Hinduism through 500 Pictures in Tamil and English 47; படங்கள் மூலம் இந்து மதம் கற்போம்-47 (Post.15,545)

Budha/ Mercury

Sukra/ Venus

Written by London Swaminathan

Post No. 15,545

Date uploaded in London – 28 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Chandra and other Grahas/Planets / Thingal in Tamil

The moon is regarded as one of the grahas surrounding the sun and going round and round the mountain Meru. He is born of the sea and of sage Atri. He is said to have only face and hands , but no body. He turns towards the sun and holds white lotuses in his hands or sometimes a club and the boon conferring hand- Abhaya hasta.  He rides on a two wheeled chariot drawn by ten horses. His caste is Vaisya.

***

Mars/ Kuja/ Mangal / Sevvay in Tamil

Kuja is the son of the earth and of sage Bharadwaja; his country is Avanti. His caste is Kshatriya . He wears red garments and a crown and has four arms holding weapons Sakti and club, and the postures Abhaya and Varada hastas. He faces the sun and rides on a ram.

He is called Angaaraka, Bhauma ,Bhuumii putra and

Mahiisuta. He is also called Siva- gharmaja/born of the sweat of Siva,Gaganolmuka- the torch of the sky,

Lohita – the red, Navaarchi- the nine rayed,Chara- the spy, Rinaantaka- the ender of the debts or the patron of the debtors.

Mangala / Mars/Angaaraka

The planet Mars, is identified with Kaartikeya , the god of war. He was the son of Siva and the earth/bhu

***

Budha / Mercury / Budhan in Tamil

Budha , the son of moon is a Vaisya of the Magadha country born in the lineage of Atri. He has four arms, a yellow body and the lion vehicle. He shows in his hands the shield, club, Varada mudra and the sword. He also faces the sun.

Budha /Mercury

Wise, intelligent ; buddhisaali- brainy.

The planet mercury, is son of soma, the moon, by Rohini or by Taaraa , wife of Brihaspati. He married Ilaa, daughter of Manu Vivasvata, and ha da  son, Puruuruva. Budha was an author of a hymn in the Rig Veda. From his parents he is called Saumya and Rauhineya. He is also called Praharshana, Rodhana, Tunga, and Syaamaanga, black bodied.

The intrigue of Soma with Taaraa was the cause of a great quarrel, in which the Gods/Devas and Asuras/demons fought against each other. Brahma compelled Soma to give up Taaraa and when she was returned to her husband she was pregnant.  A son was born, who was handsome that Brihaspati and Soma both claimed him. Taaraa for long refused to tell his paternity, and so excited the wrath and nearly incurred the curse of her son. At length, upon the command of Brahma, she declared Soma to be the father, and she gave the boy name Budha.

 ***

Brihaspati /Guru /Jupiter/ Viyaazan in Tamil

Brihaspati is a Brahmana and the Guru of Devas. Born of Angiras he comes from the Sindhu country. He has either two or four arms holding the book and the rosary. He also faces the sun.

***

Kanjanur Sukra Shrine

Sukra /Venus /Velli in Tamil

He is also a Brahmana, born of Bhrigu  and a native of Bhojakata. He is the teacher/ guru of Asuras/ demons. He is seated in a golden chariot drawn by eight horses or in a silver chariot yoked to ten horses. He has two hands one of which holds a Nidhi/treasure and in the other a book. According to other authorities, he has four arms in which are seen the staff, rosary, water pot and the Varada hasta.

Sukra

The planet Sukra/ Venus is the son of Bhrigu and the priest of daityas/demons. He is also called the son of Kavi. His wife’s name was Susumaa or Sataparwa. His daughter Devayaani married Yayaati of the lunar race/ Chandra vamsa and her husband’s infidelity induced Sukra to curse him.

Sukra is identified with Ushanas, and is author of a code of law- Sukra Niti.

The Harivamsa relates that he went to god Siva  and asked for means of protecting the asuras/demons against the gods. , and for obtaining his object, he performed a painful rite, inhibiting the smoke of chaff with his head downwards for a thousand years. In his absence, the gods attacked the asuras and Vishnu killed his mother, for which deed he cursed him to be born seven times in the world of men.

Sukra restored his mother to life, and the gods being alarmed lest sukra’s penance should be accomplished, indra sent his daughter Jayanti to lure him from it. She waited upon him and soothed him, but he accomplished his penance and afterwards married her.

Sukra is known by his patronymic Bhargava and also Bhrigu. He is also called Kavi, Kaavya, the poet.

Sukra/ Venus is called

Asphujit and

Maghaabhava- son of maghaa

Shodasaansu- having sixteen rays;

Sweta- the white.

***

Sani /Sanaischara /Saturn / Sani in Tamil

Sani is a Shudra from the Saurashtra country and a descendent of Kasyapa Rishi , also facing the sun.

He is supposed to be born of the sun, to have blue garments  and to ride on a crow or vulture or in an iron chariot drawn by eight horses. He is represented with two or four arms and stands on a lotus pedestal, but is more  often found  seated with four arms., his weapons  being the arrow, trident and the bow. 

Sani

The planet Saturn/ Sani is represented as a black man in black garments. Sani was the son of sun and Chaayaa, but another statement is that he was the offspring of Balarama and Revati. He is also known as

Aara ,Kona,Kroda  and by the patronymic  Saura

His influence is evil and hence he is called Kruura-dris

Kruura lochana- the evil eyed one. He is also

Manda- the slow moving, Pangu- the lame, Sanais chara- the slow moving , Saptaarchi- seven rayed and

Asita- the dark.

***

Rahu and Ketu

Rahu and Ketu are the ascending and descending nodes , but also represented as images. Rahu is a Shudra. He is of fearful face, wears black clothes and four arms holding the sword, trident and the shield. He rides on a black lion and faces the sun.

Ketu

Ketu is also a Shudra, comes from Kusadwipa  and is born in the lineage of Jaimini. He has an ugly face , rides on a vulture and exhibits in his two arms the club and the Varada posture.

Rahu Ketu

Rahu and Ketu are in astronomy the ascending and descending node. Rahu is the cause of eclipses, and the term is used to designate the eclipse itself. He is also considered one of the Nava Grahas, as king of meteors and the guardian of the south west quarter.

Mythologically Rahu is a Daitya/demon, who is supposed to seize the sun and moon and swallow them. It is described in literature as a snake devouring sun and moon. Since it is in Sangam Tamil literature as well, the belief has been there for at least 2000 years from south to north of India.

Rahu was son of Vipachitti   and Simhika, and is called by metronymic Sainhikeya. He had four arms and his lower part ended in a tail. He was a great mischief maker, and when the gods produced amrita by churning the ocean, he assumed a disguise, and insinuating amongst them, drank some of it. The sun and moon detected him and informed Vishnu, who cut off his head and two of his arms, but as he had secured immortality, his body was placed in the stellar sphere, the upper parts, represented by a dragon’s tail, being  Ketu the descending node.

Vishnu purana says eight black horses draw the dusky chariot of Rahu .  He is called  Abhra pisacha- the demon of the sky; Bharani- bhuu- born from the asterism Bharani; Graha- the seizer; And Kabandha – the headless.

Ketu

The descending node in astronomy, represented by a dragon’s tail; also a comet or meteor .

Dhumaketu is comet. He is said to be a daanava and son of Vipachitti and Cimhikaa. He is also calle

A-kacha- hairless

Asleshaa- bhava- born of asterism aaslesha;

Munda- bald

—subham—

Tags- Nine planets, Chandra, Mangal, Budha, Guru, Sukra, Rahu, Ketu, Navagraha, Sani, Sanaischara

Krishna and Balram killed 21 Demons (Post No.15,526)

Written by London Swaminathan

Post No. 15,526

Date uploaded in London – 23 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Lord Krishna killed numerous demons and tyrants to restore dharma, primarily during his childhood in Vrindavana and later in Mathura and Dwarka. Key demons included Putana, Trinavarta, Aghasura, Bakasura, Dhenukasura, Keshi, Vyomasura, Narakasura, and his maternal uncle, Kamsa. His elder brother Balarama also joined him in his adventurous deeds.

1

Putana (Witch): Attempted to poison Krishna with her breast milk.

