Vastu Shastra, Thali, Zodiac! Purananuru wonders-61; Tamil Encyclopaedia 101 (Post.16,146)

Written by London Swaminathan

Post No. 16,146

Date uploaded in London – 30 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

part 61

Item 854

The next book we are going to see is Nedu Nal Vaadai, one of the Ten Idylls ( Paththup Paattu) in Sangam Tamil Literature.

 First let me list the wonders in it:

Vaastu shaastra in Sangam literature;

Zodiac in poem;

Reference to stars Rohini, Uttara;

Gajalakshmi figure ;

Thaali = Mangala Sutra;

Full description of Queen’s Bed with elephant tusks;

Mattress with feathers of Swan that were shed during mating;

Yavana lamp;

Women won’t put on ornaments when husband is away;

White umbrella and Valampuri Chank (conch) as in Kalidasa books;

Description of Army Camp as in Mahabharata.

Women using their swelling breasts to warm Veena Strings!

***

Item 855

Name of the book: Nedu= long; Nal=good; Vaadai= Northerly, cold wind.

(Vadai is fried spicy doughnut; vAAdai is hated cold northerly wind in India).

Author : Brahmin poet Nakkirar who is the author of Tiru Murugu Aatruppadai as well.

Subject: how queen suffered because of Pandya King Neduncheziyan’s absence/separation; he was in battle field.

Length of the poem- 188 lines.

Strange thing: no mention of the name of the king; only from famous commentator Nachchinarrkiniyar, we know it was Nedunchezian; and Tamils  know that there were two Nedunchezians. So, a bit of little confusion.

Lines 29, 30 – Streets were as broad as rivers and with tall buildings.

It is guessed the poet is talking about the great Madurai city, capital of Pandya Kingdom.

Madurai is the only planned city in the whole of India 2000 years ago which we knew from another Sangam book called Paripaatal.

Whenever the poets describe tall buildings they say Seven Storied Buildings; but here poet said only mansion.

***

Item 856

Gods in the houses!

Lines 36 to 44 show what Hindu women did in the evenings in ancient Madurai.

We know from these lines and from line 578 in Maduraik Kaanchi, another Sangam book, every house has a prayer room or prayer place. There was a god before which Hindu women lighted lamps and offered paddy and flowers around sunset. Even today Tamil Hindu women do it. This gives a severe blow to anti Hindu political Dravidians!

***

Item 857 two linguistic points:

In Sanskrit literature, poets say Aho Raatri= Day (and) Night; in Tamil, poets say Iravum Pahalum= Night(and) Day (line  47).

Both Iravu and Pahal are Sanskrit words but in Tamiized form.

I am writing this because South Indians and North Indians changed direction of writing at one time. In the Indus Valley, scholars believe that they wrote from Right to left. But now in India, we write from left to right.

This is seen in many other places as well

Tamils say Lava Kusa (sons of Rama); north Indians say Kusa Lava.

This is a subject for research. Hindus always give respect for Right hand; they are still Rightists! If anyone use left hand to receive anything, it is disrespect; in temples, it is blasphemy.

Mothers force their children to use right hand from the birth.

Another linguistic point here is the poet used PITHI (line 40) for a kind of jasmine flower. But in modern Tamil it is called PICHCHI.

This shows T=S. I have been showing it in all my linguistic articles.

English pronounce TION as SION (E.g. Condition, education and hundreds of such words)

Again, I use this to say all ancient languages can be traced back to Tamil and Sanskrit.

Again, I emphasize there is no Dravidian or Aryan language in India. One language split it into two, and thousands of years gap in time and location,changed them

Example : French spoken in Indian ocean island countries.

***

Item 858– round stone from Himalayas

வடவர் தந்த வான் கேழ்  வட்டம் -51

Very interesting line is 51 where we come across north Indian, round, grinding stone for south Indian sandal!

Poet deliberately used it to emphasize the unity of India.

In Purananuru book, we saw southern pothiyam compared to north Indian Himalayas.

Here also poet refers to Himalayas which is confirmed by Tamil epic Silappadikaram 4-37-8

Commentators showed it. What a wonderful unity 2000 years ago!

Just to grind south Indian sandal and other spices, they imported Himalayan stones, round in shape.

This also shows the pilgrimage. Tamils bring Ganges water even today from North Indian holy spots.( I also did bring Ganga Jal from Haridwar).

***

Item 859 Breast for warming Veena

Verey interesting and strange habit of lute players.

When the cold windblows in winter, women warmed the strings of the lute by rubbing them against their breasts!  Strange indeed! Poet was a keen observer!

He says,

Fair dancing girls to keep their songs in tune

With small and dark stemmed Ayaz on which they play

Warm the sweet toned strings made useless by the cold

By rubbing them upon their swelling breasts….

***

Item 860 -VAASTU SHASSTRA-

Lines 76-80

The broad sun travelling in its western course

Its widespread rays diffuse everywhere

And shadows cast by two poles planted straight

Do not incline at noon tide either way.

Then architects with care compute tapes

And note the quarters where the gods reside

They mansions build befitting noted kings…..

Because all the ancient Tamil kings were Hindus, they followed Shilpa Shastra and Vastu Shastra to build temples and palaces. They were very different from other parts of the world.

In Vastu, they have different Gods managing or controlling different directions. If the builders want to set up Treasury then they do it in Kubera Direction (North).

Ancient Hindu Palaces like Mysore Palace, Tirumalai Nayak Mahal in Madurai were all constructed following Vastu rules.

For the measurements, they plant two sticks straight and see that no shadows cast at noon. That means 100 % straight. Then they use threads or strings as tapes for the measurement. In Sanskrit, Sutra. Egyptian Pyramid Builders also used Sutra (String or rope).

நூலறி புலவர் நுண்ணிதின் கயிறிட்டு

தே எம் கொண்டு தெய்வம் நோக்கி  76/77

Play on words : Nuul = Suutra; both in Tamil and Sanskrit it has two meanings =thread and book.

If you say one who knows Nuul= Suutra, it means one who knows to handle plumbing line and one who knows scriptures (Vaaastu Shasstra books etc). Once again, it shows that both languages have the same source.

***

Item 861 -Zodiac and Stars

Though we have indirect reference to Zodiac in Purananuru, here we see poet himself refers to Aries (goat sign). He refers also to Rohini star and Uttara star. This shows the knowledge of astronomy in ancient Tamil Nadu.

Line 82 – Uttara nakshatra

Uttaram is beam in Tamil; poet plays on words following Kalidasa.

Rohini – line 163;

Mesha rasi – goat sign- line 160;

***

Item 862- Gaja Lakshmi Lines 81-83

Gaja Lakshmi is also in another Sangam book Kalittokai 44.

When I went to palatial houses in Chettinadu, Karaikkudi areas in Tamil Nau and Mysore Palace in Karnataka I noticed Gaja Lakshmi sculpted on doors. It is a symbol of wealth. Goddess Lakshmi is in the centre and two elephants on either side pour water on her.

This shows flow of water; even in British library in London, they have set up big fountain of flowing water.

You can notice that wherever there are big fountains at the entrance, those places doing roaring business.

Gaja Lakshmi was found from Denmark to Sri Lanka . Gaja Lakshmi is in Sri Suktam, part of Vedas.

(Please see my article written in 2012. Hindu Goddess’ march to Denmark !)

Following three Sangam books referred to Gajalakshmi also found in Gundestrup Cauldron in Denmark)

குறிஞ்சிக் கலி- Kurichik Kali in Kalittokai.

