Sexy Joke; Purananuru wonders-52, One Thousand Interesting Facts – Part 92 (Post.16,078)

Written by London Swaminathan

Post No. 16,078

Date uploaded in London – 11 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Item 752 Theory of Evolution again

Paripatal verses 2 and 13 compare Pancha Bhutas with Lord Vishnu. In Puram verse 2 by Sangam poet Mr Nagarajan (Mudi Nagarayar in Tamil) also we see Pancha Bhutas. Appar in Sixth Tirumurai Tevaram  (Vaitheeswaran Koil Decad) and Manikkavasagar also said the same.

Greeks did not have Five Elements; in China five elements are different. Only Sangam poets and earlier Sanskrit poets listed same Pancha Bhutas= Five Elements.

According to them Earth is given No.5;

Earth has five qualities: sound; touching/feeling, fire; taste; smell.

**

Water is given No.4;

Water has four qualities – sound; touching/feeling, fire; taste;

**

Fire is given No.3

Fire has three qualities- sound, feeling, light;

**

Air is given No.2; Air has sound and feeling;

and

Space is given No.1.

Space has only one quality – sound.

**

Those who study astronomy knows that the space is full of sounds coming from different galaxies.

What is interesting is the order of five elements.

Sound/space, Wind, Fire, Water, Earth.

After Big Bang (sound), wind was blowing big flame cooled and formed Earth; then water came from rain; and the earth appeared when water stayed within sea.

Only because of scientific thinking and only because of scientific knowledge they gave numbers to five elements.

More over we see the continuity in thinking from Sangam Age Paripatal to Appar Tevaram or Manikkavasagar’s  Tiruvasagam.

இதோ புறநானூற்றுப் பாடல் 2 Pura Nanuru Verse 2

மண் திணிந்த நிலனும்-earth

நிலம் ஏந்திய விசும்பும்-sky

விசும்பு தைவரு வளியும்-wind

வளித்தலைஇய தீயும்-fire

தீ முரணிய நீரும், என்றாங்கு- water

ஐம்பெரும் பூதத்து five elements இயற்கை போலப்

***

பரிபாடல் Paripaatal 13

ஒன்றனில் போற்றிய விசும்பும் நீயே; 18 space

இரண்டின் உணரும் வளியும் நீயே; wind/star dust

மூன்றின் உணரும் தீயும் நீயே;   fire   

நான்கின் உணரும் நீரும் நீயே; water

ஐந்துடன் முற்றிய நிலனும் நீயே: land/earth

அதனால், நின் மருங்கின்று மூ ஏழ் உலகமும் 23

***

Appar Tevaram Sixth Tirumurai

மின்னுருவை விண்ணகத்தில் ஒன்றாய் மிக்கு  1 sky

வீசுங்கால் தன்னகத்தில் இரண்டாய்ச் செந்தீத்- 2 fire

தன்னுருவின் மூன்றாய்த்தாழ் புனலின் நான்காய்த்  4 water

தரணிதலத் தஞ்சாகி யெஞ்சாத் தஞ்ச- 5 earth

மன்னுருவை வான்பவளக் கொழுந்தை முத்தை

வளரொளியை வயிரத்தை மாசொன் றில்லாப்

***

திருவாசகம் Tiruvasagam of Manikkavasagar

பாரிடை ஐந்தாய்ப் பரந்தாய் போற்றி” (தி.8 திருவாசகம். போற்றித் திருவகவல் – 137 – 41) என்பது முதலியனவாக அருளிச்செய்தவற்றையும் அறிக.

இதில் பஞ்சபூதங்களில் ஐந்து தன்மைகளை அழகாக எடுத்துரைக்கிறார் மாணிக்கவாசகர்  திருவாசகத்தில் போற்றித்  திரு அகவல்  பாட்டில்

பாரிடை ஐந்தாய்ப் பரந்தாய் போற்றி 5 earth

நீரிடை நான்காய் நிகழ்ந்தாய் போற்றி4 water

தீயிடை மூன்றாய்த் திகழ்ந்தாய் போற்றி 3 fire

வளியிடை இரண்டாய் மகிழ்ந்தாய் போற்றி 2 wind

வெளியிடை ஒன்றாய் விளைந்தாய் போற்றி- 1 space

என்று சிவபெருமானைப் போற்றுகிறார்

The beauty lies not only in the Pancha Bhuta Numbers but also in the continuity for thousands of years. It is from the Vedic literature they got these facts.

***

Item 753

Another beauty is the same attributes to Lord Vishnu in Paripatal and Purananuru:

Eagle Flag- Garuda Flag’

Many headed snake;

Conch and wheel of Vishnu are compared with moon and sun.

***

Item 754 Kalidasa simile in Paripatal

Paripatal verse 14 is on Lord Muruga with usual details. The interesting thing is the poet’s name is KESAVAN!

But Paripatal 15 on Lord Vishnu gives us a clue on date of Kalidas. I have shown that Sangam poets used at least 200 similes from Kalidasa’s seven books.

Here is one more simile.

The most famous Sloka on Lord Siva is Kalidasa’s first verse in Raghuvamsam (a book with hundreds of similes):

वागर्थाविव संपृक्तौ वागर्थप्रतिपत्तये।

जगतः पितरौ वन्दे पार्वतीपरमेश्वरौ॥ १-१

vāgarthāviva saṁpṛktau vāgarthapratipattaye |

jagataḥ pitarau vande pārvatīparameśvarau || 1-1 (Raghu)

I adore the Parents of Universe, pArvati – parameshvara, who are indissolubly cleaved together like sound and sense (Word and Meaning)

This simile “like sound and sense” or Word and Meaning is used for Lord Vishnu in this Paripatal verse 15!

One more proof to show that Sangam poets were well versed in Kalidasa of Second century BCE.

This poem shows us the beautiful Azakar koil near Madurai, also known as Tirumalirum Cholai.in those days Krishna’s brother Balarama was also worshipped there according to the poem

Lord Vishnu’s five symbols are listed.

***

Item 755 Praying facing towards a particular Direction


Muslims wherever they are , face the direction of Mecca and do the prayer. Even the air planes of Muslim countries show this direction on the screen.

This custom is in ancient Hindu scriptures. Here the poet says go to Vishnu’s shrine ( in Azakarkoil) with your family worshipping that direction.

So even the direction where famous shrines were considered holy.

For instance, North is the holiest direction for Hindus because of Himalayan shrines. Even Sangam poets and kings fast unto death facing only North.

***

Item 756 Sexy Joke about menstruation

Paripatal verse 16 is on River Vaigai

Here is a scene portrayed by the poet on menstruation as a joke.

River Vaigai is compared with Pandyan king’s generosity.

Later the poet says,

 Relatives around a woman squirted red colour water on her. She did not wipe it completely.

Her lover came; her friends warned him not to go near her because she has monthly periods; saying this ,they laughed ;

Her lover knew that it was just red colour water; he smelt the fragrance of the water; she felt very shy; her lover wiped out the red colour stain on her body and laughed.

Though we see women’s menstruation in another poem in Kuruntokai- 157, it is indicated indirectly. This type of poem is rare in Hindu literature.

Vaigai river is compared with Ganges.

Poem about Menses’

குக்கூ என்றது கோழிஅதன் எதிர்

துட்கென்றன்று என் தூஉ நெஞ்சம் —

தோள் தோய் காதலர்ப் பிரிக்கும்

வாள் போல் வைகறை வந்தன்றால் எனவே.

–அள்ளூர் நன்முல்லை (MISS Jasmine)- –குறுந்தொகைப் பாடல் 157

Here the poetess Miss Jasmine (Mullai=Jasmine) sings about the shock she had. She thought of enjoying with her husband in bed ; but in the night she had her monthly periods; she says, Oh My God; it is dawn; I hear “Cock-a-doodle-doo”; it is shocking;  the dawn is like the sword that divides me from my lover.

Hindu women never allow her husband near for three days.  In the Brahmin community she has to stay outdoors in a secluded place. Tamil Scholar U Ve Sa. has added more comments to this poem Kuruntokai 157.

***

Item 757 Long Metaphor

Paripatal verses 17 and 18 are on Lord Skanda/Muruga.

It is about Tirupparamkundram temple near Madurai.

Here there is a long metaphor:

Elephant = cloud;

Cloth decorating face of elephant= lightning

Hall of paintings= Manmathan’s weaponry;

Running streams in the hill= quiver;

Fingers= Kaanthal flowers;

Indra’s bow= Rainbow;

Arrows= flowers;

War drums = thunder;

Yaaz /Lute music= Vedic chanting

And the people pray for their welfare and the welfare of their relatives.

***

Item 758 King’s Visit to Temple Tirupparamkundram

In Purananuru we saw most famous Pandya King Mudukudumi Peruvazuthi going round Madurai Shiva Temple.

Here in Paripatal verse 19, we see Pandya king visiting Tirupparamkundram Skanda/ Muruga temple with his family and ministers.

It is compared with Stars and Moon going round the holy Meru Mountain.

***

Item 759 Famous Hall of Painting

Though we come across paintings in many Sangam poems, here is a detailed report.

The Hall of Painting had Sun and Planets; it shows Hindus interest in Astronomy;

All the painting halls are inside the  temples, not in palaces! (Kutralam Chitra Sabha etc)

An innocent village woman asked why there is a cat in the religious painting. Immediately her husband enlightened her by telling her the story of Indra molesting Ahalya and running away like a cat.

***

Item 760   Knowledge in World Geography

Hindus of ancient India were far advanced in World History and World Geography.

Their knowledge in World History is seen in the reference to the death of thousands of kings in Kural and Purananuru; also we see seven kings taking the throne on the same day in Purananuru.

Here Vedic reference to sea is repeated.  Hindus knew thousands of rivers pouring water into sea every second and yet the sea coast line is same.

They watched the weather for thousands of years and reported the  wonder, the sun is sucking water from the sea every second; the rivers around the world pouring water into the sea, and yet it never became full and crossed the coast line.

