

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4.தமிழிசை மூவர்களில் ஒருவரான தில்லைவிடங்கன் மாரிமுத்தாப் பிள்ளை அவர்கள் நூற்றுக்கணக்கான பாடல்களை (கீர்த்தனைகளை) இயற்றியுள்ளார் என்று கூறப்பட்டாலும், இன்று நமக்கு 25 கீர்த்தனைகள் மட்டுமே முழுமையாகக் கிடைத்துள்ளன.

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5.நடராஜர் நடனம் பற்றி இவர் எழுதிய புகழ்பெற்ற கீர்த்தனை :

இராகம் : தோடி தாளம் : ஆதி

பல்லவி

எந்நேரமும் ஒருகாலைத் தூக்கி நொண்டிக்
கொண்டிருக்கிற வகையேதையா

அநுபல்லவி

பொன்னாடர் போற்றுந்தில்லை நன்னாடர்
பொன்னம்பல வாணரே இன்னந்தானும் ஊன்றாமல்

சரணம்

எக்கிய நெருப்பவிக்கத் தக்கன் வீட்டில் நடந்தோ.


எமனை உதைத்த போதில் எதிர் சுளுக்கேறி நொந்தோ.

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6. காலைத் தூக்கி நின்றாடும் தெய்வமே – பாடல் காவேரி திரைப்படத்தில் இடம்பெற்றது; அதை சி எஸ் ஜெயராமன் பாடினார்.

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7.மாரிமுத்தா பிள்ளையின் பாடல்களில் காணப்படும் சிறப்பு:

கடவுளைப்பற்றி பாடினாலும் அதை கிண்டல் தொனியில் பாடுவார்; அதாவது இகழ்வது போலப் புகழும், வஞ்சப்புகழ்ச்சி முறையை கையாண்டார் ; இதோ ஒரு உதாரணம்

எந்நேரமும் ஒரு காலைத் தூக்கி”

“காலைத் தூக்கி நின்றாடுந் தெய்வமே”

என்ன பிழைப்புன்றன் பிழைப்பையா”

“வீடும் அம்பலமாகி நீரும் அந்தரமானீர்”

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8. சாரங்கதாரா திரைப்படத்தில் ராதா ஜெயலட்சுமி பாடிய பாடல் “ஏதுக்கித்தனை மோடி தான்”

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9.இராகம்-சவுராஷ்டிரம்- ஆதிதாளம்.  

பல்லவி    தெரிசித்த பேரைப் பரிசுத்தராக்கச் சிதம்பரமன்றியுண்டோ  

 அநுபல்லவி     

விரிவுற்றபூலோக கயிலையென் றுளமொருமித்து

நடந் தெதிர்    கொண்டு, மேரு வொத்த விரண்டோடிரண்டு,

கோபுரத்தைக்    கண்ணாரவே கண்டு                (தெரிசி)          

சரணங்கள்.

1.      மேலைத்திசைக் கோபுரத்தினிற் கற்பகவேழமுகன் றனைவாழ்த்தி    நல்ல நீலத் திருமயிலேறுங் குமரன் முன் நின்று தொழுதடி    போற்றி, அனுகூலச் சிவகங்கை மூழ்கியந் நீரை யுட்கொண்டு    மனக்குறையாற்றி, இந்த ஞாலத்தையீன்ற சிவகாமசுந்தரி பா    பாலுற்றிருவினை மாற்றி வெகு சீலத்துடன் மலர்சாத்தி அர்த்தசா    மத்திலே தொழுதேத்தித்                (தெரிசி)

2.     நம்பித் திருமூலஸ்தானத்திலே துதி நாத்தழும்பேறலேறப் பயின்று    உமை அம்பிகைத் தாளைப்பணிந்து மலாதியோடைந்து புலாதி    யை வென்று நிதமும்பர் வணங்கும் பேரம்பலந் தன்னைக் கண்டுண்    மையாய்ச் சேவித்தகன்று கள்ள -வெம் பிறவிப்பிணி வேரைப் பொ    டிசெய்யுஞ் செம்பொற்சபை நாடிச்சென்று கொடிக்கம்பத் தரு    கினில் நின்று கையால் கும்பிட்டரகராவென்று         (தெரிசி)

3.     ஞானசபை தன்னைச் சேவித்தங்குள்ள ரகசிய வுண்மையை நாடி.    வொளியானத்தை யற்புத ஞானக்கண்ணா லறிந் தானந்தவாரியி     லாடித், தவ மோனத்துட னங்கிருந்து செபங்கண் முழுதுஞ்செ    பித்தன்பு நீடி, நாளும் வானத்தவர்க்குங் கிடையாத முத்தி நிதா    னத்திற் சேவடி தேடி, மெய்த்தியானத்தினாலது பாடி யாக்கியான    த்தை வேறரச் சாடித்                    (தெரிசி)

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10. You can all the Keerthanas from

இராகம்-பூர்விகலியாணி- ஏக தாளம்            

பல்லவி.    

தெய்வீக ஸ்தலமிந்தத் தில்லை- இந்த வைபோக மெங்கெங்குமில்லை            

அநுபல்லவி,    

துய்யவேதனு மாலுந் தேடியே காணாச் செய்ய தாமரைத் தாளாலாடி    யேநின்ற, வையனிருந்து வாசஞ் செய்யுந் தென்கயிலாசமாமே யிணை    சொல்லப் போமோ வொருவராலே            (தெய்வீக)            

சரணங்கள்

1.     மதிலா யெழுந்து பஞ்சாக்ஷரமே சுற்றி வளைந்திருப்பதுஞ் சிதம்    பரமே, மேலாஞ் சதுர்வேத நாலுங் கோபுரமேயாகிச் சமைந்து    நிற்பதும் நிலவரமே, யிது வதனா லெத்தலத்தையும் வெல்லுமே யு    லகம் பதினாலுமிதைத்தானே சொல்லுமே யார்க்கும், கதி தந்த விதத்தாலே     பதியொன்றையிதைப் போலே காணேனுண்டென்    றுவீணே சொல்லக்கூடுமோ                (தெய்வீக)

2.     மூர்த்தியுந் தீர்த்தமுந் தலமும் மூன்று முக்கியமு மொருமித்த நல    முங் கண்ணாற் பார்த்தவர்க் குண்டோ சஞ்சலமும் நினைவின்படி    யே வந்தெய்துஞ் சகலமும் வேத சாஸ்திரமு மிதைத்தானே யோ    துமே நிமிஷந்தோத்திரமா யுரைத்தாலும் போதுமோ யிதிலோர்    மாத்திரையாம் போது வீற்றிருந்தாற்றீது வருமோ பிறவியைத்    தருமோ சற்றுந் தராது                (தெய்வீக)

3.     எப்போதும் நலந்தருவதுவே யிதுவெல்லாச் சமயத்துக்கும் பொ    துவே-யிதற்கொப்பான தலமினியிதுவே விராட்டுள்ளக்  கமலத்    தானமிதுவே வச்சிரக்கொப்பாருங் குழைச்சியோர் பாகனார் கா    லந்தப்பாத லாறபிஷேகனார் தமக்கொப்பாந் தலந் தமதுமெய்ப்    பாந் தலமிது வுண்மை யிதிலுள்ள வண்மையின் னமனந்தம்    (தெய்வீக)

–subham—

Tags- பார்ப்பன எதிர்ப்பு, ஆதி சங்கீத மூர்த்திகள், பார்ப்பனர்களை ஓரம் கட்டுவதுமாரிமுத்தா பிள்ளை பாடல்கள் , 10 கேள்விகள்

Karikal Choza: Purananuru wonders-58, Tamil Encyclopaedia 98 (Post.16,125)

Karikal Choza in Grand Anicut, Tamil Nadu

 Written by London Swaminathan

Post No. 16,125

Date uploaded in London – 24 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Purananuru wonders-58, Tamil Encyclopaedia 98, One Thousand Interesting Facts Part 98,

Item 816- Beautiful Tamil Words

For windows the poet Uruththirankannan (Mr Rudraksha)  used Tamil words Vali Nuzaiyum Vaay= wind entering opening. வளி நுழையும் வாயில்

For different sounds from different musical instruments, he used different verbs

Kuzal Akava, Yaaz Murala, Muzavu Athira, Murasu Iyampa Line 155

The flutes do pipe, the lyres do twang,

The drums roll loud, and the tabors sound

குழல் அகவ யாழ்  முரலமுழவு அதிரமுரசு இயம்ப

***

Item 817- Debates and Challenges

From Kanyakumari to Kashmir, Hindu philosophers challenged the Anti Hindu forces and won them to their side. We see it in the lives of Adi Sankara, Ramanuja and Madhwa. Few Buddhist and Jain Scholars also won some debates increased their strength. The main place for such debates was Varanasi/Kasi. But from Tamil literature we knew that such debates happened in the Royal courts. But poet Rudraksha gives us some new information. Here in Kaveri Poompattinam in Tamil Nadu, the debaters planted their flags and invited all the interested persons to challenge them. We must remember that this happened 2000 years ago. No part in the world such organised debates happened 2000 years ago. Read any saint’s history and you will see some reports about scholarly debates.

Here in lines 169-171 pet gives us such information

***

Item 818- Cosmopolitan Harbour City


Kaveri Poom Pattinam (meaning is city where Kaveri enters sea) was cosmopolitan city where different nationalities established their colonies for business purpose.  We know such colonies of Hindu merchants existed from Alexandria in Egypt to several South East Asian cities.

Here in lines 216 clearly say this. People from countries of different languages were there.

***

Item 819– Good Business People

While describing the qualities of city’s merchants, poet makes a beautiful comment

Afraid of
blame, they trade well, respecting their
goods and those of others. They do not
take much when they buy and do not
give less when they sell.