வரிநுதல் எழில் வேழம் பூநீர் மேல் சொரிதரப்,

புரிநெகிழ் தாமரை மலரங்கண் வீறு எய்தித்,

திரு நயந்து இருந்தன்ன தேங்கமழ் விறல் வெற்ப! (கலி.44-8-5/7)

மதுரைக் காஞ்சி Maduraik Kaanchi

விண் உற ஓங்கிய பல் படைப் புரிசை

தொல் வலி நிலை இய அணங்குடை நெடி நிலை(352-353)

நெடுநல்வாடை Nedun al Vaadai

ஐயவி அப்பிய நெய் அணி நெடு நிலை

வென்று எழு கொடியொடு வேழம் சென்று புக

குன்று குயின்றன்ன ஓங்கு நிலை வாயில்

திருநிலை பெற்ற தீது தீர் சிறப்பின் (86-89)

Gajalakshmi’s figures have travelled from the Himalayas to the southern most part of Sri Lanka. It is in the form of old coins, lamps, wooden figures, idols and stone sculptures. It has travelled from India to Denmark !! We have Gajalakshmi figure carved in to Gundestrup silver Cauldron. Now it is in Copenhagen. When they dug up a marshy area in Jutland , Denmark in 1891 they recovered a big silver vessel which is dated to second century BC. A very interesting fact about this vessel is that there is a god surrounded by animals like we see in the Indus valley seal (For more details please read my article Vishnu in Indus Valley Seal) The earliest reference to Gajalakshmi is in Sri Suktam of the Vedas:

“Laksmir –divyair-gajendrair-manigana-kasithai: snabitha hemakumbhair nithyam sa pathma hastha”

(Holding a lotus in hand she is bathed by water from the gem studded golden pot by the celestial elephants)

The above is from my article posted here in 2012.

***

Item 863- sanctum sanctorum

Now we have Garbha Grihas (Karu Arai) in temples ;Temple is compared to human body and the sanctum sanctorum is called Garbha Griha (womb) This has been there from Sangam days.

Here the queen’s private inner chamber is called Karu Arai

English word core = Tamil Karu.

Garbhagriha – line 114;

***

Item 864 Dasa Naanku 10 X 4=40 in Sanskrit

In Line 115 we find a strange Sanskrit word Dasa=10; naanku=4;

When the poet wanted to tell us that the queen’s bed had tusk decoration and those ivory objects came from 40 year old elephant, he used it.  It is interesting to note the age of the elephant.

There is a linguistic point as well: D becomes R in the lines.

It is shown as an example for distorting or corrupting Sanskrit words by poets.

***

Item 865 Yavana Lamps

Yavana- we have at least five refences in Sangam literature including Purananuru in addition to intro in Pathitruppaththu.

Yavana made lamps – lines 101-102.

Yavana is a confusing word; in Sangam literature it meant Romans from Italy. But later it is used for Greeks.

But I have a big question. Did Yavana mean carpenters from North west India?

The reason is I could not find Yavana lamps in Greek and Roman sculptures.

Yavana is found in Mahabharat and Valmiki Ramyana too.

By the middle of 15th century, it meant Arab merchants( also called Sonakar).

***

Item 866 Mating Swans shed Feathers!

Swan feathers – 131-133

Poet Nakkirar has described Queen’s bed, her mattress and pillows in minute details.

Someone must draw a picture of it.

Nakkirar added one more interesting detail. Quen’s mattress and pillows had swan feathers which shed them during sexual intercourse/mating because of body heat.

Use of swan feather in bedding is already in Kalidasa who lived before Sangam age.

***

Item 867- Mangala Sutra  of Hindu Women!

Thaali = mangala sutra = 136/37

Very often bad women who want to be in magazines write that Tamil women did not wear Thaali or Mangala Suutra during Sangam Age. They were proved wrong by commentators who lived 700 years ago. They have clearly mentioned Thaali worn by Tamil Hindu women. I wrote on these many years ago quoting famous writers.

Puram 177, Nedu Nal Vaadai 136/7 and Tamil epic Silappadikaram, their commentators said it.

பெண்கள் தாலி :–புறம்127, சிலப்பதிகாரம் 1-47, 4-50
தமிழர்களுக்கு தாலி உண்டு:–ம.பொ.சி

தமிழர்கள் திருமணத்தில் தாலி கட்டும் வழக்கத்தைக் கடைப்பிடித்தனரா என்று அவ்வப்போது விவாதங்கள் எழுகின்றன.

தமிழர்கள் திருமணத்தில் தாலி கட்டும் வழக்கத்தைக் கடைப்பிடித்தனர் என்று பல தமிழ் அறிஞர்கள் கூறுகின்றனர். இதற்கு முடமோசியாரின் புறநானூற்றுப் பாடலையும் சிலப்பதிகார வரிகளுக்கு அடியார்க்கு நல்லார் எழுதிய உரையையும் அவர்கள் எடுத்துக் காட் டுகின்றனர்.

இந்தியப் பண்பாடும் தமிழரும் பக்கம் 297/298 ஆசிரியர் எஸ்.ராமகிருஷ்ணன் (மதுரை எஸ். ஆர்.கே). தமிழர் நாகரீகமும் பண்பாடும் பக்கம் 51, ஆசிரியர் ஆ.தட்சிணாமூர்த்தி, பூண்டி, தஞ்சாவூர்.

“ஈகை அரிய இழை அணி மகளிர்” —

(ஆய் அண்டிரனின் மனைவியர் அணிந்திருந்த மங்கல சூத்திரம் பற்றி முடமோசியார் புறம் 127ல் பாடிய வரிகள்)

“அகலுள் மங்கல அணி எழுந்தது”- சிலப்பதிகாரம்1-47

(மங்கல சூத்திரத்தை ஊர்வ லமாக கொண்டுவந்தனர்-அடியார்க்கு நல்லாரின் உரை)

“மங்கல அணியின் பிறிது அணி மகிழாள் “

(கண்ணகி பற்றி இளங்கோ அடிகள் (இதுவும் தாலி என்பது எஸ். ஆர். கே.யின் வாதம்.

. நல்லாவுர் கிழார் குறிப்பிடும் ” வால் இழை மகளிர்” என்பதும் தாலியே என்று அவர் வாதாடுகிறார்.

கி.பி. 10ஆம் நூற்றாண்டில்தான் தாலி இடம்பெற்றது என்று மா. இராச மாணிக்கனார் கூறுவார்.

ம.பொ.சிவஞான கிராமணியார், பேராசிரியர் வீரபத்திரன் ஆகியோர் சங்க காலத்திலேயே தாலி இருந்ததாக வாதிடுகின்றனர்.

***

Item 868

Applying starch to clothes is mentioned here.

134/35- starch to clothes.

***

Item 868 Gold Rings

143/44- finger ring in fish mouth shape.

Queen wore a finger ring shaped like a fish mouth.

Interesting thing is we have found such rings in Tamil Nadu and other places.

They are also known as Makara Mothiram.

***

Item 869

White umbrella is mentioned throughout Kalidasa works and Tamil literature

184- white umbrella

***

Item 869 – Queen without decoration

Hindu women dress their hai , body etc only when their husbands are around.  If they hang their hair without plaits or hair bun something went wrong is the meaning. Here we have a full description of the queen in desperation because her husband was in the battle field.

Her friends even prayed to Goddess Durga for her husband’s safe and quick return.

Tamil lines-136-147

***

Item 870 King in the Army tents

In Mahabharata also we see that after the battle finished , during sun set each leader went to the battle ground or tents of soldiers and treated the wounded soldiers. They consoled some and they boosted confidence in others.

Here also poet Nakkirar described it. Lines 168-177

***

Item 871 Sanskrit words

Saalekam for window is from Jhaalakam in Sanskrit.

Deivam, Dasam,Rohini, Uttaram, Mesham, Gaja Lakshmi, Yavana are also mentioned in Sanskrit or its Tamil translation.

