HINDU DICTIONARY IN ENGLISH AND TAMIL 81; இந்து மத கலைச்சொல் அகராதி-81 (Post.15,990)

True Ramalinga with Vibhuti before Dravidians attack.

Written by London Swaminathan

Post No. 15,990

Date uploaded in London – 17 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx   

Ra beginning Words

Raga – raaga- Rāga (राग), states Monier Monier-Williams, comes from a Sanskrit word for “the act of colouring or dyeing”, or simply a “colour, hue, tint, dye”. The term also connotes an emotional state referring to a “feeling, affection, desire, interest, joy or delight”, particularly related to passion, love, or sympathy for a subject or something

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Raja – raaja-King; from this Sanskrit word English words Regal, Royal, and Tamil word Arasan etc are derived.

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Rajaraja and Rajendra Choza

Rajaraja Choza and Rajendra Choza were great Choza kings who conquered many territories up to South East Asia. Both were famous for the big Siva temples they constructed. Rajaraja built Thanjavur Big Temple (Brihadeeswar) and his son Rajendra built Gangaikonda Chozapuram temple. They supported music and dance which are known from the inscriptions they left on temple walls. They maintained a powerful navy. They controlled many parts of north India, Sri Lanka and South East Asian countries.

Rajaraja ruled from 985 CE to 1014.

Rajendra ruled from 1012 to 1044 CE.

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Raghuvamsa

DR. V. RAGHAVAN on Kalidasa’s Raghuvamsa

The Raghuvamsais the longest work of the poet, in nineteen cantos and over 1500 verses. It served as a model not only for all Mahakavyasproduced up to the recent times, but also of all Rama-kavyas. After Kalidasa, Kumaradasa, a poet of Ceylon, wrote a Rama-kavya called Janaki-harana; and Rajajekhara, the critic, remarked, using double entendre, that when the Raghuvamsastood there, only Kumaradasa and Ravana could have dared to do the Janaki-harana! The RV served also as one of the sources of the famous Tamil Ramayana of Kambar. Numerous commentaries were written on it, including some by Jain writers. The RV is also the earliest reputed evidence for the Bala and Uttara Kandas being authentic parts of Valmiki’s epic, which Western scholars doubt.

The RV. is a complete work of the poet in that all his ideas in his other works are to be met with here. The whole conception of the Indian pattern of life, with its four Asramasand four Purusharthas, and several ideas which are basic to Indian thought and culture, receivea planned treatment here.

After Valmiki’s Ramayana, the RV. is the first Mahakavyato deal with the story of the epic, devoting six cantos to it (X-XV). It is well-known that among Sanskrit poets, he is foremost in treading the path blazed by the Adikavi. He mentions Valmiki as the Purvasuri who had shown him the way (1.4). In the XIV canto where Valmiki becomes a character in the story, he calls him the poet who responded to the cry of the afflicted–of Sita as well as the female bird–(Ruditanusari Kavih) (verse 70) and refers in a pithy manner to the birth of the Sloka (poetic verse) from the Soka or the sympathy of the poet roused at the sight of the bird shot down by a hunter, and speaks of him again as the poet of compassion (Kavih Karunikah, XV. 71).

In Sanskrit literary tradition, Kalidasa is renowned for his brilliant use of upamās (similes), celebrated by the famous saying upamā kālidāsasya. In his epic Raghuvamśa, the poet is widely cited as employing 1,250 similes to chronicle the legends of 29 kings of the Solar Dynasty.

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Rajasuya- raajasuuya-

Rājasūya (राजसूय) is a great sacrifice performed by a universal monarch (in which the tributary princes also take part) at the time of his coronation as a mark of his undisputed sovereignty.

Rājasūya (राजसूय).—A great yajña. Hariścandra and also Dharmaputra performed it. (Sabhā Parva, Chapters 33, 35, 84). Sangam Tamil King Choza Perunarkilli did it and it was attended by Pandya and Chera kings; poetess Avvaiyar participated in it.

After the sacrifice, on the suggestion of Sahadeva, the first honour was given to Kṛṣṇa. Śiśupāla’s protest and vilification of Kṛṣṇa who had his head cut off. In the sacrifice each brother was assigned specific functions—Duryodhana in charge of treasury, Bhīma cooking, Nakula the supply of provisions, etc. The avabhṛta bath at Gangā accompanied by divine music. Every visitor duly honoured, returned back. Jealousy of Duryodhana at the success of the sacrifice.2 The consecration ceremony of a king done by Pṛthu, Vāli and others.

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Rajoguna

Rajōguṇa (रजोगुण).— The second of the three properties of human beings; means PASSION. To this are ascribed sensual desire, worldly coveting, pride, falsehood, and pain. The other two Gunas are Satva and Tamas.

In verse Bhagavad Gita , Lord Krishna details that when Rajo guna is dominant, a person exhibits a surge in greed, intense activity, undertaking selfish enterprises, restlessness, and irrepressible desire

Sattva Guna—a mode of clarity, knowledge, and purity. You feel calm, balanced, and connected to Krishna. In this mode, you naturally seek spiritual wisdom and truth.
Rajo Guna—the mode of desire, ambition, and attachment. It makes you restless, always seeking more. It’s not evil, but it keeps you bound to the cycle of karma.
Tamo Guna—the mode of darkness, laziness, and illusion. It drags you down, making you avoid spiritual life.

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Ramalinga Swamikal

A controversial Tamil saint, also known as Vallalar, was born in Marudhur in 1823. He was a great poet, mystic and saint.

His poems are in his book Tiruvarutpa (tiru arutpaa). His Ashram is in Vadalur. He started Samarasa Sanmaraga Sangam. His Vadalur centre is known for two novel things. Only light/ lamp is worshipped there. And the second remarkable thing is ever burning Oven to feed all the 24 hours. He believed in nature cure and suggested a lot of herbs for a healthy life. His poems are in praise of  Lord Siva and Lord Muruga. Tamil Saivite Mutts (adeenams) don’t recognise him or his poems. Anti God Dravidians are trying to get mileage out of it.

Vallalar advocated only vegetarian food like Valluvar. His compassion towards the living beings is known through his popular saying “I wither away (become sad) whenever I see withering plants”

His followers believed he did many miracles.

Four controversies:

1

When he called his poems Tirumurai which is used for the compositions of great Saivite Saints of the past , Saivites objected to it. The case went upto the court. Famous Saivite scholar of Sri Lanka Thiru Arumuga Navalar led the group against him.

2

The second controversy is about his disappearance. He locked himself in a room and asked his followers not to open it. But the officials forced it open after sometime and he was not there. He was said to have become Jyoti (light). His opponents said the he ran away.

3

There is a new controversy now; his followers erased Vibhuti from his forehead and showed him as a Tamil Christ. But his poems are in praise of Hindu Gods only.

4

Another political controversy is that the previous DMK government supported the vast Vadalur open land changed into a commercial complex.

His Teachings :

He rejected the caste system, religious divisions, and other societal norms that segregated people based on birth, status, or wealth. Instead, he championed the unity of all human beings under a divine principle he called Arutperum Jyothi, or “the Light that bestows Infinite Grace.” Ramalinga advocated the concept of worshipping the flame of a lighted lamp as a symbol of the Eternal Power.

Sathya Gnana Deepam, the Lamp of True Knowledge,lighted by him is placed within the Sathya Gnana Sabhai—Hall of Wisdom—in Vadalur. It was inaugurated in January 1872. Enshrouded by seven veils, it represents the layers of illusion that cloud our Inner Light, each veil a reminder of the barriers to realizing the profound wisdom within.

The Thiru Arutpa, also known as the “Songs of Grace,” is the most significant work of Vallalar, comprising around 6,000 verses.

Vallalar left for Mettukkuppam, a village south of Vadalur. A few sincere devotees went with him. There, in 1874, he entered a room and instructed his devotees to lock the door behind him and keep it locked. After some days, , the officials opened the door themselves. There was no one inside. Saint Ramalinga Swamigal had simply disappeared.

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Ramanujacharya  -raamaanuja

Sri Ramanujacharya (1017–1137 CE) was a prominent Hindu philosopher who championed Vishishtadvaita and advocated for caste inclusion, notably converting many individuals from lower castes into Vaishnavism.

Sri Ramanuja was a Hindu philosopher born in a Tamil Brahmin family in 1017. Considered a great teacher who spread Vishtadvaita, was born in a Vadama family to Kesava Perumal Somayaji Dikshitar and Kanthimathi Ammal at Sri Perumpudur near Chennai. He lived a long life of 120 years and died in 1137. He was a great social reformer and converted a lot of people from lower castes as Vaishnavite Brahmins.

He is known for the episode where he gave the sacred mantra to all.

Sri Ramanujacharya climbed the temple tower (vimanam) of the Sowmya Narayana Perumal Temple in Thirukoshtiyur (located in the Sivaganga district of Tamil Nadu) to give the sacred “Om Namo Narayanaya” mantra to all people regardless of their caste or creed.

Ramanuja had walked to Thirukoshtiyur 18 times to learn this secret mantra from his guru, Thirukoshtiyur Nambi. When Nambi finally taught him the secret, he warned him that sharing it with the masses would result in Ramanuja going to hell. Defying the warning out of compassion, Ramanuja climbed the temple tower and publicly declared the mantra so everyone could attain salvation. He said even if I go to hell, it does not matter; all others will be saved by this mantra.

Ramanuja had to leave Tamil Nadu and travel to different places in Karnataka to escape from his persecutors. Traditional accounts identify the Chola king Krimikanta (often associated with either Kulottunga I or Kulottunga II) as the Chola ruler who persecuted Ramanuja. Demanding Ramanuja sign a declaration that Shiva was the supreme deity, the king forced the philosopher into exile in Hoysala territory until the monarch’s death; he was protected and patronized by the Hoysala King Vishnuvardhana.

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Ramayana

Ramayana written by Adi Kavi Valmiki is one of the two Hindu epics. In Tami Kamban wrote Ramayana in Tamil. There are hundreds of Ramayanas written by various poets in India, Sri Lanka and South East Asian countries.

The Ramayana contains 24,000 Shlokas (metrical verses) roughly equaling to some 48,000 lines or 480,002 words of Sanskrit text. It is divided in seven sections: Adikanda or Balakanda, Ayodhyakanda, Aranyakanda, Kishkindhyakanda, Sundarakanda, Lankakanda and Uttarakanda.

It gives the story of Rama and his brothers.  His aunt Kaikeyi banieshed him to forest for 14 years where his Sita was abducted by Ravana, King of Sri Lanka. With the help of Hanuman, he built a bridge to the country and killed Rabvana. Then he returned to Ayodhya, where he was born and ruled the country called Kosala from there. Valmiki Ramayana is in simple and beautiful Sanskrit. The current version is dated 500 BCE or before.

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Rambha

Rambhā (रम्भा).—General. One of the most beautiful of the apsarā women. Urvaśī, Tilottamā and Rambhā are really reputed for their beauty. Rambha in Ayurveda meant plantain stem.

Rambha in Hindu mythology is the Queen of the Apsarases, the magical and beautiful female beings in Devaloka. She is unrivalled in her accomplishments in the arts of dancing, music and love-making. She is often asked by the king of the Devas, Indra to break the tapasya of sages so that the purity of their penance is tested against temptation, and also that the order of the three worlds remains undisturbed by any one man’s mystical powers. When she tries to disturb the penance of Rishi Vishwamitra (who is doing it to become a Brahmarishi), she is cursed by him to become a rock for 10,000 years till a Brahmin delivers her from the curse.

In the epic Ramayana, Rambha is violated by Ravana, king of Lanka, who is thereby cursed by Brahma that if he violates another woman again, his head will burst. This curse protects the chastity of Sita, the wife of Rama when she is kidnapped by Ravana.

Rambhā (रम्भा) is the name of an Apsaras as mentioned in the Kathāsaritsāgara, chapter 28. Accordingly, “once on a time Rambhā, a fair one of heaven, came that way, wandering at will through the air from the palace of Indra. She beheld the king [Suṣeṇa] roaming in that garden like an incarnation of the Spring in the midst of a garden of full-blown flowers”.

The story of Rambhā and Suṣeṇa was narrated to king Kaliṅgadatta by a certain Brāhman in order to demonstrate that “daughters are better even than sons, and produce happiness in this world and the next”.

Stamp of Rajaraja Choza

To be continued………………………..

Tags- Rama, Ramana, Rambha, Rajaraja, Ramanuja, Ramalinga Swamikal, HINDU DICTIONARY ,part 81; இந்து மத கலைச்சொல் அகராதி-81 ,Raghuvamsa

Interesting titbits about Madurai Tirumalai Nayak Mahal (Palace)- Post No.15,979

Picture of Tirumalai Nayak Mahal/ Palace

Written by London Swaminathan

Post No. 15,979

Date uploaded in London – 13 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Picture of Tirumalai Nayak Mahal/ Palace from 1956 TVS book on Madurai

Those who visit Madurai in Tamil Nadu never miss the world-famous Madurai Meenakshi Sundareswarar temple. For local people it is simply Meenaachchi koyil! Those who have more time will visit the famous palace of Tirumalai Nayak. For local people it is simply mahaal. Both the temple and the palace were built by the famous Nayak King Tirumalai Naayakkar. Though the temple has been there in the same place for at least 2000 years, Nayak was the one who constructed it with huge and tall and colourful towers.

