Hinduism through 500 Pictures in Tamil and English 43; படங்கள் மூலம் இந்து மதம் கற்போம்-43 (Post No.15,536)

Surya in Delhi Airport

Written by London Swaminathan

Post No. 15,536

Date uploaded in London – 26 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

(Tamil Version is given as Part 44)

Navagrahas – nine heavenly bodies

Strange Things about Navagraha Shrines

Navagraha Shrines are found mostly in Shiva temples; but there are exceptions. Madurai Koodal Azakar Perumal Temple , though a Vaishnava temple, has a Navagraha Shrine.

Famous Navagraha Shrines, at least nine in number are crowded in one area. That is Thanjavur district in Tamil Nadu. Some Vaishnava Navagraha Shrines are also known. They are in Tirunelveli District.

Gangai Konda Chozapuram temple has a unique Navagraha Statue. The sculptor has selected a square stone where Sun occupies centre place; on four sides all the other eight Grahas are carved.

Tirunaraiyur Shiva temple has a special shrine for Sani and his family.

Since Hindus knew well about the solar system, Sun is placed in the centre and all others face towards the sun. Sun’s wives are Chaya and Usha; again this is also based on science. Before sunrise, we see dawn, that is Usha; Rig Veda has beautiful poems on Dawn/Usha. Sun creates shadow behind. Shadow in Sanskrit is Chaya.

Sun’s black spots cause big disruptions on communication on earth. Bhartruhari described them Ketus and Kabandhas , that is demons, in his Brhat Samhita.

Navagrahas are not Nine Planets; they are nine heavenly bodies with gravity. Graha means gravity. English words Grip, Grab, Gravity etc are derived from this Sanskrit word. That is the reason Hindu scientists named hem Graha and included Sun, Moon, Rahu and Ketu which are not planets. They have gravity. Tamils copied it and called them Kol. This also has the same meaning.

Hindus gave supreme importance to Sun which is considered Arogya Karaka- one who gives Health and long life. Without sun light all living beings will die within a few hours or few days. Sun light provides us Vitamin D. Moon has big impact on oceans and tides, so do they have influence on human bodies and particularly Mind.

Rig Veda says suns is important for Eyes and Moon is important for Mind (It is in Purushasukta, Tenth Mandala of RV).

Hindus have also discovered the relationship between planets. Throughout Sanskrit Literature and Sangam Tamil literature Venus is linked with Rains. Thoughtout Sanskrit literature Moon is linked with plants. They used the same word SOMA for moon and Soma Rasa, the elixir of life.

In the Navagraha hymn they sing about the relationship between planets. Some are symbolic and others have literal meaning.

Konark, Odisah Sun Rath and Sun God below

Navagraha- Nine Gem Ring

Navagraha shrines inside Temples

All South Indian temples have separate shrines for the Navagrahas inside the big temple complex.

Round the sanctum/ garbhagriha of Siva temple, we find this Navagraha shrine. The sun stands in the centre and other planets are fixed round him, each in a specified direction.  This shows Hindus knew that all the plants are orbiting around sun. The planets are highly respected and scrupulously worshipped by the Hindus as they are believed to influence the destinies of human beings.

Hindus cast horoscopes when a child is born. That will show his future life. Brahmins do Sandhyavandana three times a day and the Navagraha tarpanam is done to satisfy all the nine planets. This will avoid evil influence of planets.

Hindus only worship stars and planets in the world. This explodes Aryan immigration theories. Sangam Tamil literature mentioned all the nine planets with reverence. They mentioned even the worship of Saptarishi / ursa major constellation. This shows Hindus from north to south have the same belief even 2000 years ago. This shows Greek influence has nothing to do with Hindu astrology and Hindu astronomy. Moon / crescent worship, Rohini star worship are also in Tamil and Sanskrit books. Link between the pearl and swati star is also in both the ancient scriptures.

*****

In the Amarakośa, Amarasiṃha lists numerous synonyms for the Sun (Sūrya), highlighting its attributes such as radiance, timekeeping, and its role as the source of light.

Here are the key sun names found in the Amarakosa:

Sūra (सूर): The Sun.

Aryamā (अर्यमा): One of the Adityas.

Dvādaśātmā (द्वादशात्मा): The one with twelve souls (months).

Divākara (दिवाकर): Maker of the day.

Bhāskara (भास्कर): Maker of light/radiance.

Ahaskara (अहस्कर): Creator of the day.

Bradhna (ब्रध्न): The pale/white one.

Prabhākara (प्रभाकर): Creator of light.

Vibhākara (विभाकर): Maker of light/shining.

Bhāsvān (भास्वान्): Radiant/luminous.

Vivasvān (विवस्वान्): The shining one.

Saptāśva (सप्ताश्व): Drawn by seven horses.

Haridaśva (हरिदश्व): Having green/yellow horses.

Uşnaraśmi (उष्णरश्मि): Hot-rayed.

Vikartana (विकर्तन): The cutter (associated with the cutting of the sun’s limbs).

Arka (अर्क): The reverend/radiant one.

Mārtanda (मार्तण्ड): Born from a dead egg (bird), the sun.

Mihira (मिहिर): Friend/cloud-disperser.

Aruṇa (अरुण): Dawn/ruddy.

Pūşā (पूषा): Nourisher.

Dyumaņi (द्युमणि): Jewel of the sky.

Taraņi (तरणि): Swift/remover of darkness.

Mitra (मित्र): Friend.

Citrabhānu (चित्रभानु): Having brilliant rays.

Virocana (विरोचन): Illuminator.

Viśvāvasu (विश्वावसु): One of the Gandharvas, also used for the sun.

Grahapati (ग्रहपति): Lord of the planets.

Tvişāmpati (त्विषांपति): Lord of light.

Aharpati (अहर्पति): Lord of the day.

Bhānu (भानु): Ray/sun.

Hamsa (हंस): The swan/sun.

Sahasrāmśu (सहस्रांशु): Thousand-rayed.

Savitā (सविता): The Arouser/creator.

Tapana (तपन): The Heater.

Ravi (रवि): Praised by all.

Padmākşā (पद्माक्ष): Lotus-eyed.

Tejasāmrāśi (तेजसाम्राशि): Mass of glory.

Chāyānātha (छायानाथ): Lord of shadow.

Tamistahā (तमिस्रहा): Remover of darkness.

Karmasākşi (कर्मसाक्षी): Witness to actions.

Jagaccakşus (जगच्चक्षुस्): Eye of the world.

Lokabandhu (लोकबन्धु): Friend of the world.

Trayitanu (त्रयितनु): The three-bodied (associated with Vedas).

Pradyotana (प्रद्योतन): Shining/illuminating.

Dinamani (दिनमणि): Jewel of the day.

Khadyota (खद्योत): The sky-light.

Lokabāndhava (लोकबान्धव): Relative of the world.

Ina (इन): Strong/lord.

BhaŖga (भर्ग): Refulgent/shining.

Dhāmanidhi (धामनिधि): Repository of light.

Amśumāli (अंशुमाली): Garlanded with rays.

Abjinípati (अब्जिनीपति): Lord of lotus beds.

These names are described and commented upon in the Amara-koṣa-udghāṭana of Kṣīrasvāmin, which provides explanations for the origin and aspects of these sun-related terms. (from Wisdom Library)

****

Navagraha in Asmoleon Museum, Oxford

Navagras in British Museum, London

Oxford Museum

Nine Planets in Hindu Astronomy

Hindus called heavenly bodies Grahas. So Nava Grahas/ Nine Planets include Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu and Ketu. Strictly speaking, sun is a star and moon is earth’s satellite and Rahu and Ketu are north and south lunar nodes. Four of the “nine planets” are not planets. They calculated correctly the time of the eclipses in spite of these naming.

Thesauruses like Amarakosa in Sanskrit and Diwakaram and Pingalandhai in Tamil give several names for the planets. What do we know from these names or epithets for the planets? Navagraha stotras also describe the planets, their colours and their virtues. Now and then we read some “scholarly” articles about Hindus copying Greeks or the Babylonians. Is there any truth in it?

Following are taken from our Hymns or Thesarus:

Statement 1

Mars is the son of Earth (Bhumi putra, Mahisuta)

Statement 2

Mercury is the son of Moon (Induja, Somaja)

Statement 3

Saturn is the son of Sun (Chaya putra)

Statement 4

Venus causes rains (Rain planet in Tamil)

Statement 5

Moon influences Mind; moon is born out of the mind of God

Statement 6

Sun is linked to Eyes; sun is born out of the eyes of God

Statement 7

60,000 Valakilya Rishis, seers of thumb size, travel with the sun.

Statement 8

Guru/Jupiter is the Teacher (guru) of the Devas; Venus is the Teacher of Demons. Both are Brahmins.

Statement 9

Colours of the Planets: Saturn is black, Jupiter is Golden, Mercury is Green, Mars is red and Venus is white.

Statement 10

Saturn is lame or a slow coach; Jupiter measures the years.

What is the meaning?

The above statements are rough translations of the words found in thesaurus or the hymns. What do they mean? Are they scientific?

The short answer is most of them are yet to be proved by science. Let me give some explanations

About Statements 1, 2, 3

When you say that a particular planet is the son of another heavenly body (Graha) it may mean collision between the two heavenly bodies produced X planet. So we call the X planet is the son of so and so. In short it is an astronomical event happened long ago. In astronomical terms billions of years ago.

Another meaning is one looks like another. For instance Mars looks like earth and so we call it the son of the Earth.

The third meaning is that earthly creatures are going to settle in Mars in future. So we call Mars is the son of earth.

The fourth meaning is a hidden meaning which we don’t know now. May be future scientific discoveries may prove us right. If we take soil samples from both the planets and compare it, clearer picture will emerge.

For instance there are several theories about the origin of moon. Nothing is proved beyond doubt. Some say it is a big chunk thrown out of earth because of a collision and it can be easily fit into Pacific Ocean. Some others say it was caught by earth and made a slave (satellite) of earth. These theories can be made as beautiful Puranic stories (Mythology).

About Statement 4

Venus- Rain connection may be superficial or more than that. It is in Sanskrit books as well as Sangam Tamil books. The amount of rains or the drought is forecast by the position or movement of Venus in the sky according to Tamil commentators. Science hasn’t proved it yet.

About Statements 5,6

Rig Veda says that the sun and moon are born from the eyes and mind of the Supreme God. We know for sure the connection between the moon and the mind. Lot of articles have come out in science journals linking the lunatics and the full moon. Hindus believe that doing Surya Namaskar every day in the morning will brighten one’s eyes. Science has to prove it.

“Chandrama Manaso Jata: Chakshor Suryo Ajayata” (Purushasukta in the Tenth Mandala of Rig Veda).

About Statements 8,9, 10

The colours are partly right. When we look at Mars in the sky it is blood red in the night sky.

When we say Saturn is “lame” we know that is the planet that takes longer years than other planets in completing one circle in orbit (30 years). When we say that Jupiter is the planet that measures years we mean it moves from one zodiac sign to another sign every year and completes the 12 zodiacal signs in 12 years which decides Kumba mela, Maha makam and other big festivals.

Planets-lots-of-info-Chart1

I have already written about the Valakilya Rishis (Lilliputian seers travelling with sun). I have also written about the Heavy planet Guru and its sling shot effect in sending the rockets without fuel. Guru in Sanskrit means Heavy and one who sends up (elevates) others.

My Conclusions:

1.No other language has got so many names for the planets or stars like Tamil and Sanskrit. This shows that astronomy was born here and we have not borrowed it from the Greeks or the Babylonians.

2.Brahmins in their Sandhya Vandhanam every day, worship Navagrahas in the same order like Sunday , Monday, Tuesday …….. They couldn’t have borrowed it from someone and inserted it in their Vedic ceremonies.

3.Tamil saint Sambandhar of seventh century CE sang about the nine planets in the same order. So it is Vedic and not Greek.

4. Moreover these beliefs are listed in 2000 year old scriptures in Tamil and Sanskrit from Kanyakumari to Himalayas covering the vast sub continent. So they couldn’t have borrowed it during Alexander’s time and spread it over the entire country. There were no mobile phones or telephone lines or electronic communication at that time!

5. Foreign beliefs can’t be inserted into Hindu ceremonies that easily. They have a fool proof system.

6. Purusha sukta of Rig Veda linked mind to Moon. It is scientifically proved with lots of research confirming the link between the two.

We can conclude that Hindus spread it to the whole word like their decimal system and Hindu numerals.