This is in Paripatal verse 20,  Pathitrupathu verse 90 and Maduraikanchi – Line 425.

Unless Hindus pass this information from one generation to another, poets could not have said this.

That shows another fact- passing information by mouth, which we see in Vedic Recitation for 6000 years (Herman Jacobi and B G Tilak’s Dating of Rig Veda)

To be continued……………………………..

Tags- Sex joke, menstruation, Paripatal, Paintings in temple, river and sea, word and meaning, Kalidas simile, Indra as cat, Purananuru wonders-52, Tamil Encyclopedia-92, One Thousand Interesting Facts – Part 92. Item 760.

HINDU DICTIONARY IN ENGLISH AND TAMIL 95; இந்து மத கலைச்சொல் அகராதி-95 (Post No.16,071)

Written by London Swaminathan

Post No. 16,071

Date uploaded in London – 9 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Sarayu

Sarayu most prominently refers to a sacred river in Hinduism featured in the Ramayana, flowing through Uttarakhand and Uttar Pradesh past the city of Ayodhya. It is also a female given name and a common reference for notable public figures. [1234]

  • Location: Originates in the Kumaon Himalayas (Uttarakhand) and flows into the Ghaghara or Sharda river.
  • Significance: Deeply tied to the epic Ramayana and the city of Ayodhya; holy baths in its waters are believed to wash away sins.

Girls are named after this river until this day.

1) Sarayū (सरयू).—A river very famous in the Purāṇas. The most important things associated with the river are given below:

(i) Seven tributaries of Gaṅgā originate from the golden peaks of the Himālayas and Sarayū is one of them. Those who bathe in the river will be absolved from sins. (Ādi Parva, Chapter 169, Verse 20)

(ii) The river exists in Varuṇa’s court worshipping him. (Ādi Parva, Chapter 8).

(iii) Śrī Kṛṣṇa, Arjuna and Bhīma, on their way to Girivraja from Indraprastha crossed this river. (Sabhā Parva, Chapter 20, Verse 28).

(iv) It was at Gotāra (or Gopratara) in this river that Śrī Rāma drowned himself to death and attained Viṣṇupāda. (Vana Parva, Chapter 84, Verse 70).

(v) This river is the source of Agni (fire). (Vana Parva, Chapter 222, Verse 22).

(vi) Vasiṣṭha once blocked the course of Gaṅgā on its way to Kailāsa at Mānasasarovara. But, Gaṅgā broke the obstruction and flowed on, and Sarayū is the stream that started from there. (Anuśāsana Parva, Chapter 155, Verse 23).

(vii) It is one of the rivers to be remembered both at dawn and dusk. (Anuśāsana Parva, Chapter 165, Verse 21).

(viii) The city of Ayodhyā is situated on the banks of Sarayū. (Vālmīki Rāmāyaṇa, Bālakāṇḍa, Canto 5, Verse 5).

2) Sarayū (सरयू).—Wife of the Agni Vīra. The couple had a son called Siddhi. (Vana Parva, Chapter 219, Verse

***

Sankaradeva

Srimanta Sankaradeva (1449-1568 CE), the founder of the Vaishnavite order Eka Sarana Nāma Dharmawas a multi-faceted person whose works had different dimensions

He  was an important personality in the annals of Indian history. He was not only a religious preceptor, but also a social reformer, who had sanskritized the ethnic groups of the volatile North East India and assimilated them with the national main-stream. He is considered as the father of the modern Assamese race.

Srimanta Sankaradeva was a cultural maestro too. He created a classical dance form known both as Sankari dance and Satriya dance. The Sangeet Nâtak Akâdemi of India recognized it as a classical dance form in 2000 CE. Srimanta Sankaradeva also evolved a school of classical music, which is named after him. He created as many as 25 Râgas of his own. He was also the first playright in all modern Indian languages. Above all these, he was the first prose writer. He introduced dro Mahapurusha Srimanta Sankaradeva is considered by his followers as an incarnation of God because of his multi-faceted contribution to the mankind as well as his perfect life. He strides over the national life of Assam like a giant colossus even five centuries after passing away. He went on pilgrimage twice, the first time touring the entire length and breadth of the country for long twelve years. He gave up his royal power as a king in middle Assam and came down to the level of the commoners. He founded the Eka Sharana Nâma Dharma, which preached devotion to a single God, lord Krishna.. He was also a fine artist. His art works have been preserved in the Albert Museum of London.

Srimanta Sankaradeva founded a whole new school of art. He initiated a new form of painting with his epoch-making drama-festival Chihna-Yâtrâ held in 1468 CE, where he drew the imaginary pictures of heaven to be used as backdrop. authored ten plays in his life. These were Chihna Yâtrâ, Patni Prasâda, Kâliya Damana, Keli Gopâla, Rukmini Harana, Pârijât Harana, Janma Yâtrâ, Gopi Uddhava Sambâda, Kangsa Badha and Sri Râma Vijaya. The first of these, Chihna Yâtrâ had been staged in 1468 CE. The second play Patni Prasâda was written while the saint was living at Gajalasuti temporarily.

He always advised his disciples to be very cautious about where and what they ate. He said that food offered by a pious man could liberate one while the food offered by an unmeritorious person destroyed one’s merits. During pilgrimage, he guided his disciples to proper places and proper hosts only. The Eka Sharana Nâma Dharma preached by Srimanta Sankaradeva gradually received wide acceptance in the entire Brahmaputra valley. Even the administrative officials of the Ahom kingdom were gradually won over to this egalitarian religion. The Ahoms earlier had their own traditional religion, which was akin to the Shakti worship of the Hindus. Sacrifice of animals to appease their deities was a common thing in the Ahom religion.

***

Sarpa

Means snake; English words serpent snake are derived from Sanskrit. Sarpa worships is found in Rig Veda, later in Indus Valley sites. Now snakes are worshipped in most of the South Indian Temples. Thousands of stone snakes are installed in temples including Kuke Subrahmanya temple in Karnataka. In Kerala there are special shrines. Hindus believe that if they kill snakes, they wont have children. Naga Panchami is a special annual festival when live snakes are worshipped, particularly in Maharashtra. In the East India Snake goddess Manasa Devi is worshipped. Lord Vishnu is shown lying on a bed of snake, usually shown in statues with five, seven, nine heads.

***

Satakratu

Śatakratu (शतक्रतु).— Indra.  śata a hundred, kratu sacrifice; a hundred Ashwa-Medhas or sacrifices of a horse, elevating the sacrificer to the place and title of Indra. This name is in the Rig Veda. More about him is under INDRA.

***

Satarudriya

Śatarudrīya (शतरुद्रीय):—It is  said that gods are satiated if Śrī Rudram is chanted . Śatarudrīya means extolling one hundred ways of glorifying Rudra.

The Rudra-Adhyaya, known also as the Satarudriya, occurring in the Yajur Veda, is a soul-stirring hymn offered to the all-pervading Almighty, designated as Rudra-Siva. He is present in auspicious, benign forms by way of sustenance of all things created, and also as terrible forms which He assumes at the time of the dissolution and destruction of the cosmos at the end of time. A very intriguing aspect of God presented in this wondrous hymn is that God is both the good and the bad, the beautiful and the ugly, the right and the wrong, the positive and the negative, the high and the low, the conceivable and the inconceivable, the mortal and the immortal, existence and non-existence—every blessed notion of God and its correlative, or we may say the counter-correlative, the opposite, which also is included in the existence of God.

More about RUDRA and RUDRA HOMAM is under Rudra.

***

Sati

Sati  has two primary meanings: the mythological goddess (or a virtuous wife) who immolated herself due to grief or insult, and the historical socio-religious custom where a widow burned on her husband’s funeral pyre,

Goddess Sati: The consort of Lord Shiva who cast her body into the fire because her father Daksha insulted Shiva.

Virtuous Woman: The literal Sanskrit root meaning a pure, chaste, and devoted wife who embodies supreme loyalty.

It is not mentioned in Rig Veda and Manu Smriti. It is optional and not compulsory. From Ramayana and Mahabharata we see not all queens died when their husbands died.

Evil people used this custom with bad motives to inherit the property. Later it was banned.  Christian preachers who burnt millions of women including Joan of Arc branding them witches, used Sati pictures abroad to hide their criminal acts.

***

Satva guna

Sattva guna is the quality of purity, harmony, and balance. It is one of the three fundamental forces of nature (the trigunas) in Indian philosophy, alongside rajas (activity) and tamas (inertia). Sattva represents mental clarity, peace, truth, and inner goodness.

Characteristics of Sattva Guna

Purity: Cleanliness of body, speech, and mind.Clarity: Calm awareness, sharp focus, and truthfulness.Peace: Emotional stability, contentment, and lack of anger. Compassion: Selfless service, empathy, and love for all beings.

In the Bhagavad Gita, Sattva Guna (the mode of goodness, purity, and harmony) is primarily detailed in Chapter 14 (verses 5–18) and further categorized by daily habits like food, faith, and action in Chapter 17. Lord Krishna explains that Sattva illuminates the mind, brings deep inner peace, and creates a thirst for wisdom.Core Slokas on Sattva Guna (Chapter 14)Verse 14.5: Introduction to the three material modes (gunas), noting how Sattva, Rajas, and Tamas bind the eternal soul to the body.Verse 14.6: Defines Sattva as pure, illuminating, and healthy, noting that it binds the soul through attachment to happiness and knowledge.Verse 14.11: Describes the physical/mental symptom of Sattva: “When the light of wisdom shines through all the gates of the body, then know that sattva is predominant.”Verse 14.14: Explains the afterlife result: dying in dominant Sattva leads to the pure, stainless realms of the wise.Verse 14.18: Summarizes the trajectory: those in Sattva rise upward into higher states of spiritual evolution. Sattvik Expressions in Daily Life (Chapter 17)Faith (Verse 17.2–3): A person’s faith reflects their inner nature; a Sāttvik mind naturally leans toward divine and harmonious truths.Food (Verse 17.8): Sāttvik food increases life duration, purity, strength, health, joy, and satisfaction. It is juicy, smooth, wholesome, and pleasing to the heart.Worship, Sacrifice, and Charity (Verses 17.11, 17.17, 17.20): Sāttvik actions are done according to scripture, with a steadfast mind, without selfish desire, and strictly as a matter of duty without expecting rewards.