Whenever our relatives visited us in Madurai, we used to take them to these places and Mariamman Teppakulam (huge tank) as well. As long as Madurai exists name and fame of the great Nayak king will survive. When we went there our favourite activity was enjoying the smoothness of the mighty tall shining white colonnades/pillars. We used to stroke it and try to hug it. Three or four boys were needed to circle it to join their hands. Nowadays the authorities don’t allow such things.

It is said that the Nayak king sought the help of an Italian architect to design the palace; but the secret of the mighty, strong, smooth colonnades is totally a local technique; it is given in a verse in Madurai Tiruppani Malai (Poem about Madurai Temple Renovation). It gives the secret behind the marble looking, strong tall colonades/pillars. The sculptors mixed lime, sugarcane juice, gooseberry, black gram, myrobalan, terminalia bellerica in a particular proportion; soaked some of them in water to get thick juice out of it. It will be good if our modern engineers or architects try this technique.

The palace called Mahal was built in 1636. At present only one fourth of the original structure remain. When it was built, it had two main parts called Swarga vilasa (Celestial Pavilion) and Ranga Vilasa. Besides these two royal residences, there were a theatre, a shrine, queens’ apartments, an armoury, a building for housing palanquins, royal music hall, a pond, gardens and quarters for relatives and workers. The rampart wall was 900 feet in length and 660 feet in width, and 40 feet in height.

Main palace has pillars 40 feet in height. An ancient description of the palace Tn tamil records that

this pavilion Swarga vilasa,  is so constructed  in a way that it to be said that in no other country is there a court equal to it, by reason of its splendid ornaments, their excellence, number, extent, curious workmanship and great beauty. In the middle of the hall there was a jewelled throne on which the king used to sit and reign. During the Nine Nights Festival – Navaratri Viza- Nayak used to sit there in special ornamental dress; other kings under his rule used to come and pay him homage.

Sceptre Festival


Picture by Dr A Narayanan, Sydney.

Old Picture of Tirumalai Nayak Mahal/ Palace

Like Travancore Maharajas ruling in the name of Anantha Padmanabhaswamy of Thiruvananthapuram temple, Tirumalai Nayak ruled part of Tamil Nadu and Kerala in the name of Goddess Meenakshi. She was the Queen of Madurai 2000 years ago. Every year a function called Sceptre Festival was celebrated; in fact, a symbolic annual Sceptre Festival is done even today. Tirumalai Nayak combined two different festivals to unite Saivites and Vaishnavites and made Chitra Festival (April/May is Chitra month in Hindu Calendar). On the eighth day of the famous Chitra Festival, Sceptre festival was celebrated. The king would visit the temple and after special worship, receive from the hand of the goddess, the royal sceptre set with precious gems. The sceptre would be brought to the palace on the royal elephant accompanied by a great procession. The sceptre would be placed on the throne and would receive special worship from the hands of the king. The dignitaries, commanders, poets and other palace servants would receive royal gifts and royal titles on the occasion. The sceptre would be enthroned in this celestial pavilion the whole day and after due worship will be returned to the temple the next day. This function was symbolic of the country being ruled by Goddess Meenakshi, and the Nayak ruler administered the country as a servant of Goddess. Even Queen Mangammal and other successors continued this festival until the end of Nayak rule.

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Three Important Points

Tirumalai Nayak worshipped Raja Rajeswari every day in the special Puja Hall in the palace.

In the music hall 18 different types of Musical instruments were used.

The Natakasala, that is the theatre, was 135 feet long by 68 feet wide and 40 feet in height, to the centre of the roof is 70 feet. Nayak used to watch performances by the dancing damsels with the help of oil lamps and torch bearers.

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Notorious Thief Honoured and Beheaded!

One tradition says that a thief/kallan in Tamil, entered the palace by making a hole in the roof. It is said that the king used to sleep in a cot hung by long chains from hooks in the roof. The thief used the same chain to come down and steal all the royal jewels. The king promised a jagir (vast land) to anyone who would bring him the thief. The thief heard it and gave himself and claimed the award. The king gave him the jaghir and then promptly had him beheaded.  For many years that chamber was used as a district court.

(A “jaghir” is a historical form of land grant in India dating back to the Islamic Sultanate and Mughal periods, where a ruler assigned the right to collect land taxes or administrative revenues from a specific district to a noble in exchange for military service or administrative duties.)

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Ranga vilasa and Ten Pillars

Once the palace had a protective rampart wall 900 feet in length, 660 feet in width and 40 feet in height. Part of the place was covered with golden sheets. Elephant ivory was used for decorations.

We can see even now ten pillars. Originally this portion was part of a big palace. There was another palace like Celestial Pavilion (Swarga Viasa) called Ranga Vilasa (Colourful Pavilion). Tirumalai Nayak’s younger brother Muthialu Nayak lived there. There is a street named Navabathkana street now. This was also part of the palace.

Thirumalai Nayak’s grandson Chokkanatha Nayak changed the capital to Thiruchi and removed the throne, costly jewels and other treasures.  He even demolished some parts of the dilapidated palace and took the building materials to Thiruchi to build a new palace. He could not succeed fully in his plans.

Slowly the reminder of the buildings got more dilapidated because of the rains. In 1858, Lord Napier, the then Governor of Madras, spent some money and restored the palace. Now it is maintained by the State Department of Archaeology.

–Subham—

Tags- Tirumalai Nayak, Palace, Mahal, Sceptre festival, Chitra festival, Thief beheaded, Goddess Meenakshi,

HINDU DICTIONARY IN ENGLISH AND TAMIL 78; இந்து மத கலைச்சொல் அகராதி- 78 (Post.15,959)

Parasurama holding Parasu in his hand.

Written by London Swaminathan

Post No. 15,959

Date uploaded in London – 8 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

“P” words continued………………….

Parasurama or parshura

Parasurama was born as a Brahmana, but he developed all the traits of a Kshatriya. He became a fearless warrior and destroyed 21 Kshatriya kings; at last he was defeated by Rama. He was the youngest of the five sons of Jamadagni and Renuka. He was a very honest and obedient youth. Once Jamadagni noticing that Renuka had entertained impure thoughts in her mind, ordered his sons to kill their mother. The older four boys could not do this and Jamadagni at once ordained that they fall dead. Then came the turn of Parasurama and he obediently beheaded his mother. Being pleased with his son, Jamadagni asked him what boon he wanted. Parasurama urged that his mother and four brothers be revived and that they do not recall anything about this ordeal. This wish was granted.

Once Parasurama came to know that that king Kartavirya had forcibly taken away his father’s cow.  In anger he ran after the king and killed him. Later king Kartavirya’s sons killed Jamadagni when he was alone.  At once Parasurama went after them and killed all of them along with others who came to help them. His hatred towards Kshatriyas increased and he killed Kshatriyas 21 times. When his rage finally burnt out, he gave away all his possessions and went to the forest.

There must be more than one Parasurama because in two other episodes in Mahabharata he had figured;  he fought with Bhisma at the request of princess Amba and they laid down their arms when their fight finished in a draw. In another episode, he caught Karna red-handed when he came to learn the weapons under the guise of a Brahmana

Rama’s meeting with Parasurama is described vividly in Raghuvamsa of Kalidasa. A bit confusing chronology unless we conclude that there were many Parasuramas.

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Pasupati

Pasupatinath Temple, Nepal.

Paśupati (पशुपति) refers to the “Lord of Paśus (animals)” and is used to describe Śiva, according to the Śivapurāṇa 2.5.9 (“Śiva’s campaign”).—Accordingly, as Śiva became the lord of the Paśus: “On hearing these words of lord Śiva, the great soul, Viṣhṇu, Brahmā and other gods said.—‘So be it’. Hence all the gods and Asuras became the animals of the lord. Śiva became the lord of animals (paśupati). He is the person who unties the nooses of the animals. Then the name Paśupati, that bestows welfare, spread in all the worlds and became renowned. Then the celestial sages, Indra, Brahmā, Viṣṇu and others rejoiced shouting—‘Victory’.

Lord of Animals seals were discovered in the Middle East and Harappa  showing a god or goddess surrounded by animals. Saints like St Fransis of Assisi is also shown this way.

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Peacock

National bird of India. Vahana of Lord Skanda/Kartikeya and Saraswati; exported to Babylonia in ancient times. Peacock figured in Aesop fables which shows that Aesop borrowed those stories from India. The bird was used in flags in Sri Lanka.

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Pearl

Hindus considered sea born creatures pearl/oyster and coral as two of the Nava Ratnas (Nine Gem Stones) used in crowns, necklaces and finger rings. Other cultures don’t have this concept. Pearl is associated with the ancient Pandya country of South Tamil Nadu. Hindus believed that pearls originate not only in oysters but also in elephants, boars, bamboos etc. Hindus believed also that the rain on a Swati Star day enter living oysters and secrete pearls. All the Hindu Goddesses and Gods have pearl ornaments. Pearl may be derived from Paral/ Pravala used in Tamil and Sanskrit.

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Pingala

Over 15 Pingalas are in Hindu scriptures.

Wife of Yadhav Uddhav;

Piṅgalā (पिङ्गला) is the name of a mind-born ‘divine mother’ (māt), created for the purpose of drinking the blood of the Andhaka demons, according to the Matsya-purāṇa 179.8.

1) Piṅgala (पिङ्गल).—A deva who is an attendant of the Sungod. Sūrya (Sun-god) rides in a one-wheeled chariot drawn by seven horses and he bears in his hands two lotuses. On his right side stands the attendant Daṇḍī with an ink-pot and a writing stick and on his left side stands the attendant Piṅgala with a stick. Both these are demi god attendants of Sūrya. (Chapter 51, Agni Purāṇa).

2) Piṅgala (पिङ्गल).—A prominent serpent born to the sage Kaśyapa of his wife Kadrū. (Śloka 9, Chapter 35, Ādi Parva).

3) Piṅgala (पिङ्गल).—A sage. He was a Yajvā (priest) in the Sarpasatra of Janamejaya. (Śloka 6, Chapter 53, Ādi Parva).

4) Piṅgala (पिङ्गल).—A King of the Yaksas. He is a friend of Śiva. He acts as body-guard to Śiva who spends his time in cremation grounds. This Yakṣa gives happiness to all in the world. (Śloka 51, Chapter 23, Vana Parva).

5) Piṅgala (पिङ्गल).—A lion, who is a character in the book Pañcatantra. (See under Pañcatantra).

6) Piṅgala (पिङ्गल).—A brahmin of very bad manners. This brahmin was killed by his own wife who was a prostitute. In their next birth Piṅgala became a vulture and the prostitute, a parrot. Both had memories of their previous birth and the vulture (Piṅgala) with vengeance killed the parrot. After that Piṅgala was eaten one day by a tiger A brahmin residing on the shores of Gaṅgā read to their souls the fifth chapter of Gītā and they got salvation and entered Pitṛloka (world of the Manes). (Chapter 40, Sṛṣṭi Khaṇḍa, Padma Purāṇa).

7) Piṅgala (पिङ्गल).—A rākṣasa (demon). Once when this demon was going through a forest he met a forester. The latter got afraid and climbed up a Śamī tree. Then a branch broke and it fell on the head of Gaṇeśa sitting beneath that tree. It was an act of worship and because of that both the forester and the demon were elevated. (Gaṇeśa Purāṇa).

8) Piṅgalā (पिङ्गला).—A prostitute. (See under Ṛṣabha II).

9) Piṅgalā (पिङ्गला).—A prostitute of the country of Avantī. Piṅgalā was born as the daughter of King Candrāṅgada in her next birth because of the virtuous act she did in doing service to the sage Ṛṣabha. The King named the girl Kīrtimālinī and Bhadrāyu married her. (See under Bhadrāyu).

10) Piṅgalā (पिङ्गला).—A woman of the city of Ayodhyā. Once this woman approached Śrī Rāma with amorous intentions and Śrī Rāma who was strictly observing a vow of one-wife refused to satisfy her desire and said:—”During the incarnation of Kṛṣṇa you will be born as a servant maid of Kaṃsa and then I will in my form as Kṛṣṇa accept you.” Sītā on hearing this cursed Piṇgalā. She said “Oh beautiful woman who has approached my husband with amorous intentions, you will have three bends in your body when you are born next as the servant maid of Kaṃsa.” Piṅgalā weeping bitterly craved for pardon and then Sītā said that Kṛṣṇa would make her perfect. (Vilāsa Kāṇḍa, Ānanda Rāmāyaṇa).

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Pradyumna-

Pradyumna was the son of Krishna and Rukmini.  When he was only ten days old, a demon named Shambara kidnapped him, who had a prophesy that in future he would be killed by Pradyumna.  The child was thrown in to the sea where he was swallowed by a fish. And  the fish eventually landed in the dinner plate of Shambara. When the fish was cut open youthful Pradyumna emerged and he was saved by Shambara’s wife Mayavati . They had a son named  Anirudha who continued Krishna’s lineage. Along with his brother

Samba, he fought valiantly with king Shalwa when he invaded Dwaraka.

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Pragjyotisa- Assam, Arunachal Pradesh; once ruled by Narakasura; Krishna killed him and released the 16,000 women imprisoned by him.