******

Here is the Sanskrit Hymn

Navagraha strotram

SURYA:

       Om Japa Kusuma Sankasam Kashya peyum mahadyuthim

        Thamorim sarva papaghanam pranatosmi divakaram

Chandra:

        Om Dadhi sankha thusharabham kshirodarnava sambhavam

       Namami sasinam somam shabhormakuda Bhushanam

Mangal(Mars or Chouva)

     Om Dharani Garbha Sambhootham vidyuthi kanthi samaprabham

     Kumaram Sakthi Hastham tham Mangalam Pranamamyaham

Mercury (Budha)

     Om Priyangu Kalikashyamam roopena prathimam budham

      Soumyam soumyagunopetham tham Budham pranamamyaham

Jupiter (Brihaspathi or  Vyasham)

          Om Devanam cha rishinam cha gurum kanchana sannibham

          Budhhibhootham thrilokesham tham namami brihaspatham

Venus (Shukra)

        Om Himakunda mrinalabham dythyanam paramam gurum

          Sarava sastha pravaktharam bhargavam pranamamyaham

Saturn(Shani)

        Om Neelanjana samabhasam raviputhram yamagrajam

         Chhayya marthanda sambhootham tham namami shanaiswaram

Rahu

       Om Ardha kayam mahaveeryam chandradhithiya vimardanam

         Simihika Garbha Sambhootam Tham Rahum Pranamamayaham

Kethu

       Om Palasa Pushpa sankasam tharakagraha masthakam

        Roudram roudrathmakam ghoram tham Kethum pranamamyaham

Meaning

The first verse is dedicated to Surya, the Sun God. In this verse sun is compared to Hibiscus (Japa Kusuma) with magnificence (Mahaa-dyutim). He is the descendent of Sage Kashyapa (Kashyapeeyam). Destroyer of darkness and sins (Tamorim sarva paapaghnam), He is the day-maker (Divakaram) too.   

The second hymn is on Chandra, the Moon. His colour is of Yogurt, Shell and Snow (Dadhi Shanka Tushara). He is born out of Milky Ocean at the time of Samudra Mathana (Ksheeror daarnava sambhavam) and bears the rabbit (Shashi) in Him. He is the head ornament of Shambhu (Shambhur mukuta bhushanam).

The third hymn is on Mangala, the Mars. He is Youth (Kumaram) Romans too consider Mars to be valiant youth. Born out of Earth (Dharani Garbha sambhutam) He is bright as lightening (Vidyut Kanti samaprabham).

The fourth hymn is on Budha, the Mercury. Like the bud of Priyangu (Aglaia Elaeagnoidea) He is Shyama (cloud colour) astronomers have observed Mercury to be grey. Roopene apratimam (matchless beauty). Gentle and composed nature (Sowmyam Sowmyagunopetam).

The fifth hymn is on Guru, the Jupiter. Resembling Gold (Kanchana sannibham) he is the preceptor of Deva and Rishis (Devanam cha Rishinam cha). He is embodiment of Intellect (Buddhi bhutam) and Lord of three worlds (Trilokesham).

The sixth hymn is on Sukra, the Venus. With the advantage of looking like the fibre of snow jasmine (Hima Kunda mirnalaabham), He is the teacher for Demons (Daityanam Paramam Gurum). He is the preacher of all science (Sarva shastra pravaktaaram).

The seventh hymn is on Shani, the Saturn. There is a mention of the Rings of Saturn (Neelanjana Samabhaasam) Neela is blue, Anjana is embellishment and Samabhaasam is resemble. He is (Raviputra) Son of Sun and Elder brother to Yama (Yamagrajam). He is son of Surya and Chayadevi (Chayamarthanda Sambootam) Marthanda is Sun.   

The eighth hymn is on Rahu, the north lunar node. He has half body but he is brave (Ardhakayam mahaveeram), He is the destroyer of Sun and moon (Chandraditya vimardanam) that is, while eclipse he destroys them. He is the son of Simhika, sister of Prahalada (Simhikagarbha sambootam).  

The ninth hymn is on Ketu, the south lunar node. He is red as Butea flower (Palasha Pushpa samkaasha). He is the head of all stars and planets (Tarakagriha mastakam). He is fierce and terrifying (Raudram Raudratmakam).


Gangaokonda Chozapuram Navagrahas in one stone.

To be continued………………

Tags- Navagrahas, Surya, Nine heavenly bodies, Gravity, Solar system, Hindu knowledge, Science in Navagraha Hymn, Synonyms for Sun, 29 Names

Krishna and Balram killed 21 Demons (Post No.15,526)

Written by London Swaminathan

Post No. 15,526

Date uploaded in London – 23 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Lord Krishna killed numerous demons and tyrants to restore dharma, primarily during his childhood in Vrindavana and later in Mathura and Dwarka. Key demons included Putana, Trinavarta, Aghasura, Bakasura, Dhenukasura, Keshi, Vyomasura, Narakasura, and his maternal uncle, Kamsa. His elder brother Balarama also joined him in his adventurous deeds.

1

Putana (Witch): Attempted to poison Krishna with her breast milk.

Putana was a demoness sent by King Kansa to kill the infant Krishna by breastfeeding him with poisoned milk. Disguised as a beautiful woman, she entered Gokul, but Krishna sucked her life force along with the poison, killing her.

2

Trinavarta (Whirlwind): Sent by Kamsa to carry away the infant Krishna.

 Trinavarta  was a demon in the form of a whirlwind sent by King Kansa to kill infant Krishna; he kidnapped the child by creating a massive dust storm in Gokul. As he flew into the sky, Krishna became unimaginably heavy, choking the demon, causing him to crash to the ground dead. Krishna was found unharmed, playing on the demon’s body.

3

Sakatasura (Cart): A ghost inhabiting a cart, broken by infant Krishna.

The Sakatasura anecdote tells of Lord Krishna killing a cart-demon sent by Kamsa to harm him during his childhood. As a three-month-old baby, Krishna kicked over a cart (his disguises) when it tried to crush him, killing the demon.

4

Vatsasura (Calf): Disguised as a calf, killed by being thrown into a tree.

Vatsasura was a demon sent by Kamsa to kill Krishna and Balarama in Vrindavana by disguising himself as a calf. While grazing calves, Krishna recognized the demon, caught him by his hind legs and tail, and spun him to death before throwing him into a tree.

5

Bakasura (Crane Demon):

One day, Kansa called for Bakasura – a fearsome bird – and told him to go get rid of Krishna. At that time, Krishna was playing in the forest with his friends, until a massive shadow fell on them. Looking up, the kids saw a monstrous bird flying straight at them. As Bakasura swooped down with his beak wide open, Krishna grabbed the sharp beak, and jumped right into it. Bakasura’s beak cracked and broke. The pain was too much, and the demon collapsed to the ground, lifeless.

6

Aghasura (Python): Younger brother of Putana, who swallowed the cowherd boys.

Aghasura was a gigantic serpent demon and brother to Putana and Bakasura, sent by Kamsa to kill Krishna in Vrindavan. He took the form of a long snake, creating a cave-like mouth that tempted cowherd boys and calves inside. Krishna rescued them by killing the demon from within, offering him liberation.

7

Dhenukasura (Ass): Killed by Balarama, with assistance from Krishna, at the palm tree forest.

Dhenukasura was a donkey-demon who guarded the Talavana (palm forest) near Vrindavan, preventing anyone from enjoying its fruits. At the urging of cowherd friends, Lord Balarama and Krishna entered the forest, where Balarama shook the trees, provoking Dhenukasura to attack. Balarama swiftly killed the demon by whirling him around and tossing him into a tree.

8

Kaliya (Serpent): Subdued and banished from the Yamuna river.

Kaliya, a Naga (serpent), moved to the Yamuna River to flee Garuda, contaminating the water so heavily that birds and trees died and the area was rendered inhabitable, say Villains Wiki and Facebook post.

While playing, Krishna’s ball went into the river, prompting him to climb a Kadamba tree and jump in to confront the beast,

Kaliya wrapped his coils around Krishna, attempting to kill him. Krishna, as a child, grew in size and began dancing on the snake’s heads, crushing him.

Kaliya’s wives, the Nag-patnis, pleaded for mercy. Krishna granted this, ordering Kaliya to leave the Yamuna forever and return to Ramanaka Dwipa, promising him safety from Garuda.

9

Pralambasura (Fiery/Forest): Slain by Balarama (with Krishna’s aid).

Pralambasura was a powerful demon sent by King Kamsa to kill Krishna and Balarama, who disguised himself as a cowherd boy to join their games in Vrindavan. During a game of tag where losers carried winners, Pralambasura lost to Balarama and carried him, aiming to kill him, but Balarama killed him with a massive blow to the head.

10

Kesi (Horse): A horse demon who was killed by Krishna.

Keshi (also spelled Kesi or Keśī, meaning “the hairy one”) is a fearsome horse-demon who was sent by the evil King Kamsa to kill Lord Krishna.

  •  After his other demons failed to eliminate Krishna, Kamsa sent Keshi, a mighty demon capable of shapeshifting, to Vrindavan to destroy him.
  • Keshi took the form of a gigantic, ferocious horse. He created chaos in Gokula, terrifying residents, shattering the earth with his hooves, and roaring so loudly that clouds were scattered.
  • Krishna, along with his cowherd friends, challenged the horse. Keshi charged at Krishna with his mouth open, intending to devour him. Krishna, appearing unfazed, caught the demon’s legs and threw him a significant distance.
  • Reinvigorated, Keshi charged again. This time, Krishna thrust his left hand into the demon’s gaping mouth
  • Inside the demon’s throat, Krishna’s hand began to expand, choking Keshi. The demon fell to the ground dead.

11

Vyomasura (Sky/Bat): Killed while trying to hide with cowherd boys.

Vyomasura (“sky demon”) was a magical demon and son of Mayasura, sent by Kamsa to kill Krishna. While playing a game of thieves and sheep with cowherd boys on Govardhana Hill, Vyomasura disguised himself as a cowherd and kidnapped most of the boys, trapping them in a mountain cave. Krishna killed him to rescue his friend

12

Kamsa (Uncle): Tyrannical king of Mathura.

A tyrannical king of Mathura. Maternal uncle of Krishna . son of ugrasena and father of Devaki, mother of Krishna. He married twin daughters of Jarasandha named Asti and Prapti, king of Magadha. He deposed his father Ugrasena. It was foretold that a son born of Devaki should kill him. So he killed all children born to her except two. Balarama, her seventh son was smuggled out to Gokula and was brought up by Rohini. When Krishna was born as the eighth child his parents fled with him. The tyrant then gave orders to kill all vigorous male children . Kamsa persecuted Krishna and at the end Krishna killed him. Because of this he earned the enmity of Jarasandha. Kamsa was also called kalaankura, the crane.

***

13

Narakasura (Demon King): Killed for ruling with terror and imprisoning thousands of women.

Narakasura,, the son of Bhudevi (Earth Goddess) and Vishnu’s Varaha avatar, was known for his tyranny, abduction of 16,100 women, and theft of divine treasures. He was killed by Lord Krishna and Satyabhama (reincarnation of Bhudevi) to restore righteousness, with his death celebrated as Naraka Chaturdashi before Diwali. 

  • Born from the union of Vishnu’s Varaha form and Bhudevi, he was initially pious but grew arrogant and evil due to the influence of Banasura.
  • He terrorized the three worlds (heavens and earth), stole Aditi’s (mother of gods) earrings, and forced 16,100 women into captivity.
  • Due to a boon, he could only be killed by his mother. Satyabhama, Krishna’s wife and Bhudevi’s reincarnation, fought him, while Krishna killed him with the Sudarshana Chakra.
  • Legacy (Diwali): He requested that his death be celebrated as a victory of light over dark, leading to the tradition of Naraka Chaturdashi, where his effigies are burned.
  • Liberation of Wives: Following his death, Krishna married the 16,100 women rescued from captivity to restore their social honor.

14

Shishupala

Shishupala was a Chedi king in the Mahabharata born with three eyes and four arms, destined to die at Krishna’s hands. Due to a promise made to Shishupala’s mother, Krishna forgave his first 100 insults, but killed him with the Sudarshana Chakra at the Rajasuya Yajna after the 101st insult, granting him liberation.

Birth & Prophecy: Born to Damaghosha and Shrutashrava (Krishna’s aunt), his physical abnormalities vanished when placed on Krishna’s lap, confirming the prophecy.

The Promise: His mother, knowing his destined death, persuaded Krishna to pardon 100 offenses.

Enmity toward Krishna: Shishupala harbored deep hatred after Krishna married Rukmini, who was intended for him.

The Final Insult: At Yudhishthira’s Rajasuya sacrifice, Shishupala insulted Krishna when he was honored as the supreme guest. Krishna unleashed the Sudarshana Chakra after the 100th insult.

Liberation: Shishupala was a reincarnation of Jaya (a gatekeeper of Vishnu) cursed to spend three lives as Vishnu’s enemy. His death by Krishna granted his soul liberation

15

Dantavakra: Dantavakra, the King of Karusha and a cousin to Krishna, was a ferocious enemy of Krishna, acting as a mortal incarnation of Vishnu’s gatekeeper, Vijaya. Seeking to avenge the death of his friend Shishupala, he attacked Krishna alone with a mace but was killed, granting him salvation.

16

Wrestler Chanura

The fight between Chanura/Mushtika and Krishna/Balarama was a pivotal wrestling match held in Mathura, orchestrated by King Kamsa to kill Krishna. 