***

Item 820 lines 200-204 Punyam

Support to Brahmins and cow worship

Merchants worshipped gods, they maintained bulls and cows, did Yagas and gave oblations, spread the fame of people well versed in four Vedas, did punya and did give donations

Important words- Amarar= devas/gods; Aavuthi= Aahuthi from Sanskrit Havis;

Naan marai= four Vedas;

Poet has used PUNNIYAM

***

Item 821 story of choza king/ animal intelligence

Karikalvalavan was also known as Tirumavalavan . he was denied the throne because of infighting in the family. But he, like a tiger in cage, came out and got his post. Here the simile is more important. It shows Hindus knew about animal intelligence. When the elephant catchers trap an elephant, it it is a male elephant, it uses its trunk and tusks to make way and escape. Karikalan also did this and came out of his prison.

In poet’s words,

As a long trunked tusker falls when trapped

Within a pit and breaks with tusks

The sides. And on the piled-up earth

He steps, escapes, and joins his mate

So planning his escape with care

The king doth scale his foremen’s walls

Unsheathes his sword, regains his crown……………..

While we get some historical anecdote, we also come to know the intelligence of animals/elephants.

***

Item 822  Karikalan’s determination

Karikal Choza in Grand Anicut, Tamil Nadu


Karikalan’s will power is portrayed beautifully

So strong his will to carry out

His aim without defeat, that one

Would think that he could mountains move

Fill up the sea, bring down the sky.

மலை அகழ்க்குவனேகடல் தூர்க்குவனே,
வான் வீழ்க்குவனேவளி மாற்றுவன்,

***

Item 823 war atrocities

Karikalan after defeating enemies brought the omen from enemy countries who did the worship in the temples. they lit the never extinguishable lamps, washed the floor with cow dung paste.

Poet narrated first how festive the enemy country was and the condition now of enemy territory,

The jackal shrieks and howls;

The owl’s dad hoot is heard;

The bitten whoops; dread goblin crowds

And female ghouls that corpses eat

With hair dishevelled fill the place.

…………………………

He ruins thus the hamlets fair

Whose walls are strongly fortified,

And wipes out those that lived in them.

Even then he is not satisfied.

The poet finishes the poem with the list of countries Karikalan won

பல் ஒளியர் பணிபு ஒடுங்க,
தொல் அருவாளர் தொழில் கேட்ப,   275
வடவர் வாடக்குடவர் கூம்பத்,
தென்னவன் திறல் கெடச் சீறி

This poem has 301 lines.

The same poet has authored another long poem called Perumpanatruppadai .

To be continued……………….

Tags- Purananuru wonders-58, Tamil Encyclopaedia 98, One Thousand Interesting Facts Part 98, Karikal Choza, Pattinappalai, Item 823.

Richest Tamil Women! Tamil Attacks on Chinese and Romans! Purananuru wonders-57 (Post.16,121)


Written by London Swaminathan

Post No. 16,121

Date uploaded in London – 23 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Purananuru wonders-57, Tamil Encyclopaedia 97, One Thousand Interesting Facts Part 97,

Two more Sangam Tamil Books from Ten Idylls. A Brahmin poet by name Mr RUDRAKSHA (in Tamil Uruththiran Kannan) composed two long poems

The Ten Idylls, known in Tamil as Pattuppāṭṭu (பத்துப்பாட்டு), form an ancient collection of ten long narrative poems from the Sangam Literature

  • Perumpāṇāṟṟupaṭai: A guide poem for bards praising Toṇṭaimān Ilantiraiyan, by Rudran Kannanar.
  • Paṭṭiṉappālai: A descriptive poem on the Chola port city of Kaveripattinam and King Karikāla, by Rudran Kannanar.

***

 Item 802 -Two Unproved Ancient Beliefs!

Very first four lines of Pattinappaalai brings out two ancient beliefs found in Sanskrit books and Tamil books.

Ancient Hindus believed that the unfavourable position of the planet Venus will cause drought in the country Some clever guy arranged all the Venus poems at the end of Purananuru.

Here the poet Mr Rudraksha says even if Venus moved towards south, No Worries; the sea like vast Kaveri River will feed the land and the people.

Immediately he adds even if the lark that feeds on rain drops becomes sad and weak.

Hindus used many birds as similes; one of them is a bird like sky lark that feeds on rain drops only.

Even Adi Sankara, the greatest philosopher, has used these birds as similes.

Neither the Venus reference nor the Bird that feeds only on raindrops is proved by science!

One may guess that kind of birds became extinct like Dodo; as dead as Dodo.

Puram verse 198 also mentioned that rare bird.

J V Chelliah (1946) translated those lines:

Though Venus, star of splendour bright,

Strays southward from its wonted course,

Cool showers fail to fall, and the lark

That feeds on rain in silence droops,

Yet sea-like Kaveri mountains-fed

Its waters spread over golden sands.

***

Item 803 Richest Women in the World!

Poet Mr Rudraksha paints a beautiful picture of the richest Tamil Women of Choza country.

The women, throw their golden pendants to chase the village animals.

You and I will throw stones at the dog but,

On spacious fronts of houses wide

With shining foreheads, guileless looks,

Bejewelled maids scare fowls away

That come to feed on drying grains

By throwing pendants round and thick

(it is understood that they wore only golden Pendants)

***

Item 804 Toy Carts, Golden Anklets

Then the poet portrays the streets where children play with Toy Carts.

When he described the boys’ jewels, he says

Which (fowls) bar the way of tiny cars

That horseless move upon three wheels

Which boys with golden anklets drive

***

Item 805- Makam Star on Full Moon Day (Tamil lines 34,35)

Poet also shows his knowledge in Astronomy.  He described the pond and flowers in Kaveri Poom Pattinam area (now called Poompuhar) and say the looked like Makam star on Purnima day.

If one lives in Tamil Nadu, one will figure out the scene.

There are some phrases Tamils use very often;

Aippasi Karththikai Adai Mazaik Kaalam;

Maasi Nilaa Paasi Padarum;

ஐப்பசி கார்த்திகை அடைமழைக்க்  காலம்

மாசி நிலா பாசி படரும் ( மாசி மாத பெளர்ணமி)

The meaning is “there will be heavy rains in two Tamil months Aippasi, Karththikai “

  Aippasi (ஐப்பசி): Mid-October to mid-November

  Karthigai (கார்த்திகை): Mid-November to mid-December

In the month of Maasi, the sky will be crystal clear, and the ponds will be full; most of temple will celebrate Float Festival in the Big Tanks.

The Masi Full Moon Day will look like Thousand Watt Bulb ;That is why they say Maasi Nilaa Paasi Padarum= the moon light will lit even the green algae on the banks.

***

Item 806 , lines 40, 41

Tiger Emblem everywhere! There were public kitchens in the port city Kāvirippoompattinam. Doors had Tiger Emblem.

Choza Kings’ Tiger Emblem, Pandya’s Double Fish Emblem and Chera’s Bow Emblem were cared even on Holy Himalayas according to Sangam poems and later inscriptions.

 The tiger emblem is referred to in Puram. Poems 33 and 174 also.

***

Item 807 — Paintings on Palace walls

There were huge paintings on palace walls, but they were soild y the dust from speeding chariots.

From this we can imagine how beautiful the city was.

Poet compared the dusty paintings to elephants in muddy soil,

The thick dust  raised by running cars

Doth soil the various pictures drawn

On temples white, and make the bulls

Resembles elephants that role

In lime……………………………

***

Item 808- Hindus with long hair performed Yagas

Poet made a passing remark about Jain and Buddhist monasteries and then adds,

There hermitages too are seen.

The cuckoos with their great black mates

From shrubby groves do fly away

To shun the smoke of oblation’s fire

That hermits bright with matted locks…………….

Neither Jains nor Buddhist monks grow matted locks ; they have shaved heads

Puram 43 also mentioned the saints with matted locks

***

Item 809 pigeons eat small stones

Do light in demon guarded shrines,

Not easy of access and grim

To live with pebble eating doves

In these lines we get two facts. Kali temples had huge ghostly statues in the entrance.

Even today we can see such huge scary statues in Ayyanar temples and devi temples in tamil nadu and kerala

The second fact is pigeons swallowing small stones. Poet was a keen observer of nature.

It is believed that doves do it to help in their digestion.

***

Item 810 -Wrestling scenes and Non Veg food

The warriors were practising wrestling; in poet’s words,

There are seen wrestling grounds with ancient trees

They eat sweet roasted shrimp, and feed

On turtles boiled. They wear the blooms

of  adampu dry that creeps on land

and ambal that in water grows

as stars that move in blue expanse

mix with planets, so the men

in ample commons mingle free

and fight with hands and weapons so

that body touches body close.

In ire they yield no to foe

And unappeased with vigour fight.

The stones that fly from slings do scare

The birds that sit on dusky palms.

Here we get what men ate what men wore and how they fought.

 Poet has given us the minutest details.

***

Item 811 Indus Valley Fish symbols

நாள்மீன் விராய கோள்மீன் போல Naal Meen viraaya Kol Meen

Naal Meen= star; Kol Meen= planet;

Two Tamil terms for stars and planets

Ancient Tamils compared fish in the sea and the stars in the  sky; both are blue.

They added MEEN (Fish; Meenam in Sanskrit) with Day and Planet.

If they say Day Fish, it meant Star;

If they say Planet fish, it meant planet.

These words led many Indus valley decipherers to say that the Harappan seals have Tamil words!

If the Indus seal shows six vertical lines and a fish symbol, they said it meant Kartikai (Krittika in Sanskrit) star; Pleiades constellation in the sky!

If they see three vertical lines and a fish on the Harappn seal, they said it is Mrgaseersha star; it appealed to many;

But the pity is fish appeared on hundreds of seals in various combinations with different symbols. They got stuck up!