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Prartana -English word Prayer is derived from Sanskrit word Prartana. Praying to God or the Prayer is Prartana.

***

Pratardana

Son of king Divodasa and Madhavi, daughter of king Yayati . He was born to take revenge against king Vitahavya who had destroyed Divodasa’s entire family. At the end of his life, he ascended to swarga after giving away all his accumulated merits to his grandfather king Yayati when the latter was expelled from swarga. This Sanskrit name in Turkey (Bogazkoi) Sanskrit inscription dated 1400 BCE.

***

Prutha- Another name of Kunti, wife of Pandu ,mother of first three Pandavas.

***

Pulastya

One of the spiritual sons of Brahma. Once very pleased with Bhishma, he described to him the virtues of visiting various religious places of pilgrimage. These places were in turn described by Narada to Yudhishthira who later visited them in the company of Lomana rishi.

***

Puloma

A danava woman who along with Kalka prayed to Brahma and obtained an indestructible city called Hiranyapura . The city could not be destroyed by devas or danavas or by gandharvas. Indra asked human Arjuna to destroy it.

***

Puru

Youngest son of king Yayati and Sharmistha . After all his older brothers had refused to exchange their youth for their father’s pre mature old age caused by Shukracharya’s curse, Puru readily agreed to do so as he considered it to be his filial duty. As a result, Puru remained an old person  while his father enjoyed youth. Later Yayati gave back his youth to Puru.  Puru became king and his descendents were called Pauravas. He married Kausalya and they had one son named Janamejay._

***

Pururava –

An ancestor of the Kuru dynasty; son of Budha and Manu’s daughter Ila. He was a very virtuous and handsome ruler. After hearing from Narada, apsaras Urvashi came to earth with the intention of living with him. He also agreed and Urvasi put two conditions,

1.He should not appear naked;

2. he should take care of her two lambs.

Since Indra missed Urvashi, he stole her two lambs and when Pururuva came naked chasing the thieves; Urvashi saw him naked. Their agreement being thus broken Urvashi went back to swarga loka;  Pururuva pined for her and she also came back saying she was pregnant with Ayu. At that time, she gave birth to a set of quintuplets

Dhimana, Amavasu, Dadhsyu, Vanayu, Shatayu

***

Pushkar

This city in Rajasthan is famous for its temple of Brahma.

  Pushkar Lake: The heart of the town, surrounded by 52 ghats (bathing steps). Watching the evening Aarti at Varah Ghat is a must.

  Brahma Temple: One of the very few temples dedicated to Lord Brahma in the entire world, making it an ultimate Hindu pilgrimage site.

  Savitri Temple & Ropeway: Situated atop Ratnagiri Hill, it offers a breathtaking, panoramic view of the lake and surrounding desert.

  Pushkar Camel Fair: Held annually in November, this massive festival draws half a million people for camel trading, folk music, and vibrant cultural displays

To be continued………………………………

Tags- Pushkar, Puru, Pururuva, Parasuram, Pulastya,HINDU DICTIONARY IN ENGLISH AND TAMIL 78; இந்து மத கலைச்சொல் அகராதி- 78

HINDU DICTIONARY IN ENGLISH AND TAMIL 76; இந்து மத கலைச்சொல் அகராதி- 76 (Post.15,941)

Written by London Swaminathan

Post No. 15,941

Date uploaded in London – 3 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

WORDS BEGINNING WITH “P”

Paila- one of the four disciples of Veda Vyasa. The other three are Sumantu, Jaimini and Vaiśampāyana. Paila (पैल) was taught Ṛig Veda; Bahvṛca (Ṛig Veda). He taught it to Indrapramati and to Bāṣkala; Paila was invited for the Rājasūya of Yudhiṣṭhira.

***

Panchalam – paanchaalam-  Modern Punjab; Land of Five Rivers

Panchali -paanchaali- Draupadi; daughter of Drupada who ruled Punjab.

***

Panchatantra – 2000 year old animal stories/ fables of India written by Vishnusarma in Sanskrit . it has five principles taught to princes for a successful rule. It was translated into Persian and then spread throughout the world. It has thousands of quotations on ethics. The five principles are

Book 1 – Mitra-bheda (on causing dissention among friends)

Book 2 – Mitra-lābha ( The Winning of Friends)

Book 3 – Kākolūkīyam (Story of Crows and Owls)

Book 4 – Labdhapraṇāśam (On losing what you have gained)

Book 5 – Aparīkṣitakārakaṃ ( On hasty Actions)

The tales highlight themes of cleverness, the consequences of actions, and various life truths, making Panchatantra a significant influence on storytelling traditions, and serving as a source for adaptations in children’s literature.

Its adaptation is known as Stories of Bidpai. Fables of Bidpai is a collection of moral tales that use animal characters to convey important lessons. These stories are part of a tradition that includes the famous work Kalila wa-Dimna, emphasizing the timeless nature of storytelling in imparting wisdom.

***

Pandava – paandava –

The five sons of king Pandu of Hastinapura are called Pancha Pandavas. They are

Yudhisthira – in Tamil Dharman.

Bhima – in Tamil Veeman

Arjuna –

They were born to Kunti.

Nakula – twin brother ; born to Maadri.

Sahadeva -twin brother ; born to Maadri.

They fought with their cousins Kauravas after 13-year banishment to forest and won the kingdom. The full story is in the longest epic in the world called Mahabharata.

***

Pandya – paandya – Rulers of South Tamil Nadu from third century BCE. They were the patrons of Tamil language. There were three Tamil Sangams (Tamil Academies) during their rule. Their association with Agastya Rishi is mentioned by Kalidasa, the greatest poet of India. They ruled from Madurai until 13th century CE when the Muslims invaded Madurai. After Muslim’s capture of Madurai, Vijayanagara rulers invaded Madurai and dethroned them.

***

Pandu- paandu-

Father of five Pandavas. He was born to king Vichitravirya’s widow Ambalika through Vyasa. As his older brother Dhritarashtra was born blind, he ruled the kingdom from Hastinapura . He married Kunti and Madri ; once he went to the forest for hunting and saw two mating deer. He shot them with arrow; but they were not deer but Kindama rishi in deer hide; they were enjoying conjugal pleasure. Kindama rishi cursed Pandu before dying that Pandu would die if he enjoys conjugal pleasure. A few years later on an enchanting spring day he approached Madri ignoring Kindama rishi’s curse. He died immediately. Madri holding herself responsible for his death left her two children Nakula and Sahadeva to be cared by Kunti and died by entering the funeral pyre.

***

Pandit/ Pundit

pandit (or pundit) is an honorary title given to a Hindu scholar, teacher, or wise man who is highly educated in Sanskrit, philosophy, religion, or law. In everyday use, it can also refer to a Hindu priest who performs rituals, or a highly skilled master of a traditional art, such as Indian classical music.

In Kashmir Brahmins are called Pandits. Original inhabitants. Jawaharlal Nehru, First Prime Minister of India was also a Pandit.

***

Panini-paanini– World’s first grammarian. He lived in 7th century BCE according to Goldstucker. He authored the Ashtadhyayi (Eight Chapters), an exhaustive text containing nearly 4,000 sutras (rules) that define the morphological and phonetic structure of classical Sanskrit. Scholars appreciate his work for his scientific approach and crispiness. Patanjali who came several hundred years after Panini, wrote a monumental commentary known as Mahabhashyam.  Together with Panini and Patanjali another grammarian Katyayana Vararuchi are praised as Three Great Munis (Rishis).

Vakyakaram Vararuchim, Bhashyakaram Patanjalim

Paninim Sutrakaram cha pranatosmi Munitrayam

He lived before Buddha and other great philosophers of sixth century BCE. Though he mentioned several great grammarians before his time, we don’t know anything about them

Panini mentioned the grammarians before his time: Upavarsha, Parasarya, Karmanda, Sakatayana, Apitali and Sakalya.

Western linguists wonder how a person can write a grammar in such a scientific way at that period. Most of the world was uncivilised at that time. But India had produced wealthy literature, quantitatively and qualitatively very high. Only when there is vast literature one can write a grammar.

In Kashmir, a king passed an order that everyone must learn Ashtadhyayi and those who passed in it were awarded 1000 gold coins each!

***

Parasara

Parāśara (पराशर) is the son of Śakti and grandson of Vasiṣṭha and Arundhatī, he was born to Śakti and Adṛśyantī./ Matsya/ Satyavati Their son was Vyasa.

Genealogy. Descending in order from Viṣṇu—Brahmā -Vasiṣṭha—Śakti—Parāśara.

Millions of Hindus recite Vishnu Sahsranamam everyday where the genealogy is given as follows:

vyāsaṃ vasiṣṭha naptāraṃ śaktēḥ pautramakalmaṣam ।
parāśarātmajaṃ vandē śukatātaṃ tapōnidhim

***

Parijata – paarijaata-

This mythical (Parijata) tree rose of the milk ocean when Devas and Asuras churned it to get Amrita. Indra took it and planted it in his garden. “Its bark was gold, and it was embellished with young sprouting leaves of a copper colour, and fruit stalks bearing numerous clusters of fragrant fruits.”

 Once Narada brought a flower of this tree to Dwaraka and presented it to his friend Krishna. He waited to see to which of his wives Krishna gave the flower. The flower was given to Rukmini, and Narada went straight to Satyabhama and made a show of sorrow. On her enquiring why he was not in good cheer, the sage told Satyabhama, that he had presented Krishna with a flower of the Parijata tree thinking that she was her favourite wife and he would present it to her, but was grieved to find that Krishna had given it to Rukmini. 

Satyabhama’s jealousy was roused and she asked Narada what could be done to spite Rukmini. The sage advised her to ask Krishna to bring the Parijata tree itself from heaven and plant it near her house. After giving this advice, he went back to the celestial region and told Indra to guard the Parijata tree carefully as thieves were about.

When Krishna saw Satyabhama in angry mood he asked her the reason. She told him, “You pretend that I am your favourite wife, but treat me as Rukmini’s handmaid she said, and asked him what made him present the Parijata flower to Rukmini. Then Krishna asked her what he could do in expiation. She wanted possession of the tree. Krishna immediately proceeded to Amaravati, Capital City of Indra’s Empire. Krishna stole into Indra’s grove and started uprooting the tree. The king of the gods came upon the scene and caught the thief red-handed but seeing who his despoiler was, he allowed him, after some show of resentment, to take the tree to Dwaraka, Capital city of Krishna’s empire. 

Botanical Information: Two different plants are known as Parijata one is Coral Jasmine (Pavala Mallikai in Tamil) and another is Baobab Tree in Uttar Pradesh.

***

Parikshit

Posthumous son of Abhimanyu. He was the only descendent of the Pandavas. When he was in the womb of Uttara, he was saved from the Brahmastra fired by Ashwattama.

Once when Parikshit went to forest for hunting. When he was thirsty, he went to the hermitage of Shamika rishi and asked for water. The rishi was in deep meditation and did not respond. Thinking that the Rishi was pretending, Parikshit placed a dead snake around the neck of the seer. When Shrungi, son of Shamika came to know this, he cursed that king Parikshit would die on the seventh day at the hands of Takshaka Naga. Despite heavy security in the palace , Takshaka hid himself in a fruit basket taken into the palace and killed him.

(Actually it was a long going fight between Krishna and tribal Nagas from the days of Kaliaya Mardhan and Khandava forest burning. It was settled and a peace agreement was signed during Janamejaya’s rule who massacred tribal nagas in the name of Sarpa Yajna. Two rishis Jaratkaru and Astika facilitated the peace agreement. Brahmins recite a mantra thrice a day referring to this peace agreement in Narmadaiyai Namah ……………………….. mantra facing North).

To be continued……………………..

Tags – HINDU DICTIONARY IN ENGLISH AND TAMIL 76; இந்து மத கலைச்சொல் அகராதி- 76 , Parasara, Paila, Parikshit

Upanishad in Sangam Literature; Purananuru wonders 35; Tamil Encyclopaedia- 75 (Post No.15,924)

Written by London Swaminathan

Post No. 15,924

Date uploaded in London –27 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Picture – Lord Krishna in Yaga Fire

Purananuru wonders-35, Tamil Encyclopedia-75; One Thousand Interesting Facts -Part 75

Item 586 Taittriya Upanishad

Purananuru Verse two

Puranānūru 2, Poet Muranjiyur Mudinākanār sang to Cheraman Perunchōtru Uthiyan Cheralathan,
Your nature is like the five elements – the earth filled with sand,
the sky raised above the earth, wind that blows in the sky, fire that
sweeps up the wind, and water that differs from that fire.

Earth

Wind /Air

Sky/ Vacuum

Fire

Water

Due to Tamil prosody the order is changed from the Taittriya Upanishad which is more scientific. The same verse mentioned also Brahmins’ Four Vedas, Brahmins’ Three Fires, Himalaya and Pothiyam Mountains, Mahabharata battle and so,  we are sure the poet was well versed in Sanskrit scriptures. And his name is Mr Nagarajan!

Here is the Mantra from Taittriya Upanishad

Taittiriya Upanishad (Brahmananda Valli, Chapter 2, Section 1) of the Krishna Yajurveda

It outlines the creation of the universe, explaining how all elements and life emerged sequentially from the Supreme Brahman (the ultimate cosmic reality).