Putana was a demoness sent by King Kansa to kill the infant Krishna by breastfeeding him with poisoned milk. Disguised as a beautiful woman, she entered Gokul, but Krishna sucked her life force along with the poison, killing her.

2

Trinavarta (Whirlwind): Sent by Kamsa to carry away the infant Krishna.

 Trinavarta  was a demon in the form of a whirlwind sent by King Kansa to kill infant Krishna; he kidnapped the child by creating a massive dust storm in Gokul. As he flew into the sky, Krishna became unimaginably heavy, choking the demon, causing him to crash to the ground dead. Krishna was found unharmed, playing on the demon’s body.

3

Sakatasura (Cart): A ghost inhabiting a cart, broken by infant Krishna.

The Sakatasura anecdote tells of Lord Krishna killing a cart-demon sent by Kamsa to harm him during his childhood. As a three-month-old baby, Krishna kicked over a cart (his disguises) when it tried to crush him, killing the demon.

4

Vatsasura (Calf): Disguised as a calf, killed by being thrown into a tree.

Vatsasura was a demon sent by Kamsa to kill Krishna and Balarama in Vrindavana by disguising himself as a calf. While grazing calves, Krishna recognized the demon, caught him by his hind legs and tail, and spun him to death before throwing him into a tree.

5

Bakasura (Crane Demon):

One day, Kansa called for Bakasura – a fearsome bird – and told him to go get rid of Krishna. At that time, Krishna was playing in the forest with his friends, until a massive shadow fell on them. Looking up, the kids saw a monstrous bird flying straight at them. As Bakasura swooped down with his beak wide open, Krishna grabbed the sharp beak, and jumped right into it. Bakasura’s beak cracked and broke. The pain was too much, and the demon collapsed to the ground, lifeless.

6

Aghasura (Python): Younger brother of Putana, who swallowed the cowherd boys.

Aghasura was a gigantic serpent demon and brother to Putana and Bakasura, sent by Kamsa to kill Krishna in Vrindavan. He took the form of a long snake, creating a cave-like mouth that tempted cowherd boys and calves inside. Krishna rescued them by killing the demon from within, offering him liberation.

7

Dhenukasura (Ass): Killed by Balarama, with assistance from Krishna, at the palm tree forest.

Dhenukasura was a donkey-demon who guarded the Talavana (palm forest) near Vrindavan, preventing anyone from enjoying its fruits. At the urging of cowherd friends, Lord Balarama and Krishna entered the forest, where Balarama shook the trees, provoking Dhenukasura to attack. Balarama swiftly killed the demon by whirling him around and tossing him into a tree.

8

Kaliya (Serpent): Subdued and banished from the Yamuna river.

Kaliya, a Naga (serpent), moved to the Yamuna River to flee Garuda, contaminating the water so heavily that birds and trees died and the area was rendered inhabitable, say Villains Wiki and Facebook post.

While playing, Krishna’s ball went into the river, prompting him to climb a Kadamba tree and jump in to confront the beast,

Kaliya wrapped his coils around Krishna, attempting to kill him. Krishna, as a child, grew in size and began dancing on the snake’s heads, crushing him.

Kaliya’s wives, the Nag-patnis, pleaded for mercy. Krishna granted this, ordering Kaliya to leave the Yamuna forever and return to Ramanaka Dwipa, promising him safety from Garuda.

9

Pralambasura (Fiery/Forest): Slain by Balarama (with Krishna’s aid).

Pralambasura was a powerful demon sent by King Kamsa to kill Krishna and Balarama, who disguised himself as a cowherd boy to join their games in Vrindavan. During a game of tag where losers carried winners, Pralambasura lost to Balarama and carried him, aiming to kill him, but Balarama killed him with a massive blow to the head.

10

Kesi (Horse): A horse demon who was killed by Krishna.

Keshi (also spelled Kesi or Keśī, meaning “the hairy one”) is a fearsome horse-demon who was sent by the evil King Kamsa to kill Lord Krishna.

  •  After his other demons failed to eliminate Krishna, Kamsa sent Keshi, a mighty demon capable of shapeshifting, to Vrindavan to destroy him.
  • Keshi took the form of a gigantic, ferocious horse. He created chaos in Gokula, terrifying residents, shattering the earth with his hooves, and roaring so loudly that clouds were scattered.
  • Krishna, along with his cowherd friends, challenged the horse. Keshi charged at Krishna with his mouth open, intending to devour him. Krishna, appearing unfazed, caught the demon’s legs and threw him a significant distance.
  • Reinvigorated, Keshi charged again. This time, Krishna thrust his left hand into the demon’s gaping mouth
  • Inside the demon’s throat, Krishna’s hand began to expand, choking Keshi. The demon fell to the ground dead.

11

Vyomasura (Sky/Bat): Killed while trying to hide with cowherd boys.

Vyomasura (“sky demon”) was a magical demon and son of Mayasura, sent by Kamsa to kill Krishna. While playing a game of thieves and sheep with cowherd boys on Govardhana Hill, Vyomasura disguised himself as a cowherd and kidnapped most of the boys, trapping them in a mountain cave. Krishna killed him to rescue his friend

12

Kamsa (Uncle): Tyrannical king of Mathura.

A tyrannical king of Mathura. Maternal uncle of Krishna . son of ugrasena and father of Devaki, mother of Krishna. He married twin daughters of Jarasandha named Asti and Prapti, king of Magadha. He deposed his father Ugrasena. It was foretold that a son born of Devaki should kill him. So he killed all children born to her except two. Balarama, her seventh son was smuggled out to Gokula and was brought up by Rohini. When Krishna was born as the eighth child his parents fled with him. The tyrant then gave orders to kill all vigorous male children . Kamsa persecuted Krishna and at the end Krishna killed him. Because of this he earned the enmity of Jarasandha. Kamsa was also called kalaankura, the crane.

***

13

Narakasura (Demon King): Killed for ruling with terror and imprisoning thousands of women.

Narakasura,, the son of Bhudevi (Earth Goddess) and Vishnu’s Varaha avatar, was known for his tyranny, abduction of 16,100 women, and theft of divine treasures. He was killed by Lord Krishna and Satyabhama (reincarnation of Bhudevi) to restore righteousness, with his death celebrated as Naraka Chaturdashi before Diwali. 

  • Born from the union of Vishnu’s Varaha form and Bhudevi, he was initially pious but grew arrogant and evil due to the influence of Banasura.
  • He terrorized the three worlds (heavens and earth), stole Aditi’s (mother of gods) earrings, and forced 16,100 women into captivity.
  • Due to a boon, he could only be killed by his mother. Satyabhama, Krishna’s wife and Bhudevi’s reincarnation, fought him, while Krishna killed him with the Sudarshana Chakra.
  • Legacy (Diwali): He requested that his death be celebrated as a victory of light over dark, leading to the tradition of Naraka Chaturdashi, where his effigies are burned.
  • Liberation of Wives: Following his death, Krishna married the 16,100 women rescued from captivity to restore their social honor.

14

Shishupala

Shishupala was a Chedi king in the Mahabharata born with three eyes and four arms, destined to die at Krishna’s hands. Due to a promise made to Shishupala’s mother, Krishna forgave his first 100 insults, but killed him with the Sudarshana Chakra at the Rajasuya Yajna after the 101st insult, granting him liberation.

Birth & Prophecy: Born to Damaghosha and Shrutashrava (Krishna’s aunt), his physical abnormalities vanished when placed on Krishna’s lap, confirming the prophecy.

The Promise: His mother, knowing his destined death, persuaded Krishna to pardon 100 offenses.

Enmity toward Krishna: Shishupala harbored deep hatred after Krishna married Rukmini, who was intended for him.

The Final Insult: At Yudhishthira’s Rajasuya sacrifice, Shishupala insulted Krishna when he was honored as the supreme guest. Krishna unleashed the Sudarshana Chakra after the 100th insult.

Liberation: Shishupala was a reincarnation of Jaya (a gatekeeper of Vishnu) cursed to spend three lives as Vishnu’s enemy. His death by Krishna granted his soul liberation

15

Dantavakra: Dantavakra, the King of Karusha and a cousin to Krishna, was a ferocious enemy of Krishna, acting as a mortal incarnation of Vishnu’s gatekeeper, Vijaya. Seeking to avenge the death of his friend Shishupala, he attacked Krishna alone with a mace but was killed, granting him salvation.