  • Kamsa invited Krishna and Balarama to a Dhanur Yajna (bow ceremony) intending to trap them. He set up his strongest wrestlers, Chanur and Mushtika, to fight the young brothers, hoping to end them.
  • Despite the unfair matchup, Krishna fought Chanur while Balarama took on Mushtika. The fight took place in an arena watched by Kamsa.
    • Krishna defeated and killed Chanur, showcasing his divine strength.
    • Balarama defeated and killed Mushtik.
  • Aftermath: Following the defeat of these champions, Krishna killed the tyrant king Kamsa in a subsequent confrontation in the same arena.

17

Wrestler Mushtika

18

Arishtasura (Bull Demon)

The demon Ariṣṭa wanted to kill Krishna and Balarāma, and thus he assumed the form of a huge bull with sharp horns. Everyone in Kṛishṇa’s cowherd village became terrified when Ariṣṭāsura approached it;but twhen the bull demon charged him he seized him by the horns and threw him to the ground and thrashed him like a pile of wet clothing. The demon gave up his life.

19

Kala Yavana

Kalayavana- kaalayavana

Kālayavana (कालयवन).—a kind of yavanas and enemy of Kṛṣṇa and an invincible foe of the Yādavas. Kṛṣṇa, finding it impossible to vanquish him on the field of battle, cunningly decoyed him to the cave where Muchakunda was sleeping who burnt him down.

Lord Krishna was chased by a Kala yavana and Krishna entered the cave where Mucukunda was sleeping. When Mucukunda became tired he got a boon from God to sleep undisturbed for a long time in a cave. Kalayavana also entered the cave and slapped on Mucukundan thinking that it was Krishna pretending to sleep. When Mucukunda opened his eyes, Kalayavana was burnt to ashes. Tricky Krishna came out of his hiding and blessed Mucukunda.

20

Kuvalayapeedam

The anecdote of Kuvalayapida (often referred to as Kuvalaya Peedam in Tamil contexts) concerns a massive, intoxicated royal elephant sent by the tyrant King Kamsa to kill Lord Krishna and his brother Balarama upon their arrival in Mathura. 

  • The Trap: Knowing that Krishna was destined to destroy him, Kamsa arranged a wrestling match and stationed his most feared, maddened elephant, Kuvalayapida, at the gate of the arena, managed by a skilled rider.
  • The Challenge: As Krishna and Balarama approached the entrance, the mahout ordered the elephant to attack.
  • The Victory: Krishna accepted the challenge and, showcasing superhuman strength, seized the elephant by its tusks, broke them off, and used them to instantly kill both the beast and its rider. 

21

·         The Binding (Damodara): Dama means rope, udara means belly; Krishna is named Damodara for having a rope tied around His abdomen.

·         The Turning Point: Seeing His mother tired, Krishna allows Himself to be bound, demonstrating His love for His devotees.

·         The Liberation: While tied to the mortar, Krishna drags it and topples two Arjuna trees, liberating the sons of Kubera, Nalakubara and Manigriva, who were cursed to be trees.

-subham—

Tags- Demons, killed by, Krishna, Balarama, 21 demons, Narakasura, Diwali, 

Aththi varadar and Adi varahar Temples in Kumbakonam (Post No.15,491)

Written by London Swaminathan

Post No. 15,491

Date uploaded in Kumbakonam, India –  12 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Athi Varadar festival in Kumbakonam featuring the rare, once-in-12-years public viewing of the idol ended on tenth March 2026. Over 500,000 devotees had the darshan standing in the long queue for hours.

Here are the key details from the news reports (as of March 2026):

12-Year Cycle: Unlike the 40-year cycle in Kanchipuram, the Athi Varadar idol at the Varadharaja Perumal Temple in Kumbakonam is brought out from its underground chamber once every 12 years.

Current Event (2026): The idol was brought out for public worship in March 2026, marking the end of its 12-year seclusion.

Duration: The special darshan, which includes rituals like Thailakappu (oil anointing) and Oonjal Sevai (swing ritual), is scheduled for a limited period, often spanning about 10 days, attracting thousands of devotees.

Location: The temple is located on Brahmman Koil Street in Kumbakonam.

In a spiritually significant event, the sacred Athi Varadar idol will be brought out from the underground chamber of the Varadharaja Perumal Temple in Kumbakonam after a gap of 12 years. The rare occasion drew devotees not only from Tamil Nadu but also from Andhra, Telangana, Kerala and a few North Indian states.

The Athi Varadar idol, carved from the sacred athi (fig) tree, is preserved in a subterranean chamber within the temple premises as part of a long-standing tradition. According to temple customs, the idol is taken out only once every 12 years for a brief period of public worship. Along with the main deity, Sri Devi and Bhoodevi are also part of the ceremonial display.

During the special darshan period, which lasted for  ten days, elaborate rituals and poojas were conducted in accordance with Agama traditions. Ceremonies such as Thailakappu (oil anointing), Pushpa Alankaram (flower decoration), and Oonjal Sevai (swing ritual) were performed with devotional fervour.

Temple authorities made extensive arrangements to manage the surge in devotees, including regulated darshan timings and security measures. The event transformed Kumbakonam into a major spiritual hub, as devotees gathered to witness and participate in this rare and auspicious tradition.

Only one incident was reported ;a devotee passed away while waiting in the long queue for the darshan on March 10, 2026.

( The Athi Varadar idol in Kumbakonam is distinct from the more famous, larger Athi Varadar idol in Kanchipuram, though both are made of fig wood.)

***

Adi Varaha Perumal /Vishnu Temple

I visited Adi Varaha Perumal /Vishnu Temple (aadi varaaha perumaal) on 10th March 2026 and had good darshan. It is a small temple compared to Sarngapani and Chakrapani Vishnu temples. It is very near the famous Kumbeshwar Siva Temple.

God/Moolavar : Sri Adhi Varaha Perumal

Goddess/Thayar    : Sri Ambujavalli

It has no tall tower. but instead there is an Arch which is East facing. On top of the Welcome Arch Sri Varaha Perumal is seen along with few other Gods. There is a gold plated Dwajasthambam, a Bali Peedam and a Garudalwar who faces the Moolavar Sannadhi. It is about 800 years old.

Thayar/Goddess Ambujavalli is in a separate shrine in a sitting posture with abhaya varada hastam.

According to Sthala Purana/ local history,Demon Hiranyaksha took Bhumadevi deep inside the earth. Bhumadevi prayed to Maha Vishnu to rescue her. Maha Vishnu took the Varaha avatar, dug the earth with his nose, and brought her back. Hence, Maha Vishnu of this temple is called Adhi Varaha Perumal Temple. Varaha means boar. It I one of the Ten Avatars/Dasavatar.

This Temple is one of the five Templescelebrating  Mahamaham festival that is held once in 12 years. Inside the Sanctum Sanctorum Adhi Varaha Perumal can be seen along with His Consort Bhoomadevi on His Lap and Adisesham can be seen in a standing posture.

 This is a Vadakalai  temple with Nigamantha Desikan shrine inside the temple.

One of the special features of the temple is a rare Prasad/Food offering. A root called Korai Kizangu is used in the food offering to God here. Since the God is in the form of Boar, this is considered appropriate offering.

Korai Kizhangu, or Nut Grass (Cyperus rotundus), is a traditional Ayurvedic and Siddha tuberous root known for its diverse medicinal, skincare, and hair removal properties. It is used to treat skin infections, improve skin texture, boost immunity, and aid digestion, often consumed as a powder or used as a topical paste.

–subham—

Tags– Aththivaradar and Adivarahar Temples , Kumbakonam, Root vegetable Prasad, 12 years,Korai Kizhangu,

Two Famous Shiva Temples in Kumbakonam that I Visited (Post No.15,487)

STORY OF KUMBAKONAM IN PICTURES; ALL PHOTOS TAKEN BY LONDON SWAMINATHAN

Written by London Swaminathan

Post No. 15,487

Date uploaded in Kumbakonam, India –  11 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

I was fortunate to have good darshan at Kumbesshwar Shiva temple and Nageswara Shiva temple in Kumbakonam. I visited Kumbeshwar temple for the fourth time in the past four years. This time I went there specifically to thank the Lord and the priest for retrieving my lost passport. During my visit in 2025, my British passport was pickpocketed by someone. Finding no money in the passport bag, he threw it into the temple flower heap. The priest saw that while clearing the flowers and gave it to his wife to find the owner. She found me after a great effort and spending much time. After a few hours of phoning people, she googled swaminathan from London, and all my books appeared in google and amazon. Then she found the publisher Pustaka.co.in and phoned the proprietor. He is a good friend of my brother in Bengaluru. When my brother phoned me the good news, I booked a taxi to and from Chennai and reached Kumbakonam just before midnight. I thanked the priest and his wife and travelled back to Chennai to catch my flight to London. When I gave some money as a token of thanks, they refused to take it and asked me to donate it to the temple. It was almost midnight and the temple was closed. This time on 5-3-2026, I went to Kumbeshwar  temple and put the money in the temple Hundi thanking both lord Shiva and the priest family.

Kumbheswar is the God who gave the name to the town. Here are the salient features:

The Adi Kumbeswarar Temple in Kumbakonam is at least  1400-year-old Shiva temple ;it is the site for the Mahamakam Festival held every 12 years. The big Mahamakam tank is near the temple.

Temple features a unique, sand-mixed lingam created by Lord Shiva and houses a rare, ancient stone Nagaswaram

  • Deity: Lord Shiva as Adi Kumbeswarar and Parvati as Mangalambigai Amman.
  • Significance: It is the primary temple in Kumbakonam, linked to the pot of nectar in Hindu mythology.
  • Features: It showcases Chola and Nayak architecture, including a 1400-year-old legacy.
  • Cultural Reference: it has rare statue of Jvaradeva/Jurakareśvara and a stone Nagaswaram.
  • The Siva Linga is slightly tilted at the top towards left.
  • It has four towers in four directions; The tallest is the eastern tower, with 11 stories and a height of 128 feet (39 m) .
  • The sixteen-pillared hall built during the Vijayanagara period has all the 27 stars and 12 zodiacs sculpted in a single stone.
  • During cosmic dissolution, a pot containing nectar (Amirta) was floating and lord Siva came in the disguise of a hunter and pierced the pot with an arrow, thereby making the nectar to flow through it’s nostril on all sides. Hence this place is named Kudamooku (kuda – pot; mooku – nostril or tip). Kudam in Sanskrit is Kumbham. The Kumbeswarar (Linga) is on the form of conical lingam. That gave the name Kumbha konam.

***

Special Features of Nageshwar Shiva Temple

The presiding deity is revered in the 7th-century Tamil Tevaram. The temple is one of the earliest of all Chola temples. Shiva in the guise of Nagaraja, the serpent king.

Sun rays fall directly on the deity during April-May. 

WHITE FIGURE- PADAKACHERI SWAMI WHO RENOVATED THE TEMPLE IN 1920S.

 

Key Details of Nageshwar Temple, Kumbakonam:

  • Deity: Lord Shiva is worshipped as Nageswaran, Naganathar, or Koothandavar.
  • Architecture: Known as Kudandai Keezhkkottam, the temple is a masterpiece of Chola engineering, with the main sanctum constructed in the shape of a chariot.
  • Astronomy & Light: The temple is designed so that sun rays fall on the central lingam for three days in the Tamil month of Chithirai (April/May).
  • Significance: It is one of the 12 temples associated with the Mahamaham festival.
  • Legend: It is believed that the serpent king Adisesha worshipped Shiva here. Another legend features kings and sages worshipping here to overcome obstacles.
  • Specialty: It is a major spot for relieving Rahu dosham, with special prayers held on Mondays and Thursdays. 

The temple complex is famous for its intricate carvings and its role as a key historical site representing the Chola dynasty’s architectural prowess.

The temple has numerous shrines, with those of Nageswarar, Pralayamkathanathar and Periyanayagi being the most prominent..

This place has been referredto  in Tevaram written by Saint Tamil poet of 7th Century CE, Thirugnana Sambanthar. So it is older than 1400 years.

The temple had been a centre of learning as seen from the inscriptions in the temple. The inscriptions indicate specific subjects like Purvamimansa styled as Pravahakarma. There were also provisions made for feeding and maintaining for teachers and students

–subham—

Tags-  Famous Shiva Temples in Kumbakonam, Kumbeshwar, Nageshwar, Stone Nadaswara, Stone Chariot, Mahamakam Tank, Festival, Adishesan, Snake worship, PICTURES BY LONDON SWAMINATHAN

Two Famous Vishnu Temples of Kumbakonam that I Visited (Post No.15,483)

Pictures are taken by London Swaminathan’.

Written by London Swaminathan

Post No. 15,483

Date uploaded in Kumbakonam, India –  10 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Like Kanchipuram, Kumbakonam in Tamil Nadu is also dotted with several Vishnu and Shiva temples. They are called Temple Towns; only difference is Kanchi has Jain temples as well. In Kanchi one can see more Pallava influence and in Kumbakonam one can see more Choza influence.