***

Satyam Sivam Sundaram

Truth ; truth alone triumphs is the motto of India written in the national emblem of India. It is from the VUpanishads.

The first lesson in Vedic School is Satayam Vada- Speak Truth.

No where in the world we can see this syllabus.

Truth is God is the saying in India.

  Taittiriya Upanishad (2.1.1): States “Satyam jnanam anantam brahma—meaning Brahman is Truth, Knowledge, and Infinite.

  Brihadaranyaka Upanishad (2.3.6): Calls Brahman “Satyasya Satyam”—the Truth of truth, meaning the absolute base behind life forces.

  Mundaka Upanishad (3.1.6): Famously states “Satyam eva jayate nanritam—Truth alone triumphs, not falsehood.

In Tamil Nadu State Government emblem “Satyam eva jayate is translated as VAAYMAIYE VELLUM.

No culture in the world has given SATYAM that much importance.

Whether it is Tamil Tirukkural or Sanskrit Niti Satakam of Bhartruhari, Truth occupies important place.

“Satyam Shivam Sundaram” is a profound philosophical Sanskrit phrase meaning “Truth, Goodness (Auspiciousness), and Beauty”. Shivam also means Lord Siva.

Satyam Shivam Sundram

which means Shiva is the truth, Shiva is

the divine joy and Shiva is beauty.

This phrase and Satyan Jnanam Anantham Brahma were popularised by Sri Sathya Sai Baba. Before that only Vedanti students knew these dictums.

***

Shyamantaka

The Syamantaka Diamond handled by Lord Krishna and his relatives led to violence and several murders. The full story is in the Bhagavad Purana. My view is that Syamantaka corrupted into Diamantaka. My second view is that the murderous Syamantaka changed hundreds of hands and got the name Hope Diamond which is in an American museum now. Hope diamond became Hopeless diamond during the course of time and at last landed in America.

S=T interchangeability is seen in hundreds of English words we use everyday

Some examples :

condition, education, ambition- in hundreds of words with TION, the pronunciation is SION.

So Syamantaka + Tiamanthaka= DIAMOND is linguistically possible.

Story of Syamanataka:

Satrajit was a Yadava leader. He was a worshipper of Sun God. Sun God gave him a powerful diamond called Syamantaka (The hidden meaning is that he found it on the ground when he went to worship in the Sun Temple). It will emit red light and dazzle like sun. A lot of people eyed this diamond and conspired to get it. When Krishna asked him to give it to Ugrasena, he refused and gave it to his own brother Prasen. When Prasen went on a hunting expedition he was killed by a lion and the diamond was taken by a tribal group known as Jambhavans. They were called Bear people because they wore the bear (Jambhavan) symbol.

Everybody suspected Krishna and thought he stole the diamond from Prasen and disposed him off. Krishna wanted to clear his name and so went in search of Prasen. He found his mauled body in the forest and traced the footsteps. When he saw Jambhavan’s children playing with the diamond, he tried to get it from them, but ended in a fight. The fight with Jambhavan went for a month and at last he reached an agreement with Jambhavan, the tribal leader and got his daughter Jambhavati  in marriage. As a marriage gift he got the diamond.

Krishna returned to his kingdom and gave Syamantaka back to Satrajit. Satrajit thanked Krishna wholeheartedly and gave his daughter Satyabhama in marriage to Krishna. When Krishna made an urgent visit to Hastinapura , another person by name Satadhanwa killed Satrajit and took the diamond. So far the diamond caused two murders and two marriages !! It did not stop there.

When Krishna returned to Dwaraka ,his wife told him that his father was murdered for the diamond. Krishna and Balarama went on a mission to get the diamond.  They chased Satadhanwa for nearly a thousand mile and killed him near Mithila in Bihar. A dangerous diamond caused three deaths and three fights and thousand mile trip from Gujarat to Bihar!! But only after killing him, they came to know the diamond was given to Akrura for safe custody by Satadhanwa.

Akrura had already escaped with the diamond to Kasi. He ran away for a thousand mile just because of the diamond. Krishna brought him back and Akrura returned the diamond to Krishna. Knowing that it was a murderous diamond, Krishna gave it back to Akrura and asked him to stay in Dwaraka. The diamond was attributed with magical qualities like bringing lot of gold like the  goose that lays golden eggs.

This is the end of the Syamantaka story in our Hindu scriptures. My research shows that it caused more fights and murders and went to USA after passing several hands in India, France and Britain. 

Syamantaka went to foreign countries in the name of HOPE diamond. Knowing that it was a HOPELESS diamond, at last it was sent to a museum in the USA.

To be continued……………………

Tags- Sarayu, Sankaradeva, Sati, Satarudriya, Satyam , Syamantaka, Diamond, HINDU DICTIONARY IN ENGLISH AND TAMIL 95; இந்து மத கலைச்சொல் அகராதி-95

Tamil attacks on Atheists: Purananuru wonders-49, Tamil Encyclopedia-89 (Post No.16,060)

Written by London Swaminathan

Post No. 16,060

Date uploaded in London – 6 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

One Thousand Interesting Facts – Part 89

Item 727

River Vaigai  and Tolkappiar

If one looks at the River Vaigai today and compares it with the river in Paripatal, one wouldn’t believe the description in Paripatal. It has deteriorated to the extent of a gutter. And we could easily guess what happened to the ancient Vedic River Saraswati. Half of the devastation is caused by the humans and the other by nature or climate.

The poet described the beauty of Vaigai clothed with flowers. Women and men enjoy bathing in it and lovers made it a meeting point. Theu used boats to cross the river!

Here we remember the strange story of Nachinarkiniar, the most famous Tamil commentator of Sangam literature. During Vaigai floods, Tolkappiar used one stick to cross the river with Lopamudra, wife of Agastya. Tolkappiar avoided holding the woman’s hand and so he gave a long pole so that Lopamudra can hold the other end; even this gesture angered Agastya and he cursed Tolkappiar; and Tolkappiar in turn cursed Agastya for unjust behaviour. Nacchi also added Tolkappiar’s original name was Trunadumagni; unfortunately, we did not have any other personal details about the great Tamil grammarian. The Payiram/Intro of Tolkappiam says Tolkappiar’s work was approved by Acharya of Athankodu who was well versed in Four Vedas.

***

Item 728 Sworn  on Tirupparankundram

In verse six, which is about River Vaigai there is a lovely argument between a lover and the lady love. She blamed him of visiting another woman and hence delay in coming to her. It is a long argument and at the end he swears on Tirupparankundram! That is the abode of Lord Muruga/Skanda. It shows the belief on God Muruga and the custom of swearing.

***

Item 729

Paripatal verse 7 is also on River Vaigai .

Here are some interesting similes. The poet compared the floods to a dancer who could not dance according to rules; devastation caused by the floods is given in full details; the floods washed away the ornaments of women; vast paddy fields were submerged under water. And we come across the city name TIRU MARUTHA MUN THURAI. Scholars believe that was the original name of Madurai. And the woman who enjoyed the bathing prays that she should enjoy it for ever. Vaigai floods looked like Pandya army entering an enemy country , according to the poet.

***

Item 730

Verse 10 is also on the same river where a strange custom is sung by the poet.

Vaigai water festival is narrated. People used wooden water guns to sprinkle colour water. Even today we can see water guns or squirt guns used by the villagers during Chitra festival in Madurai. It is made up of skin bag with a narrow tube to squirt water. Like Holi festival Madurai people used coloured water 2000 years ago.

***

Item 731 strange custom of golden animals

In Hindu temples and in the ancient Greek temples, devotees offered golden or silver replicas of body parts to gods and goddesses as a token of thanks for curing diseases in those body parts of individuals.  Even now Tamil Hindus do this in many temples. But in ancient Madurai, women threw golden replicas of fish, crab, conches into River Vaigai , saying “let there be prosperity”.

Probably devotees do such things in other parts of India as well.

Several types of games including ball games are recounted

***

Item 732

Paripatal verse five is composed on Lord Muruga/Skanda.

God’s elephant name is Pinimukham.

God Skanda has 12 arms, six faces. The demon Surapadman was in the shape of Mango Tree.

The association of the demon with Mango tree deserves more research.

Throughout Tamil Sangam  poems we see certain trees are associated with chieftains; they were guarded, respected and saluted by the common folk. Any disrespect to the Guardian Tree is not tolerated by the chieftain or the local leader.

Throughout Sangam literature a particular Mango Tree is portrayed as the Demon Sura Padman, enemy of Muruga/Skanda.

Nowadays a plantain tree is brought and planted instead of mango tree; and the tree is symbolically cut off during Skanda Sasthi festival.

***

Item 733 rebirth

And in this verse five on Lord Skanda/Muruga belief on rebirth is confirmed.

One gets a good birth if one does good deeds or bad birth if one does bad deeds.

Karma theory is described thus.

***

Item 734 metaphor

We come across a metaphor as follows

Brahma – charioteer;

Earth- chariot;

Vedas- horses;

Mountain – bow;

Snake- the bow string; (also in Puram. Verse 55)

***

Item 735 attack on atheists (Lokayata/ Carvaka)

Those who argued that there is no rebirth are called idiots/ fools in line 76.

Parimel azakar was the commentor for Paripatal verses. He is the most celebrated commentator onTirukkural as well. He was a temple priest of Kanchipuram Vishnu Temple. He has used the same comment on Kural 281.