16

Wrestler Chanura

The fight between Chanura/Mushtika and Krishna/Balarama was a pivotal wrestling match held in Mathura, orchestrated by King Kamsa to kill Krishna. 

  • Kamsa invited Krishna and Balarama to a Dhanur Yajna (bow ceremony) intending to trap them. He set up his strongest wrestlers, Chanur and Mushtika, to fight the young brothers, hoping to end them.
  • Despite the unfair matchup, Krishna fought Chanur while Balarama took on Mushtika. The fight took place in an arena watched by Kamsa.
    • Krishna defeated and killed Chanur, showcasing his divine strength.
    • Balarama defeated and killed Mushtik.
  • Aftermath: Following the defeat of these champions, Krishna killed the tyrant king Kamsa in a subsequent confrontation in the same arena.

17

Wrestler Mushtika

18

Arishtasura (Bull Demon)

The demon Ariṣṭa wanted to kill Krishna and Balarāma, and thus he assumed the form of a huge bull with sharp horns. Everyone in Kṛishṇa’s cowherd village became terrified when Ariṣṭāsura approached it;but twhen the bull demon charged him he seized him by the horns and threw him to the ground and thrashed him like a pile of wet clothing. The demon gave up his life.

19

Kala Yavana

Kalayavana- kaalayavana

Kālayavana (कालयवन).—a kind of yavanas and enemy of Kṛṣṇa and an invincible foe of the Yādavas. Kṛṣṇa, finding it impossible to vanquish him on the field of battle, cunningly decoyed him to the cave where Muchakunda was sleeping who burnt him down.

Lord Krishna was chased by a Kala yavana and Krishna entered the cave where Mucukunda was sleeping. When Mucukunda became tired he got a boon from God to sleep undisturbed for a long time in a cave. Kalayavana also entered the cave and slapped on Mucukundan thinking that it was Krishna pretending to sleep. When Mucukunda opened his eyes, Kalayavana was burnt to ashes. Tricky Krishna came out of his hiding and blessed Mucukunda.

20

Kuvalayapeedam

The anecdote of Kuvalayapida (often referred to as Kuvalaya Peedam in Tamil contexts) concerns a massive, intoxicated royal elephant sent by the tyrant King Kamsa to kill Lord Krishna and his brother Balarama upon their arrival in Mathura. 

  • The Trap: Knowing that Krishna was destined to destroy him, Kamsa arranged a wrestling match and stationed his most feared, maddened elephant, Kuvalayapida, at the gate of the arena, managed by a skilled rider.
  • The Challenge: As Krishna and Balarama approached the entrance, the mahout ordered the elephant to attack.
  • The Victory: Krishna accepted the challenge and, showcasing superhuman strength, seized the elephant by its tusks, broke them off, and used them to instantly kill both the beast and its rider. 

21

·         The Binding (Damodara): Dama means rope, udara means belly; Krishna is named Damodara for having a rope tied around His abdomen.

·         The Turning Point: Seeing His mother tired, Krishna allows Himself to be bound, demonstrating His love for His devotees.

·         The Liberation: While tied to the mortar, Krishna drags it and topples two Arjuna trees, liberating the sons of Kubera, Nalakubara and Manigriva, who were cursed to be trees.

-subham—

Tags- Demons, killed by, Krishna, Balarama, 21 demons, Narakasura, Diwali, 

Three Birds with One Stone in Puducherry: My Visit to Ashram, Museum and Ganesh Temple (Post.15,509)

Written by London Swaminathan

Post No. 15,509

Date uploaded in London – 18 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Puducherry, also called Pondicherry, was ruled by French until 1954. The French de facto left Pondicherry on November 1, 1954, transferring control to India, with the formal de jure transfer occurring on August 16, 1962. The colony officially merged with India on July 1, 1963, ending nearly 300 years of French presence. Still we can see street names in French. Many of the residents have voting rights in France. Puducherry people cast votes in French elections.

There are many attractions in Puducherry: a few museums, Bharatiyar park, Manakkulam Vinayakar Temple Aravinda/ Aurobindo Ashram

Though I have visited the famous Ganesh temple a few times, this time, during my visit to the city on 13-3-2026, I have included all the three places. From Kumbakonam we rushed to Aravinda Ashram, knowing it would close at 11-30 am for lunch break. I entered the Ashram at 11-15 and went round the  Samadhis of Sri Aravindar and Annai/Mother. One could feel the holy vibrations in the serene atmosphere. A lot of living flowering plants and a lot of flower garlands in the Samadhis are visible. But no one could stand there. Volunteers ask everyone to move forward. But you could do many rounds if here is not a long queue. Visitors touch the samadhis with both hands or their forehead to show their reverence. I spent 15 minutes there. No photography is allowed. The sentry at the entrance asks everyone to switch of their  mobile phones et.  Again, it opened at 2 pm and meditation is allowed.

The Ashram is located in the eastern part of Pondicherry, along the coast of the Bay of Bengal. It is 160 kilometres (100 miles) south of Chennai. The main Ashram building, where the Samadhi of Sri Aurobindo and the Mother is located, is open to all during visiting hours: 8.00 a.m. to 11:30 a.m. and 2.00 to 6.00 p.m. At other times, you need to have a pass in order to enter. The Sri Aurobindo Ashram Publication Department publishes the works of Sri Aurobindo and the Mother and works by disciples on their life and teachings, in over 15 languages.

The Publication Department’s distribution unit is SABDA. It has two retail outlets, Service branch inside the Sri Aurobindo Ashram main building, and Kripa branch diagonally opposite it. The head office of the Publication Department and SABDA is at 17, Rue de la Marine (next to our Kripa branch).

I did not buy any book, because my father has left us his important works.

Aurobindo (Aravinda) was a poet, freedom fighter and a philosopher. He interpreted the Vedas in a different way, instead of translating them verbatim. His Vedic glossary give new meanings to important words.

Who is Aravindar?

Sri Aurobindo (Aurobindo Ghose, 1872–1950)

Early Life & Education: Born in Calcutta, Aurobindo Ghose was educated in England (Manchester and Cambridge) from age seven, becoming proficient in Western classics and languages before returning to India in 1893.

Nationalist Fighter (1893–1910): He was a key figure in the early Indian independence movement, advocating for complete independence (Purna Swaraj) rather than colonial self-government. He was jailed in 1908 in connection with the Alipore Bomb Case.

Spiritual Transformation & Ashram (1910–1950): Following intense spiritual experiences in Alipore jail, he withdrew from politics and moved to Pondicherry to focus on spiritual practice.

Integral Yoga & Philosophy: He taught that life is a divine manifestation and that humanity can evolve beyond the mind into a “Supermind,” uniting spiritual life with worldly activity.

Works: He was a prolific writer, with major works including The Life Divine (philosophy), The Synthesis of Yoga, and the epic poem Savitri.

The Mother: He was assisted in his spiritual work by Mirra Alfassa, known as “The Mother,” who took over the management of the Ashram after his passing in 1950.

Auroville: He is the inspiration behind the experimental township of Auroville, intended to be a city of human unity.

***

MANAKKULAM VINAYAKAR TEMPLE

It is a vibrant temple with lot of devotees visiting it every minute. Big temple with lot of Ganesh shrines inside. Walls are decorated with different forms of Ganapati/Vinayakar detailing the puranic stories. Entry is free and Thayir Sadham (Curd bath) Prasad is distributed. One can finish Darshan (Viewing ) in half hour or so. It is just opposite Aurobindo Ashram. Both the places are dotted with lot of street vendors selling different things for tourists.

Bharatiyar worshipped in the temple during his stay in Puducherry. His poem on this Ganesh made him popular in Tamil Nadu. I visited the temple on 13-3-2026, for the third time.

Sri Manakula Vinayagar Temple was in existence before the French came and settled in Pondicherry i.e. before 1666. In Tamil ‘Manal’ means sand and ‘Kulam’ means pond near the sea, So the people called the god as Manal Kulathu Vinayagar means God near the pond of sand]. .The Jesuits and missionaries tried to demolish Manakula Vinayagar, but they could not demolish the temple. During 1700 French prohibited performing poojas and festivals particularly on Fridays in the temple. All the Hindus who were worshipping Lord Vinayaga objected and migrated to English Territory. Everything changed in course of time.