Saalekam – 125 Jalakam in Sanskrit

***

At the end of commentary, we find the following:

Brahmin of Bharadwaja gotra Naccinarkiniyar, teacher in Madurai, finishing the commentary on Nedunal vaadai written by Nakkiranar, son of Maduraik kanakkaayanaar on Pandyan Neduncheziyan .

But Purapporul Veba Malai says it is about Talai aalankaanaththu seru vendra Nedun chezian

–subham—

Tags- Thali, Mangala Sutra, Vastu Shastra, Thali, Zodiac! Purananuru wonders-61; Tamil Encyclopaedia 101, Item 871

Wigs of British Judges! Seven Step Good-bye! Purananuru wonders-60 (Post.16,138)

Written by London Swaminathan

Post No. 16,138

Date uploaded in London – 28 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Purananuru wonders-60;Tamil Encyclopaedia 100, One Thousand Interesting Facts -Part 100

***

Item 841

Let me give you wonders from one more book. The name of the book is Porunar Atruppadai (aatruppadai).

Author- Mr or Miss Mudaththama Kanniyar (mudaththaama kanniyaar); some people think she is a oman because of the spelling Kanni; but it may mean garland as well; so maybe a man!

Lines-248; Hero of the poem- Karikal Choza (we have already  seen him in Paaatinappaalai)

This book Porunaratruppadai is one of the Ten Idylls known as Paththuppaattu, which is part of 2000 year old Sangam Tamil Literature. Porunan = a bard; aatruppadai = giving guidance.

The poet imagined himself/herself as a bard receiving a bounty from the famous king.

Summary of Wonders:

Robbers stopped robbery after listening to music;

Judgement with White Wig; British judges follow Karikal Choza!

Chariot with Four White Horses like Chariot of Krishna in Bhagavad Gita;

Karikal Choza walked Seven Steps following Rig Veda;

Bali offering to Crow; (also seen in Kuruntokai);

Seven stringed Yaaz (lyre or lute);

Description of a woman from Foot to Head;

Cloth looking as thin and as transparent as snakeskin;

Karma Theory; Rebirth; effect of fate;

9 flowers, 12 trees, 5 animals.

***

item 842

in the first 22 lines poet compared the lute to a pregnant woman. He also described how the lute was played. Robbers dropped their weapons as soon as they listened to it. Earlier we saw how even wild elephants stopped damaging d crops after listening to songs.

Nationalist poet Subramaniya Bhratiyar described  Kannamma in the lines “Veenaiyadi Nee Enakku, Mevum Viral Naan Unakku”; Oh Kannamma, You are the Veena/ I am the fingers that play on you. Probably he got it after reading these 20 ++ lines!

***

item 843

Kesaati paata Description (Head to Foot Description)

Hindus start describing a Goddess from Foot to Head and the reverse is followed for humans.

Because Goddess Eyes are powerful a devote can’t look at her radiance; so, they always pray for her side glance (Kadaik Kan in Tamil) only!

Here the description shows as if the poet saw a naked woman!

Here is what he/she described:

The singer woman had

Her tresses= as black as sand (if you go to a river you may see the black, smooth sediment)

Her eye brows= killing bows of warriors (beauties ‘Killing’ men is a phrase in Tamil);

Forehead= crescent moon;

Lips = utter sweet words; red in colour like Bombax malabarica flowers; silk cotton tree in Tamil is Ilavam maram.

Her teeth= shiny pearls;

Ears with pendants = looked like scissors that trim hair;

Her shoulders= like bamboo;

Fingers= kanthal flowers;

Finger nails= parrot beaks;

Voluptuous Breasts = so tight that you can’t insert even a thin rib or nib;

Navel= water ripple or whirlpool;

Waist = scarcely visible;

Her belt with beads=  like beehive with bees;

Thighs = trunks of huge female elephants;

Small feet= tongues of panting dogs;

Look= pea hen look.

We may wonder whether the poet saw a naked beauty or she was wearing a nylon transparent sari!

***

Item 844

Most of the above comparison is a cliché in Tamil and Sanskrit literature. You can read almost the same in Kalidasa.

But here is a word the poet coined for SCISSORS!

He says MAYIR KURAI KARUVI= Instrument that trims hair!

No shoes! She walked without shoes, so poor!

Poet says she developed red blisters in her feet when she walked on stones.

***

Item 845

Offers prayers to Forest God, says the poet (line 52).

Poet probably meant Goddess Durga, who is called Kaadukizaal (goddees of forest in other poems)

This shows Hindus worship Gods and Goddesses all along their way. We saw it in Paatinappalai and Perumpanatruppadai.

***

Item 846 Karma Theory

Sangam Tamils were Puka Hindus who saw god everywhere and belived in Karma Theory ; if you do something good that will have its effect in the following seven births . if you have already done good things in your previous birth something good will happen unexpectedly.

Here the poet adds,

O chief of bards whose songs have value great!

It is the fruit of good deeds done by thee

In a former birth that made thee meet me here

Nor miss the proper way in ignorance (line 59)

(J V Chelliah, year 1946, followed Nachinarkkiniyrar commentary).

***

Item 847  Master of Seven Stringed Yaz! (line 63)

ஏழிசை (Ēḻicai) translates to “The Seven Musical Notes” or “The Seven Swaras” in English.

In Tamil music tradition, it refers to the seven basic notes of a musical scale, which correspond directly to the Carnatic and Hindustani classical music notes (Swaras), as well as the Western musical notes.

  • Kural (குரல்) – Sa (Shadjama) – Do / C
  • Thuttham (துத்தம்) – Ri (Rishabha) – Re / D
  • Kaikkilai (கைக்கிளை) – Ga (Gandhara) – Mi / E
  • Uzhai (உழை) – Ma (Madhyama) – Fa / F
  • Ili (இளி) – Pa (Panchama) – Sol / G
  • Vilari (விளரி) – Dha (Dhaivata) – La / A
  • Tharam (தாரம்) – Ni (Nishadha) – Ti / B

Seven strings for playing Seven Notes

***

Item 848 n Nice clothes like Snakeskin

The singing bard wore rags teemed with nits and lice and wet with sweat.lines 79-81

When he met the great king he treated the bard like a friend and gave

Clothes whose texture was so fine

Its threads could not be easily traced, and worked

With floral forms resembling skins of snakes.

In the halls bejwelled, smiling, comely maids

Pored out from spotless golden vessels full

Like cheering rain much stupefying drink

Repeatedly…………………………… lines 82-88

***

Item 849 Reference to great rishis/ ascetics

Lines 91-93

I drank that I might sooth my weariness

And rested in the wealthy palace here and

With joy at eve. Like rishis that enjoy

Devotion’s fruits by taking proper care

Of their own body’s health. I took good care

To rid me of journey’s weariness

Sangam poets were great Hindus! They tried their best o teach the tenets of Hindu religion at every available opportunity.

Even when the poet wanted to show the anger of Karikal Choza the poet compared him to Lord Muruga/Skanda/Kartikeya.line 131

***

Item 850 reference Good bye by walking Seven Steps

Line 166

After spending many days when the bard expressed his desire to return home, Karikalan showed his disapproval but at the end he gave the bard many gifts and walked seven steps with the leaving guest.

We see this Seven Step Walk before saying good bye even in Paranjothi Munivar’s Tiruvilaiyadal Puranam, just a 300 year old book.

This custom originated in the Rig Veda, oldest book in the world. Brahmins and other communities do this in Weddings. Rig Veda’s last book, tenth mandala. has a beautiful Wedding Song. A Hindu marriage is solemnised only when the bride and bridegroom walk around fire doing Seven Steps called Saptapadi. At each step they take a vow. This type of wedding was done by Vaisya community according to Silappadikaram.