The Vishnu temples I visited on 5-3-2026, are Bow Holder Temple (Sarangapani) and Wheel Holder Temple (Chakrapani). They are sung by Alvars, Tamil Vaishnavite saints and dated 1200 to 1500 years old. Both the temples have some unique features.

Vishnu has five weapons in his hands.

Vanamali Gadi Sarangi Shanki Chakri Cha Nandaki Shriman Narayano Vishnur Vasudevo Bhirakshatu.

वनमाली गदी शार्ङ्गी शङ्खी चक्री च नन्दकी।

श्रीमान् नारायणो विष्णुर्वासुदेवोऽभिरक्षतु॥

Vanamali (वनमाली): One who wears the Vanamala, a divine garland made of forest flowers (Vaijayanti), representing the subtler elements of nature.

Gadi (गदी): The bearer of the mace named Kaumodaki;

Sharngi (शार्ङ्गी): The wielder of the Sharnga bow;

conch (Shankhi), discus (Chakri), and sword (Nandaki).

Lord Narayana, who is adorned with these divine weapons and symbols, including the conch (Shankhi), discus (Chakri), and sword (Nandaki). It is chanted for safety and to remove obstacles.

Let us first visit Sarngapani (saarngapaani) Sarngam is the bow and Paani in Sanskrit is Hand.

The Sarangapani Temple is a 1000 year old Hindu temple in  dedicated to Lord Vishnu, who is depicted holding the sharanga (bow). It is one of the 108 Divya Desams and a significant Pancharanga Kshetram located on the Kaveri River bank. It features unique chariot-shaped architecture and legends.

Situated in Kumbakonam, this temple is revered in the Nalayira Divya Prabandham by seven Alvars (poet-saints).

Architecture: The main sanctum is designed like a chariot (Ratha) pulled by elephants and horses, featuring intricate carvings from the Chola and Nayak periods.

Deity: Lord Sarangapani is in a reclining posture (Bhujanga sayanam) on the chariot bed.

Legends: The temple is associated with Sage Hemarishi, who did penance to have Lakshmi as his daughter, and it is a Pancha Kshethram where Goddess Lakshmi was born as Bhargavi.

Key Spots: Includes the Pathala Srinivasan sanctum (underground) and the Mettu Srinivasan (above ground) sanctum.

Festivals: The temple celebrates major festivals, including the chariot festival (Rathotsavam).

Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam.He stayed in the nearby Someswaran Temple to convince Lakshmi to marry him and the couple eventually got married. The temple follows Pancharatra Agama and Vadakalai tradition.

Tallest tower

The Sarangapani Temple dates back to the Pallava era; however, the existing edifice is linked to the Vikrama Chola period, beginning in 1121 AD. Its importance grew significantly during the reigns of the Vijayanagara and Nayaka dynasties from the 15th to the 17th centuries, which saw considerable expansion of the temple’s structure

A notable highlight of the Sarangapani Temple is its main entrance, the rajagopuram, which rises to a height of 173 feet and consists of eleven tiers. This structure is the tallest temple tower in Kumbakonam and ranks as the third tallest gopuram among the Divya Desams, following Srirangam (236 feet) and Srivilliputhur (192 feet).

Trial Run of the New Chariot

Trial run of the New Ratha/ Chariot of Sarngapani

Is taking place on 13-3-2026. This is one of the biggest chariots of Tamil temples.

Height – 60 feet; Weight 500 Tons;

Chariot’s horses and other figures are made up of papier mache and bamboo. It will be used next Chitrai month . Thousands of people will pull it using 300 metre long huge rope.

***

Chakrapani temple

All the Shiva and Vishnu temples are in walking distance. Chakrapani temple is unique in many respects.

In the Chakrapani Temple, Lord Vishnu appears in the form of a discus or Chakra to put down the pride of Surya, who subsequently became his devotee. Like Lord Shiva, Lord Chakrapani has a third eye on his forehead.

Lord Vishnu appears as the fiery Sudarshana Chakra with eight arms and a third eye, resembling Lord Shiva to subdue Surya’s pride. It is known for its “Bhaskara Kshetram” where the Sun God worships the deity. Bhaskra means Sun/Surya.

Picture shows Sun God worshipping Chakrapani.

Unique Deity Form: Lord Chakrapani is depicted not as a human avatar but as the radiant, Sudarshana Chakra (wheel ) housed in a central sanctum.

Third Eye & Eight Arms: Unlike typical Vishnu forms, this idol has eight arms holding weapons and a third eye on the forehead, similar to Lord Shiva.

Bilva leaves are used here instead of Tulsi.

Sun Worship (Bhaskara Kshetram): Legend holds that the Sun God (Surya) worshipped the Chakra here to regain his lost brilliance, making it a prominent place for Sun worship.

Architecture & Entrances: The temple has a five-tiered Raja Gopuram and features two entrances—”Thatchinaya Vayil” and “Utharavana Vayil”—and an outer Prakara built like a balcony.

Historical Significance: A bronze statue of the Maratha King Serfoji II is present, as he is said to have been cured of a severe illness by the deity.

Important Rituals: It is one of the five Vishnu temples involved in the Mahamaham festival, with major, unique celebrations including the, Thirumanjanam (holy bath) and special, worship during Masi Magam.

Pancha Mukha Hanuman: The temple complex contains an idol of the five-faced Hanuman.

The temple is also known for, being a place where worshippers, pray for relief, from, physical, or, mental, illnesses.

***

As per Hindu legend, Chakra (also called Sudarshana), is the most powerful weapon of god Vishnu. He once sent his weapon to nether world to kill king Jalandasura. The weapon is believed to have come out of the nether world through river Kaveri. God Brahma, installed the image of Sudarshana in the place where the temple is now located. Surya, the Sun god, who was glowing in brilliance, had his brightness diminished by the effulgent Sudarshana. Surya worshipped Sudarshana and pleased by his devotion, Sudarshana restored all the powers of Surya. He worshiped Chakrathazhwar (personified Wheel or Discuss) during Masi Magam and every year Masi Magam festival is celebrated during the day, commemorating the event. The temple car is drawn around the streets of the temple during the day.

–subham—

Tags- Kumbakonam, Sarngapani temple, Chakrapani temple, unique features, wheel, bow, Bhaskara kshetra, tallest tower, tallest chariot, Sun/Surya

What is the distance between you and the God? (Post.15,480)

WRITTEN BY S NAGARAJAN

Post No. 15,480

Date uploaded in Kumbakonam, India – 10 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx

What is the distance between you and the God?

S. Nagarajan

Narada is a great sage. He is devoted to Lord Narayana who is the protector of Universe according to the Hindu religion.

All the scriptures says that Narayana resides at Vaikunda, a sacred place in the sky.

Once Narada went to Vaikunda, where Narayana is supposed to be dwells.

But to his surprise Narada did not see the Lord, there!

He started searching the Lord.

At that time one devotee came in front of him.

He asked Narada, “oh! Great sage, wherefrom you are coming?”

Narada replied to him that he is coming from Vaikunda. He also said that he did not see the Lord at Vaikunda and in search of him he is wandering:’

The devotee laughed at him.

“Oh! Great sage! You do not know where he is. He is at a calling distance,” said the devotee.

Narada was wonderstruck.

He told the devotee that he is not able to understand the meaning of his words.

The devotee said, “It is simple. He is at a distance to hear your call. When the elephant Gajendra called “Oh, the Origin of everything”, he heard that call and immediately came to the elephant’s rescue.

Actually, the elephant’s leg was grabbed by a crocodile in a river and at any moment it may be dragged into the river.

Similarly, the Pandavas Queen Draupadi called him, “Oh, my lord who is dwelling in my heart. Pl come and rescue me. The wretched Gaurav Dussasana is stripping my sari.”

On hearing Draupadi’s call he came immediately to her rescue and started supplying numerous saris.

Telling all these things the devotee asked Narada, “I hope now you understand where he would be. Go and find him in devotees’ assembly.

Narada accordingly found the Lord in a large gathering where devotees were chanting His name.

Narada finding the Lord there prostrated before Him.

Narada told the Lord that he is coming from Vaikund in search of him.

The Lord laughed at him and said the famous reply.

“I am not residing at Vaikunda nor at the yogi’s heart. Wherever my devotees are chanting my name, oh, Narada, you may find me there.

Narada understood the power of the devotion.

God is in your heart and that is the distance between you and the God!

**

Published in http://www.writing.com

Mayuram Temple is unique! Goddess became Peacock! (Post No.15,479)

Author London Swaminathan standing in front of the tall tower.

Written by London Swaminathan

Post No. 15,479

Date uploaded in Kumbakonam, India –  9 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

About sixty years ago, we used to travel from Madurai to Vaitheeswaran Koil to worship our family deity Shiva. There Lord Shiva is called Mr Doctor (In Sanskrit Vaidyanathan) . He is doctor for the diseases our body catches as well as the disease of birth and death. And we used to stay in our uncle’s house at Mayavaram, also known as Mayuram, Mailaduthurai ; in fact Mayiladuthurai is the name used by the Thevaram saints. Since the God Mayuranathar is sung by Appar/Tirunavukkarasar and his junior Gnana Sambandar the place is well known for at least 1400 years.

When we stay at our uncle’s house we used to go to the temple and spend much time sitting in the Prakara (corridor) discussing various matters. I visited the temple again on 5-3-2026.

The temple at Mayuram (Mayura in Sanskrit is Mayil in Tamil meaning peacock) has a story.

Goddess Parvati went to her father Daksha’s Yagna (Fire sacrifice) uninvited. Daksha invited all but not Shiva. He didn’t bother; but when he insulted Parvati   she fell in the Yagna fire and sacrificed herself. Shiva became angry and sent Virabhadra to destroy all the people in the Yagna Hall. At the same time Shiva cursed even his own wife for not obeying to his instruction. She was cursed to become a peacock (peahen)and she worshipped Shiva at this place to get out of the curse.

Several inscriptions in the temple show the donations made by Choza , Pandya and Vijayanagara kings. So the temple has a long history.

Salient features of the Mayiladuthurai Temple are:

It is on the southern banks of the River Kaveri. Every Aippasi month (one of the 12 Tamil months) thousands of people take holy dip in the river in the early morning. At that time, it is as holy as Ganga and the town is as holy as Kasi (Varanasi/Benares). The 30 day holy bath (Thula Snanam) concludes in the first day of next month called Kartikai.

God Shiva appears in the form of Swayambu Linga here. Goddess is called Abhayambikai. In the same temple there is a shrine called Adi Mayuranathar shrine where Goddess is in peacock form.

The statuesof planet Saturn (Sani) and goddess Durga in the temple have unique features. Sani has Flame (fire) head; Durga has demons at her feet.

Nataraja here did Gauri Tandava.  The tower is 165 feet tall and it is a nine storeyed tower.

Lord Ganapati is called Agastya Vinayaka. All the popular Hindu Gods have shrines in the temple. There is a tank attached to the temple.

·         Architecture: Originally from the 7th century, it was significantly built/expanded by the Cholas (11th century).

·         Mythology: Legend says Goddess Parvati worshipped Shiva here in the form of a peacock (Mayur).

·         Location: Situated in the heart of Mayiladuthurai town, Nagapattinam District, Tamil Nadu.

·         Important Festivals: The “Thula Utsavam” in the Tamil month of Aippasi (October-November) is a major event.

·         Address: Mayuranathar Colony, Mayiladuthurai, Tamil Nadu – 609001.

In the 14th century, Tamil poet Arunagirinathar composed a Tiruppugaz song on the deity Murugan, in this temple. The shrine is managed by Thiruvavaduthurai adheenam.

It is about 256 km (159 mi) southeast of Chennai, the state capital.  The nearest railway station is Mayiladuthurai railway junction 2 km (1.2 mi) from the temple.

The temple is a huge temple and one needs an hour or less to complete the round.

–subham—

Tags- Mayiladuthurai, Peacock, Lord Shiva, Mayuram, Goddess  cursed, Thula Kaveri Bath, Snanam

HINDU DICTIONARY IN ENGLISH AND TAMIL 40; இந்து மத கலைச்சொல் அகராதி-40 (Post No.15,460)

Written by London Swaminathan

Post No. 15,460

Date uploaded in Sydney, Australia –  27 February 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

ஆங்கில எழுத்து K- ல் துவங்கும் சொற்கள்

Words beginning with “K”. (Tamil Version is posted here)

காளிதாசன்

காளிதாசன் உலக மகா கவிஞர்களில் ஒருவன். மிகப் பெரிய நாடகாசிரியன். அவனுடைய ஏழு நூல்கள் அவனுக்கு உலகப் உகழை ஈட்டித் தந்துள்ளன. காளிதாசன் உவமை மன்னன். ஆயிரத்துக்கும் அதிகமான உவமைகளை ரத்தினக் கற்கள் போல ஆங்காங்கு பொருத்தமாகப் பயன்படுத்தியுள்ளான். சங்க இலக்கிய நூல்களில் இவனுடைய 1250 உவமைகளில் அல்லது சொற்றொடர்களில் 225 வரை அப்படியே கையாளப்பட்டுள்ளன.

