BUDDHA’S MEETING WITH MANGO GARDEN BEAUTY; KING’S SECRET VISIT TO HER (Post No.7669)

Written  by  LONDON SWAMINATHAN

Post No.7669

Date uploaded in London – 8 March 2020

Contact – swami_48@yahoo.com

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Three interesting things happened with a beautiful courtesan in India two thousand six hundred years ago.

1.Buddha’s meeting with her and accepting her food surprised every one and Buddha’s own clan Sakhyas were disappointed

2.Emperor Bimbisara entered enemy’s territory to spend one night with her and escaped incognito.

3.That courtesan who was named Mango Garden lady imposed five interesting conditions to entertain anyone for one night.

Here is the most interesting story of Ambapali. In Sanskrit her name is Amra Pali ,i.e. Lady from Mango Garden .

There is a very interesting story about the name.

A Shakyan clan noble called Mahanama found a baby girl in a mango garden in the big city of Vaishali. Now that city is in the Bihar state of India. Mahanama was childless and so his wife reared her amid pomp and luxury as her own daughter. When she grew up she became exquisitely beautiful.

There were strict caste restrictions in Sakhya clan. Mahanama can’t give her to anyone outside his clan. So when she was ready to marry, the Assembly of Lichcavis was convened. Everybody waited to see the girl. When she entered the hall all were wonderstruck with her beauty. Each one vied to marry her. It looked like there would be a big fight to get her. At last they decided to own her jointly. It is called ‘Ghana bhogya’. Her father refused to it. But the clever girl came with a proposal. She put five conditions to spend a night with anyone.

What are the conditions?

1.She should be provided a big house in the centre of the city;

2.Only one person can enter her house eachday.

3.Her fee for one night is 500 karshapanas ( very expensive lady; this word is used even today in Tamil as ‘Kasu’ ‘Panam’) .

4.If anyone wants to inspect her house for any reason the government should give her seven day notice and the Administration would be allowed into her house only on the seventh day.

5.There should be no watch over persons coming in and going out of her house.

(Thank God, there was no CCTV cameras or Google watch 2600 years ago).

The assembly accepted all her conditions.

She selected the best house in the best locality of the city. She had the walls of her house painted by an artist with the portraits of kings, ministers, nobles, rich bankers and traders. While scanning the portraits she fell in love with the portrait of emperor Bimbisara and very anxious to meet him

Since her name and fame spread far and wide Bimbisara also wanted to spend some time with her. But there was a big problem. He was the mighty emperor of Magadha Empire. Even Alexander was not ready to enter India 300 years after Bimbisara. But the Licchavi clan of Vaishali was not in good relationship with him. So his ministers warned him not to go to Ambapali’s house. But he boldly went to her house with the help of Gopa, Commander in Chief of the Army. He spent some time with her. However, the Licchavi spies got the information that the enemy in their territory. But they never suspected Ambapali. When they made house to house search Ambapali reminded them the administration should give her seven- day notice. This is one of the five conditions. In the meantime, sensing the trouble Bimbisara escaped in disguise.

When Bimbisara stayed with her for six nights he gave her a ring with his official seal and told her she could approach him anytime. After nine months Ambapali gave birth to a son. When he grew up his classmates were teasing him as an Illegitimate son of a courtesan. Then Ambapali sent him to Bimbisara. In later life that boy became a Buddhist monk and came to be known as Vimala Kondanna.

Ambapali was very successful in her trade and amassed huge wealth.Buddha in his last days came to Kotigama near Vaishali. Ambapali went to pay her respects. She listened to his discourse and became a lay devotee. She invited Buddha with his disciples for lunch in her house. At the same time the Licchavi leaders also came to invite him. But Buddha accepted only Ambapali’s invitation. This disappointed the Licchavis. At the end of dinner, she gave her entire mango garden with its big buildings to Bikshu Sanga, the Buddhist Association.