***

Disappointing Museum

After visiting Ashram and Temple, I visited Puducherry museum and bought Rs 10 ticket, probably the cheapest museum ticket in the whole wide world. All worn out statues are placed outside, but photography was not allowed inside.

Three things I would like to point out:

1.     The Museum has beautiful bronze, numbering over 80. But you cant take pictures and no book is available with the pictures. No picture post cards are sold. Very disappointing. All over the world museums do roaring business by selling books and picture cards and mementos. I bought picture cards even in Colombo Museum. When I asked at the reception, they told me no book was published about the artifacts in the museum.

2.     They must learn from other parts of the world. Ten rupees entry fee is dead cheap, ridiculously cheap; they must raise the fee and allow photography.

3.     One can finish the viewing in 30 minutes. It must be placed in a larger building with more information.

Following is the summary from museum website

The Puducherry Museum presents glimpses of geological, archaeological and historical periods and seeks to highlight the many facets of its arts and crafts which have now become part of Puducherry’s rich heritage.

The following galleries/sections are set up in the museum.

The French India Gallery (One)

 An issue of ‘Vijaya’ the first daily edited by Poet Subramania Bharathi is also on display there.

The Archaeology Section

The Bronze Gallery

This is the most attractive gallery.

Exquisite pieces of divine images, mostly found as treasure troves adorn the bronze gallery. The panchaloga images of the Dancing Siva (Nataraja) umamaheswara, thiripurantaka/thiripurasundari in the graceful tribhanga posture from Sorakkudi. There are specimens of bronzes of the Vijayanagar and Nayaka periods.

Display of Vehiccles (Southern Courtyard)

Sculptures (Courtyard- North and South)

A few specimen of Pallava and Chola sculptures were displayed in and around the ‘Place de Government’ since the French days.

French India Gallery (Two) Comprising

a) The Drawing Chamber/Salon (Central Hall)

b) The Dinning Chamber/Salle d’ Manger

c) The Bed Chamber/ Chambre a coucher

The Arms Gallery

Gallery of Art and Crafts (Western Wing)

Displayed in two adjacent halls respectively are a variety of hand made items and artifacts crafted by artisans in France and Puducherry.

The Geological Section (Southern Colonnade)

Puducherry Museum Visiting Hours

Opened For Public From Tuesday To Sunday

Timing: 10.00 AM To 5.00 PM(Without Lunch Break)

Monday is Weekly Holiday

Following sites show the pictures of some specimens. But the pictures are not of good quality.

·         Puducherry Museum Bronze statue collectionPDF icon(3.78MB)

·         Puducherry Museum Furniture inventoryPDF icon(9.55MB)

·         Puducherry Museum Stone Sculpture CollectionPDF icon(6.90MB)

·         Puducherry Museum PaintingPDF icon(12.03MB)

·         Puducherry Museum Photo and Map CollectionPDF icon(358.54KB)

·         Puducherry Museum Textile inventoryPDF icon(312.63KB)

That is why I ask them to allow the visitors to take pictures. They must raise the entry fee for public; concessions may be given to students. The museum needs a large venue for a better display.

–subham-

Tags: My visit, Puducherry, Museum, Manakulathu Vinayakar temple, Aurobindo Ashram, three birds, one stone

My Visit to Famous Darasuram Temple with 40,000 Sculptures (Post No.15,497)

Written by London Swaminathan

Post No. 15,497

Date uploaded in Kumbakonam, India –  14 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx   

The temple of Airavatesvara in Darasuram (Tamil Nadu), dating from the second half of the twelfth century, is one of the four biggest temples erected by the Choza Dynasty.

I have already visited Thanjavur Big Temple and Gangaikonda Chozapuram many times. On Tenth March 2026, I visited the Darasuram temple for the first time. I took an auto from Kumbhakonam and reached the temple within half hour. I spent an hour taking pictures. The entry is free. But compared with other two temples it is less shiny. Many of the sculptures are worn out. 800 years ago, it was the capital of Choza empire with the name Rajarajeswaram. Later it became popular with the name Airavateswar Temple.

Airavatam is the white elephant and the vehicle/ Vahana of Indra. Once it came under the curse of Durvasa Muni and lost its lustre. It came and worshiped Lord Shiva here and got out of the curse. Now we can have good darshan of Lord Airavateswara in Siva Linga form and Goddess Deivanayaki. The temple com[plex maintained by the archaeological department is huge and has 40,000 sculptures. All the Vedic Gods and later gods are sculpted and occupy the niches. Beautiful decorative stone windows are in between the Gods.

Here are salient features:

The temple is constructed like a stone chariot pulled by the horses.

The entire temple complex is filled with rich carvings and inscriptions that narrate stories from ancient Indian Puranas. It  has musical steps. These 7 singing steps that lead to the altar are intricately carved and represent seven musical notes.

The reliefs all along the base of the main temple narrate the stories of the sixty three Shaiva Bhakti saints called Nayanars. These stories are found in the Periya Purana by Sekkilar.

On the outer walls of the main sanctum are sculpture niches; They show various Hindu deities, with the middle one of each side showing Shiva in different aspects.

There are variousNorthern face: Adi Chandesvara, Gangadevi, Tumburu Nardar, Vaisravana, Chandra, Maha Sata, Nagaraja, Vayu

West: Devi, Rudrani, Vaishnavi, Brahmi, Varunani, Nandidevar, Periyadevar, Santyatita Sakti, Santa devi, Vidya Sakti, Pratishta Sakti, Nivarti Sakti

Southern face: Daksha Prajapati, Yamuna devi, Rati, Kamadeva

East: Agni deva, Agastya, Sri devi, Durga devi, Devendran, Padma Nidhi, Surya, Subrahmanya, Kshetrapala, Sarasvati, Visvakarma, Isana inscriptions in the temple.

Airavatesvara Temple was added to UNESCO’s World Heritage Site list of Great Living Chola Temples in the year 2004. The American astronomer Carl Sagan visited the Airavatesvara Temple for his 1980 television documentary series, Cosmos: A Personal Voyage.

Please see the pictures taken by me to appreciate the efforts of great and dedicated sculptors.pictures speak more than words

–Subham—

Tags- Darasuram, Airavateswarar temple, My visit, Choza monument, 40000 sculptures.

Aththi varadar and Adi varahar Temples in Kumbakonam (Post No.15,491)

Written by London Swaminathan

Post No. 15,491

Date uploaded in Kumbakonam, India –  12 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Athi Varadar festival in Kumbakonam featuring the rare, once-in-12-years public viewing of the idol ended on tenth March 2026. Over 500,000 devotees had the darshan standing in the long queue for hours.

Here are the key details from the news reports (as of March 2026):

12-Year Cycle: Unlike the 40-year cycle in Kanchipuram, the Athi Varadar idol at the Varadharaja Perumal Temple in Kumbakonam is brought out from its underground chamber once every 12 years.

Current Event (2026): The idol was brought out for public worship in March 2026, marking the end of its 12-year seclusion.

Duration: The special darshan, which includes rituals like Thailakappu (oil anointing) and Oonjal Sevai (swing ritual), is scheduled for a limited period, often spanning about 10 days, attracting thousands of devotees.

Location: The temple is located on Brahmman Koil Street in Kumbakonam.

In a spiritually significant event, the sacred Athi Varadar idol will be brought out from the underground chamber of the Varadharaja Perumal Temple in Kumbakonam after a gap of 12 years. The rare occasion drew devotees not only from Tamil Nadu but also from Andhra, Telangana, Kerala and a few North Indian states.

The Athi Varadar idol, carved from the sacred athi (fig) tree, is preserved in a subterranean chamber within the temple premises as part of a long-standing tradition. According to temple customs, the idol is taken out only once every 12 years for a brief period of public worship. Along with the main deity, Sri Devi and Bhoodevi are also part of the ceremonial display.

During the special darshan period, which lasted for  ten days, elaborate rituals and poojas were conducted in accordance with Agama traditions. Ceremonies such as Thailakappu (oil anointing), Pushpa Alankaram (flower decoration), and Oonjal Sevai (swing ritual) were performed with devotional fervour.