காளிதாசனின் முக்கிய நூல்கள்:

மகா காவியங்கள்:

ரகுவம்சம் (Raghuvamsa)

குமாரசம்பவம் (Kumarasambhava)

கண்ட காவியங்கள்:

மேகதூதம் (Meghaduta)

ருதுசம்காரம் (Ritusamhara)

நாடகங்கள்:

அபிஞான சாகுந்தலம் (Abhijnanashakuntalam)

மாளவிகாக்கினிமித்திரம் (Malavikagnimitram)

விக்ரமோர்வசியம் (Vikramorvashiyam)

இவைதவிர ஏராளமான ஸ்லோககங்களும் சுபாஷிதங்களும் அவர் பெயரில் வெளியாகியுள்ளன.

காளிதாசன் எழுதிய மேகதூதம் உலகின் முதல் பயண நூல் ஆகும். டூரிஸ்ட் கைடு புஸ்தகம் போல மத்திய இந்தியா முதல் இமை யா  மலை வரை வரிசையாக வருணிக்கிறார். மேலும் மேகதூதம் தான் தென் மேற்குப் பருவக்காற்றின் போக்கை வருணிக்கும் உலகத்தின் முதல் வானிலை இயல் நூலும் ஆகும் இதைப் பார்த்துதான்  கபிலர் என்னும் உலகப் புகழ சங்கத் புலவன் குறிஞ்சிப்பாட்டினை எழுதினார் என்று தமிழ்  அறிஞர் ரெவரென்ட்  ஜி யு போப் குறிப்பிட்டுள்ளார்.

காளிதாசனின் காலம்

காளிதாசனின் காலம் குறித்து நீண்ட காலமாக பல்வேறு கருத்துக்கள் நிலவி வந்தன. கி. மு முதல் நூற்றாண்டு முதல் குப்தர்களின் காலமான நான்காம் நுற்றாண்டு வரை பல்வேறு ஆராய்ச்சியாளர்கள் பல தேதிகளைக் குறிப்பிட்டார்கள். ஆனால் அவைகளுக்கெல்லாம் முற்றுப் புள்ளி வைக்கும் நல்ல சான்றுகள் சங்கத் தமிழ் இலக்கியத்தில் கிடைத்துள்ளன. இதன் மூலம் காளிதாசனின் காலம் சங்க காலத்துக்கு முன் என்பது தெள்ளத் தெளிவாகிறது. புகழ்பெற்ற வரலாற்று நிபுணரும் கலைத்துறை வல்லுனருமான சிவராம மூர்த்தி போன்றோர் காளிதாசனை விக்ரமாதித்தன் காலத்தில் வைத்தனர். சங்க இலக்கியமும் அவர் காலம் கி.மு முதல் நூற்றாண்டு என்பதை உறுதி செய்கிறது. டில்லி பல்கலைக்கழக பேராசிரியர் திருமதி சந்திரா ராஜன் வெளியிட்ட Penguin publication காளிதாசர் நூல்களின் மொழிபெயர்ப்பில் கூட அவரை சங்க காலத்துக்கு முன்னரே வைக்கின்றார்

காளிதாசன் ஒரு மாமேதை. அவன் பேசாத பொருள் இல்லை. அவனுடைய பூகோள அறிவோ மூக்கில் விரலை வைத்து வியக்கும் வண்ணம் உள்ளது. இமய மலையை பூமியை அளக்கவந்த அடிக் கோல் என்கிறார். வரை படம் இல்லாத காலத்தில் 1500 மைல் நீளமுள்ள இமயமலையை அவர் எப்படி இப்படி வருணித்தார் என்பது ஆச்சரியமே.

ஈரான் முதல் இந்தோனேஷியா வரை பல இடங்களை அவர் குறிப்பிடுகிறார். கப்பல் கவிழ்ந்தால் அந்த சொத்துயாருக்குப் போய்ச் சேரும் என்ற சட்ட விசயங்களை அலசுகிறார். ரகு வம்ச காவியத்தில் ஸ்வயம்வரத்துக்கு வந்த மன்னர்களை வருணிக்கையிலும் பாண்டிய மன்னனையும் ஆதித்ய முனிவரையும் குறிப்பீடுகிறார் ; தமிழ் இலக்கியத்தின் அஸ்திவாரமே அகத்தியர்தான்.

காளிதாசனின் வியப்பூட்டும் உவமைப் பட்டியல்!

காளிதாசனின் உவமைகள் உலகப் பிரசித்தி பெற்றவை. எண்ணிக்கையிலும் அதிகம்; தரத்திலும் அதிகம்; அவருடைய ஏழு நூல்களில் எங்கும் மிகப் பொருத்தமான உவமைகளைக் காணலாம். அவற்றில் இரு நூற்றுக்கும் மேலான உவமைகளை சங்கத் தமிழ்ப்புலவர்கள் எடுத்தாண்டதை, நான் எழுதிய  இரண்டு தமிழ், ஆங்கில நூல்கள் மூலமாகவும் அறியலாம் சுமார் 1250 உவமைகளை அவர் பயன்படுத்தியதால் உபமா காளிதாஸஸ்ய – உவமைக்கு காளிதாசன் என்று சம்ஸ்க்ருத மொழியில் ஒரு பொன்மொழி உள்ளது .

 அதனால்தான் அவரை உலக மஹா கவிஞன் என்றும் நாடக ஆசிரியன் என்றும் உவமைச் சக்ரவர்த்தி என்றும் இன்றும் அறிஞர்கள் போற்றுகின்றனர்.

;இந்த உவமைப் பட்டியலிலும் அவர் மன்னர்களை வேத கால தெய்வங்களுடன் ஒப்பிடுவதால் அவர் இரண்டாயிரம் ஆண்டுகளுக்கு முந்தையவர் என்று தெளிவாகிறது;  சங்க நூல்களிலும் மன்னர்களை வேத கால தெய்வங்களுக்கும் பின்னர் முருகன் விஷ்ணு போன்ற தெய்வங்களுக்கும் ஒப்பிடுவது காலத்தைக் காட்டும் கண்ணாடியாகத் திகழ்கிறது.

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கல்பம்

வேதப் படிப்பினைப் படிப்போருக்கு வேதங்களோடு ஆறு துணைப்பாடங்களையும் கற்க வேண்டும் என்று ஆயிரக்கண ஆண்டுகளுக்கு முன்னர் சிலபஸ் வகுத்துள்ளனர் . அவைகளில் ஒன்று கல்பம் . ஆறு பாடங்களை ஷட் அங்கம் என்று சொல்லுவார்கள். இதிலிருந்து சடங்கு என்ற தமிழ்ச் சொல் உண்டாக்கியது .

இன்னும் ஒரு பொருள் காலம் பற்றியது .

பிரம்மாவின் நூறு வயதில் ஒரு நாள் கல்பம் ஆகும்

இது 14 மன்வந்தரங்களைக் கொண்ட மிக நீண்ட கால அளவாகும்.

ஒரு கல்பம் என்பது 1,000 மகாயுகங்கள் அல்லது 14 மன்வந்தரங்கள், இது பிரம்மனுக்கு ஒரு நாள் (சுமார் 4.32 பில்லியன் மனித ஆண்டுகள்) ஆகும்.

வேதாங்கம்: வைதீகக் கர்மாக்கள், யாகம், திருமணம் போன்ற சடங்குகளை எவ்வாறு செய்ய வேண்டும் என்ற நெறிமுறைகளை (கல்ப சூத்திரங்கள்) விளக்கும் நூல்.

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கற்பக விருட்சம்

இது  தேவலோகத்தில் உள்ளது;  கேட்டதையெல்லாம் வாரி வழங்கும் தெய்வீக மரம்  கல்பதரு மரம் ஆகும். பாற்கடலைக் கடைந்தபோது தோன்றிய இது, செல்வத்தையும், நினைத்ததெல்லாவற்ரையும் தரும்  இதன் இன்னுமொரு பெயர் கல்பதரு.

பாற்கடலைத் தேவர்களும் அசுரர்களும் கடைந்தபோது, காமதேனுவுடன் சேர்ந்து இந்த மரமும் தோன்றியது. இந்திரன் இந்த மரத்தைத் தனது தேவலோகத்திற்கு (சொர்க்கம்) எடுத்துச் சென்றான்

பாரிஜாதம்ஹரிசந்தனம்சந்தனம்மந்தாரம்கற்பக விருட்சம் ஆகிய ஐந்தும் தேவலோக மரங்கள்.

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காம

ஆசை, விருப்பம் என்பது பொதுவான அர்த்தம் ஆயினும் பிற்காலத்தில் உடல் தொடர்பான காம உணர்வு என்னும் பொருளில் பயன்படுத்தப்பட்டது சங்க இலக்கியம்திருக்குறள் முழுவதிலும் இந்த ஸம்ஸ்க்ருதச் சொல்லைக் காணலாம் அமோரஸ் AMOROUS என்ற ஆங்கிலச் சொல், இதிலிருந்து பிறந்தது .

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காம சூத்திரம்

உலகின் முதல் உடலுறவு பற்றிய செக்ஸ் புஸ்தகம்  இது . வாத்ஸ்யாயனர் என்ற ரிஷி சம்ஸ்க்ருதத்தில் இந்த நூலினை சுமார் 2000  ஆண்டுகளுக்கு முன்னர் எழுதினார் இதில் உலகத்தில் முதல் முதலில் பெண்கள்  கல்வி பற்றிய சிலபஸ் உள்ளது 64  கலைகளையும் பெண்கள் கற்க வேண்டும் என்று இவர் பட்டியலிட்டுள்ளார் அவை சரஸ்வதேவியிடமிருந்து தோன்றிய கலைகள் பிற்காலத்தில் எல்லாப் புலவர்களும் ஆய கலைகள்64  என்று எழுதினர் வெறும் உடலுறவுபற்றி மட்டும் சொல்லாமல் அழகு  சாதனங்கள், காய கல்ப மூலிகைகள் பற்றியும் வாத்ஸ்யாயனர் எழுதியுள்ளார்.

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காமன்

மன்மதனின் பெயர் .

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காமதேனு

பாற்கடலைக் கடைந்தபோது தோன்றிய  தெய்வீகப் பசு காமதேனு . இது வசிஷ்ட மகரிஷியிடம் இருந்தது ; கற்பக விருட்சம் என்ற மரம் போலவே நினைத்தை எல்லாம் உண்டாக்கும். காமதேனுவிற்கு சுரபி என்றும் நந்தினி என்றும் வேறு பெயர்களும் உண்டு. இதன் உடலில் தேவர்கள் அனைவரும் வசிப்பதாக ஐதீகம்; கோவில்களிலும் வீடுகளிலும் வாகனமாகவும் சிலையாகவும் விக்ரகமாகவியம் வழிபாட்டில் உள்ளது .

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கர்மாவினை

வினைப் பயனை கர்மா என்பார்கள் இந்துமதம், பெளத்த மதம், சமண மதம் ஆகியன கர்ம வினைப்பயனிலும் மறுபிறப்பிலும் நம்பிக்கை வைத்துள்ளன

பல்லக்கினைச் சுமந்து செல்கின்றவனையும் பல்லக்கில் அமர்ந்து செல்பவனையும் பார்த்த உடனேயே தெரியும்- அறத்தின் பயன் என்ன என்று. புண்ணியம் செய்தவன் பல்லக்கில் பவனி வருவான். இது பரிமேல் அழகர் எழுதிய திருக்குறள் உரை.

ஒருவர் செய்த நல்லதும் கெட்டதும் ஏழு பிறப்புக்கும் தொடர்ந்து வரும் என்பது இந்த மூன்று மதங்களின் நம்பிக்கை

வினைகளை வெல்லலாம் என்று மாணிக்க வாசகர், திருமூலர் போன்றோர் பாடியுள்ளனர்

வினைகளை இந்துக்கள் மூன்றாக வகுத்துள்ளனர் அவை சஞ்சிதம்பிராரப்தம் ஆகாமியம் எனப்படும்.

சஞ்சிதம் (கடந்தகால சேமிப்பு)பிராரப்தம் (தற்போதைய அனுபவம்)மற்றும் ஆகாமியம் (எதிர்கால வினை) 

ஒருவன் செய்த செயல்கள் என்ன செய்யும் என்பதற்கான இந்துமத உவமையை  திருவள்ளுவர் அளித்தார்.

புத்தமத உவமையை கவுதம புத்தர் அளித்தார்.