तस्माद्वा एतस्मादात्मन आकाशः सम्भूतः ।
आकाशाद्वायुः । वायोरग्निः । अग्नेरापः ।
अद्भ्यः पृथिवी । पृथिव्या ओषधयः ।
ओषधिभ्योऽन्नम् । अन्नात्पुरुषः ॥

Tasmād-vā etasmād-ātmana ākāśah sambhūtah |
Ākāśād-vāyuh | Vāyor-agnih | Agner-āpah |
Adbhyah prithivī | Prithivyā oshadhayah |
Oshadhibhyo-‘nnam | Annāt-purushah ||

“From that (Supreme) Atman, space (Akasha) was born. From space, air (Vayu). From air, fire (Agni). From fire, water (Apah). From water, earth (Prithivi). From earth, herbs and plants (Oshadhayah). From plants, food (Annam). From food, the human being (Purushah).”

Space – air—fire—water—earth- -plants—food- man .

This is what scientists also tell us. Big Bang happened in Space. Then Atmosphere (air) was formed; fire subsided and oceans formed; water receded and land appeared; plants appeared and animals and men came.

****

Item 587  Origin of Vahanas and Flags

Many foreign scholars dated Hindu Puranas around Gupta Dynasty which is definitely after Sangam Tamil literature. They are wrong. Because they don’t know Tamil they bluffed and Hindu scholars of British Rule period also followed them. But the Puranic stories, Epic paintings, Hindu Vahanas, Hindu Flags are in 2000 year old Tamil literature. So Puranas are older than Sangam Tamil literature. 

Just a few examples:

Palmyra tree flag of Balarama ,

Garuda/ eagle flag of Vishnu ,

Piniukha vahana of Muruga/Skanda ,

Are mentioned by Nakkirar in verse 56.

We have got more references to fish flag of Manmata in Paripatal .

It is a well known fact that chera choza pandya also had flags with bow, tiger and fish pictures.

****

Picture – Rama Duta Anjaneya in Yaga Fire

Item 588 Vishnudasan praised

Yaagaas , Yajnaas = Fire sacrifices

n Purananuru 166, poet Avur Mulan kizar praises one Brahmin called Vinnan Dayan.

Vinnan Daayan is the tamilized Sanskrit name Vishnu dasa. Poets surname shows that he was from the caste of agriculturists.

He got gifts, probably, after attending the Yajna . This shows that even non Brahmins attended yagas and received prizes.

The verse begins with a praise for Lord Shiva. He says Vishnu dasa was a great devotee of Lord Shiva whose mouth is always reacting Vedas .

He praised Brahmins mastered Four Vedas And Six ancillary subjects. We know that it includes grammar, astrology, etymology etc.

He also said Brahmins rejected the atheists’ argument and established One Dharma.

While praising Brahmins like this he says Vishnu dasa came in the family of who did 21 types of Yagas.(see the explanation at the bottom)

This is the one which helps us to understand RV I-164-3.

Dirgatamas, the blind poet of Rig Veda, used lots of numbers.

He says

THE SEVEN WHO ON THE SEVEN WHEELED CAR ARE MOUNTED HORSES, SEVEN IN TALE, WHO DRAW THEM ONWARD.

SEVEN SISTERS UTTER SONGS OF PRAISE TOGETHER, IN WHO THE NAMES OF THE SEVEN COWS ARE TREASURED… RV 1-164-3

Commentators interpreted the Seven as seven swaras of music, seven meters in

Prosody, seven rays of sun etc.

The three sevens may mean 3×7 Yagas. The Vedic hymn might have meant two types of cows like the Tamil poem.

Here is another mantra with Number Seven,

KNOWING THE LAW, THE SEVEN STRONG FLOODS FROM HEAVEN, FULL OF GOOD THOUGHT, DISCERNED THE DOORS OF THE RICHES.

SARAMA FOUND THE CATTLE S FIRM BUILT PRISON WHERE BY THE RACE OF MAN IS STILL SUPPORTED – RV 1-72-8.

Here also the seven floods from heaven is not explained satisfactorily.

Three Sevens are all not explained by the Vedic commentators.

So we have to review all the sevens in the verses. Sangam Tamils commentaries may help us to clear the vagueness.

****

Picture- Hindu Women gathering flowers for Gods.

Item 589

27 Yagas in Purananuru

What is 3 X 7 ?

In the commentary of Puram 166,

The doyen of Tamil literature Dr U V Swaminatha Iyer listed all the 21 yagas..

They are broadly divided into three sevens and they are

Soma Yajnas 7

Havir yajnas 7

Paga Yajna  7.

(I have given all the 21 names in my Tamil article.)

What is  2 X 7 ?

And in another Tamil line of the verse two (2×7)  sevens come. These are ghee made from the milk of seven domestic cows and ghee made from the milk of seven wild cows.

****

Item 590

Special Dress for Yaga in Puram 166

Later the poet added that the Brahmin ladies who assisted Vishnu dasa wore special head ornaments and the gentleman wore deer skin.

Sangam Age Tamils were very familiar with the Himalayas and the Ganges river because of Kalidasa’s works. Of the 1500 images and similes of Kaliadsa, Sangam poets have used at least 200 similes. Avur Mulankizar wished the king to live a “long life like the Himalayas”.

When he praised the wife of Vishnu dasa he praised their chastity and their beauty. He added two interesting points also,

She is a woman of few words.

And she did what he said.

Here we are reminded of the saying of Greek philosopher Democritus, who said,

FEWSNESS OF WORDS IS AN ORNAMENT TO A WOMAN- Democritus.

Vishnudasa performed the Yagas, Fire Ceremonies, where

His use of Ghee (clarified butter) shamed Water

His lot of Yagas shamed the Numbers

His Spread of fame shamed the Earth

(such was his great ness, says the poet.)

****

Tags- Purananuru wonders-35, Tamil Encyclopedia-75, One Thousand Interesting Facts ,Part 75, Flags, Vahanas, Yagas, Tattriya Upanishad, item 590

To be continued ……………………….

HINDU DICTIONARY IN ENGLISH AND TAMIL 73; இந்து மத கலைச்சொல் அகராதி- 73 (Post No.15,915)

Written by London Swaminathan

Post No. 15,915

Date uploaded in London –25 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 73

N words continued…………………….

Nakkirar

A controversial and challenging Tamil poet of Sangam age. His clashes with Lord Shiva and others are in the stories of Tiru Vilaiyatal Purana and Tiru Murugatruppadai in Tamil . Tiru Murugu. Is a Sangam age work, that is 2000 years old. His poems are in Purananuru in praise of Hindu Gods. His controversy was documented by Appar (600 CE) in one of his poems, and so he must have lived at least 300 or 400 years before Appar.

***

Nalangu

A Tamil Post Wedding Ceremony to reduce the stress and strain of a wedding ceremony. It is full of fun and frolicks.

Both the bride and bridegroom are asked to take part in various competitive games. One example: a ring is placed in a pot full of water. When they are asked to GO, both dip their hands into the water pot; whoever takes the ring first is the winner; the winner’s family and friends jump with joy making big noise.

Both of them are asked to roll a coconut, powder a few Pappads in the air with both hands; both parties tease or mock at the other group with  some songs; they are like song caricatures of the bride or bride groom family.

An example : bride groom has Hitler moustache or pot belly; bride has a fake plait; hair is not long enough.

Nalangu is a traditional South Indian and Tamil post-wedding ceremony involving the application of sacred pastes and the playing of games to help the couple relax. As documented in ancient texts, this ritual aims to reduce stress and foster bonding between families.

In some communities it is done before the wedding. The bride and others are applied with turmeric paste. Participants also, particularly women, apply the turmeric paste on their feet and hands..

Something similar to North Indian Hindu ceremonies like Mehandi and Sangeet ceremonies.

***

Naalvar – The Four

The Great Four Saivite Saints; Naalvar means The Four persons; they are Appar alias Tirunavukkarasar, Sambandar (Tiru Gnana Sambanthar), Sundarar and Manikkavasagar (maanikkavaasakar); latest research shows that the last one lived at least 100 years before Appar, a contemporary of Mahendra varman, the greatest Pallava king (600 CE).

***

Namam ( naamam )

It is a symbol on the forehead of Vishnu devotees. They are three vertical lines in the shape of English letter Y or U. between the thick white lines a straight red line is drawn in the middle. Tamil Vaishnavites wear Dvaadasa Naamams on 12 places in the body that is comparable to Saivite Brahmins 12 placed Vibhuti (holy ash).

Y shaped Naamam- symbol of Tenkalai sect of Tamil Viashnavites; those who sing Tamil hymns of Alvars (Tamil Vaishnavite Saints)

U shaped Naamam- symbol of Vadakalai sect of Tamil Viashnavites; those who sing Sanskrit hymns of Vedanta Desikan.

Then= south ; Vada = north .

Even the Naamam on temple elephants will show one to which sect the temple belongs.

But when it comes to big temples like Titupati Balaji temple or Srirangam Ranganatha Temple, common devotees don’t bother about the sectorial divisions. But there are extremists in both sects who take the symbol cases up to the highest court in the country.

Vaishnavite Gurus/Acharyas called Jeeyars are very ardent followers of their respective sects and its practices.

***

Nammazvaar


One of the greatest Vaishnavite saints known in Tamil as Alvars (aazvaar).

Tamil Vishnu devotees believe that he composed Vedas in Tamil; his poems are great and meaningful. He was born in Alvar Titunagari in the southern part of Tamil Nadu. Like Buddha attained wisdom under the Peepal/Bodhi tree, Nammalvar  (nammaazvaar) attained wisdom under a Tamarind tree. Like Tansen’s tamarind tree, this tamarind also attained fame and worshipped until this day.

Following Thirumangai Alvar who composed 1,361 verses, Nammalvar is the second most prolific contributor, having composed exactly 1,296 verses across four works (most notably the Tiruvaymoli). They are part of Naalayira Divya Prabandham (the canonical collection of 4,000 Alvar hymns).

***

Nayanmar or Nayanar (naayanmaar or Naayanaar)

Sixty three Tamil saints and mystics are called Nayanmar or Nayanars. They were ardent followers of Lord Siva. Their stories are sung by Sekkizar in Periya Puranam in Tamil. They revived and spread Bhakti movement between fifth and ninth centuries. They belong to all castes. Of them three are women.

We know the date of Sambandar, the greatest of the 63 saints. He lived around 650 CE. Kannappa Nayanar who was a hunter gave his eye to Lord Siva and attained Mukti/liberation. Woman saint Karaikkal Ammaiyar became famous and worshipped in southeast Asian countries too. Of the Four Great Saivite Saints, Manikkaavasagar is left out and not included in the list of 63. This problem has been debated until this day without a definite conclusion. But his poems are included in the Saivite Tirumurais (Scriptures or Hymns on Lord Siva). Indirect references show that he lived before 600 CE.

****

Narada

A great rishi who undertook frequent trips between heaven and earth.

Narada Muni is portrayed as the quintessential traveller, a supreme devotee of Vishnu, and the “first investigative journalist” of the cosmos. He was a messenger of divine wisdom, an Inter Galactic Traveller. He delivered essential philosophical lessons and stories of devotion to many.

He visited the Pandavas a number of times specially during the period of their banishment in the forest and gave them good advice. About righteous conduct and harmonious living. He illustrated his points by appropriate anecdotes  from past history/puranas. He also tried to persuade Dhritarashtra  to keep his son Duryodhana  in check and make peace with the Pandavas.

Nārada (नारद) was one of the twelve, who knew the dharma ordained by Hari; a celibate; an attendant of Hari; was taught the bhāgavata by the father; and he gave it in his turn to Vyāsa. Wherever he  goes he will create a problem and that will bring something good; end justifies means was his policy.

He was in the company of Bharata when he recited the Nāṭyaveda, according to the Nāṭyaśāstra chapter 35.

He was a celebrated Devarṣi (deified saint or divine sage). He is one of the ten mind-born sons of Brahmā, being supposed to have sprung from his thigh (Manusmṛti 1. 35). He is represented as a messenger from the gods to men and vice versa and as being very fond of promoting discords among gods and men; hence his epithet of Kalipriya or kalahapriya. He is said to have been the inventor of the lute or Vīṇā. He is also the author of a code of laws which goes by his name.

In Tamil literature, he was referred to in Tamil epic Silppadikaram as Naradar Veenai (Veena of Narada). He always travelled with his Veena singing the glory of Vishnu.

Many people born later also had his name. So we find many books in his name. But the original Narada is attributed with one famous book, Narada Bhakti Sutra.

Narada Bhakti Sutra has 84 aphorisms on the nature of Bhakti and the condition of Bhaktas/devotees. Swami Vivekananda has explained it in good English. (see my blogs for more details).

***

Narakasura

Asura killed by Lord Krishna and that day is celebrated as Deepavali (Diwali) in Tamil Nadu.

Narakasura was the son of Goddess earth, (referred to as Dharthi), by Lord Vishnu himself during his Varaha (boar) avatar. It was foretold that he would be destroyed by a later incarnation of Vishnu. His mother, the earth, sought the boon from Vishnu that her son should have a long life, and that he should be all powerful. Vishnu readily granted these boons.

