TAMIL HERO WHO FIGHTS WITH DRAVIDIANS TO PROTECT HINDU TEMPLES

 MR T R RAMESH PARTICIPATES IN OUR GNANMAYAM BROADCAST EVERY MONTH. HERE IS A REPORT FROM SWARAJYA.

Inside The Battle To Protect Tiruvannamalai Temple’s Sacred Space: A Conversation With TR Ramesh

S Rajesh

Oct 18, 2025, 11:24 AM | Updated 11:30 AM ISTTR Ramesh had challenged the construction of a shopping complex in front of the eastern gopuram of the Arunachaleswarar temple.A PIL by temple activist T. R. Ramesh has brought the Arunachaleswarar Temple under judicial spotlight, as the Madras High Court questions how far state-run temple departments can go in the name of modernisation and revenue.

Around 200 kilometres from Chennai is one of the most famous Shiva temples of Tamil Nadu, the Arunachaleswarar Temple in Tiruvannamalai, standing at the foot of the Annamalaiyar hill.

It is a landscape where devotion and heritage have converged for centuries. To this day, thousands of devotees walk barefoot around the hill every full moon on the 14-kilometre Girivalam path, their chants mingling with the scent of camphor and jasmine that fills the night air.

But it is during Karthigai Deepam that the town truly transforms. Lamps flicker on every street, temple gopurams give a golden glow, and atop the hill, a massive flame is lit, said to symbolise Lord Shiva himself as an eternal light.

This annual spectacle draws pilgrims from across India, reaffirming Tiruvannamalai’s place at the centre of Shaivite devotion. Amid this timeless faith, however, a modern battle over the temple’s surroundings has taken shape, a case that may redefine how sacred heritage coexists with the world around it.

A few days ago, the temple witnessed something unusual. Two judges of the Madras High Court came to look at construction works inside and outside the temple. These had been brought to their attention through a PIL filed by temple activist T. R. Ramesh.

While he had challenged the building of a shopping complex in front of the Rajagopuram (eastern tower) of the temple, the Bench later expanded the matter to assess other projects proposed by the Hindu Religious and Charitable Endowments (HRCE) department.

Hours later, after a thorough inspection, Justices R. Suresh Kumar and S. Sounthar, who were hearing the matter, returned and, after a few days, passed orders staying all such civil works. The final judgment in the matter is expected soon.

Given the stand of the Court till the last hearing, it is unlikely to go in HRCE’s favour. The outcome, Hindu activists believe, will set a national precedent to stop seeing temples as sources of revenue generation and to draw a red line on what can and cannot be done at a heritage structure in the name of modern amenities.

At this timely moment, Swarajya spoke with Ramesh to follow up on the case, about which he had spoken with this publication in great detail before approaching the Court in November 2023.

Q: Could you begin by explaining what exactly your PIL challenged? It would be helpful for those who have not followed the matter previously.

A: The PIL was filed against a government order, G.O. No. 336 of 2023, that approved the construction of 150 shops, a shopping complex, right opposite the Raja Gopuram, the main eastern tower of the Tiruvannamalai temple. The estimated cost was Rs 6.36 crore, taken from the temple’s funds.

The land in question belongs to the temple and has a 16-pillar mandapam at its centre. That mandapam holds immense religious significance. During festivals, processional deities are first brought there for worship before being taken out in chariots or palanquins.

The open space is crucial because the Tiruvannamalai temple has almost one festival every month. It has two or three major festivals during the year, but almost every month there is some celebration.

During festival times, thousands of people gather in that space. That open space is very important, both for religious significance and practical reasons. Whenever there is open space in a vantage position, the HRCE department wants to develop it in the name of building shops or other constructions.

Q: How did the court respond when you initially brought this to its attention?

A: Soon after they brought the G.O., they started constructing. I was in Delhi at the time for a case in the Supreme Court. When pictures of the construction reached me, I mentioned it before a special Bench of Justice Mahadevan and Justice Adikesavulu, who were hearing temple cases.

I mentioned the matter on a Thursday afternoon, explaining what was going on in Tiruvannamalai. I managed to produce pictures of the construction and the plan to the Honourable Bench. I had asked a colleague to take printouts and give them to the court. When the judges saw that, they were shocked.

The government counsel said, “No, there are already shops there, we are just reconstructing them.” All sorts of lies were presented before the court. The counsel also claimed that there were shops as early as 1920 and that the court had recognised them. It was a blatant lie.

In 1920, the court had said that the land belongs to the temple, not to the municipality, and also that no shops should be opened there. I had that judgment, given to me by a devotee, and I presented it too.

When the judges saw that they were being misled, they were very upset. At 2:45 p.m., they said, “This work should stop right now, at this minute.” They told the government counsel, “Call the Commissioner and instruct him immediately. We want the status by 4 o’clock.” By 4 p.m., they confirmed the work had been stopped. Remember, I had not even filed any petition yet.

Subsequently, I filed the petition and the stay order continues.

Q: Please tell us about the arguments made in court. Did you mention anything more than what you have said earlier, that the HRCE Act does not allow the use of temple funds for these purposes? What was the stand taken by the department?

A: Yes. We were helped by a judgment delivered by the Madras High Court. On 9 January 2025, there was another case regarding a shopping complex being built using temple funds, not within the temple complex, but nearby.

That construction was challenged before the Chief Justice’s Bench. After extensive arguments, the Chief Justice said that temple funds cannot be used to build a shopping complex.

That was the Nandishwarar Temple near Chengalpattu. The order was very detailed and said that neither surplus funds nor the main funds of a temple can be used for such constructions. The government made the Executive Officer of the temple file an appeal before the Supreme Court. In May, the special leave petition was dismissed, so the High Court’s order became final.

Subsequently, when the Tiruvannamalai case came up again in August, we brought this order to the attention of the temple Bench and pointed out that it had been upheld by the Supreme Court. Immediately, the HRCE took a different stance, stating that they would not construct shops now, but would instead construct a queue complex and waiting area.

It is alleged that they had already taken money from the contractor in advance. When the work was stopped, the contractor demanded his money back. To compensate, officials told him they would give him some other civil work in the same place.

That is when I objected, saying that the case was about G.O. 336, which specifically concerned a shopping complex. If they wanted to do something else, they should withdraw that G.O.

The court said they should not go ahead with the construction, but the matter was not finalised. They were asked to bring proper plans and drawings for the proposed queue complex outside the temple.

When those plans were submitted, I produced photographs showing that massive constructions for a queue complex and waiting area were already going on inside the temple, very close to the ancient wall.

This construction inside the temple had not been disclosed. The HRCE presented it as if they were only proposing the queue complex outside, while work was already going on inside. When I presented the photographs, the judges were shocked that HRCE had hidden this fact.

They said, “How can you build such a thing inside the temple? You cannot do this at all.” On that day, a stay order was given, preventing any construction inside or outside the temple.

The court also said they would inspect the temple themselves. The inspection took place on 5 October. I requested that the petitioner also be present, and the judges agreed.

Q: Since the stay on construction continues, it is clear that the judges were not pleased with what they saw on site. But could you please walk us through what happened that day? Was it a thorough inspection or just a quick visit?

A: It was a detailed check. The two judges were there for a few hours. During the inspection, they found three guest houses built inside the temple in the fourth prakara, all modern structures.

They also saw a massive Annadhanam hall under construction. The officials had earlier said it would only be temporary and covered with asbestos sheets, but the judges observed that concrete pillars were already up.

I pointed out that they had not even obtained municipal approval. They (HRCE) said they would get the approval. I asked how they could even start without it. The judges noted everything, including a modernised mandapam being used as the temple office. They were visibly disturbed.

Q: What followed that was the last hearing on 9 October. What did the Bench say about the inspection, and did you make any fresh arguments?

A: Last week, when the matter came up again, HRCE submitted a list of ongoing works and falsely claimed most were 70 per cent complete, clearly to pressure the court.

I again raised the issue of the Annadhanam hall, saying that the municipality cannot approve it without referring it to the Heritage Commission, as per the Tamil Nadu Heritage Commission Act, 2012, which came into force on 1 March 2025.

Under that Act, any construction, development, or alteration in a heritage place cannot happen without approval from the Heritage Commission. The government counsel tried to say they had approval from a heritage committee, but that was a temporary body appointed by the court, not the statutory commission. The judges agreed.

I also presented an affidavit filed by the Municipal Commissioner in 2005 in the Supreme Court, stating there were only two shops inside the temple selling puja articles, and no shops outside or adjacent to it. All encroachments had been removed. The Supreme Court had accepted that affidavit and said that any future construction must have municipal approval.