Temple authorities made extensive arrangements to manage the surge in devotees, including regulated darshan timings and security measures. The event transformed Kumbakonam into a major spiritual hub, as devotees gathered to witness and participate in this rare and auspicious tradition.

Only one incident was reported ;a devotee passed away while waiting in the long queue for the darshan on March 10, 2026.

( The Athi Varadar idol in Kumbakonam is distinct from the more famous, larger Athi Varadar idol in Kanchipuram, though both are made of fig wood.)

***

Adi Varaha Perumal /Vishnu Temple

I visited Adi Varaha Perumal /Vishnu Temple (aadi varaaha perumaal) on 10th March 2026 and had good darshan. It is a small temple compared to Sarngapani and Chakrapani Vishnu temples. It is very near the famous Kumbeshwar Siva Temple.

God/Moolavar : Sri Adhi Varaha Perumal

Goddess/Thayar    : Sri Ambujavalli

It has no tall tower. but instead there is an Arch which is East facing. On top of the Welcome Arch Sri Varaha Perumal is seen along with few other Gods. There is a gold plated Dwajasthambam, a Bali Peedam and a Garudalwar who faces the Moolavar Sannadhi. It is about 800 years old.

Thayar/Goddess Ambujavalli is in a separate shrine in a sitting posture with abhaya varada hastam.

According to Sthala Purana/ local history,Demon Hiranyaksha took Bhumadevi deep inside the earth. Bhumadevi prayed to Maha Vishnu to rescue her. Maha Vishnu took the Varaha avatar, dug the earth with his nose, and brought her back. Hence, Maha Vishnu of this temple is called Adhi Varaha Perumal Temple. Varaha means boar. It I one of the Ten Avatars/Dasavatar.

This Temple is one of the five Templescelebrating  Mahamaham festival that is held once in 12 years. Inside the Sanctum Sanctorum Adhi Varaha Perumal can be seen along with His Consort Bhoomadevi on His Lap and Adisesham can be seen in a standing posture.

 This is a Vadakalai  temple with Nigamantha Desikan shrine inside the temple.

One of the special features of the temple is a rare Prasad/Food offering. A root called Korai Kizangu is used in the food offering to God here. Since the God is in the form of Boar, this is considered appropriate offering.

Korai Kizhangu, or Nut Grass (Cyperus rotundus), is a traditional Ayurvedic and Siddha tuberous root known for its diverse medicinal, skincare, and hair removal properties. It is used to treat skin infections, improve skin texture, boost immunity, and aid digestion, often consumed as a powder or used as a topical paste.

–subham—

Tags– Aththivaradar and Adivarahar Temples , Kumbakonam, Root vegetable Prasad, 12 years,Korai Kizhangu,

Two Famous Shiva Temples in Kumbakonam that I Visited (Post No.15,487)

STORY OF KUMBAKONAM IN PICTURES; ALL PHOTOS TAKEN BY LONDON SWAMINATHAN

Written by London Swaminathan

Post No. 15,487

Date uploaded in Kumbakonam, India –  11 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

I was fortunate to have good darshan at Kumbesshwar Shiva temple and Nageswara Shiva temple in Kumbakonam. I visited Kumbeshwar temple for the fourth time in the past four years. This time I went there specifically to thank the Lord and the priest for retrieving my lost passport. During my visit in 2025, my British passport was pickpocketed by someone. Finding no money in the passport bag, he threw it into the temple flower heap. The priest saw that while clearing the flowers and gave it to his wife to find the owner. She found me after a great effort and spending much time. After a few hours of phoning people, she googled swaminathan from London, and all my books appeared in google and amazon. Then she found the publisher Pustaka.co.in and phoned the proprietor. He is a good friend of my brother in Bengaluru. When my brother phoned me the good news, I booked a taxi to and from Chennai and reached Kumbakonam just before midnight. I thanked the priest and his wife and travelled back to Chennai to catch my flight to London. When I gave some money as a token of thanks, they refused to take it and asked me to donate it to the temple. It was almost midnight and the temple was closed. This time on 5-3-2026, I went to Kumbeshwar  temple and put the money in the temple Hundi thanking both lord Shiva and the priest family.

Kumbheswar is the God who gave the name to the town. Here are the salient features:

The Adi Kumbeswarar Temple in Kumbakonam is at least  1400-year-old Shiva temple ;it is the site for the Mahamakam Festival held every 12 years. The big Mahamakam tank is near the temple.

Temple features a unique, sand-mixed lingam created by Lord Shiva and houses a rare, ancient stone Nagaswaram

  • Deity: Lord Shiva as Adi Kumbeswarar and Parvati as Mangalambigai Amman.
  • Significance: It is the primary temple in Kumbakonam, linked to the pot of nectar in Hindu mythology.
  • Features: It showcases Chola and Nayak architecture, including a 1400-year-old legacy.
  • Cultural Reference: it has rare statue of Jvaradeva/Jurakareśvara and a stone Nagaswaram.
  • The Siva Linga is slightly tilted at the top towards left.
  • It has four towers in four directions; The tallest is the eastern tower, with 11 stories and a height of 128 feet (39 m) .
  • The sixteen-pillared hall built during the Vijayanagara period has all the 27 stars and 12 zodiacs sculpted in a single stone.
  • During cosmic dissolution, a pot containing nectar (Amirta) was floating and lord Siva came in the disguise of a hunter and pierced the pot with an arrow, thereby making the nectar to flow through it’s nostril on all sides. Hence this place is named Kudamooku (kuda – pot; mooku – nostril or tip). Kudam in Sanskrit is Kumbham. The Kumbeswarar (Linga) is on the form of conical lingam. That gave the name Kumbha konam.

***

Special Features of Nageshwar Shiva Temple

The presiding deity is revered in the 7th-century Tamil Tevaram. The temple is one of the earliest of all Chola temples. Shiva in the guise of Nagaraja, the serpent king.

Sun rays fall directly on the deity during April-May. 

WHITE FIGURE- PADAKACHERI SWAMI WHO RENOVATED THE TEMPLE IN 1920S.

 

Key Details of Nageshwar Temple, Kumbakonam:

  • Deity: Lord Shiva is worshipped as Nageswaran, Naganathar, or Koothandavar.
  • Architecture: Known as Kudandai Keezhkkottam, the temple is a masterpiece of Chola engineering, with the main sanctum constructed in the shape of a chariot.
  • Astronomy & Light: The temple is designed so that sun rays fall on the central lingam for three days in the Tamil month of Chithirai (April/May).
  • Significance: It is one of the 12 temples associated with the Mahamaham festival.
  • Legend: It is believed that the serpent king Adisesha worshipped Shiva here. Another legend features kings and sages worshipping here to overcome obstacles.
  • Specialty: It is a major spot for relieving Rahu dosham, with special prayers held on Mondays and Thursdays. 

The temple complex is famous for its intricate carvings and its role as a key historical site representing the Chola dynasty’s architectural prowess.

The temple has numerous shrines, with those of Nageswarar, Pralayamkathanathar and Periyanayagi being the most prominent..

This place has been referredto  in Tevaram written by Saint Tamil poet of 7th Century CE, Thirugnana Sambanthar. So it is older than 1400 years.

The temple had been a centre of learning as seen from the inscriptions in the temple. The inscriptions indicate specific subjects like Purvamimansa styled as Pravahakarma. There were also provisions made for feeding and maintaining for teachers and students

–subham—

Tags-  Famous Shiva Temples in Kumbakonam, Kumbeshwar, Nageshwar, Stone Nadaswara, Stone Chariot, Mahamakam Tank, Festival, Adishesan, Snake worship, PICTURES BY LONDON SWAMINATHAN

Two Famous Vishnu Temples of Kumbakonam that I Visited (Post No.15,483)

Pictures are taken by London Swaminathan’.

Written by London Swaminathan

Post No. 15,483

Date uploaded in Kumbakonam, India –  10 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Like Kanchipuram, Kumbakonam in Tamil Nadu is also dotted with several Vishnu and Shiva temples. They are called Temple Towns; only difference is Kanchi has Jain temples as well. In Kanchi one can see more Pallava influence and in Kumbakonam one can see more Choza influence.