Narakasura became evil, in association with another Asura named Bana. Drunk with power, as he knew himself to be unrivalled in prowess, he brought all the kingdoms on earth under his control. Next he turned his eyes towards Swargaloka/ heaven. Even the mighty Indra could not withstand the assault of this son of Vishnu and had to flee the heavens. Now Narakasura had become the overlord of both the heavens and earth. His reign of oppression was in full swing. His capital was in modern Assam

Once granted immense power, he built a seemingly impregnable fortress, terrorized the three worlds, stole divine treasures (such as the earrings of Aditi), and imprisoned 16,000 celestial princesses

Divine Intervention: The tormented devas sought the help of Lord Krishna to defeat Narakasura.

The Battle: Accompanied by his wife Satyabhama—who was the earthly incarnation of Bhudevi—Lord Krishna rode to Pragjyotishapura to confront the demon.

The Final Blow: Because of the boon that only his mother could kill him, Satyabhama took the bow and struck the decisive blow, paving the way for Krishna to sever Narakasura’s head with his Sudarshana chakra.

Liberation: Following Narakasura’s defeat, Krishna liberated the 16,000 captive women and married them to restore their societal honour.

Festival of Lights: The triumph of good over evil that day is spiritually commemorated as Deepavali (Diwali), specifically the day of Naraka Chaturdashi

Sanskrit phrase 60,000 0r 16,000 means a lot, uncountable, innumerable. Even in English we use a million dollar question etc

***

Nikhumba

Several rakshasas had this name. one of them is referred to in Ramayana .

According to Mahabharata, Nikhumba was the father of demons Sunda and Upasunda who killed each other in an intoxicated fight to get hold of apsara

Tilottama . he was a descendent of Hiranyakasipu.

According to Ramayana,

Nikumbha (निकुम्भ).—A very mighty Rākṣasa. Son of Kumbhakarṇa (Rāvaṇa’s brother) by his wife Vajramālā. He had an elder brother called Kumbha.

When Kumbha was killed in the Rāma-Rāvaṇa war Nikumbha rushed to the front line and fought fiercely, and he was killed by Hanūmān. (Vālmīki Rāmāyaṇa, Yuddha Kāṇḍa, Canto 77).

Nikumbha (निकुम्‍भ): One of Ravana’s generals who led the rakshasas against the host of monkeys and was slain

When Indrajit, son of Ravana tried to do an all powerful Yaga to destroy Rama, timely intervention of Lakshmana spoiled it

According to Puranas

the “dreadful cave of Shatpura” is a foreboding site of deception and imprisonment famously linked to the powerful being Nikumbha.

According to ancient texts, Nikumbha—a powerful figure and lord of the Pisacas—used this cave to harbour captives. Its mythological significance centres around a few key details:

The Standoff: Nikumbha emerged from the dreadful cave wielding a thorn-covered club.

The Conflict: Upon stepping out, he was confronted in combat by Dhananjaya (Arjuna), who shot arrows from his Gandiva bow to block the thoroughfare.

Symbolism: The cave serves as an ominous backdrop for themes of entrapment and trickery during pivotal battles.

***

Nimi

Son of Dattatreya. He grieved greatly at the death of his son Shrimana and then he undertook various ritual for the eternal good of his son. It is said that this constituted the beginning of thee “Shraddha” ceremonies relating to death.

***

Nivatakavacha, Nivātakavacha

These innumerable Danavas/demons occupied a city which previously belonged  to Devas. Not being able to defeat the Nivatakavacha danavas, Indra sought the help of Brahma who said that Indra himself in another form would be able to defeat them. Thus it was when Arjuna  had come to the end of his five years stay in Swarga/heaven and was preparing to return to earth, Indra asked as a parting gift he should get rid of his enemies the Nivatkvachas.  Arjuna went to the abode of the Danavas with Matali as his charioteer and using various divine weapons obtained from heaven he defeated the  Nivatkvacha demons.

More  details

The nivatakavachas (Sanskrit: निवातकवच, romanized: Nivātakavaca, lit. ‘the impenetrable armoured ones’) are a sect of daityas, the children of Kashyapa and Diti, classified under the race of asuras in Hindu mythology. They are best known for their battles against Ravana and Arjuna, the latter of which caused their annihilation.[1]

Thirty million nivatakavachas were born in the daitya clan. Allied with the kalakeyas, they triumphed over the devas in battle. They are described to have been skilled in magic and warfare, wielding powerful weapons to defeat their foes.

From Ramayana

The nivatakavachas are said to have terrorised the world, living deep beneath the ocean, and residing in the city of Maṇimatī after securing boons from Brahma. In the Ramayana, Ravaṇa with his sons Meghanada, Atikaya, and with his army attacked these daityas, but found himself unable to defeat the sect after centuries of battle. The two sides finally formed an alliance after Brahma intervened.

From Mahabharata

In the Mahabharata, Indra sought the destruction of the nivatakavachas from his son, Arjuna, as his dakshina (honorarium). Describing the sect as his foes, he stated that the nivatakavachas lived in a fortress under the ocean, numbered thirty million, and were alike in shape, size, and prowess. To achieve this task, Indra sent his own charioteer, Matali, to drive Arjuna to the location of his foes. The devas offered Arjuna a conch named Devadatta, and Matali offered him ornaments that resembled his own. When the two reached the city of the daityas, they closed their gates, fearing that Indra himself had appeared to slay them. When Arjuna blew his conch, the nivatakavachas attacked him, loosing tridents, spears, and arrows upon him. Arjuna released arrows from his Gandiva, slaying the daityas in the thousands. The nivatakavachas rendered themselves invisible, and showered elemental attacks on Arjuna. The prince grew disheartened when he realised that he was unable to manoeuvre their attacks due to the intensity of their barrage.

Matali urged him to employ the thunderbolt missiles he had brought with him, which devastated the daityas, and defeated them. The daitya women sought shelter in their houses as Arjuna entered Maṇimatī, thinking that it looked better than the city of the devas. The charioteer explained that the city had previously belonged to the devas, but had been captured by the daityas following a boon granted to them by Brahma. Brahma assured Indra that the latter himself, in another form, would defeat the daityas, which had just transpired. He encouraged Arjuna to also lay waste to Hiranyapura, a neighbouring city of the danavas who opposed his father as well, which the prince achieved.

***

Nara Narayana

Nara-Narayana are twin sages and a twin-brother avatar of Lord Vishnu in Hinduism, representing the eternal connection between humanity (Nara) and divinity (Narayana). Together, they represent human effort and divine grace working in harmony to uphold righteousness (dharma

The Name: In Sanskrit, Nara means “human being” or “eternal spirit,” while Narayana refers to the Supreme Being (Vishnu).

Divine Origins: They were born as the sons of Dharma (the god of righteousness) and Murti (the daughter of Daksha).

Life of Penance: The twins famously traveled to the Badari hermitage (modern-day Badrinath) in the Himalayas. They engaged in severe austerities and deep meditation to defeat evil and preserve world order.

Mahabharata Connection: Hindus believe Nara and Narayana reincarnated as the heroes Arjuna (human) and Krishna (divine guide) during the events of the Mahabharata.

Iconography: In traditional art, Nara is usually depicted with two hands and wearing deer skin, while Narayana is portrayed with four hands, holding a mace, discus, conch, and lotus.

***

Narasimha

Narasimha is the fourth, half-man and half-lion avatar of Lord Vishnu, manifesting in the Satya Yuga to protect the devotee Prahlada by destroying the demon king Hiranyakashipu. By overcoming Hiranyakashipu’s invincibility boon at twilight on a threshold, this form symbolizes divine intervention that transcends conventional limitations to uphold dharma.

***

Nalanda

Nalanda was an acclaimed university, a large Buddhist monastery in the ancient kingdom of Magadha (modern-day Bihar) in India. The site is located about 95 kilometres southeast of Patna near the town of Bihar Sharif, and was a centre of learning from the fifth century CE to1200 CE. It is a UNESCO World Heritage Site.

 The highly formalized methods of Vedic learning helped inspire the establishment of large teaching institutions such as Taxila, Nalanda, and Vikramashila which are often characterised as India’s early universities. Nalanda flourished under the patronage of the Gupta Empire in the 5th and 6th centuries and later under Harsha, the emperor of Kannauj.The liberal cultural traditions inherited from the Gupta age resulted in a period of growth and prosperity until the ninth century. 

Muslims burnt the library

Historical consensus and primary records attribute the final destruction and burning of the Nalanda Mahavihara to a Turko-Afghan military general Bakhtiyar Khilji of the Delhi Sultanate in the late 12th century.

The Sacking (c. 1200 CE): During his conquests in northern and eastern India, Khilji famously led a marauding army that attacked and plundered several major Buddhist centers, including Nalanda, Vikramashila, and Odantapuri.

The Library Burning: Nalanda boasted a colossal collection of manuscripts housed in multi-story libraries known as RatnasagaraRatnadadhi, and Ratnaranjaka. The attackers set fire to the institution, with historical accounts stating the massive fires burned for three months.

While Khilji is widely cited for the fatal sacking and mass slaughter of the monks, historians and researchers point out that the destruction was not a one-time total evaporation:

Eyewitness Accounts: Tibetan monk Dharmasvamin visited the site in 1234 CE, nearly 40 years after Khilji’s campaign. He found the institution heavily ruined but still functioning, with a small fraction of about 70 monks being taught by a 90-year-old abbot.

Continuous Raids: Surviving monks and local patrons attempted to revive the university, but persistent raids by subsequent groups of Turkish soldiers over the following decades ultimately forced the permanent abandonment of the site

Tags- Nakkirar, Nalangu, Namam, Nalanda, Narasimha, Nivatakavacha, Narakasura, HINDU DICTIONARY IN ENGLISH AND TAMIL 73; இந்து மத கலைச்சொல் அகராதி- 73

To be continued……………………

Oldest Skanda -Kartikeya- Murugan Coins! (Post No.15,900)

Written by London Swaminathan

Post No. 15,900

Date uploaded in London –21 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Yaudheyas who ruled Northwest part of India had issued Skanda- Kartikeya -Murugan Coins 2000 years ago. They ruled Sapta Sindhu area (Punjab, Haryana regions) from 200 BCE to 300 CE. They issued various types of Skanda coins. The surprising thing is that they were the one who issued Skanda (Murugan in Tamil) coins with his Six Heads and his vehicle peacock. Later Gupta rulers issued such coins. Six Headed Skanda is called Shanmukha in Sanskrit and Aarumukham in Tamil. Adi Sankara who formed six groups of worship called Skanda worship Kaumaram because Kalidas made that name (Kumaara) popular 2200 years ago.

Sangam Tamil literature has one whole work written by a Brahmin poet named Nakkirar on Skanda and it is called Tiru Murugatruppadai. Anti God Dravidians dubbed it as a later interpolation, but Yaudheya coins explode such arguments. Added to this Patanjali’s Mahabhashya reference to Skanda, a commentary on world’s first grammar book by Panini known as Ashtadhyayi. In the 2200-year-old Mahabhasya, Patanjali gives us information about selling Murtis/figures of Skanda -Vishaka. This also gives credence to Sangam book Tiru Murugatruppadai.

Through this we come to know that the Skanda worship was popular from Himalayas to Kanyakumari 2000 years ago.

***

Who are Yaudheyas?

Panini  refers to them specifically as an Ayudhajivin Sangha—a community of warriors who lived by the profession of arms. He explains that the suffix “-ya” was used in Sanskrit to signify martial and warrior tribes, a linguistic detail that fits the Yaudheyas’ historical reputation as a formidable military force

The tribal republics or Janapadas like Audumbara, Kuninda and Yaudheya issued their coins in the name of their presiding deities-Mahadeva. Chitresvara and Brahmanya. The early tribal republics of the 2nd century B.C.E, refer to their names and places in Brahmi script. Some republics issued coins with their names and title Raja or Maharaja. Copper was used as the prime metal for such issues. A few tribes issued coins in silver too.

Monarchies like Surasena and Panchala that sprang up during this period were located in the Ganga-Yamuna plain. The kingdom of Panchala issued copper coins bearing the names of no less than 35 kings.

***

Gupta Coins on Skanda

The golden age of Indian history was the rule of Guptas. They were great worshippers of Vishnu and they called themselves Parama Bhagavatas. But the world famous poet Kalidasa changed them into Saivites. Kalidasa lived in the first or second century BCE. His work Kumarasambhava on the birth of Kumara/ Skanda made Guptas to name their children Skanda Gupta, Kumara Gupta etc.  They issued coins with Skanda with peacock.

Even Asvagosha , author of Buddha Carita in Sanskrit, compared Skanda with Buddha! According to Hindu literature in Tamil and Sanskrit, Skanda was a war god. He was the commander in chief of the Divine army. He married Indra’s daughter Devasena. In spite of his association with war, red colour and planet Mars, Asvagosha compared him to Buddha because of Kalidasa. In Raghuvamsa, Kalidasa compared three kings to Skanda. Tamils of Sangam age also followed Kalidasa and compared the kings with Muruga. Such was the influence of Kumarasambhava Kavya. Not only this, Tamil Sangam poets used the first ten slokas on Himalayas in Kumarasambhava, in their poems.

