RIGHT UNDERSTANDING

RIGHT INTENTION

RIGHT SPEECH

RIGHT ACTION

RIGHT LIVELIHOOD

RIGHT EFFORT

RIGHT AWARENESS

RIGHT CONCENTRATION

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EIGHT TYPES OF KARMA IN JAINISM

MOHANIYA – DELUSORY ,ILLUSORY

INANVARANIYA – CAUSES CONFUSION

DARSHANAVARANIYA – OBSCURES PERFECTION

ANTARAYA – OBSTACLE TO ENERGY OF SOUL

VEDANIYA – HAPPY FEELING

NAMA – DECIDES FUTURE BIRTH

AYUS – DECIDES LFE SPAN

GOTRA – DECIDES SOCIAL STATUS

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CASES AR EIGHT IN SANSKRIT AND TAMIL

NOMINATIVE – SUBJECT

ACCUSATIVE – DIRECT OBJECT

INSTRUMENTAL – BY AND WITH

DATIVE – TO AND FOR

ABLATIVE – FROM, OUT OF, THAN

GENITIVE / POSSESSIVE – OF, BELONGING TO

LOCATIVE – IN, AT, ON, AMONG

VOCATIVE – DIRECT ADDRESS

MUTHUSWAMI DIKSHITAR, ONE OF THE MUSICAL TRINITIES HAS COMPOSED USING ONLY ONE CASE. THUS HE HAS SUNG 4 EACH FOR EIGHT CASES 8X4= 32

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PAST AND PRESENT BUDDHAS

VIPASYIN, SIKHIN, VISVABHU, KRAKUCHANDA, KANAKA MUNI, KASYAPA, MAITREYA

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EIGHT POETICAL FACTORS

TOLKAPPIYAR, TAMIL GRAMMARIAN, EIGHT ESSENTIAL FACTORS OF POETIC COMPASSION KNOWN AS –

POETIC IDEAS – AMMAI,

POETIC DICTION- ALAGU,

USAGE – TONMAI,

SONORITY -TOL,

NOVELTY – VIRUNDHU,

MELLIFLUOUSNESS – IYAIPU,

CLARITY – PULAN,

INTERLINKEDNESS – ILAIPU

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ASHTA VASUS  (VEDIC GODS)

ANALA, ANILA, APA, SOMA, DHARA, DHRUVA, PRATYUSHA

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EIGHT AUSPICIOUS THINGS

MIRROR, FULL POT/PURNA KUMBHA, FLAG, CHOWRY/ FLY WHISK, DRUM, LAMP, TWO FISH, SWASTIKA

XXX SUBHAM XXX