Till this day no one was able to decipher it inspaite of 100++++ guesses!

***

Item 812 Sea God Worship!

Barter trade where salt vendors exchanged salt for paddy with city people, Hero stones or Memorial stones (Nadu Kal in Tamil), leafy garments of women are also mentioned by the poet.

Also Sheep Fight and Cock fight were also mentioned.

Very important point is Worship of Sea God. Hindus believe that Vedic God Varuna control all water sources including sea.

Brahmins around the world recite Varuna mantra in their daily Sandhyavandana even today.

Tolkappiar, believed to be the oldest poet, mentioned VARUNA as Tamil God of coastal region.

He used Sanskrit word Varuna in the third section of Tolkappiam.

Coastal people worshipped sea god by planting Shark fins in the sandy area. Poet says,

Beneath the pines with hanging roots

They plant the sword of the gravid shark

To seat their Sea God great, for whom they wear the bloom of sheathed pine

And toddy drawn from rugged palms

They drink. Their women dark are clad

In green leaf garments, and with these

On Full Moon days, neglecting work

Not fishing on the wild cold sea………………

On full moon days because of the rough tides, fishermen don’t go for fishing.

***

Item 813

Religious Beliefs

In Line 99, poet says that people took sea bath to wash away their sins.

Lines 154-155 described the Murugan worship;

Lines 159, 160 also mentioned worship of Gods;

And their children played with crabs.

Playing with crabs அலவனாட்டுதல் is also seen in Kuru. Poems303, 316.

***

Item 814 Bharatiyar Verse and Mr Rudraksha verses

Nationalist poet Bharatiyar was greatly influenced by Sangam poets. It is evident in many of his poems. To emphasize National Unity Bharatiyar said ” Ganges region Wheat should be exchanged with Betel leaves of Kaveri Region; Maharashtriyan’s poems should be exchanged with Kerala Ivory products etc.

He must have been influenced by these lines:

The good and worthy gods protect

The city limits. Here are brought

Swift prancing steeds by sea in ships

And bales of pepper black, by carts.

Himalayas sends gems and godl

While kudagu hill, sweet sandal wood

And Akhil; pearls fom the south sea come,

Red coral from the eastern sea

The ganges aand the kaveri bring

Their yield; Ceylon provides its food,

And Burma, manufactures rare

With other rare and rich imports

This wealth lies close and thickly piled

Confused along the spacious streets.

This is what the poet saw 2000 years ago!

***

1tem 815 -Tamil Attacks on Chinese and Yavanas

மக்கள் Vs மாக்கள்

Line 217 has some interesting comments from ancient commentators!

We already know that the great Chera King Imayavaramban Nedun Cheralathan arrested mischievous Roaman pirates, tied their hands behind, poured oil on their heads. When they apologised, he got lot of gold and diamonds and distributed them to Tamil poets. It is in Sangam book Pathiruppathu. Sanskrit books also attack Yavanas (Romans and Greeks) as people of uncouth manners.

Here the poet used a Tamil word MAAKAL.

MAKKAL means people;

MAAKKAL (long sound) means Animals. They can’t think like men. Man is called Man because he has Mind (thinking and knowing what is right and what is wrong). This is the definition in Sanskrit scriptures.

The commentators say that Tamil Poet Rudraksha used this word for foreign settles of Poompukaar because Chines and Yavanas have only Five faculties in their brain. They are equal to animals.

ஆதாரம் :

பத்துப்பாட்டு மூலமும்  (பக்கம் 551)

நச்சினார்க்கினியர் உரையும் 

மகாமகோபாத்தியாய தாக்ஷிணாத்ய கலாநிதி 

டாக்டர் உ வே சாமிநாதைய்யர்

நான் காம் பாதிப்பு 1950  

Tamil poet Bharati also knowingly or unknowingly used Seenaththaraa viduvaaro- pirapala desaththaar por pala Theenkizaipaaro (Once again I think Bharati was influenced by this Makkal- Maakkal commentary. சீனத்தராய்விடுவாரோ -பிற  தேசத்தார் போல

பற்பல தீங்கிழைப்பாரோ

Makkal/people have six faculties in their brain.

Oldest book Tolkappiam defined Makkal and Maakkal.

ZHOU ENLAI WHO ATTCKED INDIA FOOLING JAWAHARLAL NEHRU AND OCCUPIED 30000 SQUARE MILES OF INDIA UNTIL THIS DAY.

TO BE CONTINUED……………………

TAGS- item 815 , attack on Chinese, Yavanas, richest Tamil women, Purananuru wonders-57, Tamil Encyclopaedia 97, One Thousand Interesting Facts Part 97, Pattinappalai, Uruththiran Kannan, Mr Rudraksha

Tamil Non- Vegetarian Food! Sanskrit Idiots and English Idiots Exposed! Purananuru wonders-56 (Post.16,110)

Written by London Swaminathan

Post No. 16,110

Date uploaded in London – 20 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

The author of this 2000 year old Sangam Tamil work was a Brahmin belonging to Kausika Gotra; yet he has honestly presented us a correct picture of ancient Tamil society.

Purananuru wonders-56, Tamil Encyclopaedia 96, One Thousand Interesting Facts, Part 96,

At the end of this write up I have shown how Sanskrit and English writers proved themselves fools.

Malaipatukataam continued………… I am using Vaidehi Herbert’s translation; thanks.

Item 789

One other interesting point is Perum Kausikanar’s reference to food items.

Apart from Brahmins and saints, Tamils were predominantly Non – Vegetarians (in fact Anti Valluvar! Anti Ramalinga Swamikal)

When the Tamil poets describe Brahmin houses, they list the vegetarian dishes; they also add dogs and cocks an hens cannot enter their streets.

Here are the references to Food from this Malaipadukadaam:

Lines 112 to 119

Millets, paddy, sugarcane, yam, beans, sesame seeds, white mustard cultivation;

125- ginger cultivation;

131- plantain trees/ banana cultivation;

135- Jhambu fruits which gave name Jhambudwipa to India;

138/9- jack fruit trees;

Mango tree , bamboo trees are also mentioned; all these were used in the Tamil food. Even today Tamils use these items.

***

Item 790

Lines 168/9

You will receive from

them dishes with big pieces of meat roasted in ghee along with

coloured millet rice.

***

Item 791

Lines 170-185

Along with food that they bring climbing on the

bright mountains,

they will give you sweet liquor aged in bamboo pipes

which you can drink without limits, and for your

hangover to go, in the morning, they will serve you

a dish made with dropped seeds of jackfruits brought

down by waterfalls, big pieces of meat of rapidly running

forest deer that are killed, chopped up pieces of fatty

meat of porcupines killed by female dogs, sweet

tamarind fruits with light covered shells and stems,

fine buttermilk, and seeds growing on bamboo added to

the boiling liquid along with white rice, cooked by

a mountain woman with flowers on her huge hair knot,

***

Item 792 Forest mystery and Poet’s warning

If you touch

the protected kuvalai flowers desired by the gods, or see

the places where the mountain deities reside, you will

tremble in distress as though you are losing your life.

Do not stay there for many days.

Here we are remined of  Poet Tennyson

In Alfred Lord Tennyson’s poem The Lotos-Eaters, the sailors lose their memories and desire to return home after consuming the lotos flower and fruit.

  • The food: The inhabitants of the island give the mariners the “lotos” (lotus), described as a sweet, flowery food and fruit.
  • The effect: Eating it induces a dreamy, lethargic state of forgetfulness.
  • The amnesia: The sailors forget their homes, wives, children, and past heroic deeds at the Trojan War, viewing their former lives as distant, half-forgotten things or vague memories from a dream

***

Item 793 temples and worship

On your path, if you see the god in the temple with

old walls, who is worshipped according to tradition,

worship before you leave, but protect your musical

instruments

(this shows even tribal people had temples deep inside the forest).

***

Item 794 boar meat

You will see boars killed by forest people.

Roast it in the fire created by dry

bamboo rubbing against each other,

which burns without much smoke, remove the hair on it

and eat it.  Relax and drink the clear water from the

faultless, beautiful, sapphire-coloured, fresh spring with

kuvalai flowers.  Carry the excess big pieces of meat in

heavy bundles

***

Item 795

Warriors will feed you

Lines 421-427

If you see warriors ……………………….

they will forcefully feed you abundant

meat and tubers.  They are ones who will protect you,

and not hurt you.

Listen to their command and proceed on the path.

Such is the nature of the forest.

***

Item 796

Tasty Tamaringd Rice Dish (baath)

Lines 434-448

Hospitality of Villages with Huts

At night, for your sorrow to go away, you will be served

food cooked with seeds of bamboo that are red like

vēngai flowers cooked with rice grown on high grounds,

along with tamarind gruel with avarai beans.

In all the villages with huts built with poles and thatched

with grass, you will receive daily, huge balls of rice made

with tiny, perfect rice, like tiny gold pieces, ghee, and

sprinkled white flour.  If you stay there and rest, every

day you will be given dishes made with fine millet flour

mixed with sifted sugar powder.  You will sleep, leaving

cold far away, in the warmth of the fire lit with brittle

wood.  Leave in the morning when birds start chirping.

***

Item 797 Fish and Rice Dish

Lines 454….. 459

Fishermen with nets enter ponds with kanpu

grass with fragrant flowers, and catch vālai fish ………………..

Their women

wearing pakandrai flowers will serve you pieces of fatty

fish that look like the eyes of drums along with white rice

***

Item 798

Nannan = Lord Murugan/Skanda

Lines 490-495

Thinking about Nannan who is like Murukan, victorious

in battles.  They pity you who are like them, and look at

you calmly and sweetly, each one of them accepting you

as their guest, for your sorrow from walking to go away.