I asked how these massive works could happen without it. Someone should go to jail for this.

The court continued the stay and directed the Tamil Nadu government to form the Heritage Commission within four weeks. The Act came in 2012 but was never operationalised until March 2025.

The court took cognisance after I presented the copy of the Act and the G.O. putting it into force. I doubt if the government will comply because the proposed composition of the Commission has too many bureaucrats and too few experts.

These are the developments so far.

Q: Are you happy with how the court proceedings have gone?

A: As far as interim measures go, yes. But look at the blatant violations. First, HRCE did not obey the law. Under the HRCE Act, temple funds can only be used for dharmic purposes. Constructing a shopping complex, that too in a sacred space used for monthly festivals, is completely anti-Hindu.

Second, the temple is being controlled illegally by HRCE. There is no order appointing an Executive Officer to this temple, yet one functions there, issuing tenders and orders. I have pointed this out to the court, but they said it does not fall under this PIL.

They already spent around Rs 50–75 lakhs on preparatory work. My prayer includes refunding that money to the temple and punishing those responsible, but the court has been silent on that so far.

The judges’ inspection made it clear that HRCE’s functioning is deeply problematic. I am grateful to the judges for personally visiting. Only then could they see the extent of what was happening in Tiruvannamalai.

The overall impression seems to be that all is not well, including crowd management and general administration. In fact, the judges orally observed that, given the scale of the temple and the crowds it attracts, it should be managed like Tirupati, under a Devasthanam-type structure.

That gives an idea of their thinking. They perhaps feel enough is enough.

So, I believe any judgment in the Tiruvannamalai case will be along similar lines, against the HRCE department.

Also Read: Tiruvannamalai Arunachaleswarar Temple Shopping Complex Issue – TR Ramesh Speaks To Swarajya

–SUBHAM–

TAGS- T V MALAI, SWARAJYA, TR RAMESH, INTERVIEW.21 10 2025

Rare Darshan of Golden Annapurani in Kasi Temple

Maa Annapurna idol adorned in gold at Kashi Vishwanath Temple complex

Story by HT Correspondent, VARANASI

 • 6h • 

The Silver coated idol of Goddess Maa Annapurna, housed in a temple located in Ishana Kona (the north-east corner ) of the Shri Kashi Vishwanath Temple premises, has been coated with gold, the temple administration said in a statement on Saturday.

A new chapter in the splendour and grandeur of the ancient idol began in 2025, when silver plated stone idol and the temple it resides in were adorned with gold from top to base, according to the Shri Kashi Vishwanath Temple administration.

The distribution of a symbolic “treasure trove” (Kazana)  to devotees from the treasury of the Maa Annapurna Temple began on Dhanteras (October 18) and will continue until October 22, the day of Annakut. The prasad, given as part of this tradition, consists of a coin and puffed rice, and holds special significance for devotees who visit the temple and seek the blessings of the Goddess.

The original idol of Goddess Maa Annanpurna was reinstalled in the Ishan Kon of the Kashi Vishwanath Temple in 2021, following traditional rituals. The chief minister of Uttar Pradesh, Yogi Adityanath, presided over the reinstallation ceremony. Alongside the original golden idol of Maa Annapurna, a silver-plated stone idol was also installed in the temple. This Silver plated idol of Maa Annapurna has now been coated with gold.

The original idol was stolen during the colonial period by idol smugglers and remained preserved in a museum in Canada for approximately 108 years. Its identity was confirmed through the joint efforts of Indian and Canadian universities. Following diplomatic and cultural efforts spearheaded by Prime Minister Narendra Modi, the idol was repatriated to India in November 2021 and reinstated in the temple.

–subham—

Tags- Kasi, Varanasi, Golden , Annapurani, Diwali Darshan,Annakut, Kazana

Ancient Tamil Encyclopaedia- Part 24; One Thousand Interesting Facts! -Part 24 (Post No.15,100)

Written by London Swaminathan

Post No. 15,100

Date uploaded in London –  18 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Tamil Identity, Tamil Ritual Suicide, Tamil Front

Part Twenty Four; Akananuru Wonders continued………..

142 தமிழ்கெழு மூவர்

In Akam verse 15, Maamoolanaar (MM) says that peacocks eat bitter gourd and bears eat Iluppai tree flowers and pods.

He says Paazi  town of Chieftain Nannan is well guarded. Though my house had such a security, she ran away with that man.

Kosars of Tulu country had the virtue of hospitality; let my daughter’s place also should have that hospitality.

So, we got two historical points about Tulu country and Nannan’s Paazi.

***

143

In Akam verse 31, MM gives more Tamil History. He gives an epithet to Chera Choza, Pandya kings as Tamil Kezu Moovar. All the three great kings of Tamil Nadu were brought within one Tamil bracket. It shows that though they fought among themselves frequently, Tamil culture united them. TAMIL IS THEIR IDENTITY.

Tamils are united on the basis of Three Things only:

1.When Hindu rituals are done; we saw that RAJASUYA YAJNAM UNITED THREE TAMIL KINGS

2. Second occasion is when others invade Tamil Lands. Kaaravelan of Odisah clearly say that he broke the Dramila/Tamil Sanghtan/Front. Asoka also mentioned the three kingdoms, the earliest historical reference.

3.Anything to do with Tamil language also united the Three Great Kings- Chera Choza, Pandyan Kings. For instance, we see Tamil Kezu Muuvar in this verse; elsewhere we come across TAMIZAKAM, that is the land of Tamils.

***

144

Two more interesting points are in this verse. One is about land where many languages are spoken. It clearly shows that beyond Vekatam Hills (Tirupati- Tirumalai Temple Mountain) Tamil was not spoken; Kannadam, Telugu, Prakrit and Sanskrit were spoken. The lover had gone beyond Tamil speaking areas.

***

145

Another interesting thing is a reference to EARTH QUAKES. Tamil land is not prone to earthquake; Tamils have experienced three or four Tsunamis. Two Tsunamis devoured Two Madurais. But Tamils knew about earthquakes that destroyed many monuments in Northern India. MM definitely knew this and he used ;the scorching sun has devastated the land as if earth quake has struck it.(நிலம்புடை பெயர்வது அன்றுகொல்இன்று?” என)

மொழிபெயர் தேஎத்த Countries where Many Languages Spoken

நெருப்புஎனச் சிவந்த உருப்புஅவிர் மண்டிலம்

புலங்கடை மடங்க தெறுதலின், ஞொள்கி,

நிலம்புடை பெயர்வது அன்றுகொல்இன்று?” என

மன்உயிர் மடிந்த மழைமாறு அமையத்து,

இலைஇல ஓங்கிய நிலைஉயர் யாஅத்து 5

மேற்கவட்டு இருந்த பார்ப்பினங் கட்குக்

கல்லுடைக் குறும்பின் வயவர் வில்இட,

நிணவரிக் குறைந்த நிறத்த அதர்தொறும்,

கணவிர மாலை அடூஉக் கழிந்தன்ன

புண்உமிழ் குருதி பரிப்பக் கிடந்தோர் 10

கண்உமிழ் கழுகின் கானம் நீந்திச்,

‘சென்றார்’ என்பு இலர் -தோழி!- வென்றியொடு

வில்இலைத்து உண்ணும் வல்ஆண் வாழ்க்கைத்

தமிழ்கெழு மூவர் காக்கும்

மொழிபெயர் தேஎத்த பன்மலை இறந்தே

***

146.

Last but not the least, MM also referred to the birds of the arid land. Vulture, eagle, falcons, birds of prey, pick the eyes of the dead animals and feed its little ones.

The main theme of the PAALAI (desert land or arid land) is separation; temporary separation of the lover and the lady love. Here also that is the main message is separation. But when a poets deals with it he gives us so much information about flora and fauna, geography and history, language and culture.