The greatest Art Historian of India Mr Sivaramanurti (Curator of Madras Museum) was a Sanskrit scholar. He argued Literature comes first Sculptures follow it like the Tamil saying Literature comes first Grammar follows it. He placed Kalidasa in Pre Gupta period,because Gupta coins show whatever Kalidasa said in his seven works.

***

Other coins on Muruga/Skanda/Kartikeya

Huvishka,successor of Kanishka, issued coins on all Hindu gods including Kartikeya around first century CE. Earlier rulers used pictures of Siva only. Huvishka used names in Mahabhashya such as Masena/ Mahasena , Skandakumaro Vizaka . His coins show that Skanda holding Trisula/trident like Shiva.

They spelt the names in strange ways

Shiva – oeso, uma – ommo

***

Yaudheya coins showed Skanda holding a spear; Vel in Tamil.

Kumara Gupta 415-450 CE issued beautiful Skanda coins in gold. The legend on his coin was Mahendrakumarah.

Gold coin issued by Chalukya Vikramaditya of Badami/Vatapi 655-681 CE has the figure of Kartileya. Peacock feather and snake are also seen.

Though  kanda Murugan is called Tamil God, we don’t have any ancient coin with Muruga!

As late as seventeenth century, king Ragunatha Nayak of Thanjavur displayed standing figure of Kartikeya in his coin.

Later Kanthirava Narasaraja Wodeyar (1638-56) of Mysore issued coins with Kartikeya seated on a peacock.

***

Maurya dynasty was named after Peacock (Mayura) growers. Asoka was very fond of peacock meat. Even after spreading Buddhism, he never stopped killing peacocks for food, but he ordered to kill lesser number of the birds. Their coins show peacock with its feather. Since India made peacock its national bird, we can even say that India’s national God is Lord Skanda, Mahasenatipati, Commander in Chief!

–Subham—

Tags- Oldest coin, on Muruga, Kartikeya, Skanda, Visaka, Shanmuka, Yaudheya, Gupta, Chalukya, Peacock ,

Ornaments in Kalidasa’s Works; Ancient Hindu Jewellery! You can get Ph.D.- Part 3 (Post.15,875)

Written by London Swaminathan

Post No. 15,875

Date uploaded in London –15 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

The dress and ornaments used by the women in Kalidas’s time were unrivalled in their simplicity, elegance and effectiveness. He used the rings to give surprises and twists in his dramas. He used the following ornaments,

Nupura- anklet; nuupura

Mekala or Kanchi or Rasna -girdle; waistband; mekalaa, kaanchi, rasnaa .

Valaya – bracelet;

Kankana – bracelet;

Keyura or Angadha – armlet;

Karnapura or Kundala Thadanga – ear ornaments; ear stud or earring; karnapoora, kundela, thaadanga;

Cudamani- ornament for the middle of the head; cuudaamani;

Mudrika- rings ; Aṅgulīyaka अङ्गुलीयक A finger-ring

Pictures of Gem stones found in Excavations in Sri Lanka

Following are some references where Kalidasa used ornaments –

Raghuvamsa – 8-63; 13-23; 8-58; 8-64; 9-37; 10-8; 11-17; 15-1; 16-65; 13-21; 16-56; 14-19; 15-77;16-74;

Vikramorvasiya – -3-15; 4-52;

Malavikagnimitra-  -3-17;4-3; 3-20; 4-4; 6-24;

Rtusamhara- – 4-4; 3-20; 1-5; 3-20; 6-6; 4-3; 2-24;3-19; 2-19;

Kumarasambhava – 1-37; 3-55; 4-85-10; 7-618-14; 8-83; 7-69;7-35; 6-84;

Meghaduta –1-28; 1-35; 1-31; 1-69;2-9;

Sakuntala –3-10; 1-13; 5-13;

There is no reference to nose ring; but brahmins and tribes in the hills are wearing it until this day.

Details of the jewels

In the plot of Sakuntala drama, the ring figures very conspicuously. So also, in Malavikagnimitra , the sarpamudrika, the serpent shaped ring, plays an important part .

Some of the above mentioned ornaments were worn both by men and women. Ancient statues of Gods and Goddesses, men and women show jewels worn on every part of the body. 2000 year old Sangam Tamil literature also confirms it.

Sanskrit words like Kinkini, Nupura, Mani, Kanchi, Mekhala are used in 2000-year-old Tamil Sangam Literature

***

Amarakosha, the oldest dictionary of synonyms in the world, give details of Hindu ornaments:

The Amarakosha, the ancient Sanskrit thesaurus by Amarasimha, catalogues a wide variety of traditional ornaments (ābharaṇa/alaṅkāra). It classifies these jewels comprehensively by the body part they adorn, providing the foundational vocabulary for Indian jewellery.

Specific ornaments mentioned in the Amarakosha include:

1. Head and Ear Ornaments (śīrṣa-ābharaṇa)

•          Mukuṭa: A crown or diadem.

•          Cūḍāmaṇi: A jewel worn on the crest of the head or hair.

•          Kundala: Earrings.

2. Neck and Chest Ornaments (kaṇṭha-ābharaṇa)

•          Hāra: A prominent chain or necklace made of pearls.

•          Niṣka: A necklace made of gold coins.

•          Graiveyaka: A torque or collar necklace worn close to the neck (also known traditionally as kanthi).

•          Tarala: A central pendant on a necklace.

3. Arm and Hand Ornaments (hasta-ābharaṇa)

•          Keyūra and Aṅgada: Armlets worn on the upper arm.

•          Valaya: Bracelets or bangles.

•          Kaṭaka: Rings or bracelets often having a round crest shape. [1, 2, 3, 4, 5]

4. Waist and Hip Ornaments (kaṭi-ābharaṇa)

The Amarakosha distinguishes several types of ornamented waist belts: [1]

•          Mekhalā: The primary term for a jeweled girdle.

•          Kāñcī: A specific type of waist girdle.

•          Raśanā: A multi-stringed or multi-beaded waist ornament.

•          Sārasana: Another variant of a decorated waist belt. [1, 2, 3]

5. Ankle Ornaments

•          Nūpura: Ankle ornaments or anklets.

Head & Hair Ornaments

•          Chūḍāmaṇi: A prominent crest jewel or diadem worn on the top of the head, often used as a key plot point or status symbol.

•          Ratnajāla / Muktajāla: Nets or networks of pearls and gems used to adorn and veil the hair. [1, 2, 3]

Ear Ornaments

•          Kuṇḍalas: Large earrings often crafted in specific designs, such as the Makara-kuṇḍala (shaped like a mythical sea creature) or the Ratna-kuṇḍala (gem-encrusted). [1]

Neck & Chest Ornaments

•          Kaṇṭhīkā / Kaṇṭhīhāra: Traditional, tightly fitting chokers and necklaces.

•          Ekāvalī: A single-string pearl necklace.

•          Muktāvalī: A classic, multi-strand pearl necklace. [1, 2]

Arm & Wrist Ornaments

•          Aṅguliya / Ratna-aṅgulīyam: Gem-studded rings, most famously the signet ring given by King Dushyanta to Shakuntala.

•          Kankaṇa: Bangles and bracelets worn on the wrists. [1, 2]

Waist & Hip Ornaments

•          Mekhalā: Elaborate beaded or multi-stranded hip belts and girdles.

•          Raśanā: A multi-stringed (often 16-strand) beaded waist chain.

•          Kāñcī: A single-strand hip girdle. [1]

Ankle Ornaments

•          Nūpura / Mañjīra: Ornate, often heavy anklets.

•          Kiṅkiṇī: Tinkling anklets adorned with small bells, typically worn by dancers.

***

My old articles on this topic are also attached herewith:

Three wivws of most celebrated Madurai Nayak King Tirumalai Nayak.

 Four Gold Rings in Ramayana and Kalidasa’s Works

Research paper written by London Swaminathan

Research article No.1520; Dated  26th   December 2014.

Gold Rings play an important part in Valmiki Ramayana and three of Kalidasa’s works in addition to Vishaka Datta’s Mudra Rakshasa.

Valmiki, the great Adi Kavi, inspired Kalidasa and Vishaka datta. All these are Sanskrit works. In Sangam Tamil literature we have one reference to a gold ring with shark picture on it. Such rings are found in Rome and Greece. Apart from their literary merits, there are lot of things for researchers.

1.Gold rings were used as seals. They were like government seals and emblems.

2.Gold rings have personal names inscribed on it. Rama’s name was there on his ring. Dushyanata’s name was inscribed on it.

3.Sita was able to recognise the letters RAMA and Shakuntala was able to read the letters. So women were literates and highly educated. Kalidasa tells us how many letters were in Dushyanta’s name and asked Shakuntala to count them so that she would know many days she had to wait.

tiberius

Tiberius ring

4.Tamil had rings with shark picture on them. They might have been imported from Rome. Roman gold coins are found in nook corner of Tamil Nadu and the vaults of Ananta Padmanabha Swami Temple of Tiruvanathapuram, Kerala.

5.Kalidasa gives information about  gem studded rings (Ratna Angukiyam) in Raghu Vamsa (6-18, 12-62, 12-65). In the Sakuntalam, he mentioned about giving engagement rings. Now it has become a big custom and big business in Western countries. Actually Hindus taught the world about giving Engagement Rings. Giving flowers is in Tamil literature.

6.Kalidasa also gives information about ring with a snake picture on it in his drama Malavika Agnimitram.

7.In Kalidasa’s Abinjana Sakuntalam and in Vishaka Datta’s Mudra Rakshasa, the ring  plays an important part. Sanskrit scholar Chandra Rajan compared it with Shakespeare’s Othello (hand kerchief instead of ring in Othello).

Snake ring

8.      Tamil Poet Maruthan Ilanakan used (Kali- 84) the ring in his Kalitokai verse. It is a gold ring given by a prostitute to the hero. It shows that prostitutes were very rich and they may even give rings to their customers if they fall in love with them. In other parts of the world, it is other way round; they only received, never donated.

9.Since Tamil ring has a Makara/shark, Romans might have brought them. Sailors used to visit prostitutes  the counties they visit and the VD or STD are called Sailor’s diseases. But the heroine actually said that it was Manmatha’s flag emblem, meaning that the prostitute wanted to rule over his heart for ever. Manamatha  is God of Love.

10.in Mudra Rakshasa, it is the signet ring of a minister. So, all the top government officials used their rings as signatures. Each one must have a different picture or personal name on it.

11.It is unfortunate that we have such rings only in the vaults of Maharajas now, which slowly find their way to auction houses in London and New York.

12.When I visited Stockholm I was able to see all the jewellery in the museums. In my city London, people queue to see the Royal jewellery including India’s Kohinoor diamond. I paid to enter Metropolitan Museum in New York. India can mint money by displaying her treasures properly. Government should set up a panel for this purpose with historians and archaeologists.

13.Indian government must ban legal or illegal “export” of all Indian jewellery to foreign auction houses. They must also make arrangements to display all the jewellery of temples such as Tirupati, Tiruvananthapuram and palaces of Maharajas. There are many more hidden gems lying in the dark rooms of India. I have written about our treasures in Tehran museum.

(Please Read my articles on “India needs an Indian Jones” and the Diamond studded Rs 1000 crore Globe in Tehran Museum)

238ring3

Gold Ring in Valmiki Ramayana (Sundara Kanda, Canto 36)

Sangam Tamil book Purananuru says that the monkeys did not know how to wear Sita’s jewellery! Sita threw them down from Ravana’s air plane. Hanuman took Sita’s jewellery back to Rama . Hanuman won Sita’s confidence when he gave her Rama’s ring. When she saw the ring with Rama’s name on it she believed that Hanuman was a real messenger from Lord Rama.

Here is the verse from Sundara Kanda

“O, Fortunate One, I am a monkey, the messenger of the sagacious Rama; behold this precious ring on which his name is engraved! O, Goddess, it was given to me by that magnanimous hero so that thou shouldst have faith in me”

“Janaki taking the jewel that had adorned her lord, was overcome with joy, as if he himself were present her gentle countenance with its large eyes sparkle with delight resembling the moon released from Rahu’s hold. Blushing with pleasure on receiving this token from her lord, that youthful woman, in her satisfaction, began to look on that great monkey as on a friend and paid tribute to him”.

From The Ramayana of Valmiki, Volume II, Translated by Hari Prasad Shastri

Here is the Gold Ring from Abhinjana sakuntalam:-

King : Then putting the ring on her finger, I said to her;

Madhavya: What did you say?

King: Count off each day one letter of my name

On the Ring; and when you come to the last,

An escort will present himself, my love,

To lead you to my Royal Apartments.

But in blank confusion I acted cruelly.

Mitrakesi: A charming arrangement, no doubt; only fate slipped in and broke it

Madhavya: How on earth did the ring enter the (fish) carp’s mouth as if it were a hook?

King: It slipped off your friend’s finger when she was worshipping the waters at Sasi’s pool (Soma Tirtha).

Act 6 of Sakuntalam (Chandra Rajan’s Translation in “Kalidasa-The Loom of Time”).