  First Step (Nourishment): A promise to provide food, share household responsibilities, and nurture one another.

  Second Step (Strength): A vow to grow together in physical, mental, and emotional strength.

  Third Step (Prosperity): A commitment to share wealth, work for financial stability, and prosper together.

  Fourth Step (Family): A pledge to build a joyful home, raise children with love, and respect each other’s families.

  Fifth Step (Health): A promise to care for each other’s health, well-being, and happiness.

  Sixth Step (Companionship): A vow to remain lifelong best friends and walk as equals through all seasons of life.

  Seventh Step (Loyalty and Friendship): A final pledge of eternal love, loyalty, trust, and spiritual union through every lifetime.

No Hindi or Tamil Feature Film Song can beat the loving words in the Rig Veda Wedding Mantra.

***


Item 851 Bhagavad Gita Chariot line 165

I have a book of Tamil Bhagavad Gita in Tamil published by Ramakrishna Mutt where only for white horses pulling the Chariot of Arjuna with Krishna as the driver. Many pictures show only Four White Horses. Only with four horses one can have a smooth ride. Karikalan also gave the bard a chariot pulled by Four White Horses in addition to silk clothes, gold jewels, gold lotus hair pins for women.

***

Item 852 Balis to Crows

The non vegetarian food items and Karikalan’s  early life and how he got the crown etc are already explained in Pattinappalai.

Here the poet making a passing remark about the food given to crows by Hindus. But we get more details about religiously or ritually feeding crows by Hindus  in Kuruntokai poem 210.

***

Item 853  Origin of Wigs of Judges  (lines 187, 188)

ஆதாரம் , page 122

பத்துப்பாட்டு மூலமும்

நச்சினார்க்கினியருரையும்

டாக்டர் உ வே சாமிநாதையர் , 1950

Why Do British Judges Follow a Tamil King?

By S Swaminathan November 13, 2011


Strange as it may look, British judges, magistrates and barristers follow a custom that was started by a Tamil king two thousand years ago. British judges and several others who preside over the courts of justice wear a white wig.

If we go to encyclopaedias, they don’t explain why they wear it or when it was exactly started. Ancient Egyptians wore wigs for protecting their heads from the scorching sun. Then Romans and others wore different types of wigs as symbols of aristocracy.

The British judiciary started wearing wigs from 17th century. Many of the commonwealth countries also followed it. Whenever the reason for the custom is asked many people say that it is the tradition or uniform for professional discipline or it shows experience. Actually it was started by the most famous Tamil king, Karikal Chola two thousand years ago. Crystal clear proof comes from the ancient Tamil Cankam (Sangam) literature.

Karikalan was the greatest of the Tamil kings for three reasons. He ruled vast areas of Tamil-speaking land, subjugating other Tamil kingdoms. He was the first Tamil king who went up to the Himalayas and carved his dynastic emblem there. Till today, there remains a Chola pass in the Himalayas. The second reason was he was a just king and his court of justice in Uraiyur became very famous. Tamil literature praises his justice and gives the story of wigs. And the third reason is the Grand Anaicut he built across the river Cauvery is one of the oldest dam s in the world. 

Though we did not have any historical records scholars have dated him around 1st century BC. He was a boy king – like the Egyptian Tutankhamen. He came to power while he was a teenager.

The Story of Wigs:

One day two elderly people came to his court seeking justice. They had a dispute among themselves. They decided that whatever the Uraiyur court says must be the final settlement. When they came in to royal court they were shocked to see a boy sitting as the judge. They were greatly disappointed – which Karikalan felt immediately by looking at their faces. Indeed the face is the index of the mind.

Karikalan politely asked the elders to take seats and told them to wait for the ‘judge’ and he went in. The entire assembly was puzzled. Then came an elderly person and sat on the chair. After carefully listening to the arguments of both the sides he gave his judgement. Both of them were immensely happy to hear a fair settlement. Now the assembly wanted to know who the elderly judge was. King Karikalan removed his white hair wig (Narai Mudi in Tamil) and revealed himself.  All applauded the Wisdom of the ‘Solomon of India’.

The proof for the anecdote is in three Tamil books:

1.      Porunar Atruppadai –lines 187-188. Porunar Atruppadai is one of the ten long poems of Tamil Cankam literature dated  between 1st to 3rd century AD

2.      Manimekalai- This is one of the five Tamil epics dated 3rd century AD  

3.      Pazamozi – poem 25 translation:

ஆதாரம் , page 122

பத்துப்பாட்டு மூலமும் நச்சினார்க்கினியருரையும்

டாக்டர் உ வே சாமிநாதையர் , 1950

“The grey haired old men said the young man could not come to a decision about their case. They were delighted to find the Choza wore a grey wig and understood the case from listening to their statements”.

This proves that even before they learn the arts suited to their caste, men are “ripe for their duties” This book is dated around 5th century AD.

Nobody can deny the fact that Karikalan was the first one to use white wig in judiciary matters.

There are lot of interesting stories about Karikalan in Tamil literature. He had to fight his own relatives to get the throne after the death of his father Ilam Chet Senni. He escaped an arson attack, and his feet were charred and thus he got the name “Kari Kalan” (man with charred legs). The ancient custom in India is to select a king by the Royal elephant if nobody knew who the real heir apparent was. Karikalan was garlanded by the royal elephant when he was standing in the crowd. The episodes about his daughter Adi Mandi also formed the basis of several interesting stories.

–subham—

Tags–Purananuru wonders-60; Tamil Encyclopaedia 100, One Thousand Interesting Facts -Part 100, Wigs of Judges, Item 853, seven steps, Karikal Choza 

HINDU DICTIONARY IN ENGLISH AND TAMIL 104; இந்து மத கலைச்சொல் அகராதி-104 (Post.16,135)

 Written by London Swaminathan

Post No. 16,135

Date uploaded in London – 27 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Tevaram (tevaaram)

Book of Tamil poems on Lord Siva. Three great saints Tiru Gnana Sambandar, Tiru Navukkarasar (Appar) and Sundarar composed these poems. Senior most of the three, Appar, was a contemporary of  great king Mahendra Pallava (600 CE) and Sambandar (640 CE). There are about 9000 poems grouped in seven books.

Tevaram means garland of divine songs or poems.

  • Thiru gnana Sambandar: A child prodigy whose lively verses make up the first three volumes.
  • Appar (Tirunavukkarasar): Known for deeply emotional and humble hymns that form volumes four, five, and six.
  • Sundarar (Sundaramoorthy Nayanar): Composed the seventh volume, expressing a personal, close bond with Shiva.
  •  
  • Paadal Petra Sthalams: The Tevaram praises 275 specific Shiva temples (mostly in Tamil Nadu, plus two in Sri Lanka), which are sacred pilgrimage sites known as Paadal Petra Sthalams prefixed with Tiru, equivalent to Sri or Holy.
  • Musical Tradition: The poems are set to ancient Tamil musical modes called Pann, which correspond closely to Carnatic ragas. They are still chanted daily as a living tradition in many South Indian Shiva temples.

Like Vedic pundits learn Vedas from their teachers, Othuvars learn the poems from their seniors. They sing them in the temples every day. Tamil kings provided them grants.

***

Thayumanavar (thaayumaanavar)

Thayumanavar was a distinguished Tamil poet-saint who lived in the first half of the eighteenth century, from 1705 to 1744 CE. His devotional poetry was frequently cited by Sri Ramana Maharishi. Thayumanavar was brought up in the Thanjavur District of Tamil Nadu in the coastal town of Vedaranyam. His father, Kediliappa, came from an agricultural background but progressed from being a farmer to being the administrator of the local Vedapureeswarar Temple. He carried out this responsibility so well, he was subsequently offered the job of palace manager and royal advisor by Vijayaranga Chokkalinga Naicker, the reigning Prince of Tiruchirapalli. When Thayumanavar was born, his father named him after Thayumaneswarar, the presiding deity in the temple of Siragiri, which is nowadays known as the Tiruchirapalli Fort Temple.