Lokayata or Carvaka (Sweet Talkers)

 “Indian Materialism” refers to the school of thought within Indian philosophy that rejects supernaturalism.  It is regarded as the most radical of the Indian philosophical systems.  It rejects the existence of other worldly entities such an immaterial soul or god and the after-life.  Its primary philosophical import comes by way of a scientific and naturalistic approach to metaphysics.  Thus, it rejects ethical systems that are grounded in supernaturalistic cosmologies.  The good, for the Indian materialist, is strictly associated with pleasure and the only ethical obligation forwarded by the system is the maximization of one’s own pleasure.

We see it in Valmiki Ramayana in Jabali Rishi’s argument.

Hindus are the only people who included this as a system of philosophy. But in most places, it is condemned. Patripatal poet Kaduvan Ilaveyinanar called the atheists  idiots/ false people (Madavor in Tamil)

To be continued…………………..

Tags- item 735, Tamil attacks on Atheists: Purananuru wonders-49, Tamil Encyclopedia-89 , One Thousand Interesting Facts – Part 89

Tamils Rewrite History: Purananuru wonders-48, Tamil Encyclopedia-88 (Post.16,055)

Written by London Swaminathan

Post No. 16,055

Date uploaded in London – 5 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Paripatal wonders

Purananuru wonders-48, Tamil Encyclopedia-88, One Thousand Interesting Facts -Part 88

Item 714 Poems on River and Hindu Gods

Tamils are nature lovers; they composed 26 long poems on River Vaigai of Madurai.

No where in the world we see such group of poems in one book, that too 2000 year old.

Paripatal – paripaatal- is one of the eight anthologies of Sangam literature. Like Sama Veda in Vedic literature this is the only anthology dealing with Tamil music. Out of the 70 poems we have got only 24 poems in full and nine more in fragments.

In the olden days we had

Eight poems on lord Vishnu

Thirty one poems on lord Murugan/ Skanda

One poem on Goddess Durga

Twenty six on river Vaigai and

Four on Madurai city.

***

Item 715 Poets Names in Sanskrit

Another wonder is Paripatal genre has pome running up to 400 lines.

Some half baked people considered it as late production because lot of poems are in praise of Hindu Gods.; they are proved wrong because Maruthan Ilanagan of Purananuru  praised Paripatal poet Nallanthuvanar (in Akam.59) which shows Nallanthuvan  was his contemporary or an earlier poet.

This book is about Pandya country. That is another specialty; all other Sangam books deal with the entire Tamil  Nadu.

We have at least 13 poets giving us 2050 lines.

Interesting point is poets have names like KESAVA and ACHYUTHA; and in Purananuru we have DAMODARA, KANNAN/Krishnan, VALMIKI etc.

It shows that there was no taboo in using Sanskrit names.

Another wonder is poets with Vaishnavite names praised Saivite gods.

***

Item 716 Balarama

In the modern days Krishna’s brother Balarama is not worshiped in big temples; but during Sangam age he was praised along with Krishna  his skin colour, his flag, plough on his shoulder, wearing ear stud in only one ear etc are described by poet  in the first poem.

This shows that Sangam age Tamils were great Hindus who have mastered all Sanskrit texts.

***

Item 717 — 1000 headed snake

If we go to Vishnu temples we can see five headed, seven headed and many headed snakes as the bed of Vishnu. We know all these are symbolic; but thuis is sung by Sangam age poets ; see poem 1.

We come across five headed snake even in Purananuru verse 37. That is the symbol of five senses.

***

Item 718 — seven types of catastrophes.

Paripatal poem two has very interesting information about seven types of catastrophes.

They believed that the apocalypse will have destructions from sky, fire, sea, earth quakes etc

***

Item 719 Vishnu avataras

Verse three described Avataras of Vishnu such as Annam/swan, Varaham/boar, Krishna .

Five planets are mentioned; 33 gods are listed.

Upanishad is also mentioned.

Four colours are attributed to Vasudeva, Sankarshana, Pradyumna and Aniruddha

***

Item 720

Paripatal poem 4, adds Narasimha avatar compared the sun, moon sky earth, wind rain, flower etc to Vishnu.

One would be reminded of Vibhuti yoga of Bhagavad Gita.

***

Item 721 puranic stories

Great tamil scholar U Ve Sa has listed the puranic episodes mentioned in Paripatal, which shows Tamils were thorough with Hindu puranas 2000 years ago.

Following are some of the episodes,

Ahalya becoming stone;

Devas getting Amrit;

Demons jumped and hid themselves in sea;

Vishnu becoming swan and stopping rain;

Indra guarding the Himalayas;

Indra being cursed;

Siva burning tri pura’ three hanging space stations;

Urvasi becoming horse;

Churning the milky ocean;

Garuda recuing Vinata;

Vishnu controlling arrogant Garuda;

Birth of divine medicine men;

Brahma sending Ganges river to earth.

***

Item 722 forty types of ornaments

Tamil scholar U Ve Sa listed over forty ornaments worn by Sangam age Tamils as found in Paripatal.

They were worn from head to foot.

All the statues from second century BCE show them to us; so it is not in exaggeration. No where in the world we see such head to foot ornaments.

***

Item 723 Rewrite History

Half baked foreign scholars (???) took the latest addition or interpolation from ancient Hindu books and gave the wrong dates.

They dated all Puranas in Gupta period or later.

Sangam Tamil Books exposed those idiots; all the Purana stories about Lord Vishnu, Lord Siva and Lord Skanda are in 2000 year old Sangam Tamil poems.

  Kumaragupta I (c. 415–455 CE): Preserved peace and founded Nalanda University.

  Skandagupta (c. 455–467 CE): Repelled early invasions by the Hunas (White Huns), straining imperial resources.

Kumara and Skanda for Lord Murugan is in Kalidasa’s books Meghaduta, Raghuvamsam and Kumarasambhavam.

Both these naes for Lord Muruga are in Paripatal and Tirumurugatruppadai, two Sangam books on Hindu Gods.

Gupta , who were Vishnu worshippers named their children after Lord Muruga/Skanda.

Even Asvaghosha stole Kalidasa’s names and compared Skanda with Buddha!!!!!!!

All the Sangam poems on Muruga/Skanda show Kalidasa lived before Sangam Age and influenced Gupta Dynasty, Asvaghosa and Sangam Poets.

Sangam Poems and Kalidasa works made two great Gupta Kings.

If we believe foreign idiots , then we will have to date all Sangam poems after Gupta period.

Sangam Age Tamils were well versed in all Puranic stories.

Yaudheya kings issued punch marked coins with Six Headed Muruga! Kalidasa and Sangam poems mentioned Six Headed Skanda=Muruga

***

Item 724

Murugan=Skanda names in Tamil:

Seyon – red coloured – in Tolkappiyam.

Son of Siva – pari. 9-6/7;

Red coloured like sun, six heads- Tirumurugu. Lines 1-11 and 77-125;

Looking like fire and coral – Pari.19-97/100;

His pearl garland looked liked the v shaped flight of migratory birds – Akam120;

Lord Muruga = Skanda had an elephant named Pinimukham as vahana – Kuru.1; Puram-56; Pathitr.11-16;

Pari .5-2, 17-44, 21-1; Murugu.78-82.

Peacock as his vahana is in many places.

His weapon Vel= spear is in innumerable poems.

All these are in Skaandam in Sanskrit Kandapuranam in tamil.

So purana dating is wrong.

***

Item 725 destroying demons

Kumarasambhava of Kalidasa made it very clear that incarnation of Muruga appeared to destroy demons.

They are called Tarakasura, Surapadma etc.

Again it is in a number of poems- Kuru.1;  Murugu.59-60; Pari.1-25; 5-7;

Puram. 23-3; Pathit-11-56; Perumpa- 456-460; many poems in Kalittokai.

***

Item 726 breaking Krauncha hill

Krauncha is the migratory bird that uses a Himalayan pass to enter India from China and Russia.

This Himalayan pass is linked with lord Murugan= Skanda in tamil and Sanskrit.

This also proves foreigners dating of Kalidasa and puranas wrong.

Breaking open Krauncha / Kuruku in tamil – Murugu.266; pari.8-29, 19-26, 19-102/103.

Geologists to do more research to find out whether any earth quake caused it. Tamil and Sanskrit literature shows clearly Muruga= Skanda did this with his vel/spear.

***

Item 727 Jambhudwipa in Tamil

Brahmins use the Jambhudwipa geography very often in their Sankalpa and priests use it almost every day whenever, wherever they do puja or any religious ceremonies.

Hindus are great historians and geographers and so they always begin any ceremony by announcing where and when they do it.

No culture in the world had this custom.

The great land mass of asia is called Jambhudwipa. Jambhu is the name of the blackberry trees of India. In tamil it is called naaval.

And so Tamils called india Naavalam  Tivu.

It is in Paripatal 5-8/10.

This shows that tamil never lacked behind their counterparts in the north.

Following references are found in Tamil about the tree and the Land of Jhambu tress (Jambudwipa): Paripatal 5-8,9 ,Puram 397, 177-11 ,Perum 465 ,Malai 135, Akam 380, Narr 35-2, Thiru 18, Post Sangam Literature: Mani 25—2—12/16, Silambu 17-15

KALIDAS: Megha 19 talks about the Jambu forests. Ragu 18—44 refers to Jhambu land.

Later Tamil poets such as Appar  (in marmaatrah thiruth thandakam) use this more times in their poems.

To be continued……………………

Tags– Jambhudwipa, Krauncha Hill, Muruga, Skanda, Kumara Gupta, Skanda Gupta, Date of Puranas, of Kalidasa, Paripatal wonders, Tamils Rewrite History: Purananuru wonders-48, Tamil Encyclopedia-88 , Item 727

HINDU DICTIONARY IN ENGLISH AND TAMIL 90; இந்து மத கலைச்சொல் அகராதி-90 (Post.16,041)

Written by London Swaminathan

Post No. 16,041

Date uploaded in London – 1 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 90

Sakuntala and Saakuntalam

Śakuntalā (शकुन्तला).—The daughter of Viśvāmitra and Menakā; was brought up in Kaṇva’s āśrama with nīvāra food; Duṣyanta who came there was entertained and was accepted as her Lord by Gāndharva vidhi. Gave birth to the future Bharata and came to the king’s palace with the child; was refused admission by the king who had forgotten her. A voice in the air urged the king to accept her and he did so;1 a queen of Duṣyanta and mother of Bharata.  Bharata  became a universal monarch, and gave his name to India which came to be called Bharatavarsa.