வள்ளுவர் சொன்னார்,

தீயவை செய்தார் கெடுதல் நிழல் தன்னை

வீயாது அடிஉரைந்தற்று (குறள் 208)

பொருள்

தீய செயல்களைச் செய்தவர்கள் தீச்செயலின் பயனை அனுபவித்து அழிவது உறுதி. இது ஒருவனுடைய நிழல் அவனோடு பின் தொடர்ந்து சென்று அவன் அடியில் இருப்பது போன்றது.

ஒருவனுடைய நிழல் ஒருவனை எப்படித் தொடர்கிறதோ அப்படி அவன் செய்த செயல்களும் அவனுடன் வரும்.

புத்தர் சொன்னார்

ஒருவன் கெட்ட எண்ணத்துடன் பேசினாலோ, செயல்களைச் செய்தாலோ அவனுக்குத் துன்பம், வண்டி மாட்டின் மீது அந்த வண்டிச் சக்கரங்கள் எப்படி தொடர்ந்து வருகின்றனவோ அப்படி வரும்.

 ஒருவன் நல்ல எண்ணத்துடன் பேசினாலோ, செயல்களைச் செய்தாலோ அவனுக்கு இன்பம், ஒருவனுடைய நிழல் எப்படி அவனைத் தொடர்ந்து வருகின்றதோ அப்படி வரும்.- தம்மபதம் 1,2

வினை பற்றி சமணர்கள் -ஆயிரம் பசு உவமை !

இந்துக்கள் கர்ம பலனில் நம்பிக்கை கொண்டாலும் அதை நமக்கு அளிக்கும் ஆண்டவன் ஒருவன் உளன் என்று நம்புகின்றனர். சமணர்களோ ஒரு பசுக்கூட்ட உவமையைச்  சொல்லுவார்கள் ; ஆயிரம் பசுக்கள் இருந்தாலும் ஒரு கன்றுக்குட்டி எப்படி தாய்ப் பசுவைக் கண்டு  பிடிக்கிறதோ அப்படி ஒருவன் செய்த வினை, அவனைக் கண்டுபிடித்துவிடும் என்பது அவர்கள் கூற்று; சமணர்கள் இயற்றிய நாலடியாரில் இந்தப்   பாட்டு வருகிறது :

பல்லாவுள் உய்த்து விடினும் குழக்கன்று

வல்லதாம் தாய்நாடிக் கோடலைத் – தொல்லைப்

பழவினையும் அன்ன தகைத்தேதற் செய்த

கிழவனை நாடிக் கொளற்கு.—நாலடியார்

(பொ-ள்.) பல ஆ (பசு)க்களின் இடையில் செலுத்திவிடப்பட்டாலும் ;  இளைய ஆன்கன்று,  தன் தாய் ஆ(பசு)வினைத் தேடித் தெரிந்தடைதலை, போன்ற தாகும்; பிறப்புக்கள் தோறும் தொன்று தொட்டுவரும் பழவினையும்,  தன்னைச் செய்த உரிமையாளனைத் தேடி அடையும் வகையில், அத்தகைய தன்மையுடையதேயாகும்.

(க-து.) பழவினை தனக்குரியவனைத் தவறாது சென்று பற்றும்.

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கர்மேந்திரியங்கள்

கர்மேந்திரியங்கள் (செயற்கருவிகள்) என்பவை மனித உடல் செயல்களைச் செய்ய உதவும் ஐந்து முக்கிய உறுப்புகள் ஆகும். வாக்கு, கைகள், கால்கள், மலத்துழை, மற்றும் பிறப்புறுப்பு ஆகிய ஐந்தும் கர்மேந்திரியங்கள் ஆகும், அவை முறையே பேசுதல், கையாளுதல், நடத்தல், கழிவகற்றல் மற்றும் இன்புறுதல் ஆகிய செயல்களைச் செய்கின்றன

சுவை, ஒளி, ஊறு, ஓசை, நாற்றம் ஆகியவை ஐம்புலன்களின் மூலம் அறியப்படும் ஐந்து உணர்வுகளாகும். இவை முறையே நாவினால் சுவைத்தல், கண்ணால் பார்த்தல், உடலால் தொடுதல், காதால் கேட்டல், மூக்கால் முகர்தல் ஆகியவற்றைக் குறிக்கின்றன. இவற்றை ஆராய்ந்து கட்டுப்படுத்துபவன் அறிவில் உலகம் அடங்கும் என்பது திருவள்ளுவரின் குறள் (27) கருத்தாகும்.

சுவைஒளி ஊறுஓசை நாற்றமென ஐந்தின்

வகைதெரிவான் கட்டே உலகு-27

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கர்த்தா

கர்த்தா (Karta) என்பது ஒரு செயலைச் செய்பவர், படைப்பவர், அல்லது மூல காரணத்தைக் குறிக்கும் சொல்லாகும். ஆன்மீகத்தில் இது கடவுள், இறைவன், அல்லது தலைவனைக் குறிக்கப் பயன்படுகிறது.

சம்ஸ்க்ருத இலக்கணத்தில் (வ்யாகரணம்), கர்த்தா (Karta – कर्ता) என்பது ஒரு வாக்கியத்தில் வினையைச் செய்பவரை (Subject/Doer) குறிக்கும். இது காரகங்களில் (Karaka – வேற்றுமைப் பொருட்கள்) முதன்மையானது. 

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காவியம்

தமிழ் இலக்கியத்தில் ஐம்பெரும் காப்பியங்கள்: சிலப்பதிகாரம், மணிமேகலை, சீவக சிந்தாமணி, வளையாபதி, குண்டலகேசி.

ஐஞ்சிறு காப்பியங்கள்: சூளாமணி, நீலகேசி, உதயணகுமார காவியம், நாககுமார காவியம், யசோதா காவியம்.

சம்ஸ்க்ருத மஹா காவியங்கள்

வால்மீகி ராமாயணம் ஆதிகாவியமாகப் போற்றப்படுகிறது

குமாரசம்பவம், ரகுவம்சம், கிராதார்ஜுனீயம், சிசுபாலவதம், மற்றும் நைஷதசரிதம் ஆகியவை ஸம்ஸ்க்ருதத்தின் பஞ்ச மஹா காவியங்கள்

ஹேமசந்திரரின் சூத்திரம்

காவ்யமானந்தாய யஷஸ்ச காந்தாதுல்யதயோபதேஷாய ச I

(ஆனந்தம் – மகிழ்ச்சி; யஷஸ் –புகழ்; காந்தா – மனைவி; துல்யம் – சமமாக;

உபதேசம் – அறிவுரை)

இப்படி ஹேமசந்திர்ர் காவ்யானுசாஸனத்தில் ( I -3) காவியத்தின் பிரயோஜனத்தை ஒரு சூத்திரமாகக் கூறுகிறார்.

ஹேமசந்திரர் கூறிய மூன்றைத் தவிர, ஆசார்ய மம்மட பட்டர் என்னும் புகழ்பெற்ற அறிஞர், செல்வம், பண்பாடு மற்றும் அறிவு, தீமையை அறவே நீக்கிக் கொள்ளும் பண்பு ஆகிய இன்னும் மூன்றையும் ஒரு காவியம் தருகிறது என்கிறார். இந்த உரைகல்லில் தேருகின்றவையே காவியம். 

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கதிர  மரம் / கருங்காலி

Khadira (खदिर) is a Sanskrit word referring to the “Catechu tree” tree from the Fabaceae family, and is used throughout Ayurvedic literature such as the Caraka-saṃhitā.

சரக சம்ஹிதை முதலிய ஆயுர்வேத நூல்கள்  கருங்காலி மரத்தின் மருத்துவப் பயன்களை எடுத்துரைக்கின்றன சம்ஸ்க்ருதத்தில் கதிர என்றும் தாவரவியலில் Acacia catechu அக்கேசியா கடேச்சு என்றும் சொல்லுவார்

திருவாதிரை நட்சத்திரத்தின் விருட்சம் கருங்காலி. செவ்வாயின் ஆதிக்கம் நிறைந்தது. கருங்காலி மரம் (Ebony Tree) மருத்துவ மற்றும் ஆன்மீக நன்மைகள் கொண்ட, மிகவும் உறுதியான மரமாகும்.

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கரகம் காவடி

இவை இரண்டும் தமிழ்நாட்டின் கிராமீய நடனங்கள் ஆகும்

காவடி எடுக்கும் வழக்கத்தை நாம் எல்லோரும் அறிவோம். முருகனுக்கு காவடி எடுப்பதைப் பார்க்கிறோம். இதே போல காவடி பட எழுத்து சிந்து சமவெளி முத்திரையிலும் கிடைத்திருகிறது. உடனே இதை தமிழ் வழக்காகவும் ஆகையால் சிந்து சமவெளியினர் திராவிடரே என்றும் இனபேதம் காட்டி கட்டுரை எழுதிவிட்டார்கள். உண்மையில் இது பாரதம் முழுதும் உள்ள வழக்கம். சொல்லப்போனால் காவடி என்பது உலகம் முழுதும் இருக்கிறது.

நம் தமிழர்கள் ஆண்டுதோறும் முருகனுக்குக் காவடி எடுப்பதுபோலவே வடக்கேயுள்ள ஹிந்துக்கள் சிவபெருமானை வழிபட ஹரித்வாருக்கு லட்சக் கணக்கில் காவடி எடுக்கிறார்கள். ஹரித்வாரில் கங்கை நதியை வணங்கிவிட்டு இரு புறமும் தொங்கும் பானைகளில் கங்காஜலம் கொண்டு போகிறார்கள். இப்படி காவடியில் தண்ணீர் கொண்டு போகும் வழக்கம் இதாலி, மேரற்கிந்தியத் தீவுகள், சீனா போன்ற பல நாடுகளில் இருந்திருக்கிறது. சாலைப் போகுவரத்து மற்றும் வாஹன வசதிகள் இல்லாத இடங்களில் காவடி இருப்பது சகஜம்.

மலேசியா, சிங்கப்பூர், மொரீஷியஸ் சீஷெல்ஸ் போன்ற நாடுகளில் வசிக்கும் தமிழர்கள் தைப்  பூசம் முதலிய நாட்களில் காவடி எடுத்து முருகப்பெருமானை வழிபடுகின்றனர் மலேசியா பத்துமலை முருகனைத் தரிசிக்க லட்சக்கணக்கில் செல்வதால் அன்று அரசாங்கம் விடுமுறை அறிவித்துள்ளது

தமிழ் நாட்டில் முருகனுக்கு விசேஷமான தினங்களில் பக்தர்கள் காவடி எடுக்கின்றனர் ஏதேனும் வேண்டுதலை நிறைவேற்றவோ நேர்த்திக் கடனாகவோ காவடி எடுக்கிறார்கள் அப்போது பலரும் பரவச நிலையை அடைகின்றதனார் வெற்றி வேல்  என்ற கோஷமும் அரோஹரா என்ற கோஷமும் விண்ணதிர முழங்கப்படும்.

காவடிகளில் பல வகை உண்டு அப்போது முதுகில் கொக்கியைக் குத்தி க்கொண்டும் வாயில் வேலைக்குத்திக்கொண்டும் காவடி எடுக்கிறார்கள்

***

கரகம்

தமிழ் நாட்டில் ஆண்களும் பெண்களும் கரகம் ஆடுகிறார்கள் ; அப்போது தலையில் குடம் அல்லது மார்க் கம்பத்தை வைத்துக்கொண்டு அதைக் கீ ழே விழாமல் ஆடுவர் இது தவிர கீழே  உருளும்  மரக்கட்டையிலும் ஆணிகளிலும் நின்றும் கூட ஆடுகின்றனர்  கோவில் திருவிழாக்களில் மட்டுமின்றி பெரிய ஊர்வலங்களிலும் கரகாட்டத்தை  ஏற்பாடு செய்கிறார்கள். 

–subham—

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HINDU DICTIONARY IN ENGLISH AND TAMIL –36; இந்துமத கலைச்சொல் அகராதி-36 (Post No.15,443)

Written by London Swaminathan

Post No. 15,443

Date uploaded in Sydney, Australia –  21 February 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

ஆங்கில எழுத்து J- ல் துவங்கும் சொற்கள்

Words beginning with “J”.

Tamil version will be posted tomorrow

 J

JANARDHANA

Janardhana (Sanskrit: जनार्दन) appears as the 126th name in the Vishnu Sahasranama. It is a highly significant epithet of Lord Vishnu (and specifically Krishna), highlighting his role as the protector of devotees and the destroyer of evil

Meaning- “One Who Bestows Boons On One And All”

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JAGADGURU

Meaning: “Preceptor of The Universe”

used as an epithet of Brahmā and Siva in Siva Purana.

Used as an epithet of a name of Brahman, Viṣhṇu, Śiva, Rāma, [Rāmāyaṇa] 3, 6, 18.

Jagadguru is a Sanskrit compound consisting of the terms jagat and guru (गुरु).

In Tamil Nadu Kanchi Shankaracharya (1894-1994) was also called Jagadguru

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JAINA

Meaning – A Jaina, a follower of Jaina doctrines.