Thayumanavar received a good education at court in which he ended up acquiring an outstanding knowledge of both Sanskrit and Tamil language and literature. He lost his father when he was still in his teens, and he was considered qualified to take over his job. Later he showed more interest in spiritualism than worldly affairs.

Thayumanavar articulated the Saiva Siddhanta philosophy. he wrote several tamil hymns of which 1454 are available. Thayumanavar’s key teaching is to discipline the mind, control desires and meditate peacefully. He went on to say that “it is easy to control an elephant, catch hold of the tiger’s tail, grab the snake and dance, dictate the angels, transmigrate into another body, walk on water or sit on the sea; but it is more difficult to control the mind and remain quiet”. He met Mouna Guru Desigar, the head of a Saiva mutt in Tiruchi. Thayumanavar got married and became a father. His son was Kanagasabhapathy. When he lost his wife  he became a wandering saint. Finally he went to Ramanathapuram and attained Samadhi in 1744. He is known for his unceasing emphasis on the unity of all paths to God and of all religions, and, in particular, on the unity of the Shaiva Siddhanta and Vedanta.

***

Thillai (Chidambaram)

Most sacred Shrine for Tamil Saivites; for them temple means Chidambaram like Sri Rangam for Tamil Vasihavites. Thillai Nataraja temple has been in worship for at least 2000 years. Since Lord Siva as Nataraja (King of Dance) is the patron saint of dancers, they always pay tributes to him in dancing events. Choza and Pallava kings put golden roof for the temple. The unique feature of the temple is that it is maintained by Thillai 3000 Priests (Brahmins) unlike other temples. Thillai Vazh Anthaanar: Also known as the Dikshitars, this is an exclusive community of Vedic priests who serve as the hereditary trustees and archakas (priests) of the Nataraja temple.

Chidambara Rahasyam: The temple houses a famous mystical secret representing the formless, invisible aspect of Shiva as pure space or emptiness behind a draped curtain. Thillai Kali Temple: Located on the outskirts of Chidambaram, this historic temple is dedicated to Goddess Kali.  The town is 229 kilometres, south of Chennai and can be reached within five hours.

***

Tilakam/ tilak

Tilak is a sacred mark or symbol applied to the forehead or other parts of the body in Hindu tradition. Though both men and wear Tilaka it is a must for married women. They have to wear it throughout their lives, i.e. as long as their husbands live . But people living in western countries don’t follow it strictly fearing racial discrimination.

  • Sacred Mark: Derived from Sanskrit, a tilaka is a paste made of sandalwood, ash, vermillion, clay, or turmeric.
  • Energy Center: It is placed on the Ajna chakra (the third-eye point between the eyebrows) to help calm the different types of Tilak are used by different Hindu sects.

Even ancient statues of Budddha show it prominently.

***

Tilak B G

Bala Gangadhara Tilak was a freedom fighter and a great scholar. He kindled nationalist spirit in Maharashtra through Ganesh Chaturthy/Jayanti. Now it is the national festival of Maharashtrians. He is known for his research in the Rig Veda. He dated it around 4000 BCE through astronomical calculations. A strange coincidence was that German Sanskrit scholar Herman Jacobi also arrived at the same date  both of them did the research independently.

Buddha with Tilak on his forehead

***

Tilottama

A beautiful Apsaras, divine damsel, created by  Brahma through synthesis of best elements  available in the three worlds.  She was sent down to earth in order to cause mutual destruction of the rakshasa brothers s

Sunda and Upa sunda. She made her seductive appearance in front of the two brothers when they were intoxicated and in their fight for her possession, they killed each other. Narada tod this episode to Yuthisthira.

***

Trasadasyu

A king whom rishi Agastya, accompanied by king Shrutarva and Bragnashwa, went to ask for wealth in order to please his wife Lopamudra.  Trasadasyu expressed his inability to provide any wealth but agreed to accompany the visitors  to demon Ilvala who was wealthy.

***

Trijata

Trijata is a compassionate demoness (rakshasi) in the Ramayana who protects and comforts Sita while she is held captive in Sri Lanka by Ravana. Unlike the other demonic guards who threaten and torment Sita, Trijata shows her deep kindness, empathy, and respect. Trijata dreams of Ravana’s total destruction, Lanka burning in red flames, and Lord Rama’s ultimate victory. She uses this vision to stop the other demonesses from harassing Sita and to give Sita hope. Lineage: She is often described as the daughter of Vibhishana, Ravana’s righteous brother who aids Rama Following Rama’s victory, both Rama and Sita shower Trijata with rich rewards and praise for her loyalty and care.

***

Tri loka

Tri-loka literally means “three worlds” in Sanskrit and refers to the threefold division of the universe in Indian religions like Hinduism, Buddhism, and Jainism.

Triloka (त्रिलोक).—The Sanskrit term tri-loka is often found in Vedic scriptures. Tri-loka means three worlds. The universe is divided into three worlds, or realms of consciousness: bhūr, bhuvaḥ and svaḥ (the gross region, the subtle region and the celestial region).

Triloka (त्रिलोक).—The conception of the triloka—earth, mid-space and heaven, or nether-world, earth and heaven—has been depicted in the figure of Viṣṇu Trivikrama.

Narada, Deva Rishi, is often called Tri Loka Sanchari, meaning that he is an Inter Galactic Traveller and travels faster than light.

Bhurloka: The Earth or the human realm. Bhuvarloka / Svarga: The atmosphere or celestial heaven of the gods. Naraka / Patala: The netherworld or underworld.

Consciousness: These worlds also represent physical, subtle, and celestial planes of existence.

Brahmins use these lokas along with four more lokas in their thrice a day Sandhyavandana.

The Seven Higher Lokas

  • Bhurloka: The physical earth and the realm of human action and karma.
  • Bhuvarloka: The atmospheric intermediate region between earth and the sun, home to semi-divine beings.
  • Svarloka (Svargaloka): The celestial heaven ruled by Indra and inhabited by the devas.
  • Maharloka: The abode of great enlightened sages and rishis.
  • Janaloka: The realm where the pure-minded spiritual sons of Brahma reside.
  • Tapoloka: The sphere of intense penance and ascetics.
  • Satyaloka (Brahmaloka): The highest realm of ultimate truth and the residence of Lord Brahma

***

Tri sankhu

A prince of olden times who was expelled by his father from the kingdom of Ayodhya. He then became a disciple of sage/king vishwamitra with whose blessings he regained the throne. At the end of his life he wanted to ascend to heaven/ swarga with his human body. First he approached Vasishta  to perform an appropriate yagna. When he said that he could not do it he insisted that he must do it. At once Vasishta’s son cursed him to become a low caste chandala. In this form he went to Vishwamitra and he did the yagna as requested by him. When he went up to swarga he was denied entry and pushed back  to earth. When he sought Vishwamitra’s help again he arrested his fall and caused him to remind suspended in mid-air. This episode was related to Pandavas to illustrate the rishi’s powers.

Trisankhu is in the form of stars in the southern heaven which the westerners named the Southern Cross. This constellation is in the flags of five countries: Australia, Brazil, New Zealand, Papua New Guinea, and Samoa.

In Sangam Tamil literature a Chera king helped a poet and his wife to ascend to heaven through Yagna. It is in Sangam book Pathitruppaththu.