The Vishnu temples I visited on 5-3-2026, are Bow Holder Temple (Sarangapani) and Wheel Holder Temple (Chakrapani). They are sung by Alvars, Tamil Vaishnavite saints and dated 1200 to 1500 years old. Both the temples have some unique features.

Vishnu has five weapons in his hands.

Vanamali Gadi Sarangi Shanki Chakri Cha Nandaki Shriman Narayano Vishnur Vasudevo Bhirakshatu.

वनमाली गदी शार्ङ्गी शङ्खी चक्री च नन्दकी।

श्रीमान् नारायणो विष्णुर्वासुदेवोऽभिरक्षतु॥

Vanamali (वनमाली): One who wears the Vanamala, a divine garland made of forest flowers (Vaijayanti), representing the subtler elements of nature.

Gadi (गदी): The bearer of the mace named Kaumodaki;

Sharngi (शार्ङ्गी): The wielder of the Sharnga bow;

conch (Shankhi), discus (Chakri), and sword (Nandaki).

Lord Narayana, who is adorned with these divine weapons and symbols, including the conch (Shankhi), discus (Chakri), and sword (Nandaki). It is chanted for safety and to remove obstacles.

Let us first visit Sarngapani (saarngapaani) Sarngam is the bow and Paani in Sanskrit is Hand.

The Sarangapani Temple is a 1000 year old Hindu temple in  dedicated to Lord Vishnu, who is depicted holding the sharanga (bow). It is one of the 108 Divya Desams and a significant Pancharanga Kshetram located on the Kaveri River bank. It features unique chariot-shaped architecture and legends.

Situated in Kumbakonam, this temple is revered in the Nalayira Divya Prabandham by seven Alvars (poet-saints).

Architecture: The main sanctum is designed like a chariot (Ratha) pulled by elephants and horses, featuring intricate carvings from the Chola and Nayak periods.

Deity: Lord Sarangapani is in a reclining posture (Bhujanga sayanam) on the chariot bed.

Legends: The temple is associated with Sage Hemarishi, who did penance to have Lakshmi as his daughter, and it is a Pancha Kshethram where Goddess Lakshmi was born as Bhargavi.

Key Spots: Includes the Pathala Srinivasan sanctum (underground) and the Mettu Srinivasan (above ground) sanctum.

Festivals: The temple celebrates major festivals, including the chariot festival (Rathotsavam).

Lakshmi emerged from the Potramarai tank among thousand lotuses and was thus named Komalavalli (the one who emerged from lotus). Vishnu descended to earth as Aravamudhan in a chariot drawn by horses and elephants from his abode Vaikuntam.He stayed in the nearby Someswaran Temple to convince Lakshmi to marry him and the couple eventually got married. The temple follows Pancharatra Agama and Vadakalai tradition.

Tallest tower

The Sarangapani Temple dates back to the Pallava era; however, the existing edifice is linked to the Vikrama Chola period, beginning in 1121 AD. Its importance grew significantly during the reigns of the Vijayanagara and Nayaka dynasties from the 15th to the 17th centuries, which saw considerable expansion of the temple’s structure

A notable highlight of the Sarangapani Temple is its main entrance, the rajagopuram, which rises to a height of 173 feet and consists of eleven tiers. This structure is the tallest temple tower in Kumbakonam and ranks as the third tallest gopuram among the Divya Desams, following Srirangam (236 feet) and Srivilliputhur (192 feet).

Trial Run of the New Chariot

Trial run of the New Ratha/ Chariot of Sarngapani

Is taking place on 13-3-2026. This is one of the biggest chariots of Tamil temples.

Height – 60 feet; Weight 500 Tons;

Chariot’s horses and other figures are made up of papier mache and bamboo. It will be used next Chitrai month . Thousands of people will pull it using 300 metre long huge rope.

***

Chakrapani temple

All the Shiva and Vishnu temples are in walking distance. Chakrapani temple is unique in many respects.

In the Chakrapani Temple, Lord Vishnu appears in the form of a discus or Chakra to put down the pride of Surya, who subsequently became his devotee. Like Lord Shiva, Lord Chakrapani has a third eye on his forehead.

Lord Vishnu appears as the fiery Sudarshana Chakra with eight arms and a third eye, resembling Lord Shiva to subdue Surya’s pride. It is known for its “Bhaskara Kshetram” where the Sun God worships the deity. Bhaskra means Sun/Surya.

Picture shows Sun God worshipping Chakrapani.

Unique Deity Form: Lord Chakrapani is depicted not as a human avatar but as the radiant, Sudarshana Chakra (wheel ) housed in a central sanctum.

Third Eye & Eight Arms: Unlike typical Vishnu forms, this idol has eight arms holding weapons and a third eye on the forehead, similar to Lord Shiva.

Bilva leaves are used here instead of Tulsi.

Sun Worship (Bhaskara Kshetram): Legend holds that the Sun God (Surya) worshipped the Chakra here to regain his lost brilliance, making it a prominent place for Sun worship.

Architecture & Entrances: The temple has a five-tiered Raja Gopuram and features two entrances—”Thatchinaya Vayil” and “Utharavana Vayil”—and an outer Prakara built like a balcony.

Historical Significance: A bronze statue of the Maratha King Serfoji II is present, as he is said to have been cured of a severe illness by the deity.

Important Rituals: It is one of the five Vishnu temples involved in the Mahamaham festival, with major, unique celebrations including the, Thirumanjanam (holy bath) and special, worship during Masi Magam.

Pancha Mukha Hanuman: The temple complex contains an idol of the five-faced Hanuman.

The temple is also known for, being a place where worshippers, pray for relief, from, physical, or, mental, illnesses.

***

As per Hindu legend, Chakra (also called Sudarshana), is the most powerful weapon of god Vishnu. He once sent his weapon to nether world to kill king Jalandasura. The weapon is believed to have come out of the nether world through river Kaveri. God Brahma, installed the image of Sudarshana in the place where the temple is now located. Surya, the Sun god, who was glowing in brilliance, had his brightness diminished by the effulgent Sudarshana. Surya worshipped Sudarshana and pleased by his devotion, Sudarshana restored all the powers of Surya. He worshiped Chakrathazhwar (personified Wheel or Discuss) during Masi Magam and every year Masi Magam festival is celebrated during the day, commemorating the event. The temple car is drawn around the streets of the temple during the day.

–subham—

Tags- Kumbakonam, Sarngapani temple, Chakrapani temple, unique features, wheel, bow, Bhaskara kshetra, tallest tower, tallest chariot, Sun/Surya

What is the distance between you and the God? (Post.15,480)

WRITTEN BY S NAGARAJAN

Post No. 15,480

Date uploaded in Kumbakonam, India – 10 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx

What is the distance between you and the God?

S. Nagarajan

Narada is a great sage. He is devoted to Lord Narayana who is the protector of Universe according to the Hindu religion.

All the scriptures says that Narayana resides at Vaikunda, a sacred place in the sky.

Once Narada went to Vaikunda, where Narayana is supposed to be dwells.

But to his surprise Narada did not see the Lord, there!

He started searching the Lord.

At that time one devotee came in front of him.

He asked Narada, “oh! Great sage, wherefrom you are coming?”

Narada replied to him that he is coming from Vaikunda. He also said that he did not see the Lord at Vaikunda and in search of him he is wandering:’

The devotee laughed at him.

“Oh! Great sage! You do not know where he is. He is at a calling distance,” said the devotee.

Narada was wonderstruck.

He told the devotee that he is not able to understand the meaning of his words.

The devotee said, “It is simple. He is at a distance to hear your call. When the elephant Gajendra called “Oh, the Origin of everything”, he heard that call and immediately came to the elephant’s rescue.

Actually, the elephant’s leg was grabbed by a crocodile in a river and at any moment it may be dragged into the river.

Similarly, the Pandavas Queen Draupadi called him, “Oh, my lord who is dwelling in my heart. Pl come and rescue me. The wretched Gaurav Dussasana is stripping my sari.”

On hearing Draupadi’s call he came immediately to her rescue and started supplying numerous saris.

Telling all these things the devotee asked Narada, “I hope now you understand where he would be. Go and find him in devotees’ assembly.

Narada accordingly found the Lord in a large gathering where devotees were chanting His name.

Narada finding the Lord there prostrated before Him.