Points to be noted—Asvaghosa  a COPY CAT!

Asvaghosa who wrote Buddhacharita, was a copycat.

Kalidasa the greatest of Indian poets and Sangam poets always compared Hindu Gods with heroic kings.

They compare Muruga/Skanda with Hindu Kings because Muruga/Skanda was the Commander in Chief of Divine Army in Indra Loka.

Here also Poet Kaushika compared Heroic Muruga/ Skanda with King Nanna.

Would you believe that in the very beginning of BUDDHACHARITA, poet Asvaghosa who wrote in Sanskrit compared Buddha with Shanmuka (Muruga, Skanda, Kartikeya) ?

Buddha was a compassionate personality according to other texts. This stupid ASVAGHOSA copied Kalidasa and compared him with Buddha in the very beginning of his book.

Foreign rowdies place Kalidasa after him and blamed Kalidasa stealing Deepa Sikha simile. Actualyy Dipa sikha simil is in Madurai Kanchi, a Sanagam tamil work and Gatha Sapta Sati, a Prakrit work.

I am writing this to expose foreign Sanskrit idiots .

***

Item 799 Great Tamil Weavers

In many Sangam poems Tamil weavers are praised making clots with RAT HAIR that can be rolled into and sent through a finger ring.

Here also poet Kaushik praised the Tamil weavers!

Lines 565…………..

Nannan’s Generosity

He will give you perfect clothing on which

woven threads cannot be seen and tie it well

around your faultless body, and fresh meat with

***

Item 800 Food Again! First Day Treatment on all days!

fat brought by a female dog cooked with long,

white rice and served without limits.  He will give

you gifts with desire even if you stay there for

many days, like what you received on the first day.

If you tell him that you have to leave for your

ancient town, he will give the leader among you

golden lotus flowers, adorn viralis with fine, bright

jewels, give you tall chariots that run perfectly like

flowing water, trained mountain-like elephants

seized or received from enemies as tributes,

large herd of cattle with bulls with ringing bells,

horses with trimmed tufts decorated with golden

saddles, wealth lying on the ground, and all this.

He fills the hands of poets who have nothing,

with his large hands with whirling

bracelets.  He showers unspoiled wealth like the

rain showers on Naviram Mountain where bamboo

grows, the lord of the country surrounded by

mountains from which waterfalls flow down like

raised victory flags, who gives you gifts on the

first day and lets you leave.

***

Item 801 Oxford Cambridge Idiots Exposed!

Yousuf became Joseph;

Yesu became Jesus;

Yaaz became Jazz;

Yaazpaanam became Jaffna;

Yava Dwipa became Java in Indonesia;

Hundreds of Y words became J words.

For this stupid English Lexicographers say at one stage Y was introduced into English language and it was written like J.

That is incorrect; I have proved this change is in the Vedas, Zend Avesta and Sangam Tamil literature thousands of years before English language came into this world. English came after Hindi language of India.

N Tamil aJa for Brahma is written as aYan (in Sangam Literature)

Here in line 500 மட நடை ஆமான் கயமுனிக் குழவி   500 , kaYamuni is gaJamuni (elephant calf);

Here we see clearly Y=J; so English Lexicographers must rewrite their INVENTION!

To continued……………………….

Tags – English lexicographers, idiots, Sanskrit idiots, Asvaghosa, copycat, Tamil Non Vegetarian Food! Purananuru wonders-56, Tamil Encyclopaedia 96, One Thousand Interesting Facts, Part 96, item 801

Airplane shadow in Vaigai River 2000 years ago! Purananuru wonders-51, Tamil Encyclopedia-91 (Post.16,068)

Written by London Swaminathan

Post No. 16,068

Date uploaded in London – 8 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Purananuru wonders-51, Tamil Encyclopedia-91, One Thousand Interesting Facts – Part 91

Item 742 zodiac / stars/Air plane shadow in Vaigai water

Paripatal verse 11 on River Vaigai, has astronomical references. One reference talk about the shadow of the aeroplane of Devas, dwellers of heaven. The poet says the river water was crystal clear that can reflect the plane of Devas. It means that they can see airplanes and their reflections in water (lines 62-71).

For the first time, we come across five planets with Tamil words:

Velli – Venus; Padimakan- Mars; Punthi- Mercury; Anthanan- Jupiter; Yama’s brother-Saturn;

We come across zodiac signs in Sanskrit words- Mithunam-Gemini; Makara-Capricorn;

Stars are also mentioned- Kartikai- Pleiades ; Arudra- Betelgeuse;

For the first time star Canopus= Agastya nakshathra is mentioned.

***

Item 743 lunar eclipse

The day was Avani Avittam Day when the snake devoured Moon.

The meaning is on Sravana Purnima day there was a lunar eclipse.

Some scholars have used these to calculate the period or age of Paripatal.

***

Item 744  Controversial dating

Based on the planetary configuration and horoscope data found in the opening lines of Paripāṭal Poem XI, astronomical calculations by scholars including Swamikannu Pillai and historian Roger Billard point to the date of July 17, 634 CE.

Astronomical Basis for the Dating

  • Planetary Positions: The text outlines a specific alignment of celestial bodies, including references to Saturn moving into Capricorn (Makara) from Sagittarius (Dhanus).
  • Backbone for Chronology: This explicit internal horoscope serves as a vital chronological anchor (sheet anchor) for evaluating the timeline of classical Sangam literature, which is otherwise heavily debated (traditionally ranging from 300 BCE to 300 CE or later compilation phases).
  •  
  • Interpretative Nuance: While the planetary math matches the July 634 CE alignment, debates persist regarding specific textual interpretations, such as contextual mentions of the star Canopus (Agastya) and its heliacal rising relative to the horizon of Madurai.

If Paripatal is dated seventh century CE, then date of Sangam works will also be questioned. The author of this poem NALLANTHUVANAR is praised by Purananuru poet Maruthan Ilanagan! So date of Purananuru is also debateable.

***

Item 745 Beautiful Descriptions of women

Women wore Mallikai, Kuvalai , Asoka, Neithal and other flowers. Nowadays Tamil women wear only fragrant flowers like Mallikai/Jasmine (Mullai, Pichi also belong to the same genus Jasminium).

One woman wore two flowers on her ears and another woman dubbed her as a woman with four eyes.

Another woman wore Tilak on her forehead and she looked like  Goddess Durga with three eyes.

Tamils were well versed in all Puranas

***

Item 746 sex maniac washed away

One man was swimming in the flooded river with the help of bundle of plantain tree stems; when he saw a beautiful woman on the banks, he lost his grip and washed away in the floods. The beauty was trying to follow him and her mother stopped her.

***

Item 747 Ambavadal , Arudra festival

This poem is the longest one with 140 lines; since we lost majority of the Paripatal poems, we don’t know the length of other poems. Here we get full description of two festivals now celebrated partly in Tamil Nadu and Kerala

One of them is Ambavadal when women observe fasting in the name of Goddess Amba;

Another is Arudra festival in celebration of Lord Siva; we have all the ceremonies recounted; Brahmins going with golden pots; doing fire ceremonies (Yaga/Havan) on the banks; drying wet clothes etc.

This Arudra festival falls in the moth of Thai; and people do bathing on that day.

Part of these things can be seen in Mayuram and other places in Tamil Nadu, named  Kadaimuka Snanam.

Thiruvathirai , that is Arudra Festival, is celebrated on a grand scale in Kerala today; women dress themselves with sandal colour saris, do flower decorations on the floor and sing and dance in groups. Special types of dishes are made.

Tamils in Tamil Nadu go to Siva temples on that day and make special dishes

Thiruvathirai in Kerala 

***

Item 747 Ashtami Moon/ Half Moon

Poet described the river Vaigai as Ashtami Chandra. It never reaches Amavasya/ no moon day. The meaning is water increase and decrease but never dried up.

***

Item 748 husband was beaten

Paripatal verse 12 is also on River Vaigai ; we come across an interesting scene where the wife beats her husband; the reason is another beauty looked at him; her reason for beating was that he was a bad man and so the other woman had an amorous glance at him; but he argued that it was not his fault. Though these types of narrations may be poetic exaggerations, we understand human psychology; women were so jealous that they considered their husbands unsaleable property!

***

Item 749

This verse gives us a list of flowers that were washed away by the River from the western ghats called Sahyadri.; also the names of musical instruments; one more historical information is that the Vaigai river water touched the fort walls of Madurai in those days. Now we can’t even guess where that Madurai was and what was the course of river 2000 years ago.

While I am writing this piece , I remember the good old days before the construction of so many dams on river Vaigai and its tributaries; a lot of buildings are erected blocking the real course of the river.

And I read in today’s British newspapers that due to the unprecedented heat wave in Europe 50,000 thousand ponds in Britain have dried up; and the environmentalists say most of them would never recover.

Now I can understand what happened to Vedic Sarsvati river, Indus valley Civilisation etc. Weather plays a big role in shaping the history of a country!

***

Item 750 Rivers are Women

Throughout Tamil and Sanskrit literature, rivers are dubbed  as women and the sea is compared with the handsome man; so all women are running after him. All the rivers except Brahmaputra have feminine names in India. In this verse also,

Mountain- birth place of a woman/river

River – daughter

Sea – hero/ husband of rivers (see verse 11).

***

Item 751 Cacophony

All the people were talking at the same time; added to this was music from different instruments; so nothing was audible. Commentators added it was like people speaking in 18 languages. In literature India is described a s a land of 18 Bashas/languages

To be continued…………………..