238ring22

Chandra Rajan compared it with Othello of Shakespeare:

“In Othello, proof of the heroine’s chastity and love is demanded. Desdemona’s chastity hangs on a hand kerchief; Sakuntala’s on a ring. Both heroines are blissfully unaware of the importance of the token. To them love is its own proof and a witness to their charity”

Snake ring in Malavikagnimitram

Act 4 of Malavikagnimitram says that the queen parted with her signet ring bearing a serpent seal, as it was required by the poison-doctor to effect a magical cure. He thus procures the freedom of Malavika.

Mudra Rakshasa

The meaning of the drama is “The Signet Ring of Rakshasa”, the Chief Minister of last Nanda King. Chanakya, installed Chandragupta Maurya as king, and dethroned the last Nanda king. Nanda king’s chief minister Rakshasa was made to switch sides through the clever plans of Chanakya.

 *** 

GEM STONES IN KALIDASA & TAMIL LITERATURE 

From my blogs dated 13-2-2012

(This is the third part of my thesis to prove that the age of Kalidasa is around 1st century B.C. Please read other two parts as well-S .Swaminathan)

A country’s wealth is reflected in its literature. If the poets always sing about poverty and begging bowl we know that the general public suffered and starved. If the poets sing about gold and gems and enormous wealth and donation it means that the country was wealthy. Kalidasa,the greatest of the Indian secular poets, sings about gold and gems though out his seven books. As a matter of fact he himself was considered one of the Nine Gems (Nava Ratnas) in the court of Vikramaditya who started his own era in 56 BC.

Kalidasa’s praise of Himalayan gems is sung by Sangam poets as well. Sangam poets who lived hundred or two hundred years after Kalidasa might have got the information from his works. If this is the only similarity then we can ignore it as coincidence. But I have identified 225 similes between Kalidasa and Tamil Sangam literature which proves that Kalidasa lived around 1st century BC or before the Sangam period.

Tamil kings were very rich. Tamil literature refers to thrones and cots made up of ivory and gold. The chariots were decorated with gold. Even the elephants had big gold plated coverings to its face. Roman ships poured gold in to Tamil Nadu (South India) and took spices in exchange. This was corroborated by Roman writers of first few centuries and discovery of thousands of Roman gold coins though out South India.

Kalidasa uses 16 names for the Himalayas including Kailash and Kubera saila. He is all praise for the Himalayas. He is so excited whenever he describes the mountains.

“There is in the northern quarter, the deity souled Lord of Mountains, by name Himalaya,who stands, like the measuring rod of the earth, spanning the Eatern and Western oceans”. 1-1:Kumarasambhava

“Snow could not be a destroyer of beauty in the case of him who is the source of countless jewels.” 1-3

“Who bears on his peaks, a richness of metals, appearing like an untimely twilight, with its colours reflected upon patches of clouds, and the cause of amorous decking of the heavenly nymphs.” 1-4

In Kumara I-3 and Ragu. II 29, IV 79 he describes the gems available in the Himalayas.

Tamil poets echo it in Puram 218 (Kannakanar) 377 (Ulochanar )Pattina. 190-198 sung by a Brahmin poet Kadiyalur Rudran Kannanar:

“Brought by the cart, gems and gold from the Northern Mountain

Sandal and eagle wood from the hills of Coorg

Pearls from the southern sea, coral from the east

Ganga’s wealth and Kaveri’s produce

Eza’s provisions and Kazhaga’s plenty “(Pattinapalai 193-197)

In addition to these there are hundreds of mention of all types of gem stones and precious metals.

Nagaratna/Cobra Jewel

(Please read my article :How did Shakespeare know Cobra Jewel-the Indian Nagaratna, where in I have explained what is Nagaratna)

We find the following references about the cobra jewel in Tamil and Sanskrit.

Kakaipatini Nachellaiyar ,a poetess of Sangam period says that the the snakes with cobra jewels are dancing in the holy Himalayas like the women possessed by divine spirits in Pathitru Pathu (6-lines 10 to 1)

Hindus believed that the snakes carried luminescent gem stones on their heads. They used them to find their prey. The general theme is that snakes use the light of Nagaratnam (cobra jewel) and if they lose it, snakes become very upset.

Kalidasa in Kumara Sambhavam : 2:38, 5:43, Raghuvamsam 6:49, 10:7, 11:59, 11:68,13:12, 17:63;Rtu Samharam 1:20

Sangam Tamil poets in  Aka Nanuru 72, 92, 138, 192, 372; Pura Nanuru 172, 294, 398; Kurunthokai 239; Natrinai 255; Kurinchipattu Lines 221,239

This is not an exhaustive list. We find such references in innumerable places.

Pearl in the Oyster

If the rain falls on Swati star day the oysters open their mouth to drink the rain drops and the rain drops become pearls-This was the belief of ancient Indians including Tamils.

Malavi.1-6: Kalidasa says , ‘the skill of a teacher imparted to a worthy pupil attains greater excellence, as the water of a cloud is turned in to a pearl in a sea shell.In Puram 380 ,Karuvur Kathapillay says the same about the origin of pearls. Bhartruhari makes it more specific by saying the rain on Swati Nakshatra days become pearls. Biologits also confirm on full moon days lot of sea animals like corals release their eggs or spores. So far as India is concerned it might have happened in that particular (Swati star with Moon) season.

Kalidasa gives more similes about pearls. He describes the river that is running circling a mountain as a garland of pearls( Ragu.13-48 and Mega.-49)

Other references from Kalidasa: sweat drops as pearl:Rtu.6-7; tears as pearls: Mega 46, Ragu VI 28,,Vikra V 15; smile-KumarI-44, water drops on lotus leaf:Kumara VII 89

In Tamil the teeth are compared to the pearls: Ainkur. 185, Akam 27

Since Gulf of Mannar is the main source of pearls in India ,thre are innumerable references to pearls in Tamil literature. Even Kautilya refers to the pearls from Pandya country. Korkai was the harbour city where the pearl fishing was flourishing. Aink 185,188, Akam 27,130 and Natri 23mention pearls from Korkai.

Ivory

The pearl recovered from elephant ivory is referred by Kalidasa and other poets:Kumar I-6,Ragu 9-65.This is referred to by several Sangam Tamil poets:Murugu 304, Malaipadu 517, Kali 40-4, Puram 170 (V M Damodaran),Pathitru.32 (K Kappiyanar), Natri. 202 (P P Katunko), Kurinji 36 (Kapilar), Akam 282 (Thol Kapilar).

Pearl from bamboo trees is also sung by a Tamil poet in Akam 173 (Mulliyur Puthiyar).

Ivory throne : Ragu 17-21

Akam 369 gem shield ;Kali 40- ivory pestle; Puram 35 –diamond needle

Hindus’ belief in Gem Stones (Post No.3356)

Compiled  by London Swaminathan

 Date: 15 November 2016

 Time uploaded in London: 9-12 am 

Post No.3356 

Pictures are taken from various sources; they are representational only; thanks. 

contact; swami_48@yahoo.com 

Recorded by The Rev. J E Padfield B.D. year 1908 in his book The Hindu at Home.

It is an old world notion that magic properties are attached to certain gems, and this idea has been systematized by the Hindus. It is called “The Test of Precious Stones” (Ratna Pareeksha). But the testing is largely confined, to the luckiness or otherwise of the particular gem and has nothing to do with its intrinsic value, nine kinds of precious stones are enumerated and mention is made of the  deity, or planet with which each is connected.

It is stated that the wearer of a particular gem receives the blessing of the patron deity. Thus rubies are the favoured gems of the sun; diamonds of Venus; pearls the moon; emeralds of Budha, the son of the moon. sapphires of Saturn; cat’s eye of the dragon’s tail, or descending node of the moon (Rahu); topaz of Jupiter; coral of the ascending node of the moon (Ketu) and the agate of Mars.

Faulty Gems!

Six kinds of rubies with flaws are enumerated, each of which is said to bring misfortune to the wearer. A ruby, with milky layers enveloping it, is said to bring poverty to the wearer; one with a broken ray in it will cause quarrels and disputes; one chipped will make enmity between relatives; one full of cracks will plunge the wearer into sorrows for ever; one with many flaws will endanger the life of the wearer one rough and dark in colour will be sure to cause evils. It is advisable to avoid either of these six kinds. It is also said that rubies containing two or three round spots are not lucky. It is not advisable to cast one’s eyes upon such a stone on awaking in the morning. It is most lucky to wear good and pure rubies; the sun, their patron, will bless the wearer with wealth and prosperity castes.

diamond

Diamonds are divided into four classes or castes. Those that are pure white are said to be of Brahmin caste, and bestow great benefits upon of wearer. Those that are red, are of the Kshatriya caste, and bestow upon the wearer the power. Those that are yellow are of the Banya caste, and bestow prosperity generally. Those that are black, are of the Sudra caste, and mean ruin to the wearer.

When a diamond contains shining streaks, resembling the feet of a crow, it will cause death of the wearer. If a pure diamond is worn, Venus, its patron, will bless the wearer with the comforts of life.

There are said to be nine places in which pearls are found. In the clouds; this kind said to be oval in shape, and to be worn by the gods. In the of a serpent; these are said to be like small seed, and to have the quality of relieving the wearers from all troubles. In the hollow of a bamboo; these are said to be black in colour, and give the wearer certain attractions. In a fish; these are white in colour, and protect the wearer from danger by fire. In the head of an elephant ; these are yellowish green and should be worn by king. In a sugarcane, this kind is of reddish colour and is said to have the power of causing all , even and queens, to be subjected to be subjected to the will of the wearer. In a conch shell; these are said to be like a dove’s egg, but they cannot be obtained by ordinary men. it requires a knowledge of mantrams, or of magic, to get them. In the tusk of a wild boar; this kind is red in colour, and is in size like the regu fruit (ziziphus jujuba); it will bring fame to the wearer.

pearl

In the pearl oyster; of these there are said to be three kinds, of a reddish, a golden, or a white colour. The moon, the patron of pearls, will bless a wearer of pure pearls with fame and the pleasures of life.

emerald

Emeralds are said to be of eight classes according to their colour. Poisons have no power over those persons who wear a good emerald. It gives protection against the power of the evil eye and develops the mental faculties. Emeralds also have the power of protecting the wearer of one from the designs foes, from sorrows, madness, internal pains, swoon and various diseases of the liver. A sure access to heaven is promised to that one who freely gives emerald to a Brahmin.

sapphire

Sapphires are divided into three classes according to the depth of their colour. There are also six kinds (with flaws) that are said to bring evil to the wearer; such evils as quarrels with relatives, loss of children, hazard to life, certain death within a year. A sapphire is purest when, if placed in milk it gives to the milk a bluish tinge. It is then a true sapphire. A sapphire is said to be electric, when a blade of grass will adhere to it though blown upon. Such a stone is said to bring lustre to the wearer. The Saturn, the patron of sapphires, will bless the wear of a true sapphire with prosperity and immunity from death.

The topaz is described as having a colour like a drop of dew on a flower, and its patron deity, Jupiter will bless the wearer with immense wealth.

Four kinds of coral (with flaws) are enumerated that will cause evil to the wearer, troubles, grief, disease, and death. There are six kinds of good coral mentioned, according to the colour, and the wearer of such is promised the pleasures of life and the accomplishment of his designs.

agate

The blessing of Mars is promised to the wearer of an agate, which blessing ensures wealth and prosperity.

The details given in this chapter, have, I think, served to show how strong the passion for jewels amongst the Hindus.

(My comments: Being a Christian preacher, Rev. Padfield had criticized the Hindus for their beliefs at the end of each chapter; that is why he gave more information about flawed (bad) gems than good gems. I have already written about the good gems mentioned by Kalidasa and Varahamihira (Brhat Samhita). Manu also advise that gems should be worn by the kings (7-218)

–Subham—

Tags- Ornaments in Kalidasa Works, Ancient Hindu Jewellery,  You can get Ph.D., part 3

Ancient Hindu Jewellery: You can get Ph.D.- part 1(Post No.15,867)

 Ornaments of Parvati as huntress, Madurai Temple

Ornaments of Lord Siva who appeared as hunter; Madurai Meenakshi Temple.

Written by London Swaminathan

Post No. 15,867

Date uploaded in London –13 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Hindus are the only people in the world who wear ornaments from head to foot. Greeks have no ornaments on their statues in the ancient time. Egyptians had some jewellery  ut only kings and queens wore it around their necks. Where as all Hindus have been wearing it whether it is a king or a servant; our ancient statues and literature prove it. Until this day wedding pictures of brides also show this. We have copious references to these ornaments in the Rig Veda, the oldest book in the world. After Rig Veda, we see it in the necks of Mother Goddess in Harappan Civilization. Statues of Yakshis, Yakshas and devotees dated around second century BCE reveal all types of jewelleries.

***

Apart from Hindus, Mayans and Aztecs in South America wore almost similar ornaments like the Hindus. We know that Mayans migrated to South America after a big conflict with Lord Krishna and Arujana. Both wanted to cultivate in new areas and construct new houses. So, they declared that they are going to burn Khandava Vana (Gond Wana Land). Naga tribes in the forest objected to it. But Krishna went ahead igniting a long fight between Nagas and Rulers for a few centuries. They killed all Nagas when Parikshit was assassinated. Then Astika Rishi and Jaratkaru initiated a peace agreement. Brahmins recite this historical peace agreement in a mantra three times a day. They face towards north and recite Narmadaayai Namah mantra with full details. ( In my research article written a decade ago, I have given over sixty similarities between Mayan Civilization and Hindu Civilization).