***

Trita

Trita – a great rishi/seer of ancient times who was well verse in the Vedas and Vedic fire sacrifices. Trita means Mr Three. He had two brothers Ekata and Dwita. They mean Mr One and Mr Two.  They were also learned and accompanied Trita to various yagnas /fire sacrifices and collected a lot of cattle between them. Once while out in a forest, both Ekata and Dwita planned to take all the cattle for themselves and abandon Trita. They were then attacked by a wolf and all of them ran in different directions. Trita hid himself in a deep well and shouted for help. Ekata and Dwita did not go for his rescue, though they heard his cries.

Trita being unable to get out of the well by himself, decided to perform a yagna to please the gods; by sheer mental force he imagined all the essential articles for the yagna and conducted it. Gods were very pleased and got him out of the well. Trita then cursed his two wicked brothers to be turned into two wolves.  The well where Trita performed mental yagna became a holy spot. During Mahabharata war, Krishna’s brother Balarama remained neutral and went on a pilgrimage. When he visited this holy well, the history of the well was recalled. It is in the ninth parva of Mahabharata.

This story can be compared with great Tamil Saivite saint Poosalaar Nayanar who built a temple mentally and invited god Siva for the consecration. A Choza king fixed the same date for his real Siva temple. When God went to the imaginary mental temple of Poosalar Nayanar, the king came to know about the great Nayanar. There are many stories in Hindu scriptures to show the power of mind.

To be continued…………………

Tags -Trita, Poosalar, Trisanku, Southern Star, Tevaram, Thayumanavar, 104HINDU DICTIONARY IN ENGLISH AND TAMIL 104; இந்து மத கலைச்சொல் அகராதி-104

Brahmins, pure Vegetarians! 73 Similes! Yadava Lady’s Investment Plan! Ghost’s Riddle to Goddess Durga! Purananuru wonders-59 (Post.16,130)

Written by London Swaminathan

Post No. 16,130

Date uploaded in London – 26 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

 Purananuru wonders-59;Tamil Encyclopaedia 99, One Thousand Interesting Facts -Part 99, 

Let us take one more book from 2000 year old Sangam Tamil Literature and see some wonders; this is Perumpanatruppdai (perum paan aatruppadai) written by the same author of Pattinappalai; his name in Tamil is Uruththiran Kannnan of Kadiyalur. Meaning is Mr Rudraksha of Kadiyalur; he was a Brahmin.

In the last two posts we saw his description of the ancient port city Kaveri Poom Pattinam and the rule of Great Karikal Chozan; here in this book, he describes the great local ruler of Kanchipuram Thondaiman Ilanthiraiyan and food available from various castes living in different landscapes.

Meaning of the title of the book – Perum Paan Aatrupadai: giving guidance (aatruppadai) to a Panan (bard) who has a big (Perum) lute . The poem is a long string of pen pictures.

I am fallowing J V Chellaiah’s translation (year 1946).

***

Summary of the wonders:

73 similes; probably he imitated Kalidasa; he followed Kalidasa in many descriptions.

Yadava Woman’s Business plans- She sells butter and milk and never buys Gold; but reinvest the money in buying buffalos and cows!

Brahmin Food: throughout 500 lines in the poem , he portrays all caste men and women like pictures, even their houses and beds are portrayed! Their skin colour, face, hair style, their cooking, their business, particularly women doing business, etc are depicted.

What food is available from each caste is narrated in detail.

A Ghost told a riddle to Goddess Durga is a comparison used by the poet. No one knew what the riddle was!

Two Towns Mamallapuram (neer peyatru is the Tamil name) and Kanchipuram along with several small villages are in the poem.

***

Item 824 Tamil Thiraiyan = Greek Dorians

The patron to whom our Paanan (bard, minstrel) is directed is ILAN THIRAIYAN of Kanchipuram.

Ilam =Young; Thiraiyar= sea man; man from sea.

(In one of my research articles, I have linked them with Dorians of Greece)

Why is he called a man of sea?

Most famous commentator Nacchinarkiniar wrote 700 years ago that a Choza king descended into the lower world and espoused a Naga woman, and the child born of this union was cast adrift on the sea with Tondai creeper around its neck meant for identification. The child was washed ashore on this Choza land, and the king granted a portion of his kingdom.

Another far- fetched story is that this king was the child lost by that Choza king who ruled over Kaveri poompattinam.

Thiraiyar means Sea People like the Greek Dorians.

Whenever Hindus say one went to Patala loka or lower world, what they mean is the person travelled towards south. Whenever they say Naga women they mean women of Sri Lanka and South East Asian countries. They had mongoloid faces, not Dravidians. We have such stories in Brahmin Kaundinya, Brahmin Agastya marrying Naga woman in South East Asia.

***

Thiraiyars were a sea faring race and probably they went up to Greece.

Dorians = Used as a first name, meaning “of Doris” or “from the sea”.

  Language: They spoke Doric, a distinct regional dialect of the ancient Greek language.

  Society: Their expansion helped transition of Greece out of its “Dark Age” and into the era of independent city-states (poleis)

Before Homer (800 BCE), there were Mycenaean and Minoan Civilisations. Dorians are linked to those ancient civilisations of Greece.

Some scholars even think that they were the people from Lost Continent Atlantis of Plato.

***

Item 825 Natakam (Sanskrit Word)

Before Kalidasa of First century BCE, there was a famous playwright by name Bhasa of Second century BCE or earlier. Of his 13 dramas two have Nataka in the title itself. Here our poet Mr Rudraksha used Naatakam in both of his works:

Perumpanatruppadai – line 55;

Pattinappalai- line113.

Only two places in Sangam literature! Tolkapiar also used this Sanskrit word.

Tamil word for Naatakam is KOOTHTHU.

Unfortunately, Tamils lost all plays, whereas Sanskrit has 640 Dramas according to Jawaharlal Nehru, first Prime Minister of India. He was a Kashmiri Brahmin with some knowledge in Sanskrit.

***

Item 826 Ilanthiraiyan a Poet too!

Ilanthiraiyan who is the patron in this book, was himself a poet. His poems are found in Sangam books Puranauru and Narrinai

It is interesting to note a number of Chera, Choza, Pandya kings were poets. We are fortunate to have their poems in Sangam books.

***

(Lines are as seen in Tamil poem; not English Translation)

Item 827 Brahmins and Parrots; lines 297-310.

Very interesting thing about the Brahmins is their women raised parrots as pets. We see this in Mandana Mishra’s house with whom Adi Sankara argued and won.  Those parrots recited Vedas. Here also poet mentioned it. And Thiru Gnana Sambandar (640 CE) also mentioned it in several Tevaram songs. It means Brahmins have been doing it for at least 1000 years. Dogs and hens cannot enter their streets.

***

Item 828 Brahmin Food ; Tamil Lines 297-310

This is the book which clearly said that one can get only Veggy items in the house of Brahmins,whereas in all other houses one can get Non Veggy items. In the previous poem, we saw that the poet described all the non vegetarian dishes. Even here he mentioned those dishes as well.

Take thou thy rest in the village where are sheds

Supported on short posts to which are tied

Fat calves. The houses are with cow dung smeared,

In which are idols. Fowls and dogs are banned

Here live the guardians of Veda truths

Who teach even bent billed parrots to utter them

Fair bangled brahmin dames that are as chaste

As the one whose name the northern star that bear

That lights the white bright sky, will serve to thee

At sunset well cooked rice that bears the name

Of a bird, with slices of pomegranate fruit

With fragrant curry leaves and pepper flavoured well

And boiled in butter taken from the milk

Of red skinned cows, and also pickles made

Of fragrant soft baby fruits of mango tree

(Even today Brahmin ladies keep jars of Vadu Maankai (little mangoes )

Chaste Brahmin women are compared to Arundhati star in the Ursa Major constellation.