****

147

Fast unto Death பிராயபாவேசம், வடக்கிருத்தல் வெண்ணிப் பறந்தலை, சேரலாதன், கரிகாலன்

பாடல்: 55 (காய்ந்துசெலற்)

காய்ந்துசெலற் கனலி கல்பகத் தெறுதலின்,

ஈந்துகுருகு உருகும் என்றூழ் நீள்இடை,

உளிமுக வெம்பரல் அடிவருத் துறாலின்,

விளிமுறை அறியா வேய்கரி கானம்,

வயக்களிற்று அன்ன காளையொடு என்மகள் 5

கழிந்ததற்கு அழிந்தன்றோ இலனே! ஒழிந்துயாம்

ஊதுஉலைக் குருகின் உள்உயிர்த்து, அசைஇ,

வேவது போலும் வெய்ய நெஞ்சமொடு

கண்படை பெறேன், கனவ – ஒண்படைக்

கரிகால் வளவனொடு வெண்ணிப் பறந்தலைப் 10

பொருதுபுண் நாணிய சேர லாதன்

அழிகள மருங்கின் வான்வடக் கிருந்தென,

இன்னா இன்உரை கேட்ட சான்றோர்

அரும்பெறல் உலகத்து அவனொடு செலீஇயர்,

பெரும்பிறிது ஆகி யாங்குப்பிரிந்து இவண் 15

காதல் வேண்டிஎற் றுறந்து

போதல் செல்லாஎன் உயிரொடு புலந்தே! 17

In the earlier part we saw PRAAYOPAVESAM, that is facing Holy North and starve to death. When great king Cheralaathan was defeated by the great Choza emperor Karikaalan, Chera king died by facing north. He did this because he had injury on his back; that is not tolerated by Hindus. If they get injuries on the front of the body that is heroism; if they get injuries on back that is cowardice. In the great war at Venni, Chera king got injuries on his back.

Most interesting thing is that  on such occasions, other scholars join him and starve themselves to death.

When Rama decided to end his life by jumping in to River Sarayu in Ayodhya, thousands and thousands joined him and died. If you do it, you get a Visa Free Direct flight to Heaven. It is in Hindu scriptures. MM in verse 55 too say this.

A mother whose daughter eloped with a man, says I ma not worrying about my run away daughter. But I am unable to die like the great Chera King and the scholars who died along with him. This is great Hindu virtue that we, hear from Ramayana days. When the Monkey army searched for Sita Devi in vain, some of them thought of committing suicide by Facing North.

To be continued………….

Tags: 24  Ancient Tamil Encyclopaedia- Part 24; One Thousand Interesting Facts! -Part 24, Fast unto Death பிராயபாவேசம், வடக்கிருத்தல் வெண்ணிப் பறந்தலை, சேரலாதன், கரிகாலன், மாமூலனார், தமிழ்கெழு மூவர்

Hinduism through 500 Pictures in Tamil and English; படங்கள் மூலம் இந்து மதம் கற்போம்-16 (Post.15,097)

Written by London Swaminathan

Post No. 15,097

Date uploaded in London –  17 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

இந்தக் கட்டுரை நாளைகுத் தமிழில் வரும்

Sudarsana Chakram is one of the main symbols of vaishnavas- Vishnu devotees. Vaishnava worship it separately in Vishnu temples under the name chakra perumal. It is in a separate shrine inside the temple.

Silpasara book describes Sudarsana to be brilliant  as fire with sixteen arms  holding thw weapons conch,  discuss, bow, axe ,sword, arrow, trident,noose, goad, lotus, thunderbolt, plough, pestle, club and spear.

The figure has protruding teeth, fiery hair and three eyes .  it is fully decorated and stands in front of a shatkona or hexagon.  Dancing thus amidst flames of the discuss, the Sudarsana is supposed to kill all enemies. sometimes the image may be represented with four or eight arms holding the discuss in all of them.

At Tirupati the Sudarsana has sixteen arms but instead of hexagon an equilateral triangle is at the back. Within that a seated Narasimha is in Yogasana posture with flames of fire proceeding from his crown. This form of Narasimha is popularly known as Jvaalaa Narasimha.

The famous Chakrapani temple at Kumbakonam  is dedicated to the discus Sudarsana of Vishnu.

The Sudarshana Chakra (Sanskrit: सुदर्शनचक्र, Sudarśanacakra) is a divine discus, attributed to the god Vishnu in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu. In the Rigveda, the Sudarshana Chakra is stated to be Vishnu’s symbol as the wheel of time according to one scholar.

IN THE EPICS

The Ramayana states that the Sudarshana Chakra was created by the divine architect, Vishvakarma. Vishnu slays a danava named Hayagriva on top of a mountain named Chakravana, seizing the discus from him.

In Mahabharata we find it in the hands of Krishna.

He beheads Shishupala with the Sudarshana Chakra at the Rajasuya yajna of Emperor Yudhishthira. He also employs it during the fourteenth day of the Kurukshetra War to obscure the sun. The Kauravas are deceived, allowing Arjuna to slay Jayadratha, avenging the death of his son. Vishnu used it to kill the crocodile which caught the leg of Gajendra. It is in the story of Gajendra Moksha sculpted from Gupta days.

 Ahirbudhnya Samhita, Vishnu emanated in 39 different forms.[10] The Samhita is characteristic for its concept of Sudarshana. It provides mantras for Sudarshana, and details the method of worship of the multi-armed Sudarshana.

The Puranas also state the Sudarshana Chakra was made by Vishvakarma, featuring a legend regarding its origin: Vishvakarma’s daughter, Sanjña, was married to the sun god, Surya. However, due to her consort’s blazing light and heat, she could not approach him. When she informed her father regarding this, Vishvakarma diminished the brilliance of the sun so that his daughter could be with him. From the splendour of the Sun, Vishvakarma produced three divine objects: the aerial vehicle Pushpaka Vimana, the Trishula of Shiva, and the Sudarshana Chakra of Vishnu.

IN HISTORY

A Vrishni silver coin from Alexander Cunningham’s Coins of Ancient India: From the Earliest Times Down to the Seventh Century (1891)

The chakra is found in the coins of many tribes with the word gana and the name of the tribe inscribed on them.

Vrishni copper coins dated to later time were found in Punjab. Another example of coins inscribed with the chakra are the Taxila coins of the 2nd century BCE with a sixteen-spoked wheel. 

A coin dated to 180 BCE, with an image of Vasudeva-Krishna, was found in the Greco-Bactrian city of Ai-Khanoum in the Kunduz area of Afghanistan, minted by Agathocles of Bactria.[18][19] In Nepal, Jaya Cakravartindra Malla of Kathmandu issued a coin with the chakra.

The Chakra Purusha in Pancharatra texts has either four, six, eight, sixteen, or thirty-two hands

The Chakra Purusha in Pancharatra texts has either four, six, eight, sixteen, or thirty-two hands.

***

The Sudarshana Homam is performed by invoking Sudarshana along with his consort Vijayavalli into the sacrificial fire. This homam is very popular in South India.

*** 

IN TEMPLES

Though Chakraperumal or Chakratalvar shrines (sannidhis) are found inside Vishnu’s temples, there are very few temples dedicated to Chakraperumal alone as the main deity (moolavar):

Sri Sudarshana Bhagavan Temple, Nagamangala

Chakrapani Temple, Kumbakonam – located on the banks of the Chakra Bathing Ghat of the Kaveri river. Here, the god is Chakra Rājan and his consort is Vijayavalli.

Jagannath Temple, Puri, where Jagannath (a form of Vishnu-Krishna), Subhadra, Balabhadra and Sudarshana are the main deities.

The temple of Chakraperumal in Gingee on the banks of Varahanadi is now defunct

***

 form of Shatrughna

In Kerala, Sudharsana Chakra is worshiped both directly and in the form of Shatrughna, one of four sons of King Dasharatha, and brother to Lord Rama, considered an avatar of Sudharsana Moorthy. 

Alathiyur Pavelikkara Narayanathu Kavu Sudarshana Temple, Triprangode, Malappuram. A rare sudarshana temple complex in Kerala dedicated to Lord Sudarshana. Along with the main deity, Badrakali, Shastha and naga are worshipped here. The temple is also the paradevatha of mangalassery.

Thuravoor Sree Narasimha Moorthy Temple, Alappuzha- One of the rare temple complexes in Kerala, where two sanctum sanctorums are situated within a single Nalambalam (temple structure), one of the sanctums in dedicated to Lord Narasimha and the other to Maha Sudarsana Moorthy. The Sudarsana Moorthy Temple is believed to be 1300 years old.

Sreevallabha Temple, Thiruvalla, Pathanamthitta – One of the oldest and largest temples in Kerala and one of the 108 Divya Desams, Sudharsana Moorthy is worshipped along with Sreevallabha in this temple. The temple for Sudarshana Chakra was built by Sreedevi Antherjanam of Sankramangalathu Illam, and was rebuilt by Queen Cherumthevi in 59 BC.

Thrichakrapuram Temple, Puthanchira- The main deity is Sudharsana Moorthy.