Tags- Purananuru wonders-51, Tamil Encyclopedia-91, One Thousand Interesting Facts – Part 91. Item 751, Airplane shadow in Vaigai River 2000 years ago

Tamil attacks on Atheists: Purananuru wonders-49, Tamil Encyclopedia-89 (Post No.16,060)

Written by London Swaminathan

Post No. 16,060

Date uploaded in London – 6 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

One Thousand Interesting Facts – Part 89

Item 727

River Vaigai  and Tolkappiar

If one looks at the River Vaigai today and compares it with the river in Paripatal, one wouldn’t believe the description in Paripatal. It has deteriorated to the extent of a gutter. And we could easily guess what happened to the ancient Vedic River Saraswati. Half of the devastation is caused by the humans and the other by nature or climate.

The poet described the beauty of Vaigai clothed with flowers. Women and men enjoy bathing in it and lovers made it a meeting point. Theu used boats to cross the river!

Here we remember the strange story of Nachinarkiniar, the most famous Tamil commentator of Sangam literature. During Vaigai floods, Tolkappiar used one stick to cross the river with Lopamudra, wife of Agastya. Tolkappiar avoided holding the woman’s hand and so he gave a long pole so that Lopamudra can hold the other end; even this gesture angered Agastya and he cursed Tolkappiar; and Tolkappiar in turn cursed Agastya for unjust behaviour. Nacchi also added Tolkappiar’s original name was Trunadumagni; unfortunately, we did not have any other personal details about the great Tamil grammarian. The Payiram/Intro of Tolkappiam says Tolkappiar’s work was approved by Acharya of Athankodu who was well versed in Four Vedas.

***

Item 728 Sworn  on Tirupparankundram

In verse six, which is about River Vaigai there is a lovely argument between a lover and the lady love. She blamed him of visiting another woman and hence delay in coming to her. It is a long argument and at the end he swears on Tirupparankundram! That is the abode of Lord Muruga/Skanda. It shows the belief on God Muruga and the custom of swearing.

***

Item 729

Paripatal verse 7 is also on River Vaigai .

Here are some interesting similes. The poet compared the floods to a dancer who could not dance according to rules; devastation caused by the floods is given in full details; the floods washed away the ornaments of women; vast paddy fields were submerged under water. And we come across the city name TIRU MARUTHA MUN THURAI. Scholars believe that was the original name of Madurai. And the woman who enjoyed the bathing prays that she should enjoy it for ever. Vaigai floods looked like Pandya army entering an enemy country , according to the poet.

***

Item 730

Verse 10 is also on the same river where a strange custom is sung by the poet.

Vaigai water festival is narrated. People used wooden water guns to sprinkle colour water. Even today we can see water guns or squirt guns used by the villagers during Chitra festival in Madurai. It is made up of skin bag with a narrow tube to squirt water. Like Holi festival Madurai people used coloured water 2000 years ago.

***

Item 731 strange custom of golden animals

In Hindu temples and in the ancient Greek temples, devotees offered golden or silver replicas of body parts to gods and goddesses as a token of thanks for curing diseases in those body parts of individuals.  Even now Tamil Hindus do this in many temples. But in ancient Madurai, women threw golden replicas of fish, crab, conches into River Vaigai , saying “let there be prosperity”.

Probably devotees do such things in other parts of India as well.

Several types of games including ball games are recounted

***

Item 732

Paripatal verse five is composed on Lord Muruga/Skanda.

God’s elephant name is Pinimukham.

God Skanda has 12 arms, six faces. The demon Surapadman was in the shape of Mango Tree.

The association of the demon with Mango tree deserves more research.

Throughout Tamil Sangam  poems we see certain trees are associated with chieftains; they were guarded, respected and saluted by the common folk. Any disrespect to the Guardian Tree is not tolerated by the chieftain or the local leader.

Throughout Sangam literature a particular Mango Tree is portrayed as the Demon Sura Padman, enemy of Muruga/Skanda.

Nowadays a plantain tree is brought and planted instead of mango tree; and the tree is symbolically cut off during Skanda Sasthi festival.

***

Item 733 rebirth

And in this verse five on Lord Skanda/Muruga belief on rebirth is confirmed.

One gets a good birth if one does good deeds or bad birth if one does bad deeds.

Karma theory is described thus.

***

Item 734 metaphor

We come across a metaphor as follows

Brahma – charioteer;

Earth- chariot;

Vedas- horses;

Mountain – bow;

Snake- the bow string; (also in Puram. Verse 55)

***

Item 735 attack on atheists (Lokayata/ Carvaka)

Those who argued that there is no rebirth are called idiots/ fools in line 76.

Parimel azakar was the commentor for Paripatal verses. He is the most celebrated commentator onTirukkural as well. He was a temple priest of Kanchipuram Vishnu Temple. He has used the same comment on Kural 281.

Lokayata or Carvaka (Sweet Talkers)

 “Indian Materialism” refers to the school of thought within Indian philosophy that rejects supernaturalism.  It is regarded as the most radical of the Indian philosophical systems.  It rejects the existence of other worldly entities such an immaterial soul or god and the after-life.  Its primary philosophical import comes by way of a scientific and naturalistic approach to metaphysics.  Thus, it rejects ethical systems that are grounded in supernaturalistic cosmologies.  The good, for the Indian materialist, is strictly associated with pleasure and the only ethical obligation forwarded by the system is the maximization of one’s own pleasure.

We see it in Valmiki Ramayana in Jabali Rishi’s argument.

Hindus are the only people who included this as a system of philosophy. But in most places, it is condemned. Patripatal poet Kaduvan Ilaveyinanar called the atheists  idiots/ false people (Madavor in Tamil)

To be continued…………………..

Tags- item 735, Tamil attacks on Atheists: Purananuru wonders-49, Tamil Encyclopedia-89 , One Thousand Interesting Facts – Part 89

Ashtavakra Gita Quotes in August 2026 Calendar (Post No.16,035)

Written by London Swaminathan

Post No. 16,035

Date uploaded in London – 30 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Festival days Adipperukku 3, Monday ;Adi amavasai 12,Wednesday ;Adip puram 14, Friday ; Independence Day, 15,Saturday ;Naga Panchami:  17 (Monday); Onam:  26, (Wednesday) – And Rik Upakarma; Yajur Upakarma 27 Thursday ; Raksha Bandhan:  28, (Friday) – Celebration of the bond between brothers and sisters; Gayatri japa ; Varalakshmi Vrat: 28, (Friday) – Fasting and prayer dedicated to Goddess Lakshmi.

Amavasya / new moon day 12; Purnima/ full moon day 28.

Ekadasi Fasting Days- 9; 23Auspicious days – 30, 31.

Ashtavakra Gita (or ‘Ashtavakra Samhita’) is a dialogue between Ashtavakra and Janaka (king of Mithila) on the nature of soul, reality and bondage. It is in Mahabharata. It teaches Advaita Vedanta. Chapters one, five and thirteen are used. Following is taken from wisdomlib.org

***********

August 1 Saturday

Janaka: (CHAPTER 1)

1 How is knowledge to be acquired? How is liberation to be attained? And how is dispassion to be reached? Tell me this, sir.

***

August 2 Sunday 

Ashtavakra:

2 If you are seeking liberation, my son, shun the objects of the senses like poison. Practise tolerance, sincerity, compassion, contentment and truthfulness like nectar.

***

August 3 Monday 

3 You are neither earth, water, fire, air or even ether. For liberation know yourself as consisting of consciousness, the witness of these.

***

August 4 Tuesday 

4 If only you will remain resting in consciousness, seeing yourself as distinct from the body, then even now you will become happy, peaceful and free from bonds.

***

August 5 Wednesday  .

5 You do not belong to the brahmin or any other caste, you are not at any stage, nor are you anything that the eye can see. You are unattached and formless, the witness of everything – so be happy.

***

August 6 Thursday 

6 Righteousness and unrighteousness, pleasure and pain are purely of the mind and are no concern of yours. You are neither the doer nor the reaper of the consequences, so you are always free.

***

August 7 Friday 

7 You are the one witness of everything, and are always totally free. The cause of your bondage is that you see the witness as something other than this.

***

August 8 Saturday

8 Since you have been bitten by the black snake of the self-opinion that ‘I am the doer’, drink the nectar of faith in the fact that ‘I am not the doer’, and be happy.

***

August 9 Sunday 

9 Burn down the forest of ignorance with the fire of the understanding that ‘I am the one pure awareness’, and be happy and free from distress.

***

August 10 Monday 

10 That in which all this appears – imagined like the snake in a rope, that joy, supreme joy and awareness is what you are, so be happy.

***

August 11 Tuesday 

11 If one thinks of oneself as free, one is free, and if one thinks of oneself as bound, one is bound. Here this saying is true, “Thinking makes it so”.

***

August 12 Wednesday 

12 Your real nature is as the one perfect, free, and actionless consciousness, the all-pervading witness – unattached to anything, desireless and at peace. It is from illusion that you seem to be involved in samsara.

***

August 13 Thursday 

13 Meditate on yourself as motionless awareness, free from any dualism, giving up the mistaken idea that you are just a derivative consciousness, or anything external or internal.

***

August 14 Friday 

14 You have long been trapped in the snare of identification with the body. Sever it with the knife of knowledge that ‘I am awareness’, and be happy, my son.

***

August 15 Saturday .

15 You are really unbound and actionless, self-illuminating and spotless already. The cause of your bondage is that you are still resorting to stilling the mind.

***

August 16 Sunday 

16 All of this is really filled by you and strung out in you, for what you consist of is pure awareness – so don’t be small minded.

***

August 17 Monday 

17 You are unconditioned and changeless, formless and immovable, unfathomable awareness and unperturbable, so hold to nothing but consciousness.

***

August 18 Tuesday 

18 Recognise that the apparent is unreal, while the unmanifest is abiding. Through this initiation into truth you will escape falling into unreality again.

***

August 19 Wednesday 

19 Just as a mirror exists everywhere both within and apart from its reflected images, so the Supreme Lord exists everywhere within and apart from this body.