We have references to Arundhati star in Purananuru, Ainkurunuru, Paripatal and Kalittokai as well.

Tamils were thorough with all Hindu scriptures.

***

Item 829 Ball Games and Knuckle

Tamils invented a kind of Volley Ball and Foot Ball. Here our poet describes a ball game and Kazangu (Knucklebones play). One keeps stones or seeds on the back of the fingers, throw them up and catch them in the mid air; alternatively, they pick up one coin or stone or seed from the floor, throw it up and takes another one before it comes down; but never allows any stone to fall on the floor or ground. It is a juggling act.

Even today village women play this Kazangu Seeds/Stones game.

***

Item 830

Other points of interest are:

Vamana/ Tri Vikrama Avatara of Vishnu -Lines29/30

Houses covered with grass and palm leaves;

Deerskin mats; Animal hide mats for cots; line 89.

Hounds kept in kennels for hunting;

Deer used as decoys; lines 95-105.

Grains stored in tall Pots/silos;

Rice pounded in mortars made in the ground;

Buying and selling by barter; salt sold for paddy; butter milk sold for money?

Beds with string bottoms;

Fire produced by rubbing sticks together;

And meals served on teak and palmyra leaves;line 105.

***

Item 831- Mahabharata in Sangam literature

In Purananuru, Kalittokai and Paripatal we have references to Mahabaharata episodes.

Here the poets give us an episode as a simile to Ilanthiraiyans heroic ventures:

Pandavas ………..

……………………….. overthrew

With shouts of joy their hated hundred foes

In the fray.  The corpses of dark elephants

That floated on the rivers stained with blood

Looked like the clouds that roam the evening sky

In which the fair faced crescent moon doth shine

***

Item 832 Scenes from nature

Following lines will remind us of an animal fable- The Lark and the Farmer .

When the farmers reap their fields

The short-legged fowl whose neck is black, alarmed.

Escapes and takes with its growing brood

That it may in the forest make its home

***

Item 833 Bird stealing a pendant ; lines 311-319.

There is a vivid picture of a bird that steals a pendant, flies with it, and sits upon a Yupa post.

Yupa post is erected by Brahmin priests when they do Yagas (fire ceremony)

A crowd of bathing girls indulge in play

Where people drink. A fish shaped pendant is lost.

A sapphire hued king fisher seeking prey

Flies off with it, avoiding palms in which

Birds congregate, and sits on a yupa post

Where yogis wise perform their sacred rites

The jewel shine like a lamp shaped like a swan

That Yavanas burn on masts , and twinkles like

The morning star that ushers in the day

A pregnant monkey seizing the ghee mixed rice meant for the elephants;

***

Item 834 Clever Yadava Women who reinvest Money! Lines 147-168

Here is a beautiful description of woman’s business mind. Usually, women buy gold on every occasion available, but this cowherd woman reinvest the money for more cows and buffalos. Before her children become adults, she would have become a millionaire  or Lakshatipati in Hindu terms!

The dark Ayar woman then

With moving pendants on her ears, who has smooth shoulders like bamboo-like and waving hair

Turns hard the churning rod with a rope and make

A noise like tiger’s roar. She butter makes

 From tasty curds on which are bulging drops

That look like mushroom buds. Upon her head

She carries butter milk on a flower decked pad

In a pot whose mouth is marked with drops of curds

And sells them in the morning time. She feeds her kin

With food bought by its sale and buys

NOT gold nuggets bright but buys milk buffalos, good cows

***

Item 835

Seventy three similes

 In the opening lines nine similes are used. My feeling is that he imitated Kalidasa. Kalidasa usually use indirect way of describing an object. If he wants to say Chakravaka bird, he will say “the bird with the name of a wheel “(Chakra in Sanskrit; English word circle is derived from it!)

Here our poet used this technique in many places. When he wanted to say that the Brahmin woman cooked tasty Basmati rice, he said she cooked the rice names with Swan. Raja annam !

 Many such definitions are in this poem.

***

Item 836 Non Vegetarian Items

Though the poet was a Brahmin, he mentioned,

Iguana (monitor Lizard) dish;

Fish curry;

Chicken with rice;

Boar and Bull Meat (Pork and Beef)

Hare hunted by hounds.

 it shows Tamils, apart from Brahmins, were non vegetarians.

***

Item 837 Bandits

Like Kalidasa he has drawn a picture of country where there were no thieves, no way laying robbers, enmity free animal kingdom etc.

Sanskrit literature says that both tiger and deer drink water from the same lake! No natural enmity! Because the king ruled the country justly.

Here the poet described such a country but added what Bandits do to merchants who load their goods on donkeys and travel via forest. To avoid the bandits attack they take all sorts of weapons (Lines 66-82)

There is a vivid description of bandit’s attack in Mahabharata while Damayanthi was travelling with a merchant’s caravan!

***

Item 838 Temples and Worship


Our poet Mr Rudraksha did not miss religion. He compared hero  Ilanthiraiyan with Lord Muruga/Skanda.

He mentioned the beautiful Vishnu temple in Kanchi which is one of the 108 Viashnava Shrines.

He also mentioned another Vishnu shrine at Mamallapuram.

He also compared Vamana/Trivikrama and at the end Goddess Durga.

Sages performing Yagas is mentioned in more than one place.

Holy Ganges and Holy Northern Mountain (Meru or Kailash or Himalayas) also mentined.

In Purananuru we saw Golden Himalayas!

Jambhudwipa is also referred to.

***

Item 839 Durga and Ghost’s Puzzle

There is a very interesting line at the far end of the poem!

துணங்கை அம் செல்விக்கு அணங்கு நொடித்தாங்கு, Line 479

The bard who praised Ilanthiraiyan used a simile

I will sing high praises to thy famous name

………………….

As a goblin maid once praised in riddling terms

The beauteous queen that treads the devil dance

whose great womb bore the red god well adorned

With jewels, who the cruel demon killed

In the sea’s white foam. Long live You!

Here the Red God is Muruga/Skanda who killed Tarakasura and Sura Padman, well known stories.

But what is the riddle that the ghosts told Goddess Durga is not explained by any one.

Probably we lost for ever the Ghost Riddle to Durga.

***

Item 840

King’s munificence, heroic acts, description of animals and plants are usual things.

And the poet finishes the book with these beautiful lines:

This is hilly tract where birds do chant

Sweet songs, and it is here that gods reside.

In wooded forests young the peacock makes

A screeching noise. The leaping ape doth pluck

And scatter forest blooms.  The monkey scrapes

Its body, and the beasts repose in in yards

In front of house. Here the rishis tend

Their fires unquenched, and do their rites with logs

Which white trunked elephants do bring to them.

These are the hills where all things are found

In plenty.  From these flow down shining streams.

He is the lord of these high hills.

In Purananuru (247) also we see animals helping Yaga performers.

—Subham—

Tags- Brahmins, pure Vegetarians! 73 Similes! Yadava Lady’s Investment Plan! Ghost’s riddle to Goddess! Purananuru wonders-59;Tamil Encyclopaedia 99, One Thousand Interesting Facts -Part 99, item 840

Sexy Joke; Purananuru wonders-52, One Thousand Interesting Facts – Part 92 (Post.16,078)

Written by London Swaminathan

Post No. 16,078

Date uploaded in London – 11 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Item 752 Theory of Evolution again

Paripatal verses 2 and 13 compare Pancha Bhutas with Lord Vishnu. In Puram verse 2 by Sangam poet Mr Nagarajan (Mudi Nagarayar in Tamil) also we see Pancha Bhutas. Appar in Sixth Tirumurai Tevaram  (Vaitheeswaran Koil Decad) and Manikkavasagar also said the same.

Greeks did not have Five Elements; in China five elements are different. Only Sangam poets and earlier Sanskrit poets listed same Pancha Bhutas= Five Elements.