The Abhijnana Shakuntalam

The Abhijnana Shakuntalam is a renowned Sanskrit play by Kalidasa, depicting the story of Sakuntala from the Mahabharata. The play chronicles the love between King Dushyanta and Shakuntala, who faces trials due to a curse that makes the king forget her. After losing a ring that signifies their union, fate ultimately leads to their reunion and the birth of their son Bharata, an ancestor of the Kauravas and Pandavas. The play has inspired numerous translations and adaptations globally. William Jones translated the play into English and published it in 1792 under the title

Sacontalá; : or, The fatal ring: an Indian drama By 

CÁLIDÁS.

Sir William Jones: Translated the play into English in 1789 as Sacontalá or The Fatal Ring and famously compared Kālidāsa to Shakespeare, calling him the “Shakespeare of India” for his deep insight into human nature.

Johann Wolfgang von Goethe: Wrote an ecstatic epigram stating that Śākuntalā combines the early blossoms of spring and late fruits of autumn, encompassing earth and heaven in a single name. He was also inspired by its prologue for his own Faust.

Alexander von Humboldt: Praised Kālidāsa as a masterly describer of nature who combined creative fancy with delicate expressions of feeling, giving the playwright a lofty rank among global poets.

Friedrich Schlegel: Noted that despite its exotic and foreign setting, the general structure of Śākuntalā bears a striking and favorable resemblance to European romantic drama. [1]

Modern Critics: View the text through comparative frameworks like ecocriticism, analyzing how the deep bond between Śākuntalā and the natural forest world anticipates modern environmental and ecofeminist thought.

***

Shalmali dwipa

Salmali Dwipa is one of the seven concentric insular continents (sapta-dwipa) described in ancient Hindu cosmology and Puranic texts. It derives its name from the large Shalmali (silk-cotton) tree that characterizes the land, and is traditionally said to be surrounded by an ocean of wine (Sura-samudra)

Australia Connection: Many modern alternative interpretations and independent researchers correlate Shalmali Dwipa with Australia, noting the presence of native silk-cotton (Shalmali) or similar kapok trees.

Eastern EuropeEast Africa, or regions of Southeast Asia, because these cosmological descriptions use symbolic geography rather than literal modern borders.

My opinion

No two clocks agree; no two identifications agree. It is sheer waste of time to identify them with modern geographical locations. I still wonder why did they say it. Identifying such dwipas in America and Australia is also not wise. They were described as Patala loka. So, all the seven Dwipas must be within Asia, and  may be coastal East Africa .

***

Salatura

Known historically as the birthplace of Pāṇini, the famous ancient linguist and grammarian who formalized Sanskrit. Documented by the 7th-century Chinese traveler Xuanzang, who noted a local memorial statue dedicated to Pāṇini.

Location: Near modern-day Lahore in Pakistan.

***

Sama Veda

Samaveda is one of the four Vedas . It is known for its focus on melodies, chants, and musical aspects. Most of the hymns are from the Rigveda. This Veda plays a significant role in rituals and worship, with its hymns sung for ceremonial purposes. It is also associated with the development of Indian music. It must be as old as Rig Veda, that is 4000 BCE to 2000 BCE.

Rigvedic origin: 1,474 to 1,771 verses are sourced from the Rigveda (primarily books 8 and 9).

Original compositions: Only about 75 to 99 verses are uniquely native to the Samaveda itself

Ritual Timing: Performed during major sacrificial ceremonies, particularly when the juice of the Soma plant was mixed and offered as a drink to the gods.

Regional Schools (Sakhas): Preserved through oral traditions across different parts of India, notably the Kauthuma tradition in Gujarat, Ranayaniya in Maharashtra, and Jaiminiya in Southern India.

***

Sambhu

Śaṃbhu (शंभु).—a. [śaṃ-bhū-ḍu] Causing happiness, granting prosperity.

 Name of Śiva. Sambhavi is goddess.

***

Samiti – committee

English word Committee is derived from Rig Vedic word Samiti. English pronunciation is wrong; C=S. Committee should be pronounced SAMITI.

Samiti (समिति) denotes an ‘assembly’ of the Vedic tribe. It is already mentioned in the Rigveda, and  sometimes in connexion with Sabhā. Ludwig considers that the Samiti included all the people, primarily the viśaḥ, ‘subjects’, but also the Maghavans and Brahmins if they desired, though the Sabhā was their special assembly

***

Samudrika lakshana

Samudrika Lakshana is an ancient Indian science of body features. It interprets physical marks, shapes, and structures to understand a person’s character, fortune, and life path.

  • Samudrika Lakshanam (Agathiyar): Authored by the sage Agathiyar, this historic text focuses heavily on South Indian traditions, life histories, and the categorization of physical features.
  • Rati Rahasya by Kokkoka: A medieval Sanskrit text that classifies bodily and psycho-physical traits, particularly detailing the physical classifications of women (such as Padmini, Chitrini, Shankini, and Hastini).
  • Samudrikam / Samudrika Shastra Chapters: Found within broader ancient manuscripts, these texts systematically record face shapes, cranial structure, hair patterns, palm lines, and moles to interpret character and destiny.

Hindus have divided arts under 64 branches. An expert is expected to master all those subjects. A popular Tamil hymn is praising Goddess Saraswati as the one who bestows everyone with these 64 “arts”. One of them is the art of knowing the character of a man by studying his features. This is called Samudrika Lakshna.

Throughout Sanskrit scriptures like Ramayana and Sangam Tamil poems we come across Aajaanu Baahu, eyes like  lotus petal etc. So the science of body features must have existed even before the epics.

***

Sandana/ Sandal wood

The sandana tree—more commonly known as the sandalwood tree (specifically Santalum album)—is a sacred evergreen tree famed for its heavy, yellow, highly aromatic wood and essential oils.

Sandal paste is used to decorate idols and statues of Gods and Goddesses in Indian Temples.

It is used by male and female for coolness.

It is considered an auspicious symbol and offered at the gates of Wedding Halls to the guests.

The pasted applied on Gods is valued very much. In Temples like Guruvayur they offer it on green leaves.

It is used in Ayurvedic medicines and treatment.

***

Santhaana Lakshmi

One of the Eight Lakshmi forms; bestower of good children.

Santānalakṣmī (सन्तानलक्ष्मी, “Progeny Lakṣmī”):—One of the eight primary forms of Lakṣmī (aṣṭalakṣmī) represented as the bestower of offspring. She has six arms, carries two kalashas (water pitcher with mango leaves and a coconut on it), sword, shield, a child on her lap, a hand in abhaya-mudra and th eo ther holding the child. The child holds a lotus.

  Adi Lakshmi: The first form, giving spiritual wealth and inner peace.

  Dhana Lakshmi: The giver of money, gold, and material riches.

  Dhanya Lakshmi: The goddess of food, crops, and farming.

  Gaja Lakshmi: The giver of animal wealth, power, and royal status.

  Santana Lakshmi: The protector of family, children, and future generations.

  Dhairya Lakshmi (Veera Lakshmi): The source of great courage, strength, and bravery.

  Vijaya Lakshmi: The bringer of success and victory in all tasks.

  Vidya Lakshmi: The provider of education, intellect, and arts knowledge.

To be continued…………………

Tags- santhana Lakshmi, sakuntala, part 90, Hindu Dictionary, Ashta Lakshmi.

Zoological Facts from Sangam Book! Purananuru wonders-45, Tamil Encyclopedia-Part 85 (Post No.16,032)


Written by London Swaminathan

Post No. 16,032

Date uploaded in London – 29 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Item 679

Imported mountain goats from Dandakaranya, according to Pathirupattu, a Sangam book.

Adukotpadu Cheralathan- aadu kotpaadu cheral  aadan

AADU is goat in Tamil.

He brought Mountain goats, specifically the native Nilgiri tahr, are called Varai Aadu (வரையாடு) in Tamil.

About the Nilgiri Tahr

Scientific Name: Nilgiritragus hylocrius

Now we find Nilgri Tahrs. But they are listed as endangered animals. This Chera king brought them from Dandakaranya forest.

He was the son of Neduncheralatan – Nedun Cheral aadan—

He ruled for 35 years and gave lot of gold to Miss Nachchellai, a poetess of Sangam age.

***

Item 680; donated all land that the poet could see!

Selvak Kadunko Vazi Adan – selvak kadunko vaazi aadan-

Son of Anthuvan Cheral; ruled for 25 years; Vishnu devotee.

He climbed the hill and donated all the land that Kapilar could see.

He donated lot of gold to poet Kapilar.

***

Item 681 Donated the Palace and Throne!

Perum Cheral Irumporai; son of Selvak Kadungko; ruled for 17 years.

He defeated Choza and Pandya kings in a place near Kolli Malai.

Destroyed Thagadur ( modern Dharmapuri)

He went out of his palace and asked Poet Arisil Kizar to take his throne and the entire palace!

***

Item 682 Chatukka Bhutam

Ilamcheral Irumporai – Ilam/Junior Cheral Irumporai

Son of Kuttuvan Irumporai;

He defeated Pothianda Choza and Pazaiyan Maran.

Ruled for 16 years; donated a lot to poet Perumkundrur Kizar.

He established Chatukka Bhutam; we hear many stories about Chatukka Bhutam in Tamil epic Silappadikaram.

Chatukkam is City Square.