Ayyarvattom Sree Maha Sudharshana Temple, Eravannur, Kozhikode

Pallikkara Sri Mahavishnu Sudharsana Temple, Kozhikode

Payammal Sree Shatrughna Swami Temple, Thrissur

Methiri Sree Sathrughnaswamy Temple, Kottayam

Nedungaattu Sree Shatrugna Swami Temple(Mammalassery), Ernakulam

Naranathu Shatrughna Swami Temple, Malappuram

Payam Sri Mahavishu (Shatrughna) Temple, Kannur

Sree Shatrughna Swami Temple, Kalkulam, Kuthannur, Palakkad

The Chakraperumal shrine inside the Simhachalam Temple is home to the rare 16-armed form.

Other temples with shrines to Sudarshana Chakra are Veeraraghava Swamy Temple, Thiruevvul; Ranganathaswamy Temple, Srirangapatna; Thirumohoor Kalamegaperumal temple, Madurai; and Varadharaja Perumal Temple, Kanchipuram.

—subham—

Tags- Vishnu, discus, Sudarsana, Chakra, weapon, temples for Sudharsana, Hinduism through 500 Pictures in Tamil and English; படங்கள் மூலம் இந்து மதம் கற்போம்-16

Ancient Tamil Encyclopaedia- Part 22; One Thousand Interesting Facts! -Part 22 (Post No.15,093)

Written by London Swaminathan

Post No. 15,093

Date uploaded in London –  16 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx   

 Oldest Tamil Historian Mamular

Part Twenty Two

129.

பிராயோபவேசம் ,வடக்கிருத்தல்யாழ்முறிநாதர்,, மாமூலனார், கதவில் பல் சின்னம் யாழை முறித்த பாணன்மூல நட்சத்திரம்

Mamular (mahaa moolar) is the oldest Tamil Historian. He is the only poet who sang about Nandas and Mauryas of fifth and fourth centuries BCE.

Though another great Brahmin poet Paranar from Kerala region mentioned about eighty historical anecdotes, the highest number, he was junior to Mamular.

Mahaa moola must have been born on Moola star/nakshatra day like another great Tamil poet Tiru Moolar. He was from Kashmir who gave us 3000 Tamil verses on Yoga etc lived 1000 years after the great Sangam poet Maamoolar.

Sangam Tamil poets Paranar, Mamular and many others give us the history of Tamil Land, what is now called Tamil Nadu in India.

Maamoolar (hereafterwards MM) gives some interesting details about golden treasure of Nandas as well. MM contributed at least 27 verses in Akananuru (naanooru=400).

His name is a Sanskrit name like Paranar and Kapilar. Lord Shiva in the famous Kanchipuram temple is also called Maamoolar. There they attribute the name to the mango tree (Maa Maram in Tamil).

***

130

MM gives us following details about Kings:

a) Pulli of Venkatam Hills (the Balaji or Venkata Achala Pathi temple at Venkata Hills is the richest temple in the world and that was the northern border of Tamil speaking world in ancient times.)

b) Nannan of Ezil Hills.

c) Badaga/ Vaduka chief Katti is one of them. Vaduka now stands for Telugu speaking people (B=V are interchangeable through out India from Sangam days (Rig Vedic saBhaa was changed as aVai in Sangam poems)

d) Other names in his poems: Kannan Ezini, Paanan and Anji)

***

131

Important note about Great Choza emperor Karikaalan

One of the greatest Tamil emperors is Karaikaal Chozan. He went up to the Himalaya and engraved his Tiger emblem there. He defeated another great king of Chera/ Kerala country named Nedun Cheralaathan. Chera king died by fast unto death called Praayopavesa.

***

132

Fast unto death

Hindus , when they wanted to die, sit facing Holy North and starve themselves to death. This is seen in Valmiki Ramayana, Bhagavata etc and they called it Praayopavesa.

Parikshit is described to have observed the prayopavesa when the Bhagavata Purana was narrated to him by the sage Shuka, son of Vyasa.

In 1982, Acharya Vinoba Bhave (spiritual successor of Mahatma Gandhi) died by prayopavesa.

On 11 January 1997 Swami Nirmalananda subjected himself to prayopavesa.

In October 2001, Satguru Sivaya Subramuniyaswami subjected himself to prayopavesa. Subramuniyaswami was diagnosed to be suffering from terminal intestinal cancer. He later died on the 32nd day of his fast on November 12.

Kopperun choza also starved to death; his friends including great Tamil poet Pisir Aaanthaiyaar joined him.

Sanskrit dictionary

[«previous (P) next»] — Prayopavesha in Sanskrit glossary

Prāyopaveśa (प्रायोपवेश).—sitting down and abstaining from food and thus preparing oneself for death, fasting oneself to death; मया प्रायोपवेशनं कृतं विद्धि (mayā prāyopaveśanaṃ kṛtaṃ viddhi) Pañcatantra (Bombay) 4; प्रायोपवेशनमति- र्नृपतिर्बभूव (prāyopaveśanamati- rnṛpatirbabhūva) R.8.94; प्रायोपवेशसदृशं व्रतमास्थितस्य (prāyopaveśasadṛśaṃ vratamāsthitasya) Ve.3.1.

Derivable forms: prāyopaveśaḥ (प्रायोपवेशः).

Prāyopaveśa is a Sanskrit compound consisting of the terms prāya and upaveśa (उपवेश). See also (synonyms): prāyopagamanaprāyopaveśanaprāyopaveśanikā.

(Above is from wisdomlib.org)

Pancha Pandavas along with Draupadi walked up the Himalayas in the holy north and died.

***

133

Chera’s sea expedition

MM also sang about Cheralathan’s sea expedition where he cut the Kadampa tree (Totem symbol) of his enemy in the middle of the sea. He also won several countries in the north and brought the treasure to his town Manththai

***

134.

Tooth Relic

We read lot about Buddha’s Tooth Relic which is holy. But here in MM’s poems we read about enemy’s teeth embedded on the door of the victorious one. Ezini was defeated by Maththi. Chera won Maththi and brought his teeth buried them on the door.

(Z= special L of Tamil language)

***

135

Controversial Information

MM said that Uthiyan Cheral, a Chera/Kerala king, fed the Mahabharata warriors. If we believe that literally that Chera should have lived in about 3100 BCE! which is impossible.

The word used in MM poem is Perum Soru meaning great food. It is actually a great feast to commemorate the dead people. That is food in memory of the war heroes. Bhagavad Gita, Sangam book Purananuru and books from Non Hindu religions say that war heroes reach heaven. They have Visa free direct flight to heaven! So, they are remembered, and feast is organised.

***

136

Lyre Broken in Disappointment

Another interesting detail added by MM is a singer breaking his Yaaz (Veena/ lyre) when Evvy died in the battle field. This may be compared to another incident that happened 1400 years ago in Dharmapuram. That was the birth place of great musician named Thiru Neelakanta Yaazpaanar. He was a great Yaaz/ Lyre instrumentalist. He accompanied the Boy Saint Tiru Gnana Sambandar with his wife Mathanka Choolaamani. When he became very proud of his skill, Lord Shiva wanted to teach him a lesson. When Sambandar came to his town he could not cope up with Sambandar’s singing. When he was about to break his lyre, Shiva himself played on his instrument and so even today Shiva appears in a rare form here. He holds a lyre in his hand in this temple. Musicians also break their instruments when they get disappointed. That was reported to us by MM two thousand years ago.

Now let us go into details of Nadas and Mauryas.

To be continued………………

 Tags -பிராயோபவேசம் வடக்கிருத்தல் யாழ்முறிநாதர், மாமூலனார், கதவில் பல் சின்னம் , யாழை முறித்த பாணன், மூல நட்சத்திரம், Ancient Tamil Encyclopaedia- Part 2, One Thousand Interesting Facts! -Part 22, Oldest Tamil Historian Mamular

Ancient Tamil Encyclopaedia- Part 20; One Thousand Interesting Facts! -Part 20 (15,077)

Written by London Swaminathan

Post No. 15,077

Date uploaded in London –  11 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

 Akananuru (naanooru) wonders continued……………….

எழுத்துடை நடுகல்

Part twenty

Item 125

Interesting customs found in Akananuru:

Coastal fisher woman worshipping Vedic God Varunan by planting Shark fin bone.

Brahmins sent as messengers as told by Tolkappiar.