***

You can get a doctorate if you do research in Hindu jewellery. Rig Veda, Harappan Civilization, Sangam Tamil literature gives us encyclopaedic information.

Here is the list of ornaments in the Rig Veda (2000 BCE according to Prof. Wilson who thrashed Max Muller and made him to withdraw his 1200 BCE dating)

List of Ornaments in the Rig Veda

Karna sosbhanaa- 8-78-3; ear stud; ear ring;

Khaadi-1-168-3, 5-54-11;brooch, ring, bracelet or anklet;

Khaadihasta- 5-58-2; wearing bracelets;

Khaadi-6-16-48; wearing bracelets and anklets;

Khaadi pada-5-54-11; decked with anklets;

Krsanam- 1-126-4; pearl;

Krisanaavat– 1-126-4; wearing pearls;

Candra- 3-3-5;4-2-13;silver;

Candravat-3-30-20; wearing silver ornaments; possessing silver;

Tamsa- 10-106-1; to decorate;

Niska-2-33-10;8-47-15;golden ornament for the neck;

Niskagriva-5-19-3; wearing a gold necklace;

Mani-1-33-8; globule, crystal, gem;

Manigriva- 1-122-14; wearing a necklace of beads /gems;

Rajata- 8-25-22- silver;

Ratna- 1-41-6; 2-38-1; 4-1-10; shell, gems, pearls;

Ratnadhaa- 4-34-6; 7-16-6;possessing , offering ratna; great wealth;

Ratnadheya- 4-13-1; distribution of ratna; great wealth;

Rukma- 1-88-2; 4-10-5; golden chain or ornament;rukmi-1-66-3-adorned with gold ornaments;

Rukmavaksha- 1-166-3; having golden ornaments on chest;

Vrsakhaadi-1-64-10-having long bracelets;

Hiranyaya- 1-7-2;4-58-4;7-69-1; abounding in gold;

Hiranyam- 1-46-10;3-34-9; gold; precious metal;

Hiranya pinda- 6-47-22; lump of gold;

Hiranya paani-1-35-9;3-54-11;7-38-9; wearing gold ring or bracelets on hand;

Hiranya baahu- 7-34-4; wearing gold armlets;

Hiranya karna- 1-122-14; wearing gold studs; rings;

Hiranya pesa- 8-8-2; 8-31-8- adorned with gold;

Puskarasraj- 10-184-2; lotus garland

This list in not comprehensive; silver is mentioned in a lot of places with the word candra in the Rig Veda.

(Mani, Pinda were used even in 2000-year-old Sangam Tamil literature).

After Rig Veda, we get more information from Atharvana Veda, Yajur Veda, Upanishads, Sangam Tamil literature, and historical Tamil and Sanskrit inscriptions. The full jewellery list of Padhmanabha swamy Temple in Thiruvanathapuram (Kerala), Jagannath temple at Puri (Orissa) are not made public yet; Tirupati Balaji temple jewellery is uncountable. India is the richest country in the world even today. Each item in the temple will get millions of dollars if it is auctioned today. Palaces of old kings have hidden treasures. They keep it a secret until this day.

To be continued………………..

Tags- Ancient Hindu Jewellery, you can get Ph.D., part 1, list of ornaments, Rig Veda, Mayan, Aztec, Greek, Egyptian, ornaments,

Brahmin Gotras on Tamil Inscriptions (Post.15,862)

Written by London Swaminathan

Post No. 15,862

Date uploaded in London –12 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Brahmins lived not only in India but also in Sri Lanka and all over Southeast Asia. The Tamil and Sanskrit inscriptions and books like Mahavamsa confirm it. Agastya and Kaundinya, two Brahmins, occupy an important place in the literature, Historical inscriptions and folklore of Southeast Asian Countries. Sanskrit inscriptions of Mulavaman, Purnavarman (Fourth Century CE) and others were discovered inside the deep virgin forest of Borneo (Indonesia). Yupas (Yaga Pillars) were also found there. That shows Brahmins did big Yagas as well.

The suffix Varman has been continued with the name of Kings from Mahabharata days to the modern period.

Sangam Tamil poets proudly include their Gotra names. Dr R Nagaswamy, famous historian and archaeologist, N.Subramanian, Tamil scholar gave us a list of the gotras found in Tamil Nadu in their books.

Here is a list given by N.Subramanian in his book The Brahmin in the Tamil country, Madurai, 1989 :

The following Brahminical Gotra names are heard of in early and medieval Tamil inscriptions:

1.MAUTKALYAYANA

2.SRIVATSA

3.KAUNDINYA (GNANA SAMBANDAR’S GOTRA)

4.KASYAPA

5.BHARADVAJA (NACHCHINARKINIYAR  GOTRA)

6.JATUKARNA

7.VADULA

8.AGNIVESHYA

9.ATREYA

10.VISHNU VRIDHDHA

11.LOHITA

12.VASISTHA

13.GAUTAMA

14.PARASARA

15.HARITA

16.MUTKALA

17.KAUSIKA

18.SANDILYA

19.TARAYANA

20.AUSITHA

21.SAVARNI

22.SANKRIYAYANA

23.MASHALA

24.GARKA

25.RATHITARA

26.KANEKA

27.SALAVATA

28.KUTSA

29.VARAKYA

30.KAPI

31.TUMRAYANA

32.PAURUKUTSA

33.SAMKRASHTI

34.MATTARA

35.JANATKARNA

36.MADALA

37.KAPPA (KAVYA?

38.UDAMEGHA

39.LAKSHANYA

40.KANVAYANA

41.VISVAMITRA

42.ASHMATYA

****

The following Sutra names are also found in inscriptions:

1.APASTAMBHA

2.PRAVACHANA

3.BAHUVRIKSHA

4.SANDIKA

5.VASAUNI

6.HIRNYAKESI

7.ASVALAYANA

8.BAUVISHYA

9.KALARASPA(KALASARPA?)

10.KALARCHCHA

11.VAJAYANESYA

****

Following suffixes to names occur

1.SARMA, 2.BATTAR, 3.SOMASI (SOMA YAJI), 4.KILAN, 5.SARMAN, 6.CHATURVEDI, 7.VASANTAYAJI, 8.TRIVEDI, 9.SANGHVI (SATANGAVIT), 10.AIYAN, 11.VAJAPEYI, 12.UPADYAYA, 13.DVIVEDI

Chaturvi- one who mastered four Vedas; oldest Tamil book was approved by Chaturvedi Acharya of Tiruvithankodu in Kerala.

Trivedi- one who mastered three Vedas.

Dvivedi – one who mastered two Vedas.

Tamil Brahmins were great scholars; throughout Sangam Tamil literature we hear only Chaturvedi (in Tamil Naan Marai)

Sanghvi is Shat Andga Vit= one who is an expert in Six Angas/parts of Vedas.

In Tamil we call it Sadangu.

***

The following sacrifices are also mentioned:

Vajapeyam (Indian Prime minister Atal Behari Vajpeyi was from the family of Vajapeya Yaga experts)

Agnishtomam;

Asvamedham (horse sacrifice)

Rajasuyam is mentioned in Purananuru (Sangam Tamil Literature)

Kalidasa mentions that Pandyas are always with wet clothes because eof bathing called Avabrudha Snanam (in Raghuvamsa; it may be about Pal yaaga salai Mudu Kudumi Peruvazuthi)

Pal yaaga saalaa= one who constructs many Yaga Kundas at the same time)

The following Sakais (shakaa= branch) or Charanams are mentioned:

Asvalayana – Rig Veda;

Apastambha , Bharadvaja, Baudhayana, Satyasadha, Vaikanasa 0f Yajur Veda; Katyayana- Sukla Yajur Veda; Drahyayana- Sama Veda.

From Madurai N Subramanyam’s book

****

My old article on this subject follows: –

Brahmin Poets and Gotras

Brahmin poets of Sangam age identified themselves by thier Gotras. This gives valuable information to us. Even when Asoka sent his emissaries to Sri Lanka, they were welcomed by Brahmin priests. Mahavamsam says Brahmins were living in Sri Lanka even before Vijayan’s arrival there. It shows Brahmins were there at least from sixth Century BCE.

But most famous Brahmin poets Kapilar, Paranar, Mamulanar (Maamuulanaar) ,Kadiyalūr Uruthirankannanār etc. never mentioned their castes. Only other poets praised Kapilar as the most celebrated Brahmin because he was pure and self-controlled.

Pulan Azukkatra Anthanaalan – in Tamil

செறுத்த செய்யுட் செய் செந்நாவின், வெறுத்த கேள்வி விளங்கு புகழ்க் கபிலன்’  (புறம்.53) ;

‘புலன் அழுக்கற்ற அந்தணாளன்’ – நப்பசலையார் (புறம் 126); ‘

பொய்யா நாவிற் கபிலன் (புறம் 74)

***

We find the following Gotras in Sangam books:

The Gotras mentioned are: Atreya, Kausika, Kaundinya, Gowthama, Kasyapa, Kapya (Kaavya), Vatulya, Gargya,

Ilankousikanār         இளங்கௌசிகனார்

Iraniyamuttathu Perunkundrūr Perunkousikanār     இரணியமுட்டத்துப் பெருங்குன்றூர்ப் பெருங்கெளசிகனார்

Kallil Āthiraiyanār   கள்ளில் ஆத்திரையனார்

Kāppiyan Chēnthanār       காப்பியஞ் சேந்தனார்

Kāppiyātru Kāppiyanār     காப்பியாற்றுக் காப்பியனார்

Kāsipan Keeranār   காசிபன் கீரனார்

Kavuthaman Sāthēvanār  கவுதமன் சாதேவனார் (ஆமூர் கவுதமன் சாதேவனார்)

Kondimankalathu Vāthuli Narchēnthanār       கொடிமங்கலத்து வாதுளி நற்சேந்தனார்

Kōthamanār  கோதமனார்

Madhurai Ilankanni Kōsikanār    மதுரை இளங்கண்ணிக் கோசிகனார்

Madhurai Ilankousikanār மதுரை இளங்கௌசிகனார்

Madhurai Kavuniyan Poothathanār      மதுரைக் கவுணியன் பூதத்தனார்

Neythal Kārkkiyār  நெய்தல் கார்க்கியர்

Pālai Gouthamanār           பாலைக் கெளதமனார்

Perunkousikanār    பெருங்கௌசிகனார்

Sellūr Kōsikan Kannan      செல்லூர் கோசிகன் கண்ணனார்

From other sources we know Chandilya, Bharadvaja Gotras. Most famous commentator Nachchinarkiniyar , and Nedum Bharatayanar, Teacher of a Chera king, belong to Bharadwaja Gotra.

Post Sangam epic Silappadikrama gives more information. Dr Nagaswamy, famous historian and archaeologist, lists 32 Gotras that lived in Tamil Nadu, from post Sangam period inscriptions.

List of Brahmin poets and their contribution in Sangam/ Cankam literature:

List of Famous Brahmin Poets:

Agasthyar ,who received Tamil language from Shiva

Tolkappiyar (Thruna dumagni), who wrote grammar after Agaththiyam became obsolete.

Amur Gowthaman Sathevanar (Sahadevan)

Kadiyalur uruththiran Kannanar ( Rudra Aksha)

Kodimangalam Vathula (Gothra) Narsenthan

Sellur Kosikan (Kausika Gothra) kannanar

Madurai Teacher Nalanthuvan

Madurai Ilam kausikanar

Madurai Kanakkayanar

Nakkiran,son of Madurai Kanakkayanar

Madurai gownian (Kaundinya Gothra) daththnar

Mamulanar

Uraiyur enicheri mudamosi

Perunkundrur Perungkausikan

Kumattur kannan

Gowthaman

Valmiki

Vadamavannakkan damodaran

Vembathur kumaran

Paranar

Kapilar-Paranar

*****

Books written by Brahmin poets

Tolkappiyam (Pre Cankam period); His name was Truna Dhumagni, according to most famous commentator Nachchinarkiniyar. Tolkappiyar beloned to Kavya Gotra (  Kappiyak Kuti in Tamil) Lord Krishna in Bagavad Gita praised this clan. Usanas was the greatest Kavi= Kavya= Kappiya.

Kurinji pattu (lines 261)

Thiru murugatruppadai (lines 317)

Pattinap palai (Lines 301)

Perumpanatrup padai (Lines 500)

Malaipadukadam (lines 583)

Nedunal vadai (lines 188)

Six out of Ten Idylls sung by Brahmins

Pathitrup pathu (all except one)

Ainkurunuru (Kapilar’s 100)

Brahmin’s contribution adds up to 10,000 lines, nearly one third of the Sangam/ Cankam literature.

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No Brahmins, No Tamil!!


Tamil and Vedashttps://tamilandvedas.com › 2012/01/14 › no-brahmins…

14 Jan 2012 — Without Brahmins Tamil would have died or at least become poorer two thousand years ago. The reason being Brahmins were the teachers of that language

Also more details are given in my article No Brahmins, No Tamil.

–Subham—

Tags- Brahmins, Gotras, Yagas, Tamil inscriptions, Brahmin poets, Sutras, Tolkappiar