Some time after this she listened to her own son Vimala’s discourse. She decided to become a bikshuni, monk. She looked at her own body which was beautiful at one time and now became shrunken. She realised the impermanence of worldly existence and attained arhathood. She gave expression to her mind in verses.

She was one of the most famous women of ancient India. Vasanta sena, Vasava data and Ambaplali became famous and was the plot of several Sanskrit dramas and Kanyas.

While Maitreyi and Gargi Vachknavi were known for their spiritual attainments, the above three were known for their sacrifice , devotion and affection towards their lovers.

Ancient Indian love stories were more beautiful than Romeo and Juliet and Antony and Cleopatra.

-subham-

EIGHT STEPS IN RAJA YOGA (Post No.7081)

Complied by London swaminathan
swami_48@yahoo.com

Date: 10 OCTOBER 2019
British Summer Time uploaded in London – 17-58
Post No. 7081

Pictures are taken from various sources; beware of copyright rules; don’t use them without permission; this is a non- commercial, educational blog; posted in swamiindology.blogspot.com and tamilandvedas.com simultaneously. Average hits per day for both the blogs 12,000.

RESTRAINT, OBSERVANCES, POSTURES, REGULATION OF BREATH, WITHDRAWAL OF THE SENSES, CONCENTRATION, MEDITATION, TRANCE.

XXXX

EIGHT TYPES OF PRANAYAMA

Sahit,  Suryabhedi, Ujjayi, Sheetali, Bhastrika, Bhramara, Moorcha, Kevali.

Xxx

Eight types of emotions, expressions , moods in Hindu aesthetics

1. Bahyanak Rasa: color Black : emotion fear.

2. Hasya Rasa: color white: emotion joy/laughter

3. Rudra Rasa: color red : emotion anger

4. Adbhuta Rasa: color yellow , emotion wonder

5. Bibhitsa Rasa: color blue, emotion disgust

6. Shringar rasa: color green; emotion erotic/love

7. Veera rasa : color orange; emotion heroism

8. Karuna rasa: color grey; emotion compassion/ sadness.

Xxxx

Eight types of handicapped (In Tamil Literature)

1.Blind, 2.Ugly growth of muscles in unwanted places/Hunch back, 3.Stunted growth, 4.Dumb, 5.Deaf,6.Looking like wooden roller/.Animal faced,7.Lame, 8.Insane/ mentally retarded

Xxx

Horoscope Matching

1.VARNA- Compatibility of Social Values

2.VASHYA – Compatibility on Adjustment levels,

3.TARA/DINA – Compatibility on Individual Destinie,

4.YONI – Sexual Compatibility,

5.GRAH MAITRI – Compatibility on Conjugal Matrimony,

6.GANA – Compatibility on Personality Traits

7.BHAKOOT – Compatibility on Economic and Social status,

8.NAADI – Compatibility to bear offspring

Xxx Subham xxxx

MY VISIT TO CHENNAI MUSEUM – LAST PART (Part 12) Post No.6735

MUSICIANS ON STONE

Written by London swaminathan

swami_48@yahoo.com

 Date: 5 AUGUST 2019

  
British Summer Time uploaded in London –19-59

Post No. 6735

 Pictures are taken by London swaminathan in July 2019.  ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

This is the last part . I visited the Government Museum in Chennai and took these pictures on 7th July 2019.

HERO STONES, SATI STONES, KUBERA, KALI, BRAHMA, RUKMINI, VISHNU, MUSICIANS

KUBERA, GOD OF WEALTH
KRISHNA AND RUKMINI
KALI WITH SKULL
HERO STONES AND SATI STONES

BRAHMA

ARDHANARI

–SUBHAM–

Bharata Muni statue unveiled in Delhi (Post No.6643)

Kavita Dwibedi with Bharata Muni

COMPILED BY LONDON SWAMINAHAN


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Date: 17 JULY 2019


British Summer Time uploaded in London – 16-5
2

Post No. 6643


Pictures are taken from various sources including Facebook, google, Wikipedia. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

New Delhi, July 16,2019– Joining the pan-India celebrations of Guru Purnima, the Indira Gandhi National Centre for the Arts (IGNCA) on Tuesday unveiled a statue of sage and theatrologist Bharata Muni who composed the ”Natya Shastra”, an ancient Sanskrit text on performing arts.