Women counting days by marking on the wall;

People are listening to lizard clicks to find out good and bad things to come;

Women worshipping crescent moon;

Girls making false cries to attract male youths; Tamil word Venkai stands for both  tiger and a tree. Girls shout Venaki, Venaki and the youths come running to save them; and the girls laugh at the youths; but one or two youths will be trapped by the tricky girls.

Women’s games are described in several poems: they played with crabs, chased parrots from the paddy fields; built sand castles;

Soldiers worship hero stones before going to battlefield.

Soldiers look for good omens before marching;

Brahmins who dot follow Vedic rituals make bangles by cutting conches.

Bride is bathed by Four Sumangalis who gave birth to children;

Cowherds take food/ pack lunch in bamboo holes and tie them on the neck of the cow;

Placing spear and other instruments used by a hero near the Hero stones.

Coastal people taking salt bags on the back of the donkeys for selling.

***

126

There are more interesting details ; we will look at them now:-

Three Akam poems (53, 67 and 269; also Ainkuru.352) tell us about the Hero stones with Tamil inscriptions. But until very recently such ancient stones were not discovered. So archaeologist K V Sundararajan raised doubts about the age of such poems. At that time the oldest hero stone was dated Sixth century CE. But in 2006 newspapers reported Hero stones with Brahmi letters and experts placed them in BCE period. Old Brahmi inscriptions never mentioned dates, and they were very short. And so, we need more clearcut evidence for Hero stones with Tamil inscription.

Tamils have the habit of pushing all the Brahmi inscriptions to fourth century BCE which is ridiculous. Asoka’s brahmi inscriptions are very long with lot of information, where as Tamil Brahmi inscriptions are not only very short but also in Prakrit or colloquial , ungrammatical Tamil .So they must be later than , much more later than Asoka’s inscriptions.

We know that Orissa king Kharavela marched into Pandya country and defeated the Pandya king according to Hathikumbha cave inscriptions in Orissa. On another side, Mauryans laid road routes in Western Ghats and marched towards or into Tamil Nadu according to Mamular’s Sangam verses. But in that part, that is Karnataka- Tamil Nadu border, we don’t find hero stones with inscription. From Pallava period only we get inscriptions. Jains must have brought it into Tamil nadu. That shows northern origin of Brahmi script.

Karnataka has more documented hero stones than Tamil Nadu. Nearly 3000 hero stones are in Karnataka from sixth century CE

The big question about Tamil Brahmi inscriptions is why didn’t Tamils write legibly like Asoka?

Why didn’t Tamils write at least three lines?

Why do we have to guess the meaning and put words into the mouths of dead people?

Even the very late sixth century CE ones don’t have long sentences.

My guess is Tamils did not practise writing on stones or on any material until sixth or seventh century. Even Lord Shiva’s letter to Cheraman (Kerala King) belongs to post Sangam period.

Some of the references to Hero stones with writings on it:–

விழுத்தொடை மறவர் வில் இட வீழ்ந்தோர் 

எழுத்துடை நடுகல் இன் நிழல் வதியும்

அருஞ்சுரக் கவலை நீந்தி என்றும்,- Akam 53

****

அரம் போழ் நுதிய வாளி அம்பின், 

நிரம்பா நோக்கின் நிரையங்கொண்மார்,

நெல்லி நீளிடை எல்லி மண்டி

நல் அமர்க் கடந்த நாணுடை மறவர்

பெயரும் பீடும் எழுதி அதர்தொறும்

பீலி சூட்டிய பிறங்கு நிலை நடுகல்  Akam- 67

***

ஏறுடை இனநிரை பெயரப்; பெயராது

செறிசுரை வெள்வேல் மழவர்த் தாங்கிய

தறுக ணாளர் நல்லிசை நிறுமார்,

பிடிமடிந் தன்ன குறும்பொறை மருங்கின்,

நட்ட போலும் நடாஅ நெடுங்கல்

அகலிடம் குயின்ற பல்பெயர் மண்ணி,

நறுவிரை மஞ்சள் ஈர்ம்புறம் பொலிய- Akam 269

***

My old articles

Hero Stone Worship in North India (Post No.4286)

Date:9 October 2017; Post No. 4286

***

HERO STONES ON SEA BATTLES (Post No.5163)

Date: 29 JUNE 2018

Post No. 5163

***

To be continued………………………

Tags- Hero stones, with Inscriptions,எழுத்துடை நடுகல், Tamil Encyclopedia, Part 20

Ancient Tamil Encyclopaedia- Part 19; One Thousand Interesting Facts! -Part 19 (Post No.15,069)

Written by London Swaminathan

Post No. 15,069

Date uploaded in London –  9 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Akananuru (naanuuru) wonders continued ………

Part 19

Four interesting facts in one Akam Poem (akam.252)

121

Animals mentioned in Akananuru have two interesting animal names

One is Yaali and another is Asunam. Both are described as mythical animals.

அகநானூற்றில் ஆளி = யாளி =லியோ LEO=YALI=LIYA; அகம்/ AKAM 78, 252, 381, PURAM 207; NARRINAI 205; PORU.139.

ரத்த =தேர் RATHA= THER

குதிரை = துரக ; துருக்கி; KUTHIRAI= THURAKA

இப மா முகன்= ELEPHANT FACED GANAPATI ; IBHA= ELEPHA.

Elephant-lion combined is called Yaali, seen on the pillars of South Indian temples.

Not many people knew that the English word Leo, Leonine, Lion re all Sanskrit words.

Leo is the mirror image of Yali . it is accepted in Linguistics. If you show the word Yali in mirror you will see Liya.

The Tamil word Ther for chariot is also a mirror image of Sanskrit word Rath/a.

Scores of words are in Indian languages.

Interestingly Elephant is also Sanskrit word Ebha for elephant is in Rig Veda and Tiruppugaz by Arunagirinathar.

Horse is also a Sanskrit word; it iss the corrupted form of Haya and Asva.

Tamil word Kuthirai is a mirror word of Sanskrit Turaga. Turkey is called Turaga country because it supplied the best horses to India trained by Hindus. The proof is available in cuneiform tablet where horse manual by Kikkuli used Sanskrit instructions in Horse training. The horse manual is dated 1400 BCE. Pure Tamil word for horse is Pari. But both Kuthirai and Pari are used by Sangam Tamil poets.

****

122

ASUNAM

அசுணம்- அகம் 88akam 88

நற்றிணை  244304narrinai 244 and 304

It is extinct now. It may be a kind of deer. But one Tamil books described it as a bird, which is wrong. From Adi Shankara to American Red Indians know that Deer are caught by singing. American tribes used Bugle to catch antelopes.

Ancient Tamil hunters also played musical instruments to attract Asunam and when they came near, they played loud drums and the animals died because of the sound attack.

****

  Yali in Madurai temple

123

Yaali- Aali- Leo

Four interesting facts in one Akam Poem (akam.252)

1.Akam 252 was composed by woman poet Nakkannai .

Her real name was Sulochana! Like Sanskrit names, 34 Sangam poets have Sanskrit prefix SU=Nalla. (I have given examples in another article).

2.This poem says that Tigers wont eat its prey if it falls on its left side. Right side is the only side it aims at. Hindus invented clock- wise direction. Even today all auspicious things are done in clockwise direction and all inauspicious rituals are done in anti-clock wise direction. Even Tamil tigers followed the Hindu way.

3. Even tigers shiver at the sight of Yalis killing elephants and plucking out its tusks.

4.Lady love gives a simile which shows Tamils were so careful and socially conscious that the banks of lakes must be protected. The woman says my mother is so watchful like a guard who watches the banks of a lake on a rainy day.

இடம்படுபு அறியா வலம்படு வேட்டத்து

வாள்வரி நடுங்கப் புகல்வந்துஆளி

உயர்நுதல் யானைப் புகர்முகத்து ஒற்றி,

வெண்கோடு புய்க்கும் தண்கமழ் சோலைப்

பெருவரை அடுக்கத்து ஒருவேல் ஏந்தித் 5

தனியன் வருதல் அவனும் அஞ்சான்;

பனிவார் கண்ணேன் ஆகி, நோய்அட,

எமியேன் இருத்தலை யானும் ஆற்றேன்;

பாங்குச் செய்வாம்கொல்- தோழி! ஈங்கைத்

துய்அவிழ் பனிமலர் உதிர வீசித் 10

தொழில்மழை பொழிந்த பானாட் கங்குல்

எறிதிரைத் திவலை தூஉம் சிறுகோட்டுப்

பெருங்குளம் காவலன் போல,

அருங்கடி அன்னையம் துயில்மறந் தனளே! –அகம் 252

Akam 252 was composed by poetess Nakkanaiyaar

****

124.