***

Item 683 Committed Suicide

Kanaikkal Irumporai; Chozan Ko Chenganan (Red Eyed Choza) defeated this king and put him in Jail; when he asked for water the prison warders deliberately delayed it to insult him;  he starved himself to death.

A great king who upheld self -respect.

All Tamil poems encourage death instead of losing one’s self-respect.

***

Item 684

Anthuvan Cheral Irumporai; father of Selvak Kadunko Vazi Adan – selvak kadunko vaazi aadan.

He ruled from Karur (also called Vanji);

His enemy was Choza king Mudithalai Kopperu Narkilli.

***

Item 685

Palai Padiya Perunkadunko—paalai paadiya –

Composed many poems under Palai genre.

Poetess Miss Peymakal Ilaveyini praised him.

He donated Golden Lotus to poets.

***

Item 686

Marutham Padiya Ilam kadunko—marutham paadiya –

He composed many poems under Marutham genre

***

Item 687 Chera Kings in Inscriptions!

Though we have lots of names of kings in the Sangam literature we need archaeological proof to confirm the details.

For the first time, we have three kings mentioned in Pukalur Inscriptions.

Following kings were mentioned in it:

Ko Adan Sellirumporai;

Perum Kadungko;

Ilam Kadungko.

From the Pathitruppattau book, scholars concluded that we have two sets of Chera Kings ruling simultaneously; they were Cheras and Irumporais.

***

Item 688

The above information from Sangam book Pathitruppathu  is valuable historical information.  From no other Sangam book we have such orderly information. The ruling years of each king shows that someone had collected and documented such information.  The only problem is two kings ruling at the same time in two different places in Chera kingdom. If scholars sit together the problem can be solved. Already Sesha Iyer and others have written books on Chera history. But a co ordinated attempt using coins, inscriptions and Sanskrit Books is needed.

***

Item 689

Among the Pandyas we have reliable information from Velvikkudi copper plates and Purananuru. We have precise information of Kaddungkon (590-620 CE) who drove out the Kalbhras, a mysterious gang. So far we can only guess who they were.

Later we have

Maravarman Avani sulamani-  620-645 CE

Senthan- 645-670

Arikesari Maravarman 670-700

Kochadaiyan Ranadheeran 700-70

Maravarman Rajasimhan – 730-765

Parantaka Nedunchadaiyan 756-815

Srimara Srivallabhan- 815-862

Varagunan II-  862-885

Parantaka Veeranarayanan- 862-905

Maravarman Rajasimhan- 905-920 CE

Chera Kings and Pandya Kings had an average 30 years ruling period which is above the average of other areas.

We did not have this much information from Sangam books about the Early Pandyas.

***

Item 690

Sangam Age Pandyas

 My research shows Kalidasa knew Mudukudumi Peruvazuthi who performed innumerable Yagas and erected Yupa pillars according o Purananuru. Kalidasa in his Raghuvamsam linked the Agastya and Pandyas for the first time in literature; this Mudukudumi Peruvazuthi must have lived in the first century BCE or a little earlier. Kalidasa helps us to identify him.

Tiruvilayadal Puranam gives a complete list of Pandyas up to Tiru Gnana Sambandar 630 CE and no attempt has been made to correlate that information with other literature.

It is strange that neither Kalidasa nor Kharavela (130 BCE) mentioned Chozas or Cheras. My guess is that just after or just before Karikal Choza, Pandyas had an upper hand. Sri Lanka’s Mahavamsam also said that Vijaya got princesses from Pandya country for himself and other ministers.

–Subham–

Tags- Zoological Facts from Sangam Book, Purananuru wonders-45, Tamil Encyclopedia-85, One Thousand Interesting Facts -Part 85, Mountain goats, Nilgris Tahr, item 690

HINDU DICTIONARY IN ENGLISH AND TAMIL 88; இந்து மத கலைச்சொல் அகராதி-88 (Post.16,028)

Written by London Swaminathan

Post No. 16,028

Date uploaded in London – 28 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Words beginning with letter “S”

Sabha – assembly ; used in Rig Veda and Sangam Tamil literature.In Tamil it becomes Avai, because Tamil Grammar said no word should begin with SA. But nowadays used verywhere. Indian parliament has two chambers

Lok Sabha

Rajya Sabha

***

Sachi- Wife of Indra; another name Indrani; she is in the oldest book Rig Veda.

***

Sadhyas – saadhyaas

 A class or gana of inferior deities. They are the personified rites and prayers of he Vedas who dwell with the gods or  in the intermediate region between heaven and earth.Their number is 12 according one authority and 17 according to another. Puranas make them sons of Dharma and Sadhya (saadhyaas) , daughter of Daksha.

***

Sagara

Sea is called Saagara in Sanskrit because they were dug by the Sagaras.

Sagara was a king of Ayodhya and son of King Bahu, who was driven out of the country by the Haihayas. Bahu took refuge in the forest with his two wives. One of them was pregnant. Rival wife gave her a drug to prevent her delivery and hence the birth of the baby was delayed. In the meantime, Bahu died and she wanted to die with him in the pyre. But sage Aurva prevented her and told her that she would get a baby soon who will be a great king. And the baby was named Sagara. When he grew up, he vowed to eliminate the Haihayas and regain the lost kingdom. He defeated Yavanas and other foreign tribes and made them to shave off their hair fully or partly. Sagara married two wives Sumati and Kesini. Asamanja was born to Kesini and Sumati gave birth to 60,000 sons (In Sanskrit 60,000 is a phrase which mean s a lot). When Sagara did Ashvamedha Yaga, the horse disappeared; Sagara’s sons dug earth and found the horse in the Patala Loka (under earth) and meditating sage Kapila was near the horse. Thinking that he stole the horse the sons of Sagara threatened him. When Kapila opened his eyes, the sons were burnt to ashes. Asamanja’s son Anumat came to Kapila and begged him to send the dead ones to heaven. Then Kapila said that it will be done when The Ganges River flowed over the ashes. Anumat’s son was Dilipa and his son was Bhagiratha who brought Ganges from heaven to earth. The Holy River washed away the ashes of Sagaras. The water filled the Bay of Bengal and other seas. Then sea was called Saagara and the Ganga River was called Bhagirathi to honour Bhagiratha.

***

Sahadeva

One of the Five Pandava brothers; born to Madri with his twin Nakula. Both are considered sons of Vedic Twins Aswin brothers. Sahadeva, the youngest of the five was an expert in Astronomy.

***

Sairindhri- Sairindhri is Draupadi, the wife of the Pandavas, for whose sake the Kicakas have been slain, and she is disguised in Virata’s court.

During the thirteenth year of forest life, that is incognito period, Draupadi assumed this name and worked in Vrata’s court.

***

Saka dwipa

One of the seven islands of Puranic cosmology

The Maga Brahmins who came from Iran are associated with Saka Dwipa.

The identification is confusing ; some link them to Saka Tree area and others associate them to Saka Tribe.( Scythian) tribes of Central Asia.

***

Saka era

The Saka era is a historical calendar year-counting system starting in 78 CE, widely used across India and Southeast Asia and adopted as the Indian National Calendar in 1957

***

Sakalya and Saktayana

Ancient Grammarians ; Both lived before Panini and Yaska, the etymologist.

***

Sakas

Foreign tribes identified with Yavanas or Scythians. King Sagara conquered them.

***

Sakha-saakhaa- branch. Vedic recensions are called Sakhas . RSS gatherings are also called Sakhas/ branches.

***

Sakra – another name of Indra.

***

Sakti- Goddess; general meaning Power. Called by many names such as Gnana Sakti, Para Sakti, Kriya Sakti etc; also name of Vaishtha’s son.

***

Sakuni

Brother of Quuen Gandhari; he was an expert in gambling; he knew the cheating techniques in the game and defeated the Pandavas. They were driven out of the country and they spent 13 years in the forest.

To be continued………….

Tags- Sakuni, Sabha, HINDU DICTIONARY IN ENGLISH AND TAMIL 88; இந்து மத கலைச்சொல் அகராதி-88

Tamil Wars and Battle Fields; Purananuru wonders-44 (Post No.16,026)

 Written by London Swaminathan

Post No. 16,026

Date uploaded in London – 28 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Tamil Wars  and Battle Fields;Purananuru wonders-44, Tamil Encyclopedia-84, One Thousand Interesting Facts -Part 84

Item 659

Battle of Venni

A place near Thanjavur, now known as Kovilvenni is the place where a battle  took place between Chozan Karikalan and 11 Velirs, probably his kinsmen and neighbours. Period: BCE

Velirs were Chieftans controlling small areas.

***

Item 660

Second Battle of Venni

Between the Chera king Peruncheral Adan and Karikal Chozan . as the Chera king was wounded in the back , he starved unto death. It is a Hindu custom. If the king is dead, war is finished; if the king is wounded on the back, it was also considered defeat. Bhagavad Gita and Sangam literature say that those who die on the battle fields get direct entry into swarga/heaven. Visa free, ticket less flight to heaven.

***

Item 661

Third Battle of Venni

It was between Karikal Chozan and Pandya king where Karikalan defeated two kings.

***

Item 662

Battle of Tirupporpuram

Chozan Peruvirarkilli and Cheran Kudakko Neduncheral adan fought at Tirupporpuram. Both died in the battlefield.

***

Item 663

Battle of Kurapalli

This place is called Thiruvidaikazi now.  Chera king  Kalankai  Kanni  Nedumudicheral fought with  Choza king  Perum Tirumavalavan. Choza king was defeated.

***

Item 664

Battle of Mohur

It happened between Cheran Senguttuvan and  Palaiyan/ pazaiyan, the  Chief of  Mohur, where Pazaiyan was defeated.

***

 Item 665

Battle of Gangai

Cheran Senguttuvan invaded Northern India and fought with Kongu kings of the north who were aided by the Kalingas (of Orissa) and other kings in the north. Cheran was victorious.