The unveiling happened on the Foundation Day of IGNCA”s Kalakosh division, a department dedicated to the rich body of literature surrounding India”s classical arts.

The statue was unveiled by Rajya Sabha MP and classical dancer Sonal Mansingh, IGNCA president and senior journalist Ram Bahadur Rai, and National Gallery of Modern Art director-general and sculptor Adwaita Gadanayak.

The ”Natya Shastra” is the oldest extant literature in the field of dramatic arts.

The black-coloured sculpture, conceptualised by classical dancer Padma Subrahmanyam and sculpted by Bengaluru-based artists T.N. Rathna and S. Venkataramana, represents divine forces and the classical arts tradition of India.

It can now be seen at the IGNCA”s entrance.

MY ARTICLES ON ORIGIN OF DRAMA IN INDIA

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Rig Veda is an encyclopaedia of ancient India. Hindu playwrights, actors and dramatists believe that the drama originated in India. Though we have dramas in …

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5 Feb 2017 – Literary references in ancient Tamil and Sanskrit literature show that the … We have references to drama, folk theatre and puppet show from …

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4 Nov 2017 – Posts about History written by Tamil and Vedas. … Whatever be the origin of drama, we have very clear drama scenes in the Rig Veda in the …

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The meaning given in the Vedic index is ‘bearing in secret’. It is in RV …. Hindu playwrights, actors and dramatists believe that the drama originated in India.

FIVE FINGERS AND FIVE EVER LASTING SOUNDS! (Post No.6478)

Written  by London Swminathan


swami_48@yahoo.com


Date: 2 June 2019


British Summer Time uploaded in London – 21-
35

Post No. 6478

Pictures shown here are taken from various sources including google, Wikipedia, Facebook friends and newspapers. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

Arthaprakrutayah panca……………………….. Natya Sastram 21-21

–subhsam–

பரத = பா+ரா+தா & ந்ருத்யம், ந்ருத்தம் வேறுபாடு (Post No.6349)

Written by London swaminathan

swami_48@yahoo.com


Date: 6 May 2019


British Summer Time uploaded in London – 8-27 am

Post No. 6349

Pictures shown here are taken from various sources including google, Wikipedia, Facebook friends and newspapers. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))


–விதுர நீதி 1-73

— subham —tamilandvedas.com, swamiindology.blogspot.com

subham

BHA + RA + TA = BHAAVA, RAAGA TAALA (Post No.6340)



WRITTEN  by London swaminathan

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Date: 3 May 2019


British Summer Time uploaded in London – 18-52

Post No. 6340

Pictures shown here are taken from various sources including google, Wikipedia, Facebook friends and newspapers. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

STORY OF TAMIL DEVADASIS – Part 12 (Post No.6208)

Written by London swaminathan 


swami_48@yahoo.com


Date: 18 March 2019


GMT Time uploaded in London – 16-22


Post No. 6208

Pictures shown here are taken from various sources including google, Wikipedia, Facebook friends and newspapers. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

STORY OF TAMIL DEVADASIS—PART 11 (Post No.6197)

Written by London swaminathan 


swami_48@yahoo.com


Date: 15 March 2019


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Post No. 6197

Pictures shown here are taken from various sources including google, Wikipedia, Facebook friends and newspapers. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

STORY OF TAMIL DEVADASIS- PART 10, SEERKAZI KANIKA, AMPOR SILAMBI & PUNGODAI (Post No.6189)

Written by London swaminathan 


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Date: 13 March 2019


GMT Time uploaded in London –14-46


Post No. 6189

Pictures shown here are taken from various sources including google, Wikipedia, Facebook friends and newspapers. This is a non- commercial blog. ((posted by swamiindology.blogspot.com AND tamilandvedas.com))

Egyptian Musicians