Encyclopaedias like Wikipedia say they don’t know the origin of the word Caesar.

It is very simple: Kesa+ Ari= Haired animal (lion with mane)

Caesar+ Ari= Caesar= Kesar/i

By learning Sanskrit and Tamil, one can understand anything and everything in the world.

Look at the Ari in Hebrew Ariel!!

***

Here is my old article written 11 years ago:

Written by London Swaminathan
Post No. 981; dated 15th April 2014

Sonic boom and Sonic bomb
Tamil literature gives us very interesting information about a rare animal called ‘Asunam’. It is phonophobia. It has got a good taste for melodious music. It is more musical than most men. But the minute someone plays on a big drum it dies at once. Sangam Tamil literature is 2000 year old. We have three references to this ‘Asunam’and later literature gives more information. It is not a mythical animal like griffin or Makara or Yali. Somehow palaeontologists and paleo zoologists missed this. Now we get more scientific information about sonic bombs and low frequencies emitted by submarines that killed even giant squids. Dolphins and whales commit mass suicides because of sonar disturbances. So we may look into this extinct animal again armed with all the scientific facts.

Natrinai’ is one of the anthologies of Sangam Tamil literature and verses 244 and 304 give the following information:
In the mountainous ‘Kurinji’ area, ‘Asunam’ lives in the caves. It listens keenly to the buzzing sound (music) of the bees and beetles. The heroine of a love poem says, “My lover is like an Asunam. When he is near me it gives pleasure. When he is temporarily separated it gives me great sorrow. I am like Asunam attracted by melodious music and then killed by loud beating of the drums.

Yali in Tirupparankundram near Madurai

The commentator explains that the Tamils played on lyre to attract the Asunams from the caves and suddenly played on drums to kill them. Another verse from another Sangam Tamil anthology called ‘Akananuru’ (verse 88) gives similar information. The only difference is that the commentator describes Asunam as a bird here.


‘Nammanik kadikai’– is one of the 18 minor Tamil works. Verse three of the book is very clear about Asunam. It described it as an animal. It compares Asunam with several other people in public life.
The celebrated author Kamban of Kamba Ramayanam compared himself to Asunam! He said, “Among the stalwarts of Tamil language, probably my poems may be like playing drums to Asunams”. Kamban was so humble that he said his poems may not be of good quality, but the fact of the matter is that he is considered one of the great poets of the Tamil speaking world.

My Research Findings on ASUNAM:–

My research on the Asunam based on the above verses and Tamil encyclopaedia Abhidana Chintamani has found out the salient features of Asunam stories. I can summarise them as follows:–


1.Though there are only three references in the ancient Sangam literature, we know that it is not a bird, but an animal.
2.It lived in the caves of the mountains which ancient Tamils called ‘Kurinji ‘lands.
3.Asunam loved mellifluous music but susceptible to harsh music particularly high decibel noise. Modern research shows that sounds of 185 decibels or more can kill human beings.
4.Tamils deliberately played on lyre to attract it and killed them by playing on big drums. It may be one of the reasons for its extinction. The other reason is noise pollution. It might have slowly disappeared.
5. Very few references in the 2000 year old Sangam Tamil literature show that it was a rare animal even at that time. Other animals like tigers, elephants and bears are referred to hundreds of times.


6.Ancient Tamils knew the power of sound waves. Modern research in this field has led into the development of sonic bombs. We already knew the effect of sonic booms emitted by supersonic jets. We now know the effect of sonar waves on dolphins and whales.


7.It will be good that if Tamils do more research and find out the fossils from mountainous area.


8.I have given the full details of the poets names with full quotes in the Tamil version of this article and we know where those poets lived in ancient Tamil Nadu. So we can narrow down the area of our search.


9.Adi Shankara who lived in the first century BC or before, adds some interesting details about deer falling as a prey to singing hunters. ( I follow Kanchi Paramacharya in dating Adi Shankara, which is supported by Tamil literature. Please read my earlier article for the dating)

My Old Articles:-

யாளி என்னும் அதிசய மிருகம்! (Post No.11,298)

Post No. 11,298

Date uploaded in London – 26 SEPTEMBER 2022    

***

Vedic Lion around the World!

tamilandvedas.com › tag › vedic-lion Vedic lion – Tamil and Vedas

Yali in Hindu temples. English word Leo is derived from Yali. Hari is a Sanskrit word for lion. Hebrew and Tamil use this word as Ari. In Tamil Ja, Ha, Sha, SH, S sounds don’t exist. So they are Tamilized.

****

Singapore is Sanskrit (Post No.7109)

Date: 18 OCTOBER 2019; Post No. 7109

***

Hindu Symbolism in Paris!

Research article Written by London Swaminathan
Post No.1249; Dated 24th August 2014.

–Subham—

Tags- Asunam, Yali, Leo, Caesar, Kesari, Ancient Tamil Encyclopaedia- Part 19; One Thousand Interesting Facts- Part 19 ,Akananuru wonders

Hinduism through 500 Pictures in Tamil and English; படங்கள் மூலம் இந்து மதம் கற்போம்-6 (Post No.15066)

Written by London Swaminathan

Post No. 15,066

Date uploaded in London –  8 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx   

Hanuman , monkey faced God is a great devotee of Rama , one of the ten Avatars/ incarnation of Vishnu. He is a popular god throughout India, particularly in the north. Almost all villages have a shrine for hanuman also known as Anjaneya .

He is the son of wind god Vayu and Anjana and so called Maruti , Vayu putra and Anjaneya ; and being the messenger of Lord Rama , he is also known as Rama duta.

Valmiki in Sanskrit and Kamban in Tamil describe his adventures and heroic acts in three cantos from Kishkinda Kaanda to Yuddha kaanda of Ramayana.

Valmiki illustrated him as a person with two hands folded together and raised above head. This means I bow and worship you from head to foot, Sirasaa namaami .

***

Hanu means jaw and his jaw was deformed in an incident and so he is called Hanuman

There are two scientific explanations,

The vaanara – vana + nara= Vaanara= forest men shows that they deformed their jaw as a custom ; this type of body or mouth or ear alteration is seen around the world in certain tribes.

Second explanation is they wore monkey emblem or monkey masks. He is shown as a normal man when he met Rama and Lakshmana for the first time. More over Ramayana has bear people, eagle people as well showing more totem symbols. In paintings they were shown with animal face just to explain it to common people.

Even Sangam Tamil literature describes a painting in Tirupparankundram where Indra is shown as a cat in the Ahalya episode. It is written 2000 years ago.

When Hanuman  saw his master Rama and his brother Lakshmana faint with fatigue on the battle field of Lanka, he flew in an amazingly short time to the Himalaya. He uprooted the whole hill with rare herbs that have power to raise a dead man to life and returned to Lanka to revive Rama and Lakshmana and with them also thousands of monkeys.

His heroism, strength and devotion are always admired, and these characteristics are shown in his statues and idols. Kings erected hanuman shrines at the gates of their forts to infuse into the hearts of their fighting men the spirit of heroism.

Sometimes he is represented with hands showing the Abhaya and Varadha postures. He is Brahmachari

Hanuman in Ramayana had super human powers. He was able to fly with tremendous speed. He jumped from India to Ceylon/ Sri Lanka in one bound; he tore up trees, carried away big rocks, even hills and performed many other wonderful tasks.

He tackled all hurdles on the way to Lanka in different ways; this served as a management lesson in solving problems.

In one of his fights with the rakshasas /demons they greased his tail and set it on fire, but to their own destruction, for with it Hanuman burnt down their capital city.

Along with his army of monkeys, he built a bridge to Lanka so that his army could march towards Lanka. He  killed several demons in the battle.

When he met Rama in Kishkinda he made Rama and Sugriva, King of Kishkinda to sign a friendship treaty. As a result of which, Vali, sugriva’s brother was killed by Rama.

After Rama killed Ravana, demon king of Lanka, Hanuman accompanied Rama and Sita to Ayodhya  and there he received from him the reward of perpetual youth and life. So he is one of the SEVEN CHIRANJEEVIS, never dying seven. This means his service will be remembered for generations.

Hanuman was well versed in grammar according to Valmiki and Kamban

Tulsidas attributes great powers like Ashtama Siddhis (Eight Types of Superhuman powers) to Anjaneya in his Hanuman chaalisaa. Millions of Hindus recite it every day

to be continued……………….