In Tamil they are called Samana or Amana. Because of their political involvement in converting Pallava and Pandya kings, they were severely criticised by Saivite saints who lived 1400 years ago. They have made a huge contribution to Tamil Literature in the middle period. Earlier Tamil epic Silappadikaram praised them.

JAINISM

A heterodox school of Indian philosophy that perceives the world as transitory and does not advocate dependence on an almighty God for existence. It views the world as transitory and self-existent, rejecting the notion of an almighty God who dictates existence.

 In Jainism there are 24 Tirtankaras; a Tirthankara is a highly revered spiritual teacher. They are enlightened beings who establish a path to liberation, guide followers, and found a “tirtha,” or ford, to help individuals cross the cycle of rebirths. These figures, like Mahavira, are considered the highest order of spiritual teachers, with 24 recognized for their teachings. They are often associated with significant dreams, and their birth and teachings are central to the spiritual tradition, representing the pinnacle of spiritual attainment.

List of 24 Tirthankars

No       Name Father            Mother          Birth Place

1.        Rishabhadev  or Adinath              Nabhi Maru Devi    Ayodhya

2.        Ajitnath         JitSatru          Vijaya Ayodhya

3.        Sambhavnath          Jitari   Sena   Shravasti

4.        Abhinandan Swami            Samvar          Siddhartha   Ayodhya

5.        Sumatinath Megharath   Mangla Devi Ayodhya

6.        Padmaprabha          Shridhar        Susima Devi Kaushambhi

7.        Suparshvanath        Pratishtha     Prithvi Devi  Varanasi

8.        Chandraprabha       Mahasen       Lakshmana   Chandrapuri

9.        Suvidhinath  Pushpadanta           Sugriva          Rama Rani    Kakandi

10.      Shitaltnath   Dradharath  Nanda Rani  Bhadrilpur

11.      Shreyansnath          Vishnu           Vishnu Devi  Simhapuri

12.      Vasupujya Swami i Vasupujya     Jaya Devi       Champapuri

13.      Vimalnath     Krutavarma  Shyama Devi            Kampilyapur

14.      Anantnath    Simhasen      Suyasha         Ayodhya

15.      Dhramnath   Bhanu            Suvrata          Ratnapur

16.      Shantinath    Vishvasen     Achira Hastinapur

17.      Kunthunath and      Surasen         Shree Devi    Hastinapur

18.      Arahnath      Sudarshan    Devi Rani      Hastinapur

19.      Mallinath      Kumbha        Prabhavati    Mithila

20.      Munisuvrat Sumitra         Padmavati    Rajgruhi

21.      Naminath     Vijay   Vipra  Mithila

22.      Arishtanemi             Samudravijay          Shiva Devi     Dwarka

23.      Parshvanath and     Ashvasen      Vama Devi    Varanasi

24.      Mahavir  Siddharatha      Trishala         Kshatriya Kund

Mahavir was senior to Buddha and lived in the Sixth Century BCE.

There are two sects in Jainism- Digamabaras, and Svetambaras

Meaning —Digambara (“sky-clad”) and Śvētāmbara (“white-clad”)—which separated around the 4th century BCE due to differences in ascetic practices and scriptural interpretation. Digambara monks renounce all clothing, while Śvētāmbara monks wear white robes

Jains are strict vegetarians.

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JAMBHUDWIPA

Mentioned in Mahabharata, Asokan inscriptions and Sangam Tamil Literature. One of the seven regions on earth.

In Tamil it is called Naavalam Tivu. Name is derived from Jambu Tree (Indian Blackberry; in Tamil Naaval)

One of the Purāṇically famous Saptadvīpas (seven continents). These seven continents are embankments separating the seven seas. Jambūdvīpa, Krauñcadvīpa, Śākadvīpa and Puṣkaradvīpa are included in the seven islands.These are the seven major mountains in Jambūdvīpa:

Himavān, Hemakūṭa, Niṣadha, Meru, Nīla, Gandhamādana,Mālyavān.

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JAMADAGNI

Jamadagni (जमदग्नि):—Son of Satyavatī (daughter of king Gādhi) and sage Ṛcīka. He married Reṇukā, the daughter of Reṇu. Many sons, headed by Vasumān, were born from the womb of Reṇukā. The youngest of them was named Rāma, or Paraśurāma. (see Bhāgavata Purāṇa 9.15.4-11)

Also mentioned in the Mahābhārata (cf. I.60.46) and represents one of the many proper names used for people and places. 

Renuka was such very devoted wife and the power of her chastity was manifest. Such was this power, that she used to fetch water from the river in a pot made of unbaked clay every day. The pot would hold together because of her devotion to her husband.

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JANAKA

Janaka (जनक) is the name of a famous king of Videha or Mithilā, foster-father of Sītā. He was remarkable for his great knowledge, good works, and holiness. After the abandonment of Sītā by Rāma, he became an anchorite-indifferent to pleasure or pain-and spent his time in philosophical discussions. The sage याज्ञवल्क्य (yājñavalkya) was his priest and adviser.

Shatapatha Brahmana and the Brihadaranyaka Upanishad mention King Janaka (c. 8th century BCE) as a great philosopher-king of Videha, renowned for his patronage of Vedic culture and philosophy, and whose court was an intellectual center for Brahmin sages such as Yajnavalkya

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JANAKI

Daughter of Janaka; another name of Sita Devi.

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JANAMEJAYA & JARATKARU

Many people and places had this name according to Mahabharata. But the most famous was the son of Parikshit.

Name of a celebrated king of Hastināpura, son of Parīkṣit, the grandson of Arjuna. [His father died, being bitten by a serpent; and Janamejaya, determined to avenge the injury, resolved to exterminate the whole serpent-race. He accordingly instituted a serpent sacrifice, and burnt down all serpents except Takṣaka, who was saved only by the intercession of the sage Astika, at whose request the sacrifice was closed. Brahmins recite a mantra in the daily Sandhyavandana recalling this anecdote.

The first of the four sons of Parīkṣit and Irāvatī.1 Father of Śatānīka.2 Finding that the death of his father was predicted to be by the snake Takṣaka, he performed a sarpa yāga to destroy all snakes. All except Takṣaka came, the latter being sheltered by Indra. At this Takṣaka and Indra were invoked together. Advised by Bṛhaspati to refrain from the cruel yāga, Janamejaya agreed; with the aid of Tura, the priest, he performed Aśvamedha and other sacrifices; after anointing his son on the throne he went into the woods for penance.

Sandhya Vandana mantra

The snakes acceded to his request and said, “He who recites the following need not have any fear from us:

‘I call to mind the famous Astika born of Jaratkaru, that Astika who saved the snakes from the snake-sacrifice. Therefore it behoves you not to bite me. O snakes of virulent poison, remember the words of Astika after the snake sacrifice of Janamejaya. You shall be blessed‘.

That snake who does not cease from biting even after hearing such mention of Astika, shall have his hood divided a hundredfold like the fruit of Sinsa tree”.

(Source: Adi Parva, Chapter 58)

नर्मदायै नमः प्रातः नर्मदायै नमो निशि

नमोऽस्तु नर्मदे तुभ्यं त्राहि मां विषसर्पदः

सर्पापसर्प भद्रं त गच्छ सर्प महाविष।

Alternative line

Apasarapa sarapa bhadram te duram gachcha mahaayasaah

जनमेजयस्य यज्ञान्ते आस्तीकवचं स्मर।।

जरत्कार्वोर्जरत्कर्वां समुत्पन्न महायशाः

अस्तीक सत्यसन्धो मां पन्नगेभ्यो अभिरक्षतु

पन्नगेभ्यो अभिरक्षतु om nama iti.

MEANING

O Narmada, I offer you salutations in the morning & night (during sandhya vandana); Protect me from poisonous snakes

Astika, born of muni Jaratkaru and his wife of the same name, was a great soul. He, the protector of the truth, will protect me from the serpents.

***

JAPA

Japa (जप):—n. recitation; the practice of reciting mantras quietly/silently on prayer beads;Japa (जप).— Muttering, whispering.

2) Repeating passages of the Veda or names of deities &c.; Manusmṛti 3.74; Y.1.22.

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JATAKARMA

Jātakarman (जातकर्मन्).—n. a ceremony performed at the birth of a child; Manusmṛti 2.27,29; R.3.18. A ceremony performed when the navel string is divided, touching the infant’s tongue thrice with ghee, with appropriate prayers.

One of the Forty Samskaras (or Sixteen/Shodasa) from Birth to Death of a Hindu.

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JATI

Jāti (जाति).—1) Birth, production, सङ्कुलं जलजातिभिः (saṅkulaṃ jalajātibhiḥ) Rām.3.11.6; Pañcatantra (Bombay) 1.38; Manusmṛti 2.148;

2) The form of existence fixed by birth. 3) Race, family, lineage, rank.

4) A caste, tribe or class (of men); (the primary castes of the Hindus are only four :-brāhmaṇa, kṣatriya, vaiśya and śūdra).

5) A class, genus, kind, species

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JAYADRATHA

Jayadratha (जयद्रथ).—A king of the Sindhu district and brother-in-law of Duryodhana, having married Duhśalā, daughter of Dhṛtarāṣṭra. [Once while out on hunting, he chanced to see Draupadī in the forest, and asked of her food for himself and his retinue. Draupadī, by virtue of her magical sthālī, was able to supply him with materials sufficient for their break-fast. Jayadratha was so much struck with this act, as well as her personal charms, that he asked her to elope with him. She, of course, indignantly refused, but he succeeded in carrying her off, as her husbands were out on hunting. When they returned they pursued and captured the ravisher and released Draupadī, and he himself was allowed to go after having been subjected to many humiliations. He took a leading part in compassing the death of Abhimanyu, and met his doom at the hands of Arjuna in the great war.

What happened on the 13th day of Mahabharata war? Jayadratha, the king of Sindhu Desa (Indus Valley King) killed Abimanyu, son of Arjuna on the 13th day of the war. Arjuna was furious and vowed to kill Jayadratha before the sunset next day. The whole Kaurava army gave Jayadratha full protection. When the sun appeared to set, Jayadratha poked his head out to show that he was victorious. Suddenly the sun reappeared in the sky and Arjuna shot Jayadratha down. The story goes that Krishna hid the sun with his Sudarsana chakra. Actually Krishna tricked Jayadratha with the knowledge of the solar eclipse happening on that day. Arjuna’s brothers Nakulan and Sahadevan were experts in such calculations.

People were told for a long time that the war started on a new moon (Amavasya) day. Latest research by scholars with computer software shows that it started on a full moon day. Another interpretation is that though it was started on New Moonday it was fought on alternate days.

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JAYADEVA

Name of the author of Gītagovinda with 24 Ashtapathis. He made Buddha one of the Ten Avatars of Vishnu.

Jayadeva (जयदेव).—A Sanskrit poet who lived in the 13th century A.D. He is the author of the play ‘Prasannarāghavam’. The famous work ‘Candrāloka’, a treatise on rhetorical figures, was written by this poet Jayadeva. His most important work is ‘Gītagovinda’, the theme of which is the early life of Śrī Kṛṣṇa, especially the love between Śrī Kṛṣṇa and Rādhā, which is very touchingly described. He used to sing lyrics before the image of Kṛṣṇa while his wife danced according to the beat.

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JIVA

Meaning- A creature, living being.  The principle of life, the vital breath, life, soul. Jiva Atma is self; Parama Atma is God; Jiva is corrupted as Eve and Atma is corrupted as Adam in the Bible.

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JIVAN MUKTA

Jīvanmukta (जीवन्मुक्त).— Liberated Soull.a. ‘liberated while living’, a man who, being purified by a true knowledge of the Supreme Spirit, is freed from the future birth and all ceremonial rites while yet living.

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JNANA

1) Jnana (ज्ञान): Knowledge of the eternal and real. Knowing, understanding, becoming acquainted with, proficiency;

2) Knowledge, learning; 3) Consciousness, cognizance, knowledge; ज्ञानतोऽज्ञानतो वापि (jñānato’jñānato vāpi) Manusmṛti 8.288 knowingly or unknowingly, consciously or unconsciously.

4) Sacred knowledge; especially, knowledge derived from meditation on the higher truths of religion and philosophy which teaches man how to understand his own nature and how he may be reunited to the Supreme Spirit.

Jnana/does not mean a proficiency in a subject like chemistry or history. It is not mere learning but inward experience or awareness of a truth. In Advaita is the realisation of that one is  inseparably united with the supreme.

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JNANENDRIYA

Jñānendriya (ज्ञानेन्द्रिय).—an organ of perception; (these are five tvac, rasanā, cakṣus, karṇa and ghrāṇathe skin, tongue, eye, ear and nose.

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Jatavedas:

One of the names of Agni.