***

Item 666

Battle of Avur

The war was between two Choza Princes, viz., Mavalattan and Nedumkilli. And in the battle Nedumkilli was defeated.

***

Item 667

Battle of Kudar Parantalai

Between the Pandya king Pazaiyan Maran and the Choza Killivalavan, where the Choza was defeated.

***

Item 668

Battle of Talaiyalankanam

This is one of the famous battles of Sangam Age. This place is in the Nannilam Taluka of old Thanjavur district. Pandya Neduncheziyan fought with the allied forces of Choza, Titiyan, Ezini, and Erumaiyuran where the Pandya was victorious.

***

Item 669

Battle of Tirukkoliyur

Choza Killivalavan fought with Malaiyaman Kari where Malaiyaman was defeated. This place is in South Arcot District.

***

Item 670

Battle of Kumamurram

Located in Cheranadu (Kerala). Between  Choza Killivalavan and the combined forces of Chera and Pandya, where Killivalavan was killed.

***

Item 671

Battle of Tagadur

Modern Dharmapuri was called Tagadur. Chera king Peruncheral Irumporai and Kari on one side and Atiyaman of Tagadur, Ori, the Pandya and the Choza on the other, where the Chera was victorious.

***

Item 672

Battle of Kanappereyil

Pandya Ukkiraperu vazuthi and Venkai Marban , the chief of Kanappereyil fought and the Pandya was victorious.

***

Item 673

Battle of Kazumalam

It happened between the Choza king Senganan and the Chera king Kanaikkal Irumporai, where the Chera was defeated. The Chera king was imprisoned in the port of Kudavayil. Here the Chera king committed suicide on account of the delay in supply of drinking water to  him.

(These are some of the wars of Sangam Age covering a period of five hundred years from First Century BCE)

***

Item 674

Imayavrampan Neduncheralathan

One who had Himalayas as his Norther border.

He defeated Aryan Kings and Yavana (Roman) pirates. He caught the Yavanas and tied their hands behind and poured oil on their head. Hindu kings used to punish the kings by shaving of hair in their head and pour oil on it. After the Yavanas/Roman gave him diamonds and gold they were released. According to Pathiruppattu, a Sangam book, he ruled 58 years.

***

Item 675

Pal Yanai Sekezu Kuttuvan

Sent Brahmin Couple to Swarga/heaven

Brother of Imyavarampan (see above).

He demolished Agappa Aran (rampart and moat of a Fort)

He worshipped Durga in Ayirai Hills.

When Vedic couples asked him to send them to heaven in human bodies, as they instructed did ten Yagas; the couple disappeared at the time of tenth Yaga (Fire Ceremony) according to intro of Pathitruppattu book. Brahmin poet Palaikkauthamanar (Gowthama) sang in praise of him. He ruled for 25 years.

He went to forest for Vanaprastha stage with Nedum Bharatayanar.

Dhritrashtra, Kunti and Gandhari also went like this and burnt themselves in a forest fire. All the three oldies joined hands and welcomed forest fire to burn them alive according to Mahabharata.

***

Item 676

Kalankai Kanni Narmudi Cheral

Son of Neduncheralatan ( nedum cheral adan)

Ruled for 25 years.he defeated Chieftain Nannan in Katampin Peruvayil.

He captured Poozi country (part of Pandya area). He defeated Maravas and assumed the title Vaanavarampan (Sky is the limit)

Kapya Gotra Brahmin poet Kappiyanar sang in praise of him

***

Item 677 Kannaki Statue Inauguration

Cheran Senguttuvan, who installed Kannaki Statue. He went all the way to Holy Himalayas to bring stone and bathed it in Holy Ganga River before sculpting Kannaki figure. On his way he defeated two unknown chieftains Kanaka and Vijaya. Made them to carry the stone on their head. They were released on the consecration day. Sri Lanka King Gajabahu participated in 135 CE in the Installation ceremony.

***

Item 678

Cheran Senguttuvan demolished Viyalur town of Nanan.

He captured Kodugur; defeated Mahur Pazaiyan. Defeated nine chieftains in Choza country He enthroned his brother in law Valavan Killi in the choza country;

He ruled fro 55 years. He had a powerful navy and controlled the Arabian sea.

To be continued……………………

Tags- Tamil Wars  and Battle Fields;Purananuru wonders-44, Tamil Encyclopedia-84, One Thousand Interesting Facts -Part 84, ITEM 678

HINDU DICTIONARY IN ENGLISH AND TAMIL 86; இந்து மத கலைச்சொல் அகராதி-86 (Post.16,013)

Written by London Swaminathan

Post No. 16,013

Date uploaded in London – 24 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Rik Veda or Rig Veda

The oldest anthology in the world; the first Veda of the four Vedas in Hinduism (the other three are Yajur, Sama and Atharva). Modern Indologists in western countries dated it between 1200 BCE and 6000 BCE. And archaeological proof for the Rig Vedic hymn is available from 1380 BCE from Bogazkoy inscription in Turkey. Freedom fighter and great scholar B G Tilak and German scholar Herman Jacobi have independently arrived at a date of 4000 BCE for the Vedas.. Hindus consider them eternal and not composed by humans. They only hear it (see it) and so the Vedic Rishis seers are called Mantra Drshtas. There are approximately 450 poets ; of them 25 are women.

It has 40, 000 lines

It is divided into TEN mandalas (books/divisions); of these six Mandalas are family Mandalas.

Another division is Eight Chapters

It has 1028 Hymns (suktas)

In those 1028 hymns we have 10,600 verses (mantras)

The number of syllables in the Rig Veda is 432,000. (The total number of years in Kali Yuga is 432,000 years. Other Yugas have the multiple of this number).

Sayana’s commentary is followed by the scholars.

The words in the RV – 1,53,826

Mandala 2: Attributed to the Grtsamada family (43 hymns)

Mandala 3: Attributed to the Vishvamitra family (62 hymns)

Mandala 4: Attributed to the Vamadeva family (58 hymns)

Mandala 5: Attributed to the Atri family (87 hymns)

Mandala 6: Attributed to the Bharadvaja family (75 hymns)

Mandala 7: Attributed to the Vasistha family (104 hymns

Mandalas one and ten contain Hymns from many Rishis.

Mandala 8 primarily contains 103 hymns dedicated to various deities, notably Indra, Agni, and the Ashvins, predominantly composed by the Kanva and Angira poet families. Mandala 9 is entirely dedicated to Soma Pavamana, containing 114 hymns exclusively focused on the purification and ritual pressing of the sacred Soma plant.

***

Rishikesh

Rishikesh on the banks of holy river Ganga is at the foothills of the holy Himalayas. It is in the state of Uttarkhand. A tiny place was made known to the world by great Tamil saint Swami Sivananda who established Divini Life Society. Now it is fully commercialised and the natural beauty has disappeared. Beatles made it more popular. Now hundreds of Ashrams are doing good business in the name of Yoga.

Rishikesh is accessible by air, train, and road. The nearest airport is Jolly Grant Airport in Dehradun (21 km away), the primary major railhead is Haridwar (25 km away), and direct motorable roads connect it via National Highway 58.(Author London Swaminathan had been to Rishikesh twice from 1977)

***

Rishyasrnga

Sage born with a horn. His father was Rishi Vibhandak. He was raised by his father in the forest. He had never seen any women in his life until Romapada, King of Anga Desa sent some courtesans to attract him and bring him to his country. In the ancient days, Rishis visit different places and their presence brought rain and prosperity.  When Angadesa was under severe drought Rishya sringa’s presence saved the country.  Romapada offered his daughter Shnata to the sage. Both retired to the forest and led family life. Dasaratha brought him to his country Kosala to do Putra Kameshti Yaga.

***

Romaharshana

Romaharshana was an intelligent Suta or storyteller known for his engagement with sages, reflecting the tradition of oral storytelling of mythological narratives. He was the disciple of Krishna Dvaipayana Vyasa. “Ugrasrava, the son of L/Romaharshana, surnamed Sauti, was the one who narrated Mahabharata.

***

Rtu

Ṛtu (ऋतु) refers to the “seasons”, according to the Puranas. They are six in number. A season, a period of two months. The Hindu year is divided into six Rtus/seasons. The six seasons are

1.     Vasanta, or spring (Phālguna to Vaiśākha—mid March to mid May);

2.     Grīṣma, or summer (Vaiśākha to Āṣāḍha—mid May to mid July);

3.     Varṣa, or rainy season (Āṣāḍha to Bhādrapadā—mid July to mid September );

4.     Śarad, or autumn (Bhādrapadā to Kārtika—mid September to mid November);

5.     Hemanta, winter, before the frost (Kārtika to Pauṣa—mid November to mid January);

6.     Śirśa, or winter (Pauṣa to Phālguna—mid January to mid March).

Kalidasa’s Rtu Samhara was the first book in the world describing seasons. Tamils also followed the Puranic six rtus.

***

Rudraksha

Rudraksha (botanically Elaeocarpus ganitrus) are the dried seeds of a large evergreen tree native to the Himalayan region and Southeast Asia. Deeply revered in Hinduism and Buddhism, the name translates to “Eyes of Shiva” in Sanskrit, symbolizing spirituality, meditation, and energetic protection.

The surface of the seed features natural vertical lines or grooves known as mukhis. Rudraksha beads can have anywhere from 1 to 21 faces, with the 5-faced (Panchamukhi) seed being the most common.

Devi Bhagavatam, Siva Purana and other scriptures explain the benefits of wearing Rudraksha Mala/garland. Saivite saints wear Rudraksha malas in large number.

***

Rudra

Lord Siva is worshipped as Rudra in one form. In the Rig Veda we see Siva as Rudra. In Sangam Tamil literature and later devotional literature, Rudra and Siva are one and the same. But hale baked foreigners are saying they are different.  Rudra is clad in animal skins and armed with bow and arrow according to Rig Veda and Tamil literature. Rudra married Rudrani. Both Rudra and Rudrani are in 2700 year old Grammar book of Panini. Rudra’s abode is in the mountains; Till this day Mt Kailash in the Himalaya is worshipped by the Hindus. Svetasvatara Upanishad praises Rudra-Siva.