 Hinduism through 500 Pictures, in Tamil and English, படங்கள் மூலம் இந்து மதம் கற்போம்-6, Part Six, Hanuman, Anjaneya

Hinduism through 500 Pictures in Tamil and English – படங்கள் மூலம் இந்து மதம் கற்போம்-4 (Post.15,056)

Written by London Swaminathan

Post No. 15,056

Date uploaded in London –  5 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx  

Village Gods and Goddesses are found all over India. There are three types of village Gods and Goddesses:

1.Gods and Goddesses of Vedic Origin

2.Local Heroes and Heroines with Memorial Stones

3.Persons who self- sacrificed in Sati and Navakandam.

Since it is a vast subject we will look at Village Gods and Goddesses only. All such Gods and Goddesses have Sanskrit names such as Sastha/Ayyanar, Rakkaayee/Vedic Goddess Raka, Kaththaayee/ Kathyayani, Makamaayee /Mahaa Maayaa., Mookkaayee/Mukambhika etc

Kanchi Paramacharya (1894-1994) dispelled the wrong notion that these Gods are of local origin.

The only difference from the big temples and the shelter less, open spaced Village gods is that they are maintained by Non Brahmins. Moreover, they don’t have daily pujas or rituals. During summertime they are celebrated on a grand scale. Lot of Brahmin families hold such Gods and Goddesses as their family deities. Every year, particularly during weddings, birth of new babies they go there and give offerings.

Another difference is offering flesh and wine. This is also over blown by half baked foreigners and Dravidians. They offer meat, fish and wine because they consume it every day. Even Cigarettes, Cigars and Beedies were offered to the village Gods for the same reason.

Sati Stones (Following Parvati’s self -sacrifice in to her father’s Yaga Kundam chaste women also do that; Sati means Parvati), Nava Kandam (Cutting his own body into nine different parts as in Mahabharata)  memorials are found all over India. Because Muslim invaders destroyed them in the North, we see a smaller number of monuments  in  North India. Unfortunately, this topic has not been dealt with on Pan Indian basis.

Kanchi Paramacharya mentioned this type of worship in his lectures. Dr R Nagaswamy, world famous archaeologist and historian, has contributed much on this topic.  Local villagers raise a memorial for a hero and in course of time, it became temples. In and around Madurai we see such temples.

(author who lived in Madurai visited Peacchi Amman, Chellath Amman, Sittuk Kuruvi Kali Aaththaa temples very often in Madurai. Just before entering Meenakshi temple used to worship Muniswaran in the northern entrance, and Madurai Veeran in the Eastern entrance. He used to go to Mari Amman temple with his mother outside the town and offer silver replicas of Body parts to avoid small pox. His mother used to offer Maa Vilakku/ lighted wicks in the midst of sweet flour. This is to show that Brahmin families worship village Goddesses. Every year during summer, street aster street celebrate their Goddesses and march to Vaigai River to dissolve/immerse the Goddesses they made with clay. Very big crowd with all the music and dance march to the river bank)

Even big temples have village Gods at the entrance or in front of them. Mostly they are outside villages or towns are in the border of a town.

Each festival of such Gods has different customs. Fire Walking is one of them; offering hair, making Gruel or Sweet Pongal for distribution, taking the clay model of goddesses in procession, making temporary Urchava Murtis with clay and paint, immersion on the third day of festival, carrying Umbrellas (Kudai Eduththal) men dressing themselves like females, wearing only neem leaves to hide their private parts etc are found throughout Tamil Nadu.

Dr Nagaswamy has written one article about the references in Raurava Agama about erecting memorials for the departed heroes or saints. Brahmins used to bury the stones under the earth in their gardens.

Orthodox Hindus bury the dead saints and erect Tulsi Plant Brindhavanams for Vaishnavie saints , Adhistanam with Lingas for Saivite saints. Such Samadhis are seen from Kashmir to Kanyakumari.

After Gajabhahu visited the erection of Patni Goddess Stone for Kannaki in Kerala around 132 CE, Patni cult spread all over Ceylon/Sri Lanka. This shows creation of new gods in Hinduism.

Now Samadis of Shirdi Baba, Sathya Sai Baba, Ragavendra, Ma Ananda mayi, Dhargas of Muslim saints, Gurudwaras of departed Sikh Gurus, Maharashtra Hindu sains, Samadhis of great composers are visied by millions. They are all considered Gods and regular pujas are offered. This is to show that hero worship is not new to Hindus.

Renula Devi, Draupati temples are in several places.

Not only villages, even cities have their Goddesses according to Valmiki Ramayana, Silappadikaaram, Manimekali and several other Hindu books.

Greatest of the ancient Tamil poets, Tiru Valluvar justified it in his Kural couplet:

A man who leads an ideal life in this world

Will be ranked amongst the Gods in the Heaven

Tirukkural verse 50

வையத்துள் வாழ்வாங்கு வாழ்பவன் வான்உறையும்
தெய்வத்துள் வைக்கப் படும்.-50

There are two very important points in this couplet,

This comes under the chapter Family Life along with another couplet where Pancha Yajnam of Hindus’ daily life is described.

The second important point is God/ Father in the Heaven.

So, Valluvar emphasizes ordinary family man can become God provided he leads a virtuous life.

That is why Hindus have million Gods. 

 to be continued…………………………………

Tags- Village Gods and Goddesses, Hinduism through 500 Pictures in Tamil and English , part 4

(Dr Nagaswamy’s article is given in PDF separately; this was given to the author by Dr Nagaswamy himself.)

Hinduism through 500 Pictures in Tamil and English – படங்கள் மூலம் இந்து மதம் கற்போம்-2 (Post.15,050)

Written by London Swaminathan

Post No. 15,050

Date uploaded in London –  3 October 2025

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

 Hinduism through 500 Pictures in Tamil and English – படங்கள் மூலம் இந்து மதம் கற்போம்-2 (Post.15,050)

Before moving to Skanda/Muruga, I wanted to add few more points about Lord Ganesh

Ganesh with his mount Rat

Sometimes Ganesa is said to have two wives, even though he is a bachelor/Brahmachari

The two wives are not women but symbols of Siddhi/Success and Buddhi /Wisdom.

Like Goddess Shakti and Lord Shiva, Ganesh also has three eyes. Third Eye means Wisdom.

Vinayaka means one who has none above him. That means he is the Head.

Every Hindu God has weapons. This is to control evil forces or kill evil tendencies in us.

There are a few interesting stories.

Why does he have elephant face?

Once he was asked to guard the entrance of the building where his mother was taking a bath. When shiva came, Ganesa stopped him following Mother’s instruction. Enraged Siva cut off his head in anger. When Parvati felt sad, he found the nearest animal elephant and cut its head and fixed it on Ganesa. There is something more to this incident. His elephant trunk reminds Hindus their great symbol Aum. Another name for Om or Aum is Pranava. Great Saints called Ganesa- Pranava swarupa.

3.Why does he have Four Hands?

God is above all of us. We have only two hands. But with his four Helping Hands, he is quick to render help. There is an interesting story in Tamil books. When three people wanted to see Lord shiva in his abode, house in Kailash in the Himalayas, an old lady, great poet Avvaiyar can’t walk 3000 miles from Tamil Nadu. Ganesa with his trunk lifted her and she reached Kailash before her friends reached. So gods’ many hands help us quickly.

Ganapati in Dancing pose- Narthana Ganapati

Another interesting story about Ganesa is mango fruit story. Hindus have an Inter Galactic Traveller named Narada. He goes from one galaxy to another at the speed of thought, faster than light. He came to Kailash with one mango fruit and gave it to Lord shiva. When he was about to cut it into two and give them to Ganesa and Murugan, Narada said,

“Stop, stop, please. It should not be cut, because it’s a divine fruit.

Then Siva told his boys that whoever goes round the world and comes back first will get it. Murugan flew in his Vahana, vehicle peacock. But clever Ganesa went round their father and mother and fell at their feet saying, ‘You Are the World’. Both felt happy and gave him the whole mango. Murugan came later and felt that he was cheated. He went to Palani hills and stood there. Then the whole world went and pacified him with Panchamrutam, a special fruit salad. Here is a message to all of us- Father and Mother are greater than the world!

One more story ….. once Lord Shiva went in a hurry without saluting Ganesa. His chariot wheel had broken down, and he got stuck. Later he realised he didn’t say ‘Bye’ to his son. He went back and praised him, and he was successful in his task. This was told by a great saint called Arunagirinathar in his book Tiruppugaz. Here is a message to all of us. We must always worship God before starting anything.