***

August 20 Thursday 

20 Just as one and the same all-pervading space exists within and without a jar, so the eternal, everlasting God exists in the totality of things.

***

August 21 Friday 

Janaka: (CHAPTER 13)

1 The inner freedom of having nothing is hard to achieve, even with just a loin-cloth, but I live as I please abandoning both renunciation and acquisition. (This way I live happily)

***

August 22 Saturday

2 Sometimes one experiences distress because of one’s body, sometimes because of one’s tongue, and sometimes because of one’s mind. Abandoning all of these, I live as I please in the goal of human existence. (This way I live happily)

***

August 23 Sunday 

3 Recognising that in reality no action is ever committed, I live as I please, just doing what presents itself to be done. (This way I live happily)

***

August 24 Monday 

4 Yogis who identify themselves with their bodies are insistent on fulfilling and avoiding certain actions, but I live as I please abandoning attachment and rejection. (This way I live happily)

***

August 25 Tuesday 

5 No benefit or loss comes to me by standing, walking or lying down, so consequently I live as I please whether standing, walking or sleeping. (This way I live happily)

***

August 26 Wednesday 

6 I lose nothing by sleeping and gain nothing by effort, so consequently I live as I please, abandoning loss and success. (This way I live happily).

***

August 27 Thursday 

7 Frequently observing the drawbacks of such things as pleasant objects, I live as I please, abandoning the pleasant and unpleasant. (This way I live happily).

***

August 28 Friday 

Ashtavakra: (CHAPTER 5)

1 You are not bound by anything. What does a pure person like you need to renounce? Putting the complex organism to rest, you can go to your rest.

***

August 29 Saturday

2 All this arises out of you, like a bubble out of the sea. Knowing yourself like this to be but one, you can go to your rest.

***

August 30 Sunday 

3 In spite of being in front of your eyes, all this, being insubstantial, does not exist in you, spotless as you are. It is an appearance like the snake in a rope, so you can go to your rest.

***

August 31 Monday 

4 Equal in pain and in pleasure, equal in hope and in disappointment, equal in life and in death, and complete as you are, you can go to your rest.

–subham—

Tags- Ashtavakra Gita, Quotes,   August 2026 Calendar, Advaita, Mahabharata

Tamil Wars and Battle Fields; Purananuru wonders-44 (Post No.16,026)

 Written by London Swaminathan

Post No. 16,026

Date uploaded in London – 28 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Tamil Wars  and Battle Fields;Purananuru wonders-44, Tamil Encyclopedia-84, One Thousand Interesting Facts -Part 84

Item 659

Battle of Venni

A place near Thanjavur, now known as Kovilvenni is the place where a battle  took place between Chozan Karikalan and 11 Velirs, probably his kinsmen and neighbours. Period: BCE

Velirs were Chieftans controlling small areas.

***

Item 660

Second Battle of Venni

Between the Chera king Peruncheral Adan and Karikal Chozan . as the Chera king was wounded in the back , he starved unto death. It is a Hindu custom. If the king is dead, war is finished; if the king is wounded on the back, it was also considered defeat. Bhagavad Gita and Sangam literature say that those who die on the battle fields get direct entry into swarga/heaven. Visa free, ticket less flight to heaven.

***

Item 661

Third Battle of Venni

It was between Karikal Chozan and Pandya king where Karikalan defeated two kings.

***

Item 662

Battle of Tirupporpuram

Chozan Peruvirarkilli and Cheran Kudakko Neduncheral adan fought at Tirupporpuram. Both died in the battlefield.

***

Item 663

Battle of Kurapalli

This place is called Thiruvidaikazi now.  Chera king  Kalankai  Kanni  Nedumudicheral fought with  Choza king  Perum Tirumavalavan. Choza king was defeated.

***

Item 664

Battle of Mohur

It happened between Cheran Senguttuvan and  Palaiyan/ pazaiyan, the  Chief of  Mohur, where Pazaiyan was defeated.

***

 Item 665

Battle of Gangai

Cheran Senguttuvan invaded Northern India and fought with Kongu kings of the north who were aided by the Kalingas (of Orissa) and other kings in the north. Cheran was victorious.

***

Item 666

Battle of Avur

The war was between two Choza Princes, viz., Mavalattan and Nedumkilli. And in the battle Nedumkilli was defeated.

***

Item 667

Battle of Kudar Parantalai

Between the Pandya king Pazaiyan Maran and the Choza Killivalavan, where the Choza was defeated.

***

Item 668

Battle of Talaiyalankanam

This is one of the famous battles of Sangam Age. This place is in the Nannilam Taluka of old Thanjavur district. Pandya Neduncheziyan fought with the allied forces of Choza, Titiyan, Ezini, and Erumaiyuran where the Pandya was victorious.

***

Item 669

Battle of Tirukkoliyur

Choza Killivalavan fought with Malaiyaman Kari where Malaiyaman was defeated. This place is in South Arcot District.

***

Item 670

Battle of Kumamurram

Located in Cheranadu (Kerala). Between  Choza Killivalavan and the combined forces of Chera and Pandya, where Killivalavan was killed.

***

Item 671

Battle of Tagadur

Modern Dharmapuri was called Tagadur. Chera king Peruncheral Irumporai and Kari on one side and Atiyaman of Tagadur, Ori, the Pandya and the Choza on the other, where the Chera was victorious.

***

Item 672

Battle of Kanappereyil

Pandya Ukkiraperu vazuthi and Venkai Marban , the chief of Kanappereyil fought and the Pandya was victorious.

***

Item 673

Battle of Kazumalam

It happened between the Choza king Senganan and the Chera king Kanaikkal Irumporai, where the Chera was defeated. The Chera king was imprisoned in the port of Kudavayil. Here the Chera king committed suicide on account of the delay in supply of drinking water to  him.

(These are some of the wars of Sangam Age covering a period of five hundred years from First Century BCE)

***

Item 674

Imayavrampan Neduncheralathan

One who had Himalayas as his Norther border.

He defeated Aryan Kings and Yavana (Roman) pirates. He caught the Yavanas and tied their hands behind and poured oil on their head. Hindu kings used to punish the kings by shaving of hair in their head and pour oil on it. After the Yavanas/Roman gave him diamonds and gold they were released. According to Pathiruppattu, a Sangam book, he ruled 58 years.

***

Item 675

Pal Yanai Sekezu Kuttuvan

Sent Brahmin Couple to Swarga/heaven

Brother of Imyavarampan (see above).

He demolished Agappa Aran (rampart and moat of a Fort)

He worshipped Durga in Ayirai Hills.

When Vedic couples asked him to send them to heaven in human bodies, as they instructed did ten Yagas; the couple disappeared at the time of tenth Yaga (Fire Ceremony) according to intro of Pathitruppattu book. Brahmin poet Palaikkauthamanar (Gowthama) sang in praise of him. He ruled for 25 years.

He went to forest for Vanaprastha stage with Nedum Bharatayanar.

Dhritrashtra, Kunti and Gandhari also went like this and burnt themselves in a forest fire. All the three oldies joined hands and welcomed forest fire to burn them alive according to Mahabharata.

***

Item 676

Kalankai Kanni Narmudi Cheral

Son of Neduncheralatan ( nedum cheral adan)

Ruled for 25 years.he defeated Chieftain Nannan in Katampin Peruvayil.

He captured Poozi country (part of Pandya area). He defeated Maravas and assumed the title Vaanavarampan (Sky is the limit)

Kapya Gotra Brahmin poet Kappiyanar sang in praise of him

***

Item 677 Kannaki Statue Inauguration

Cheran Senguttuvan, who installed Kannaki Statue. He went all the way to Holy Himalayas to bring stone and bathed it in Holy Ganga River before sculpting Kannaki figure. On his way he defeated two unknown chieftains Kanaka and Vijaya. Made them to carry the stone on their head. They were released on the consecration day. Sri Lanka King Gajabahu participated in 135 CE in the Installation ceremony.

***

Item 678

Cheran Senguttuvan demolished Viyalur town of Nanan.

He captured Kodugur; defeated Mahur Pazaiyan. Defeated nine chieftains in Choza country He enthroned his brother in law Valavan Killi in the choza country;

He ruled fro 55 years. He had a powerful navy and controlled the Arabian sea.

To be continued……………………

Tags- Tamil Wars  and Battle Fields;Purananuru wonders-44, Tamil Encyclopedia-84, One Thousand Interesting Facts -Part 84, ITEM 678

HINDU DICTIONARY IN ENGLISH AND TAMIL 83; இந்து மத கலைச்சொல் அகராதி-83 (Post.15,998)

Written by London Swaminathan

Post No. 15,998

Date uploaded in London – 20 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Ra words continued

Radha

Radha, the divine consort of Krishna, evolved from a minor gopi in early puranic verses into the supreme goddess of love and devotion. Her literary journey is marked by intense emotional and spiritual symbolism, shifting from a simple milkmaid to the ultimate representation of the individual soul yearning for the divine.

Puranic Literature: Texts like the Brahma Vaivarta Purana and Padma Purana elevate Radha from a cowherd girl to an eternal goddess, describing her as the feminine counterpart of the absolute truth.

The Bhagavata Purana does not explicitly name Radha as a milkmaid. However, in Book 10, Chapter 30, it describes a specific, unnamed gopi (milkmaid) whom Krishna favors and takes away into the forest during the Rasa Lila, a detail later theologians interpret as Radha. The Unnamed Gopi: The scripture describes how Krishna becomes deeply pleased with one special milkmaid who pleases Him above all others (anayārādhito nūnaṁ), which translates to “worshiping”

Poets like Vidyapati and Chandidas in Bengal, and later Surdas and Mirabai in the north, popularized Radha’s devotion in regional languages. Their literature emphasizes prema-bhakti (devotion through love), focusing on the emotional pain of separation and the mystical union of the soul.