He who knows all; Heat creates everything e.g. sun, body heat

The fire god Agni is extremely important in the Vedic religion. He is the messenger of the gods. He takes all the offerings poured into the fire to the gods. He is everywhere. He is in the sun and moon and as ‘jataragni’ in the stomach, says Sayana in his commentary. Jataragni is the metabolic activities in the body that produce heat. He is in the sea as Badava Agni. All the girls are possessed by him before the marriage. This means that all the girls must be married in front of him (sacrificial fire) as he gives them like a father gives his daughter to the bridegroom. The couple have to walk around the fire. It is called Saptapadi.

Orthodox Hindus keep fire in a pot from the birth to death and use it for all occasions. The ‘aupasana’ pot contains paddy husk burning forever. It is never extinguished. When a baby is born it is lighted and the same fire is used to light the funeral pyre when the person dies at an old age.

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JVARADEVA

Jvaradeva is a form of Lord Shiva. He destroyed Bhasmaasura . He is described in the Agamas as having three legs, three heads nine eyes and six arms. His images are found in many shiva temples including Madurai, Tirupparankundram, Mayiladuthurai, Kumbakonam, Tirunelveli, Bhavani etc.

Jvaradeva or Jurakareśvara is depicted in the Adi Kumbeswarar Temple (Ādi Kumbheśvara) in Kumbakonam (Kumbhakonam), representing a sacred place for the worship of Śiva.—Jvvradeva is a three-headed image of Śiva with four hands. The three heads include two animal heads emerging laterally from behind the human head. The head on the right is that of a lion while the other one seems to be that of an antelope. He holds triśūla (trident) in the right hand and small vessel in the left hand.

Jvāra-deva is also depicted in the Meenakshi Temple in Madurai .

Later Vaishnava texts like Harivamsa gives a sectarian view of Krishna encounter with Jvara deva wherein the leader of the Vrishnis created a Narayana-jvara to fight against the original Jvara deva.

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JYOTISHA

Means Light.

Jyotiṣa (ज्योतिष).—Astronomy and astrology. One of the six Vedāṅgas.

Jyotiṣa is a Sanskrit technical term used in ancient Indian sciences such as Astronomy, Mathematics and Geometry. It is part of Vedic School Syllabus for thousands of years.

it is the science about the stars and heavenly bodies. The heavenly bodies are the sun, the moon, the other planets and the stars etc. From the very ancient days men believed that these planets and stars in the sky played an important part in controlling the growth and activities of all the living and non-living things in the world.

1)      Jyotiṣa (ज्योतिष) or Jyotiṣaka refers to an “astrologer” (one who is versed in Saṃhita, Astronomy and Horoscopy), according to the Bṛhatsaṃhitā (chapter 2), an encyclopedic Sanskrit work written by Varāhamihira mainly focusing on the science of ancient Indian astronomy astronomy (Jyotiṣa).—Accordingly, “We shall now proceed to give a brief description of (the qualifications of) a jyotiṣaka. He must be of noble birth and of agreeable appearance; meek, truthful and without jealousy; of proportional limbs; of joints well built and of good growth; have no physical defects; be of fine hands, feet, nails, eyes, chin, teeth, ears, forehead, eye-brows and head; of fine physique and of high, sonorous voice”.

–Subham—

Tags- Jatavedas, Jnana, Jamadagni, JayadevaHINDU DICTIONARY IN ENGLISH AND TAMIL 36; இந்துமத கலைச்சொல் அகராதி-36 , Jyotisha, Astrologer

HINDU DICTIONARY IN ENGLISH AND TAMIL-34; இந்துமத கலைச்சொல் அகராதி-34 (Post No.15,431)

Indra on Iravata in Indus Valley Seal (Harappa)

 Written by London Swaminathan

Post No. 15,431

Date uploaded in Sydney, Australia –  17 February 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

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 ஆங்கில எழுத்து I– ல் துவங்கும் சொற்கள்

Words beginning with “I ”. Tamil version will be published tomorrow.

INDRA

Indra is the most celebrated deity in the Rig Veda, with approximately 250 hymns directly dedicated to him. As the king of gods and god of storms/war, he is featured in over 25% of the 1,028 total hymns in the text, with an additional 50 hymns often co-praising him alongside other deities. 

Indra is a supreme heroic figure, often associated with the star Antares. These hymns focus on his martial prowess, destruction of Vritra, and role as protector, with significant references in the Rig Veda and Atharva Veda.

 Known as the King of Gods (Vendhan in Tamil literature) and a powerful warrior. He possesses over 35-40 names, including Vritrahan (slayer of Vritra) and Aaji krt (race maker).

He is the God of the East.

His name is used in male names throughout Asia until this day. His weapon is Vajrayudha.

Indra is not one person according to Kanchi Shankaracharya (1894-1994)

It means leader, head, chief; examples- Mrgendra, Gagendra, Gajendra

According to the Mahabharata, Indra seduced or tried to seduce Ahalya, wife of Gautama Rishi. And the sage’s curse impressed upon him a thousand marks resembling the female organ, so he was called Sa-yoni; but these marks were afterwards changed to eyes and hence he is called Netra Yoni and Sahasraksha, the thousand eyed (Yoni is female organ). But there is no support for this story in the Rig Veda, the oldest book in the world.

Tiru Jnana Sambandar who lived 1400 years ago during the reign of Mahendra Pallava and Pandyan Nedumaran refers to 1000 eyes of Indra. After Indra’s prayer Lord Shiva changed his 1000 Yoni signs into 1000 eyes.

In Tamil Nadu you may find men named ‘ Mr One Thousand’ (Kan Ayiram in Tamil)

Indra in Tamil Literature

Indra is the most popular Tamil God according to the oldest Tamil book Tolkappiam. Tolkappiar wrote this grammatical treatise around 1st century BC. He lists all the four important Vedic Gods INDRA, VARUNA, VISHNU and SKANDA (another form of AGNI) as Gods of four Tamil Lands.  

Tolkappiar was not the only one who praised Indra. We see Indra throughout Tamil literature. Sangam Tamil literature mentions his name in several places and the heaven under Indra is mentioned in innumerable places. Pura Nanauru, Tirukkural and Tamil epics did not miss his name.

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INDRA FESTIVAL

Indra Festival was a very popular festival in ancient Tamil Nadu according to twin Tamil epics Silappadikaram and Manimekalai. It was first mentioned in Mahabharata and Ramayana. But in the Vedas we have some information which is interpreted by scholars as Indra festival. Atharva Veda mentioned Indra Dwaja (banner or flag of Indra). Rig Veda hinted at it.

At present Indra festival is celebrated as a grand Royal festival in Nepal. Gunabhadra, a king of 10th century CE started this festival in Nepal. They call it Yenya or Indra Jatra. Bengalese also celebrated it.

Raksha Bhandan celebrated all over India and the Water Festivals celebrated in Laos, Cambodia, Thailand and Burma has got some links with Indra, the god of rain.

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IRAVATA

Airavata, also known as Iravata or Irawatha, is the mythical white elephant and vahana of Indra, the King of the Gods, considered the “king of elephants”. Airavata represents power, is associated with rain and clouds, and its depiction alongside Indra is found on seals from the Indus Valley Civilization.

He is shown with Four Heads or Four Tusks in sculptures, stamps and seals of South East Asia.

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INDRANI

Wife of Indra.

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ILVALAN

Ilvalan is a character from Hindu mythology, an Asura brother of Vatapi, known for a trap where Vatapi would turn into an animal to be eaten by Brahmins before being called out of their stomachs. The stories highlight that Sage Agastya defeated them by digesting Vatapi. Vatapi Jeerno Bhava- Let Vatapi be digested—story shows that Agastya annihilated the cannibals in the Indian forests.

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ISVARA

A term used in the text to refer to God, indicating the supreme deity worshipped by the followers. Mostly used with Lord Siva as a suffix.

Sundareswara, Maheswara, Someswara, Rameswara , Trayambakeswara

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ISHTADEVATA

Iṣṭadeva (इष्टदेव).—a favourite god, one’s tutelary deity. The deity one particularly likes to  aore.

Derivable forms: iṣṭadevaḥ (इष्टदेवः).

Iṣṭadeva is a Sanskrit compound consisting of the terms iṣṭa and deva (देव).

a chosen tutelary deity, favourite god, one particularly worshipped. Each family has a Kula Devata as well. Mostly, that God will be Ista Devata.

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INDUS VALLEY CIVILIZATION

Tiger Goddess in Harappa 

Narabali in Harapa

The world was misled by some scholars in the case of Indus Valley Civilization. They made two or three false statements as a result of which we are unable to decipher the script until today. More than fifty different decipherments are available today and none of them is accepted by everyone. The first false statement made by the early excavators introduced the Aryan- Dravidian division into it. The second false statement introduced the Dravidian decipherment theory in the script. Both not only failed to make any progress but also prevented others to look at it from different angles.

Calling the greatest civilization of the world as “Indus” Valley Civilization itself is wrong. Most of the scholars agree on it because more than 2000 sites have been discovered since the excavation of Mohenjo-Daro and Harappa on the banks of River Indus. Satellite information from space and ground water analysis by the nuclear scientists show that the mighty River Saraswati was flowing through North India long ago

Religious belief of Indus valley people remains a puzzle until today. John Marshal, Director General of Archaeology made some sweeping statements about certain objects he discovered in Mohenjo-Daro and misled the world. He was very unprofessional and forgot to mention where these objects were discovered.  

He described some objects as symbols of phallic worship. He said the circular stone objects were representations of female genital organs (Yoni) and lingam shaped objects were male organs. Those were up to two feet in height. Marshal classified these objects into three groups: Lingas, Baetylic Stones and Ring Stones. No information is published to show where they were found. Neither Mackay nor Vats (later excavators) gave any information or new finds in their reports.

 Later scholars pointed out the linga stones may be gamesmen or weights. Ring Stones might have been used to erect pillars or used for astronomical calculations. Since they did not find anything like this anywhere else in further excavations they even questioned the statement ‘’Phallic worship was an important element of Harappan religion’’.

Ghost Seal in Harappa

Sir Mortimer Wheeler was the one who made all Indians idiots! He fooled all the Indians by saying that he found a clinching evidence for the massacre of Indus people when he saw 37 skeletons scattered in disorderly manner at Mohenjodaro. “It may be no mere chance that at a late period at Mohenjodaro, men, women and children appeared to have been massacred there. On circumstantial evidence, Indra stands accused” (Wheeler 1947:82). Later, on examination G.F.Dales did find that Wheeler has misread the archaeological evidence. Neither they belonged to one and the same stratigraphical context nor were there proof of any massacre. Most of the skeletons positively showed that the persons were actually drowned in severe and sudden flood in the river Indus. Only two or three out of 37 skeletons bore cut marks and those too were found to have healed up. So he wrote a paper entitled ‘The Mythical Massacre at Mohenjo-Daro’ and exploded the myth of Aryan destruction of Harappan cities. K.M Srivatsava aptly remarks “ Indra, therefore ,stands completely exonerated”.

Indus civilization is not Indus civilization anymore. There are more sites on the banks of River Sarasvati than Indus. BB Lal says 50 major sites are on Indus river where as 177 early and 283 mature Harappan sites are on the banks of dried Saraswati river. All the early scholars were proved wrong on Indus Civilization when the scientific proof for drying of Sarasvati was dated 1700 BC. According to Kalyanaraman (2002), out of 2600 archaeological sites, over 1500 settlements were found on the Saraswati River Basin.

Horse: Use of Horse was debated for long. At first, foreigners wrote that Aryans came by horses and destroyed Indus people with iron instruments. But they could not find any iron or horse bones! They contradicted themselves! Now there are horse bones. But they are not foreign horses!

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IYER, IYENGAR

The name “Iyer” is a title and a caste name primarily associated with a Brahmin community from the South Indian state of Tamil Nadu. The term “Iyer” is believed to have originated from the Sanskrit word “Arya,” signifying a person of noble or respectable lineage. Historically, Iyers have been priests, scholars, and administrators, known for their adherence to Vedic traditions and their contributions to various fields, including Carnatic music, literature, and mathematics. The name is a marker of social identity and is often used as a surname by individuals belonging to this community. Derivable or associated names are not typically found, as Iyer is more of a caste marker than a given name. Later others also used it to mean they are equal to Iyers. Even Christian preachers misused it.

There are subsects in the community like Vadama, Brahacharnam , Ashtasahsram etc.

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The name Iyengar is a surname primarily found among the Vaishnavite Brahmin community of Tamil Nadu, India. It is a derivative of “Aiyar,” a common Brahmin surname, with the honorific suffix “-gar” added, denoting respect and status.

Tami Followers of Vishnu also are divided into sub sects like Vadakalai (northern branch) and Thenkaalai (southern branch) and Sellur Iyangars.

Iyers have Vibhuti as caste mark and Iyangars have Namam as caste mark. Thenkalai followers have Y shaped Namam (naamam). Vadakalai followers have Ushaped Namam (naamam).

To be continued ………………………..

Tags- HINDU DICTIONARY IN ENGLISH AND TAMIL-34; இந்துமத கலைச்சொல் அகராதி-34, Indra, Indus valley, Iyer, Iyengar