****

Now let us look at Lord Skanda/ Murugan

Dandaayutha Paani appaerance in Palani, Taml Nadu (Danda= stick; Paani=Hand)

Skanda or Kumara is represented  with  Six Faces – shadaanana in Sanskrit Aarumugam in Tamil—and as riding on a peacock. Because he was brought up by six mothers, the Krittikas- Pleiades stars-  he is known as Shanmaatura and Kaartikeya. His story is narrated in Skandapurana – available in Tamil and Sanskrit. He killed demon Taaraka and rent asunder Krauncha mountain.

He is associated with snake and Sashti- sixth day- is sacred to him. He married Indra’s daughter Devasena and Tamil forest maid Valli. About 1800 years ago Sudraka in his Sanskrit drama Mrichchakatikaa shows a thief worshipping Skanda before robbing a house holder.

In tTamil Nadu six shrines are his main shrines in addition to scores of places, where he resides at the top of hills. In Tamil literature he is the god of Kurinchi region, hilly landscape. In Karnataka Kukke Subrahmanya is a famous Skanda shrine.

Skanda is called Murugan in Tamil ; his other popular names are Subrahmanya, Kartikeya, Shanmukha, Saravanabhava,Guha etc.

He is called Tamil God because he taught Tamil to the great sage Agastya who was sent by Lord Shiva from north. Arunagirinathar who composed 1300++verses called Tiruppugaz repeatedly praised him as Tamil god 500 years ago.

Lord Skanda / Murugan killed asuras/ demons Suurapadman in the south and Taarakaasura in the north.

Sangam age poets praised him sky-high in two books Tirumurugatruppadai and Paripatal.

In Sanskrit, Kalidasa composed Kumaarasambhava about the birth of Kumaara alias Kartikeya. That work influenced the Gupta kings to name their children Skanda Gupta and Kumaara Gupta even though they were Parama Bhagavatas, i.e. Worshippers of Lord Vishnu.

Son of Shiva and Uma, younger brother of lord Ganesh, he is called Senaapati, that is the commander of the army of the Devas. So he is the god of war and the planet mars. He was produced from the six fire sparks from lord Shiva and brought up by six Kartika women and they are represented as stars in the heaven called Pleiades.

Lord Shiva cast his seed into fire, and it was received by Ganges; so he is known Agni bhu/fire born and Gaangeya.

He is represented riding on a peacock with a spear in his hand. He is shown with six heads to represent symbolically six Krittika/Kartikai women.

Because of his popularity , Adi Shankara established Kaumaaram- worship of Kumara/ Kartikeya – as one of the six systems. He has composed several hyms glorifying Subrahmanya.

Somaskanda idols are found in many south Indian temples. It means Skanda with uma  (sa+ uma+ skanda= Somaaskanda)

Uma with Skanda

 Six Faced (Aaru-Six, Mukan-Face)

Lord Skanda is called Murugan in Tamil.Murugan means handsome one, beautiful.

He has six heads and 12 hands in Shanmuga form. Shanmukha means six faces. You may wonder why? If you are at school final level, please got to Level Two of Skanda Murugan.

In normal form, he is also shown as a child like Ganesa. He is Kumara (youth)  or Baala kumara.

Subrahmanya means he possesses all the qualities of Brahman (god).

The name Kartikeya came to him because he was raised by six Krittika women personified as stars in the sky.

He was born in a grass land and so he is known as Saravana bhava.

Saravana is the name of the forest/grass land

We know that Ganesa is the head of Bhuta Ghana’s and in the same way Murugan is the Commander of the Divine Army.

His festivals are Skanda Sashti, Vaikaasi Visaakam and Thai Poosam. In the modern day, New Year/ January First is also celebrated by visiting Murugan Temples by foot.

Skanda worship is very popular in Tamil speaking world such as South India, Sri Lanka, Malaysia, Singapore, Mauritius, Seychelles , South Africa etc Tamils celebrate all his festivals with Kavadi. They carry it to the Temple . A normal Kaavadi will have a long pole tied with two baskets on either side. Devotee s carry food and offerings to god in the attached pots or baskets. Later they constructed different shapes.

Another important thing is that his temples are mostly on top of hills or at the foot of the hills. There are six famous temples for him in Tamil Nadu.

Subrahmanya Bharti was a great devotee of Lord Skanda and he also composed  several poems praising him.

There are very interesting stories about him. I will tell you a few stories here.

Story 1 (already given in Ganesa)

Mango Fruit Story

Story Two

He wanted to marry a girl called Valli, who fell in love with him. But she hesitated a lot. Murugan prayed to his brother Ganesh, the elephant headed god. He cam in the form of a real elephant and chased Valli and she naturally fell in the hands of Lord Murugan..

Another story is there was a demon called Sura Pathman and Muruga killed him. This is enacted every year during Skanda shasti festival in November. Tens of thousands of people go to see Sura Samhara at Tiruchendur in Tamil Nadu.

Number six is his favourite number. He was brough up by six women and his favourite geometrical diagram is Shad Kona- Star shaped. He is supposed to reside in this magical star diagram.

He is easily identified by the Spear weapon (Vel in Tamil) in his hand.

Vaikasi Visakam and Skanda Shasti are his big festivals. Thai Poosam is celebrated in Batu Caves in Malaysia

His special Prasad is Pancha Amrutam- made up of five fruits and jaggery or honey.

His famous temples are in …..

Batu Caves in Malaysia

Nallur and Kathigamam in Sri Lanka

Palani, Tiruttani, Swami malai, Palamuthircholai, Tirupparankundram and Tiruchendur in Tamil Nadu, India.

Om Saravana Bhava is his mantra

Sangam Tamil literarture has a full book on Him called Tirumurugaatruppadai (shortened as Murugu திருமுருகாற்றுப்படை (முருகு)). He is the god of mountainous area called குறிஞ்சி Kurinji . in addition to Murugu, we have several long poems devoted to him in Paripatal where 8 long poems are attributed to him.

 In Tolkappiam , oldest tamil book, he is placed next to Vishnu and he was given the name சேயோன்  Seyon , meaning the Redman.

Subrahmanya with his weapon Vel/Spear

மாயோன் மேய காடுறை உலகமும்

சேயோன்  மேய மைவரை  உலகமும்

Among the Ten Idylls of Sangam period, the long poem on Skanda Murugan, திருமுருகாற்றுப்படை (முருகு)‘Tirumurugaatruppadai’ is given the first place. All these signify the importance given to Skanda/Murugan. Sangam poets called him வேள் , செவ்வேள் நெடுவேள், வேலன் in addition to Murugan.since he belonged to mountainous landscape called குறிஞ்சி KURINJI,   he is called Kurinjik kizavan குறிஞ்சிக் கிழவன்.

Murugan means the Handsome one. He is always presented as a Young god. Nakkirar who composed the long poem on him portrayed him as young and beautiful :

என்றும் இளையாய் ,அழகியாய் ஏறூர்ந்தான் ஏறே

He is described as a Heroic god. He has Spear in his hand.. it is called Vel வேல்.

He is shown riding a peacock or an elephant named Pinimukam பிணிமுகம்

We see lot of similarities between Kumarasambhava of Kalidasa and Sangam books. But two important differences are marrying Tamil Valli and killing Tamil demon Suurapadman.

When Tamil girls become love sick, their mothers thought they are possessed by Murugan and sought the help of special village priest to drive away the sickness. He used to come in special dress and stage a dance with spear and offer meat and rice balls smeared with goat’s blood.

Tiru murugatruppadai explains that he is also worshipped in other places as well

முருகன் இருப்பிடங்கள் 

சிறு தினை மலரொடு விரைஇ, மறி அறுத்து,

வாரணக் கொடியொடு வயிற் பட நிறீஇ,

ஊர்ஊர் கொண்ட சீர் கெழு விழவினும், 220

ஆர்வலர் ஏத்த மே வரு நிலையினும், 

வேலன் தைஇய வெறி அயர் களனும், 

காடும் காவும், கவின் பெறு துருத்தியும்,

யாறும் குளனும், வேறு பல் வைப்பும், 

சதுக்கமும் சந்தியும், புதுப் பூங் கடம்பும்,   

மன்றமும் பொதியிலும், கந்துடை நிலையினும்  

–From Tirumurgaatruppadai

–subham—

Tags- Lord Skanda, Murugan, Subrahmanya, Kartikeya, Peacock, Vel/Spear, Hinduism through 500 Pictures in Tamil and English – படங்கள் மூலம் இந்து மதம் கற்போம்-2