Gatha Saptasati (circa 1st-5th century CE): An early Prakrit anthology where Radha appears as a favourite milkmaid who shares a dynamic, pastoral romance with Krishna.

Gita Govinda (12th century CE): Written by the Sanskrit poet Jayadeva, this masterpiece cemented Radha as the central figure of Krishna’s life. It explores vipralamba (longing in separation) and sambhoga (union), establishing her as the epitome of passionate, supreme devotion.

***

Raghavendra Swami

Guru Raghavendra Swamy, also known as Guru Rayaru is considered to be an incarnation of the mythical Prahlada, a child and ardent devotee saved by Lord Vishnu, himself, adorning the Narasimha avatar.

Raghavendra Swamy conducted many spiritual discourses, lectures and commentaries to uplift mankind from the route of banality. He undertook many pilgrimages across the country, spreading the holy words of Srimad Madhwacharya, and the Madhwa tradition.

In his lifetime, Raghavendra Swamy came to be attributed with many miraculous acts, magical feats and philosophical achievements – from curing people of illnesses, to healing negative effects of witchcraft, to eliminating mental illnesses (like depression, suicidal tendencies, anxiety and other major disorders) and bestowing people with the most desired boons, fulfilling wishes and redeeming mankind. The Raghavendra Swami mantra recited by millions is as follows:

Poojyaaya Raaghavendraaya

Satya Dharma Rathaayacha

Bhajathaam Kalpa Vrikshaaya

Namathaam Kaamadhenuvey

पूजयाया राघवेंद्राय सत्य धर्म रतायच

भजतां कल्प वृक्षाय नमतां कामधेनुवे

Mantralayam,  has the temple of Sri Guru Raghavendra, whose mortal remains are consecrated in the brindavanam there. Sri Raghavendra Tirtha was born as Venkatanatha in the town of Bhuvanagiri, Tamil Nadu, into a Kannada Madhwa Brahmin family of Gautama Gotra of musicians and scholars.

His great-grandfather Krishna Bhatta was a teacher to the renowned Vijayanagara Emperor, Sri Krishnadevaraya.

After the fall of the Vijayanagara Empire, Thimmanacharya migrated to Kanchipuram with his wife Gopikamba. Venkatanatha had two siblings—Gururaja and Venkatamba. Venkatanatha’s education was taken care of by his brother-in-law Lakshmi Narasimhacharya at Madurai after the early demise of his father, and he subsequently got married.

It was in 1624, that Sri Raghavendra Tirtha became the pontiff of the Kumbhakonam Matha, which was earlier known as Vijayeendra Matha or Dakshinadi Matha, now known by the name of Mantralaya Sri Raghavendra Swamy Matha.

After a short stay at Kumbakonam, he went on a pilgrimage to Rameswaram, Ramnad, Srirangam, and Mathura. Later, he moved westwards to Udupi and Subramanya, and then to Pandharpur, Kolhapur, and Bijapur. At Kolhapur, he is said to have stayed for a long time.

After that, he returned to Kumbakonam. By 1663 he left for Mysore where he got a grant from Dodda Devaraya Odeyar. Finally, he chose to settle down in Mantralayam. Guru Raghavendra shed His physical body in 1671 in Mantralayam. It is a village on the bank of the Tungabhadra river in Adoni Taluk in Andhra Pradesh.

Mantralayam is a renowned Hindu pilgrimage town located on the banks of the Tungabhadra River in the Kurnool district of Andhra Pradesh, India. It is situated roughly 90 km from Kurnool and 250 km from Hyderabad, and is globally famous for the Jeevasamadhi of the revered Madhva saint, Sri Raghavendra Swamy.

Raghavendra is known as a scholar par excellence. Some of his works are mentioned below,

Tantra Deepika: An interpretation of the Brahma Sutra from the perspective of Dvaita

Mantramanjari: A commentary on the first three chapters of the Rigveda

Geetartha Sangraha: A commentary on the Gita, also known as Geeta-Vivrutti

Prameya Deepika Vyakhya: A commentary on Madhwacharya’s Geeta Bhashya

***

Ramana Maharishi

Ramana Maharshi, born on December 30, 1879, in a small village called Tiruchuzhi in Tamil Nadu, India, began life as a regular boy named Venkataraman Iyer. His family was deeply rooted in traditional Hindu values, and he grew up under the care of his mother, Alagammal, and his father, Sundaram Iyer, who worked as a pleader.

Ramana was like any other child—playing, attending school, and occasionally getting into mischief.

The real transformation in Maharshi Raman’s life came at the age of 16. One day, seemingly out of nowhere, he was struck by a deep fear of death. Lying down in his uncle’s house in Madurai, he felt an overwhelming sense that his body was about to die. But instead of panicking, Venkataraman decided to face this fear head-on. He began to ask himself: What happens when the body dies? And then, more profoundly: Who is it that dies? What followed was a spontaneous and transformative realisation. He recognised that the body is just a shell, and the true self—the “I”—is eternal, beyond birth and death.

Shortly after his awakening, Venkataraman came across a book called the Periyapuranam, a collection of stories about the lives of Tamil saints. One of these stories spoke of saints who had realised the divine through their devotion to Arunachala. Reading this, he felt an almost magnetic pull toward the hill. It was as if Arunachala was calling him home.

Around the same time, he learned that Arunachala Hill was located in Tiruvannamalai, not far from his home in Tamil Nadu. The name itself had always resonated with him, but now, with his newfound understanding of the self, he felt an unshakeable urge to go there.

In August 1896, at the age of 16, Venkataraman made the life-changing decision to leave home.

He left a note for his family, stating simply: “I am going in search of my father. Nobody should grieve for me.” 

With just a few coins in his pocket, he boarded a train to Tiruvannamalai. It wasn’t an easy journey. He had to endure long hours of travel, sell his jewellery to buy a ticket, and walk the final stretch on foot. But nothing could deter him. The pull of Arunachala was too strong.

When Venkataraman finally arrived in Tiruvannamalai, he went straight to Arunachaleswarar Temple, the ancient temple dedicated to Lord Shiva at the base of the hill. As he stepped into the temple, he felt a profound sense of belonging. He knew he was home.

In the early years at Arunachala, he lived in total silence and solitude. He spent most of his time meditating in caves and temples, completely immersed in the self. People who encountered him were struck by his serenity and radiance, even though he never spoke a word.

One of his early dwelling places was Virupaksha Cave, a simple cave on the slopes of Arunachala Hill. Later, he moved to Skandashram, another cave higher up the hill. These places remain sacred sites for devotees to this day, filled with the energy of Ramana’s deep meditations.

As the years passed, people began to notice this young man who radiated such peace and wisdom. Devotees started gathering around him, seeking his guidance and blessings.

By the time he was in his early twenties, he had become known as Sri Ramana Maharshi.

As more people began to recognise Ramana Maharshi as a beacon of peace and wisdom, the need for a dedicated space where devotees could gather naturally arose. What started as a few followers seeking guidance from the silent sage eventually evolved into the creation of Sri Ramanasramam, one of the most serene spiritual centres in India.

The real turning point came in 1922 when Ramana Maharshi’s mother After her passing, her body was interred near the base of Arunachala Hill. This site eventually became the foundation of Sri Ramanasramam, with a shrine built in her honour. In 1948, when Ramana Maharshi was in his late 60s, he developed a small lump on his arm that was later diagnosed as cancer. Despite the pain and the repeated surgeries, he maintained the same serene composure he had shown throughout his life.

When devotees begged him to seek advanced medical treatment or allow supernatural healing, he gently refused. His response was profound: “Why are you so attached to this body? Let it go. The real Ramana is not this body.”

On the evening of April 14, 1950, Sri Ramana Maharshi breathed his last. Devotees gathered around him as he passed away peacefully, his face radiating the same calm and serenity it always had. At the exact moment of his passing, many reported seeing a bright light streak across the sky, heading toward Arunachala Hill. For his followers, this was a sign that Bhagavan Ramana had merged with the divine.

Over the years, various structures were added to Ramana Ashram:

  • The Shrine of Sri Ramana Maharshi, where his Samadhi (final resting place) now resides.
  • The Old Hall, a simple space where Ramana would sit and interact with visitors.
  • Meditation halls, dining areas, and a library filled with books on his teachings.

His  Teachings

1.     The Self is Eternal
According to Sri Ramana, the self is not something to be attained—it’s already present within each of us. The journey is about removing ignorance and recognising this eternal truth.

2.     The Illusion of the Ego
Ramana often spoke about the ego as the false “I” that creates a sense of separation. Through self-inquiry, this ego dissolves, revealing the true self.

  1. Silence as the Ultimate Teaching
    For Bhagavan Ramana, words were secondary. He often said that silence was the purest form of communication. Sitting in his presence, many devotees reported profound inner experiences without a single word being spoken.

***

Ramakrishna Paramahamsa

Born as Gadadhar Chattopadhyay in a quiet Bengali village, he would later be revered as Thakur Ramkrishna by his devotees. Unlike many religious teachers who stick to one tradition, Sri Ramakrishna Paramhansa explored multiple paths, Hinduism, Islam, and even Christianity, not as a philosopher, but as a seeker who wanted to experience God in every form.

What makes Ramkrishna Paramhans different from many other enlightened beings is that he never sought to establish a new doctrine or movement. He did not write books or try to argue his beliefs. Instead, he lived in a way that proved the existence of the divine. His words were simple, his stories often humorous, but they carried a depth that touched even the most sceptical minds.