Narada told the Lord that he is coming from Vaikund in search of him.

The Lord laughed at him and said the famous reply.

“I am not residing at Vaikunda nor at the yogi’s heart. Wherever my devotees are chanting my name, oh, Narada, you may find me there.

Narada understood the power of the devotion.

God is in your heart and that is the distance between you and the God!

**

Published in http://www.writing.com

Mayuram Temple is unique! Goddess became Peacock! (Post No.15,479)

Author London Swaminathan standing in front of the tall tower.

Written by London Swaminathan

Post No. 15,479

Date uploaded in Kumbakonam, India –  9 March 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

About sixty years ago, we used to travel from Madurai to Vaitheeswaran Koil to worship our family deity Shiva. There Lord Shiva is called Mr Doctor (In Sanskrit Vaidyanathan) . He is doctor for the diseases our body catches as well as the disease of birth and death. And we used to stay in our uncle’s house at Mayavaram, also known as Mayuram, Mailaduthurai ; in fact Mayiladuthurai is the name used by the Thevaram saints. Since the God Mayuranathar is sung by Appar/Tirunavukkarasar and his junior Gnana Sambandar the place is well known for at least 1400 years.

When we stay at our uncle’s house we used to go to the temple and spend much time sitting in the Prakara (corridor) discussing various matters. I visited the temple again on 5-3-2026.

The temple at Mayuram (Mayura in Sanskrit is Mayil in Tamil meaning peacock) has a story.

Goddess Parvati went to her father Daksha’s Yagna (Fire sacrifice) uninvited. Daksha invited all but not Shiva. He didn’t bother; but when he insulted Parvati   she fell in the Yagna fire and sacrificed herself. Shiva became angry and sent Virabhadra to destroy all the people in the Yagna Hall. At the same time Shiva cursed even his own wife for not obeying to his instruction. She was cursed to become a peacock (peahen)and she worshipped Shiva at this place to get out of the curse.

Several inscriptions in the temple show the donations made by Choza , Pandya and Vijayanagara kings. So the temple has a long history.

Salient features of the Mayiladuthurai Temple are:

It is on the southern banks of the River Kaveri. Every Aippasi month (one of the 12 Tamil months) thousands of people take holy dip in the river in the early morning. At that time, it is as holy as Ganga and the town is as holy as Kasi (Varanasi/Benares). The 30 day holy bath (Thula Snanam) concludes in the first day of next month called Kartikai.

God Shiva appears in the form of Swayambu Linga here. Goddess is called Abhayambikai. In the same temple there is a shrine called Adi Mayuranathar shrine where Goddess is in peacock form.

The statuesof planet Saturn (Sani) and goddess Durga in the temple have unique features. Sani has Flame (fire) head; Durga has demons at her feet.

Nataraja here did Gauri Tandava.  The tower is 165 feet tall and it is a nine storeyed tower.

Lord Ganapati is called Agastya Vinayaka. All the popular Hindu Gods have shrines in the temple. There is a tank attached to the temple.

·         Architecture: Originally from the 7th century, it was significantly built/expanded by the Cholas (11th century).

·         Mythology: Legend says Goddess Parvati worshipped Shiva here in the form of a peacock (Mayur).

·         Location: Situated in the heart of Mayiladuthurai town, Nagapattinam District, Tamil Nadu.

·         Important Festivals: The “Thula Utsavam” in the Tamil month of Aippasi (October-November) is a major event.

·         Address: Mayuranathar Colony, Mayiladuthurai, Tamil Nadu – 609001.

In the 14th century, Tamil poet Arunagirinathar composed a Tiruppugaz song on the deity Murugan, in this temple. The shrine is managed by Thiruvavaduthurai adheenam.

It is about 256 km (159 mi) southeast of Chennai, the state capital.  The nearest railway station is Mayiladuthurai railway junction 2 km (1.2 mi) from the temple.

The temple is a huge temple and one needs an hour or less to complete the round.

–subham—

Tags- Mayiladuthurai, Peacock, Lord Shiva, Mayuram, Goddess  cursed, Thula Kaveri Bath, Snanam

HINDU DICTIONARY IN ENGLISH AND TAMIL – 39; இந்து மத கலைச்சொல் அகராதி-39 (Post.15,457)


Written by London Swaminathan

Post No. 15,457

Date uploaded in Sydney, Australia –  26 February 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

xxxx  

ஆங்கில எழுத்து K- ல் துவங்கும் சொற்கள்

Words beginning with “K”. (Tamil Version will be posted tomorrow)

Kalidasa (kaalidaasa)

Kalidasa is widely considered to be the greatest Indian poet and playwright of all time. He wrote in Sanskrit. There are seven works written by him-two epic poems, two shorter poems and three plays. They are 1.Raghu Vamsa (dynasty of Raghu),2.Kumara Sambhava (Birth of Kumara, 3.Megha Duta (Cloud Messenger),4.Ritu Samhara (Cluster of Sesons), 5.Malavikagnimitram (Malavika and Agnimitra),6.Abijnana Shakuntala (The recognition of Shakuntala) and 7.Vikramorvasiya (Urvasi won by valour).His master piece was Shakuntala.

The age of Kalidasa has been debated for long. He could have lived anytime between 2nd century BC and 4th Century AD. Though the western scholars have placed him in the period of Gupta dynasty, Indians believe that he lived in the time of the great Indian King Vikramaditya who started his own Vikrama era in 56 BCE. Kalidasa was one of the Nine Jewels (Navaratna) of Vikramaditya’s court.

My research into Tamil Cankam (also known as Sangam) literature shows that Kalidasa lived sometime before the birth of Christ. Tamil poets have used a lot of his similes. Kalidasa was most famous for his apt similes. The Sanskrit poets praised him as Upama Kalidasasya: ( Kalidasa owns similes).Tamil poets have used lot of common Indian/ Hindu beliefs. The source may be different ancient Indian works. But there are very clear indications to show that the poets have got them from Kalidasa’s works. There are over 200 similarities between the works of Kalidasa and the Sangam Tamil works. No one can reject them as coincidences or of pan Indian origin.

Seven Books—40,000 words—93 commentaries for three of his works—he beat Shakespeare in writing poetry+ dramas+ Epics+  stotras (Shyamaladandakam) and usage of similes. He covered the history of 29 kings in Raghuvamsam. He used 1250 similes! He gives a description of a vast geographical area from Iran to Indonesia! He called the Himalayas “the measuring rod of earth” even before George Everest told the world the height of Everest Peak!!! An amazing poet the world has ever produced. First poet to write a travelogue called Meghadutam in Sanskrit and first poet to report the progress o South West Monsoon from South India to Himalayas.

First poet to link Pandyas and Agastya, which is the foundation of Tamil History.

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Kalpa

Kalpa (कल्प) refers to “one day in the life of Lord Brahmā. It is equivalent to one thousand catur-yugas. Each catur-yuga is one cycle of the four yugas: Satya, Dvāpara, Tretā and Kali, totalling 4,320,000,000 years.

It signifies a period of creation, duration, and destruction of the universe.

One of the six Vedāṅgas, i. e. that which lays down the ritual and prescribes rules for ceremonial and sacrificial acts; शिक्षा कल्पो व्याकरणम् (śikṣā kalpo vyākaraṇam) Muṇdtod; 1.1.5 see under वेदाङ्ग (vedāṅga).

The doctrine of poisons and antidotes.

 One of the trees of paradise; cf. कल्पद्रुम (kalpadruma).

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Kalpakavriksa- Wish fulfilling tree

Kalpavṛkṣa (कल्पवृक्ष).—A tree in Devaloka. It has the power of giving any object that one wishes to get. There are five Kalpavṛkṣas in Devaloka. Their names are: Mandāra, Pārijāta, Santāna, Kalpavṛkṣa and Haricandana.

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Kama (kaama)

Wish, desire; this Sanskrit word is used throughout ancient Tamil literature.

Kāma means desire, wish, longing in Indian literature. Kāma often connotes sexual desire and longing in contemporary literature, but the concept more broadly refers to any desire, wish, passion, longing, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without sexual connotations.

Love or desire of sensual enjoyments, considered as one of the ends of life (puruṣārtha); cf. अर्थ (artha) and अर्थकाम (arthakāma).