God is called Doctor and Medicine in the Rig Veda. Though mantras dealing with all Vedic Gods associate them with medicine and cure, Rudra commands the highest position in the field of Medicine. He was called Bhisak/ Doctor and Bhesajam/Medicine. Later we come across Dhanvantri, the Father of Medicine. We should call him the ‘father of MODERN medicine’. He is considered Vishnu or his Avatar.

References to Rudra in the Vedas

Yajur Veda (YV) has a part called Rudram-Chamakam. That is recited by all orthodox Saivite Hindus every day. The priests use it during Abishek of idols in all Siva Temples. Most sacred mantra OM NAMA SIVAYA and Trayambaka Mantra occur in it. God is praised as Bhesajam and Bhisak in it. But RV is older than YV.

Let us look at some of the mantras where physician and medicine occur in RV:-

1-43-2- Rudra’s medicines

1-43-4-Rudra, the possessor of healing remedies. Prayer for health and wealth.

*

Yajur Veda -Vajasaneyi Samhita 16-48; Taittriya samhita5-10-1

Prayer to Rudra for men and beasts to be prosperous and free from disease.

Prayer to obtain what health and wealth father Manu acquired

Rudra carries in his hands the best remedies.

Prayer not to kill the old men, boys, fathers, mothers, adults, foetus, and our bodies.

Prayer not to kill our sons, grandsons, and men, cows and horses.

2-33-1

Prayer for 100 years of life by Rudra’s blissful medicines. Put away far from us sickness in all directions.

One YV mantra mentioned Rudra has 1000 remedies.

***

Rudram

It is a hymn on Lord Shiva found in Yajur Veda. It is recited along with Camakam. Since Rudram is also known as Namakam, both are called Namakam -Chamakam.

In the Rudra section, Lord Shiva is praised as a great person doing various jobs. It means he controls everything in the universe. We come across the Five Lettered Mantra – panchaksharam – OM NAMASIVAYA in Rudram. So Saivites consider it most important Mantra. Orthodox Hindus recite it every day. In temples, when the Abishekam is done to the idol, Rudram is repeated.

Ati Rudram
Rudra Ekadasi: When Rudram is recited 121 times (11 priests recite it 11 times) it is Rudra Ekadasi.
When Rudram is recited 1331 times (11X11X11) it is Maha Rudram
When Rudram is recited 14641 times (11X 11X11X11) it is Ati Rudram
Sri Sathya Sai Baba performed Ati Rudram in Chennai and Puttaparthi. It was the biggest.

To be continued………………………

Tags-HINDU DICTIONARY IN ENGLISH AND TAMIL 86; இந்து மத கலைச்சொல் அகராதி-86 , Rudra, Rudram, Rig Veda, Rtu, Rishyasrnga, Rishikesh

Important Upanishad Mantras in English and Sanskrit with Meaning- 10 (Post.16,008)

Written by London Swaminathan

Post No. 16,008

Date uploaded in London – 23 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 10

Mantra 56

सत्येन लभ्यस्तपसा ह्येष आत्मा सम्यग्ज्ञानेन ब्रह्मचर्येण नित्यम् ।

अन्तःशरीरे ज्योतिर्मयो हि शुभ्रो यं पश्यन्ति यतयः क्षीणदोषाः ॥ ५ ॥

Satyena labhyastapaso hyeṣa ātmā samyag-jñānena brahmacaryeṇa nityam |

antaḥ-śarīre jyotirmayo hi śubhro yaṃ paśyanti yatayaḥ kṣīṇa-doṣāḥ || Mundaka Upanishad (Chapter 3, Verse 1.5).

  • Satyena: By truthfulness. Not just theoretical truth, but strict alignment with reality and integrity in thought, word, and deed.
  • Labhyaḥ: Attainable / obtainable.
  • Tapasā: By austerity, intense focus, and self-discipline.
  • Eṣa Ātmā: This Supreme Self.
  • Samyag-jñānena: By correct, discriminative knowledge of reality.
  • Brahmacaryeṇa: By celibacy, continence, and controlled senses.
  • Antaḥ-śarīre: Within the body.
  • Jyotirmayo: Full of light, resplendent.
  • Śubhraḥ: Pure and untainted.
  • Yaṃ paśyanti yatayaḥ kṣīṇa-doṣāḥ: Whom the ascetics (yatayah), whose impurities have been destroyed (kshina-dosha), realize and behold. Mundaka Upanishad (Chapter 3, Verse 1.5).

***

57

यथोदकं शुद्धे शुद्धमासिक्तं तादृगेव भवति |एवं मुनेर्विजानत आत्मा भवति गौतम || १५ || Katha Upanishad Chapter 2, Section 1, Verse 15.

 yathōdakaṃ śuddhē śuddhamāsiktaṃ tādṛgēva bhavati |ēvaṃ munērvijānata ātmā bhavati gautama || 15 ||

“Just as pure water poured into pure water becomes the very same, so too, O Gautama [Nachiketa], does the Self of the wise sage who knows this become identical with the Supreme Self.

***

58

वेदान्तविज्ञानसुनिश्चितार्थाः संन्यासयोगाद् यतयः शुद्धसत्त्वाः ।

ते ब्रह्मलोकेषु परान्तकाले परामृताः परिमुच्यन्ति सर्वे ॥ ६॥ Mundakopanishad 3-2-6

vedāntavijñānasuniścitārthāḥ saṁnyāsayogādayatayaḥ śuddhasattvāḥ |

te brahmalokeṣu parāntakāle parāmṛtāḥ parimucyanti sarve || 6 || Mundakopanishad 3-2-6

Vedanta-vijnana-sunishcitarthah: Those who have thoroughly and undoubtedly understood the profound wisdom (Vijnana) of Vedanta.

Sannyasa-yogad: Those who have embraced renunciation and spiritual discipline.

Yatayah suddha-sattvah: Seekers of purified minds who continuously exert themselves on the path of truth.

Parantakale: At the time of the great end (at the time of death, when physical constraints are destroyed).

Paramrtah parimucyanti sarve: They become truly immortal (Paramrta) and are entirely liberated (Parimucyanti) in the realm of Brahman.

This verse describes the ultimate spiritual goal of a Jnani (a realized being). It emphasizes that true liberation is not merely an external journey, but an inward realization of one’s immortal nature.

***

59.

न चक्षुषा गृह्यते नापि वाचा नान्यैर्देवैस्तपसा कर्मण वा ।
ज्ञानप्रसादेन विशुद्धसत्त्वस्ततस्तु तं पश्यते निष्कलं ध्यायमानः ॥ ८ ॥

Mundaka Upanishad 3.1.8

na cakṣuṣā gṛhyate nāpi vācā nānyairdevaistapasā karmaṇa vā |
jñānaprasādena viśuddhasattvastatastu taṃ paśyate niṣkalaṃ dhyāyamānaḥ || 3-1-8 ||

8. He is not grasped by the eye; nor by speech; nor by other senses; nor by tapas; nor by karma; when one’s mind is purified by the clearness of knowledge, then alone he sees the indivisible (Brahman) by contemplation. Mundaka Upanishad 3.1.8

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60

Atmanam rathinam viddhi shareeram rathameva tu,

Buddhim tu sarathim viddhi manaha pragrahameva tu.

Indriyani hayanyahur vishayansteshu gocharan, Katha Upanishad (1.3.3)

The atman is Ratha – the body,

The intellect is the Sarathi – driver,

The mind is the rein,

The senses are the horses, and

The Panch Vishayas – material objects of the five senses – are

the fields of pasture for the horses.

आत्मनं रथिनं विद्धि शरीरं रथमेव तु ।
बुद्धिं तु सारथिं विद्धि मनः प्रग्रहमेव च ॥

Ātmānaṁ rathinaṁ viddhi śarīraṁ rathameva tu |
Buddhiṁ tu sārathiṁ viddhi manaḥ pragrahamevaca || 

The verse equates the human system to a chariot, identifying each component’s spiritual role:

  • आत्मनं (Ātmānam): The Atman (the Self or Soul) is the owner or rider of the chariot.
  • शरीरम् (Śarīram): The Body is the chariot itself.
  • बुद्धिम् (Buddhi): Intellect is the charioteer (driver) who must guide the journey.
  • मनः (Manaḥ): The Mind is the reigns (used by the driver to steer).
  • इन्द्रियाणि (Indriyāni): The Senses are the five horses that pull the chariot. 

इन्द्रियाणि हयानाहुर्विषयाँ स्तेषु गोचरान् ।

आत्मेन्द्रियमनोयुक्तं भोक्तेत्याहुर्मनीषिणः ॥ ४ ॥

indriyāṇi hayānāhurviṣayām̐ steṣu gocarān |

ātmendriyamanoyuktaṃ bhoktetyāhurmanīṣiṇaḥ || 4 || Katha Upanishad (1.3.4)

इन्द्रियाणि (Indriyāṇi): The senses (eyes, ears, etc.).हयान् (Hayān): Horses.आहुः (Āhuḥ): [They] call / say.विषयान् (Viṣayān): The sense-objects.तेषु (Teṣu): On them.गोचरान् (Gocarān): Roads / paths of movement.आत्मेन्द्रियमनोयुक्तम् (Ātmendriyamanoyuktaṃ): The Atman (Self) combined with the senses and the mind.भोक्ता (Bhoktā): The enjoyer.इति (Iti): Thus.मनीषिणः (Manīṣiṇaḥ): The wise ones.

The wise declare that the sense organs (the eyes, ears, etc.) are the horses, and the objects of those senses are the paths they travel. When the Supreme Self (Atman) is connected with the body, the senses, and the mind, the wise call It the “enjoyer” or experiencer of the world.

TO BE CONTINUED……………………….

TAGS- Part 10, important Upanishad mantras