From a very young age, Gadadhar (as Ramakrishna was known in his childhood) showed little interest in academics. He was not drawn to traditional studies, and no amount of persuasion could make him sit with books for long. While other children were busy memorising scriptures or practicing writing, he was more interested in devotional songs, listening to stories from the Ramayana and Mahabharata, and spending time in temples.

when playing Lord Shiva or Krishna in dramas, he wasn’t just acting, he became the deity itself. One of the most well-known incidents from his childhood was his first mystical experience. One day, while walking through the fields, he saw a flock of white cranes flying across the sky against a backdrop of dark storm clouds. The sheer beauty of the moment overwhelmed him so much that he lost consciousness and fell to the ground. When he woke up, he couldn’t explain what had happened, but he felt an unshakable peace. This was the first of many divine trances that would define his life.

His mother, Chandramani Devi, often worried about his frequent trances and unusual behaviour. At times, he would sit alone, lost in deep thought, or suddenly burst into devotional songs, unaware of his surroundings. People in the village admired his innocence and devotion, but some feared that he was too different.

When he was in his late teens, an important turning point came in his life. His elder brother, Ramakumar, was invited to become the head priest at the Dakshineswar Kali Temple, built by Rani Rashmoni in Kolkata. To assist him, Gadadhar was also taken along.

It was here, at the feet of Goddess Kali, that the destiny of Sri Ramakrishna was sealed. The moment he saw the idol of Kali in the temple, something inside him awakened. He felt a deep, unexplainable connection. While others saw a beautifully sculpted deity, he saw a living presence. It was as if Kali was not just a statue, but a real mother standing before him.

Under the guidance of Bhairavi Brahmani, a female Tantric guru, he practiced Tantra Sadhana, a path often considered too extreme for mainstream Hinduism.

After Tantra, he turned to Vedanta, where he was guided by Tota Puri, a wandering monk.

Marriage to Sarada Devi and the Role of the Divine Consort

While Ramkrishna was lost in his spiritual practices, his family back in Kamarpukur was increasingly worried. His frequent trances, his strange behaviour, and his complete disregard for worldly matters convinced them that marriage was the only way to bring him back to normal life.

Marriage to Sarada Devi

After much effort, they found a match, Sarada Devi, a simple and devout girl from the nearby village of Jayrambati. She was only six years old when the marriage was arranged, while Ramakrishna Dev was in his early twenties.

when Sarada Devi grew older, she came to live with Shree Ramkrishna at Dakshineswar. By then, he had already become a well-known mystic. Many expected him to lead a traditional married life, but he saw Sarada Devi not as a wife but as the embodiment of the Divine Mother.

Sarada Devi, in turn, accepted her role as his spiritual companion. She later became known as “Holy Mother”, carrying forward his teachings after his passing. In many ways, she was the silent force behind Sri  Ramakrishna Paramhansa, providing him with support and maintaining balance in his life

As his fame grew, seekers from different backgrounds started coming to Dakshineswar to meet him. Some were ordinary householders, while others were young men searching for deeper truths. Among them was Narendranath Dutta, who would later become Swami Vivekananda, the disciple who would take Sri Ramakrishna Paramhansa Dev’s message to the world.

By 1885, Sri Ramakrishna Paramahamsa began suffering from intense throat pain. It was then discovered that he had throat cancer.

As his condition worsened, his devotees moved him to Cossipore Garden House.

His presence in Cossipore became a living lesson in detachment. He showed no fear of death, only deep, divine bliss.

Final Instructions to Disciples

Realising that his time was near, Ramakrishna Paramhansa gave his final instructions to his disciples. He passed on his spiritual power to Swami Vivekananda, instructing him to take his message to the world.

On 16 August 1886, in the early hours of the morning, Sri Sri Ramakrishna Paramhansa Dev left his body. His passing was not a moment of sorrow; it was a divine departure. Even in his last moments, his face shone with an unearthly glow, as if he was merging back into the infinite.

***

Rath Yatra- Chariot Festival

Rath Yatra means Chariot festival or Car Festival.

The most famous Rath Yatra or Car Festival is held every year in Puri in Odisha in India. Nowadays it is held all over the world by various Hindu organisations. It is held for nine days. Hindu devotees in thousands pull the three chariots along the streets.

The celebration of this day starts much earlier that comprises the construction and decoration of the Raths or Chariot by numerous devotees & volunteers. The three chariots that are the highlights of the entire Yatra are pulled by strings. The chariot of Lord Jagannath which is 45 feet high, high comprises 16 wheels and is referred as Nandighosa. Balabhadra’s chariot is made 45.6 feet high with 14 wheels is called Taladhwaja. The chariot of Subhadra known as Devadalana has 12 wheels and is 44.6 feet high. All these chariots are decorated with various designs and colours by the artists of Puri that showcases their enthusiasm for the Yatra.

Two words came out of this Sanskrit word RATHA. In Tamil THER is temple chariot. It is the mirror image of Rath. English word Juggernaut also is derived from Lord Jagannath.

Hindus around the world place various deities in the chariot and pull them with huge and long ropes. Devotees on both sides of the roads worship by lighting lamps, placing garlands and offering coconut, banana, incense sticks etc. all along the routes volunteers are offered prasad (food items). In most of the places it is one day event. In Puri it is taken to a place and returns to the temple in nine days. Tribals are given an important role in it.

***

Ramavatar / Ram

Lord Vishnu took many avatars/ incarnations and of them Ten Avatars are called Dasavatar. Rama’s incarnation is celebrated most among them. Different versions of Rama’s life story known as Ramayana spread throughout Asia. Kings like Rama were allowed to have more than one wife in Hindu India. But Rama vowed not even to think about second wife. This and his friendship with hunters (Guhan), monkeys (actually people with monkey symbol; Vanara= Vana + Nara= Forst People), Bear people (Jhambavan), Bird People (Jatayu), Demons (of Sri Lanka- Vibhisana) made him unique. He never went back on his words. His wife Sita became an ideal wife by accompanying him to forest where she was abducted by Ravana, demon king of Sri Lanka. Rama killed the demon, rescued his wife and returned to Ayodhya in Uttar Pradesh in India.

***

Ramdas (Samartha), Ramdas (Bhadrachala), Ramdas (Kanhangad)

There were three great men with the name Ramdas. Samartha Ramdas lived during the days of Hindu king Veera Sivaji. He inspired Sivaji in Maharashtra to fight against the Muslim invaders. He led Sivaji in a victorious path. Chatrapati Shivaji .(1627/30–1680) ruled a vast area in the seventeenth century.

*

Another great saint was Ramadas of Bhdrachalam in Telangana. He was jailed for nonpayment of collected tax money. At last Rama and Lakshmana in disguise paid the money and he was released.  His compositions are sung in concerts and Bhajans. Bhadrachala Ramadasu (1620–1688), born Kancharla Gopanna, was a 17th-century devotional poet, Carnatic composer, and Tehsildar in the Golconda Sultanate. He is renowned for building the iconic Sri Sita Ramachandraswamy Temple in Bhadrachalam and composing timeless Telugu keerthanas dedicated to Lord Rama.

*

Kanhangad Swami Ramdas (also known as Papa Ramdas), was born as Vittal Rao and established renowned Anandashram in Kanhangad, in the Kasaragod district of northern Kerala. He became a wandering ascetic at a young age and was an advocate of Bhakti Yoga. His teachings centre around universal love, selfless service, and the constant chanting of the Rama Mantra

***

Rameswaram/ Ramanatha (swami)

Most famous pilgrimage town in Tamil Nadu. Rameswaram is one of the 12 Jyotirlinga Shrines spread over India. Hindus believe that they should visit Rameswaram and Kasi IVaranasi) in their lifetime.  It is an island where Lord Rama worshipped Lord Siva in Linga form.

Perched at the southern tip of the Indian peninsula, Rameswaram is a tranquil and sacred destination that weaves together breathtaking natural beauty with ancient pilgrimage sites. Home to the renowned Ramanathaswamy Temple, it is linked to the mainland by the impressive Pamban Bridge, a true marvel of human engineering. Rameswaram sits closest to Sri Lanka, and whispers of history suggest a bygone land bridge – the legendary Ram Setu – once connected the two nations.

***

Ramtheerth, Punjab

Ramtheerth  refers to Swami Rama Tirtha (1873–1906), a renowned Indian philosopher, mystic, and leading teacher of the Hindu philosophy of Advaita Vedanta. He was a pioneer in bringing the message of “Practical Vedanta” to the West and extensively lectured in the United States and Japan. Born in Punjab (now in Pakistan), he was originally a professor of mathematics before embracing asceticism and retreating to the Himalayas. His life’s work, lectures, and writings are extensively documented in a seven-volume collection titled In Woods of God Realization.

***

Rasa – Navarasa

The nine sentiments (navarasa) are:

  1. vīra (heroism)
  2. śṛṅgāra (eroticism)
  3. adbhuta (wonder)
  4. raudra (fury)
  5. vṛdānaka, (shame, which is not in other Indian schools)
  6. bībhatsa (disgust)
  7. hāsa (comedy or humour)
  8. karuṇā (pity or compassion)
  9. śānta (tranquillity)

In his ancient treatise, the Natyasastra, Bharata Muni actually only defined eight rasas (aesthetic flavors or sentiments). He explained that these are evoked in the audience through the combination of bhavas (emotions), anubhavas (physical acting/gestures), and vyabhicharibhavas (transitory mental states).

The ninth sentiment, Shanta (Peace/Tranquility), was later formalized by later aesthetic scholars like Abhinavagupta in his commentary Abhinavabharati.

Rasa also means juice, essence etc

To be continued……………………….

Tags- Ramdas, Ramteerth, Rameswaram, rasa, Raghavendra, Ramakrishna, Ramana maharishi, Rama, Ramayana, Radha,

83HINDU DICTIONARY IN ENGLISH AND TAMIL 83; இந்து மத கலைச்சொல் அகராதி-83