Dharama, Artha, Kama, Moksha are the four values that Hindus should aim for.

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Kama – God of Love

 Kama is the God of Love and Lust. He is also referred to as Manamatha. He is the most handsome among both men and Gods. He is equivalent to the Greek/Roman Cupid. He uses a bow of sugarcane, and shoots flower tipped arrows at humans to make them fall in love. He is married to Rati, one of the daugters of Daksha.

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Kāmaśāstra (कामशास्त्र) refers to the “science of erotics”.

Kamasutra

Kāmasūtra (कामसूत्र).—

 Name of an erotic work by Vātsyāyana.

First book on sex in the world. Vatsyayana wrote it in Sanskrit. First book in the world which prescribed educational syllabus for women.

“ A woman should study even before reaching adolescence, and then, once married should continue her studies with her husband.” ( Sutra 2, Chapter 3, Kamasutra of Vatsyayana)

Vatsyayana, the Brahmin author of Kamasutra listed all the 64 arts that a woman should learn. Tamil and Sanskrit poets referred to this 64 arts in their poems. Goddess Sarasvati is the source of those 64 subjects.

Kāmasūtra (कामसूत्र) (lit. “principles of love”’) is an ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment in life.—The Kāmasūtra is a Sūtra-genre text with terse aphoristic verses that have survived into the modern era with different bhāṣyas (exposition and commentaries). The Kāmasūtra acknowledges the Hindu concept of Puruṣārthas, and lists desire, sexuality, and emotional fulfilment as one of the proper goals of life. Its chapters discuss methods for courtship, training in the arts to be socially engaging, finding a partner, flirting, maintaining power in a married life, when and how to commit adultery, sexual positions, and other topics.

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Kamadhenu- Wish fulfilling Cow

Kamadhenu is the wish fulfilling cow. The picture and statues of Kamadhenu are in Hindu houses and temples.

It refers to the “celestial cow” also known as Surabhi (सुरभि Surabhī).

Kamadhenu, the divine “cow of plenty” originating from the Churning of the Ocean, is revered as a symbol of abundance and divinity with the power to fulfil desires. According to tradition, she is depicted with various divine attributes, serves as a protective force for sages, and is worshipped for prosperity and to bring good luck to homes and businesses

Kāmadhenu (कामधेनु) was the mythical cow of Vasiṣṭha which satisfies all desires, cow of plenty (= surabhi).

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Karma

“Karma” (Sanskrit: कर्म) primarily means action, work, or deed, acting as the fundamental spiritual principle of cause and effect in Hinduism, Buddhism, and Jainism. It governs the moral law of actions, shaping future destiny, rebirth, and experiences, often categorized into Sanchita (accumulated), Prarabdha (fruiting), and Agamya or Kriyamana (current). 

Karma (कर्म) refers to “action”, “deed”.—1) any action or deed; 2) the principle of cause and effect; 3) a consequence or “fruit of action” (karmaphala) or “after effect” (uttaraphala), which sooner or later returns upon the doer. What we sow, we shall reap in this or future lives. Selfish, hateful acts (pāpakarma or kukarma) will bring suffering. Benevolent actions (puṇya-karma or sukarma) will bring loving reaction.

Karma is three fold:—sañcita,prārabda, kriyamāṇa (or āgāmi)

Also any religious act or rite (as sacrifice, oblation etc., [especially] as originating in the hope of future recompense.

Karman (कर्मन्).—[neuter] action, deed, work, [especially] holy work, sacrifice, rite; result, effect; organ of sense; the direct object ([grammar]); fate, destiny.

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Karmendriya

Karmendriya (कर्मेन्द्रिय):—[from karma > karman] n. an organ of action (five in number like the five organs of sense, viz. hand, foot, larynx/ogan of voice, organ of generation, and excretion).

The Five Faculties of Action (Karmendriya):

  1. vak-tattva: speech (voice)
  2. pani-tattva: grasping (hands)
  3. pada-tattva: walking (feet)
  4. payu-tattva: excretion (anus)
  5. upastha-tattva: procreation (genitals)

Speaking, Grasping, Moving About, Excreting and Sexual Activities are the Soul’s Powers of responding to and interacting with, the external World.

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Karta

Karta (Sanskrit: कर्ता, kartā) primarily refers to the “doer,” “agent,” or “creator” of an action. It is a term deeply rooted in Indian philosophy, grammar, and traditional law, representing the individual responsible for bringing about change or taking initiative.

 It is a foundational concept in Indian philosophy, grammar, and art, embodying initiative and responsibility.

Sanskrit Grammar (Vyakarana): Karta is the agent or subject of an action.

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Khadira

Khadira (खदिर)—Sanskrit word for a plant (Acacia catechu).

Khadira (खदिर) is mentioned frequently from the Rigveda1 onwards as a tree with hard wood—the Acacia catechu. The Aśvattha is referred to as engrafting itself upon it in the Atharvaveda, and from it the climbing plant Arundhatī is said to have sprung.

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Kavya (kaavya)

Kāvya (काव्य).

A poem; महाकाव्यम् (mahākāvyam); मेघदूतं नाम काव्यम् (meghadūtaṃ nāma kāvyam) .  Poetics, poetry, a poetical composition

 Prophetic, inspired, poetical; अशंसीत् काव्यः कविः (aśaṃsīt kāvyaḥ kaviḥ) Ṛgveda 8.8.11.

 Name of Śukra, preceptor of the Asuras.

Mahākāvya (महाकाव्य):— the Raghu-vaṃśa, Kumārasambhava and Megha-dūta by Kālidāsa, the Śiśupāla-vadha by Māgha, the Kirātārjunīya by Bhāravi and the Naiṣadha-carita by Śrī-harṣa; [according to] to some the Bhaṭṭi-kāvya is also a Mahakavya.

In Tamil Five Great Epics (Tamil: Aimperumkāppiyaṅkaḷ) are:

Cilappatikāram (or Silappadikaram), Maṇimēkalai, Cīvaka Cintāmaṇi (or Jivak Chintamani), Vaḷayāpati (or Valayapathi), Kuṇṭalakēci (or Kundalakesi)

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Karakam- Tamil Folk Dance

Karakam, or Karagaattam, is a traditional, ancient folk dance from Tamil Nadu, India, performed to honour the rain goddess Mariamman. It features dancers balancing decorated pots (karakam) on their heads while performing intricate movements, acrobatics, and sometimes balancing on a rolling wooden block.

Though associated with religious festivals, nowadays they are part of cultural and political processions.

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Kavadi (kaavadi)

This semi-circular decorated canopy supported with wooden cross-pieces is called a kavadi, meaning ‘burden’ or ‘load’.

A kavadi is a ceremonial, often ornate, wooden or metal arch decorated with peacock feathers, flowers, and photos of Hindu deities, carried by devotees of Lord Murugan as an act of penance, gratitude, or devotion,  during the Thaipusam and other Murugan (Skanda/Kartikeya) festivals. It represents a “burden” or sacrifice, often involving fasting, rituals, and sometimes body piercings with hooks or skewers, particularly in Malaysia, Singapore, and Tamil Nadu.

Devotees carry the kavadi to fulfill vows, seek blessings for health or success, or express gratitude to Lord Murugan, the Hindu god of war and wisdom.

Types of Kavadi:

Paal Kavadi: A simple, less painful offering involving pots of milk (paal) carried on a wooden pole.

Alagu Kavadi: A more complex, heavy structure often attached to the body via hooks and spikes piercing the skin (alagu means small spears).

Sangili Kavadi: Involves dragging heavy chariot or metal structures via chains attached to the body.

During the procession, devotees often enter a trance-like state, facilitated by the rhythmic, loud, and intense drumming (urumi melam) and chanting of “Vel Vel” (referring to Lord Murugan’s spear).

In Malaysia, devotees often ascend 272 steps to the shrine in the Batu Caves during Thaipusam. Other famous Murugan temples are also on hills. They also climb the steps.

Gangajal taken in Kavadi poles

TO BE CONTINED……………….

–SUBHAM—

TAGS- Karakam, Kavadi, Kalpa, Kalidasa, HINDU DICTIONARY IN ENGLISH AND TAMIL – 39, இந்து மத கலைச்சொல் அகராதி-39