According to them Earth is given No.5;

Earth has five qualities: sound; touching/feeling, fire; taste; smell.

**

Water is given No.4;

Water has four qualities – sound; touching/feeling, fire; taste;

**

Fire is given No.3

Fire has three qualities- sound, feeling, light;

**

Air is given No.2; Air has sound and feeling;

and

Space is given No.1.

Space has only one quality – sound.

**

Those who study astronomy knows that the space is full of sounds coming from different galaxies.

What is interesting is the order of five elements.

Sound/space, Wind, Fire, Water, Earth.

After Big Bang (sound), wind was blowing big flame cooled and formed Earth; then water came from rain; and the earth appeared when water stayed within sea.

Only because of scientific thinking and only because of scientific knowledge they gave numbers to five elements.

More over we see the continuity in thinking from Sangam Age Paripatal to Appar Tevaram or Manikkavasagar’s  Tiruvasagam.

இதோ புறநானூற்றுப் பாடல் 2 Pura Nanuru Verse 2

மண் திணிந்த நிலனும்-earth

நிலம் ஏந்திய விசும்பும்-sky

விசும்பு தைவரு வளியும்-wind

வளித்தலைஇய தீயும்-fire

தீ முரணிய நீரும், என்றாங்கு- water

ஐம்பெரும் பூதத்து five elements இயற்கை போலப்

***

பரிபாடல் Paripaatal 13

ஒன்றனில் போற்றிய விசும்பும் நீயே; 18 space

இரண்டின் உணரும் வளியும் நீயே; wind/star dust

மூன்றின் உணரும் தீயும் நீயே;   fire   

நான்கின் உணரும் நீரும் நீயே; water

ஐந்துடன் முற்றிய நிலனும் நீயே: land/earth

அதனால், நின் மருங்கின்று மூ ஏழ் உலகமும் 23

***

Appar Tevaram Sixth Tirumurai

மின்னுருவை விண்ணகத்தில் ஒன்றாய் மிக்கு  1 sky

வீசுங்கால் தன்னகத்தில் இரண்டாய்ச் செந்தீத்- 2 fire

தன்னுருவின் மூன்றாய்த்தாழ் புனலின் நான்காய்த்  4 water

தரணிதலத் தஞ்சாகி யெஞ்சாத் தஞ்ச- 5 earth

மன்னுருவை வான்பவளக் கொழுந்தை முத்தை

வளரொளியை வயிரத்தை மாசொன் றில்லாப்

***

திருவாசகம் Tiruvasagam of Manikkavasagar

“பாரிடை ஐந்தாய்ப் பரந்தாய் போற்றி” (தி.8 திருவாசகம். போற்றித் திருவகவல் – 137 – 41) என்பது முதலியனவாக அருளிச்செய்தவற்றையும் அறிக.

இதில் பஞ்சபூதங்களில் ஐந்து தன்மைகளை அழகாக எடுத்துரைக்கிறார் மாணிக்கவாசகர்  திருவாசகத்தில் போற்றித்  திரு அகவல்  பாட்டில்

பாரிடை ஐந்தாய்ப் பரந்தாய் போற்றி 5 earth

நீரிடை நான்காய் நிகழ்ந்தாய் போற்றி4 water

தீயிடை மூன்றாய்த் திகழ்ந்தாய் போற்றி 3 fire

வளியிடை இரண்டாய் மகிழ்ந்தாய் போற்றி 2 wind

வெளியிடை ஒன்றாய் விளைந்தாய் போற்றி- 1 space

என்று சிவபெருமானைப் போற்றுகிறார்

The beauty lies not only in the Pancha Bhuta Numbers but also in the continuity for thousands of years. It is from the Vedic literature they got these facts.

***

Item 753

Another beauty is the same attributes to Lord Vishnu in Paripatal and Purananuru:

Eagle Flag- Garuda Flag’

Many headed snake;

Conch and wheel of Vishnu are compared with moon and sun.

***

Item 754 Kalidasa simile in Paripatal

Paripatal verse 14 is on Lord Muruga with usual details. The interesting thing is the poet’s name is KESAVAN!

But Paripatal 15 on Lord Vishnu gives us a clue on date of Kalidas. I have shown that Sangam poets used at least 200 similes from Kalidasa’s seven books.

Here is one more simile.

The most famous Sloka on Lord Siva is Kalidasa’s first verse in Raghuvamsam (a book with hundreds of similes):

वागर्थाविव संपृक्तौ वागर्थप्रतिपत्तये।

जगतः पितरौ वन्दे पार्वतीपरमेश्वरौ॥ १-१

vāgarthāviva saṁpṛktau vāgarthapratipattaye |

jagataḥ pitarau vande pārvatīparameśvarau || 1-1 (Raghu)

I adore the Parents of Universe, pArvati – parameshvara, who are indissolubly cleaved together like sound and sense (Word and Meaning)

This simile “like sound and sense” or Word and Meaning is used for Lord Vishnu in this Paripatal verse 15!

One more proof to show that Sangam poets were well versed in Kalidasa of Second century BCE.

This poem shows us the beautiful Azakar koil near Madurai, also known as Tirumalirum Cholai.in those days Krishna’s brother Balarama was also worshipped there according to the poem

Lord Vishnu’s five symbols are listed.

***

Item 755 Praying facing towards a particular Direction


Muslims wherever they are , face the direction of Mecca and do the prayer. Even the air planes of Muslim countries show this direction on the screen.

This custom is in ancient Hindu scriptures. Here the poet says go to Vishnu’s shrine ( in Azakarkoil) with your family worshipping that direction.

So even the direction where famous shrines were considered holy.

For instance, North is the holiest direction for Hindus because of Himalayan shrines. Even Sangam poets and kings fast unto death facing only North.

***

Item 756 Sexy Joke about menstruation

Paripatal verse 16 is on River Vaigai

Here is a scene portrayed by the poet on menstruation as a joke.

River Vaigai is compared with Pandyan king’s generosity.

Later the poet says,

 Relatives around a woman squirted red colour water on her. She did not wipe it completely.

Her lover came; her friends warned him not to go near her because she has monthly periods; saying this ,they laughed ;

Her lover knew that it was just red colour water; he smelt the fragrance of the water; she felt very shy; her lover wiped out the red colour stain on her body and laughed.

Though we see women’s menstruation in another poem in Kuruntokai- 157, it is indicated indirectly. This type of poem is rare in Hindu literature.

Vaigai river is compared with Ganges.

Poem about Menses’

குக்கூ என்றது கோழி; அதன் எதிர்

துட்கென்றன்று என் தூஉ நெஞ்சம் —

தோள் தோய் காதலர்ப் பிரிக்கும்

வாள் போல் வைகறை வந்தன்றால் எனவே.

–அள்ளூர் நன்முல்லை (MISS Jasmine)- –குறுந்தொகைப் பாடல் 157

Here the poetess Miss Jasmine (Mullai=Jasmine) sings about the shock she had. She thought of enjoying with her husband in bed ; but in the night she had her monthly periods; she says, Oh My God; it is dawn; I hear “Cock-a-doodle-doo”; it is shocking;  the dawn is like the sword that divides me from my lover.

Hindu women never allow her husband near for three days.  In the Brahmin community she has to stay outdoors in a secluded place. Tamil Scholar U Ve Sa. has added more comments to this poem Kuruntokai 157.

***

Item 757 Long Metaphor

Paripatal verses 17 and 18 are on Lord Skanda/Muruga.

It is about Tirupparamkundram temple near Madurai.

Here there is a long metaphor:

Elephant = cloud;

Cloth decorating face of elephant= lightning

Hall of paintings= Manmathan’s weaponry;

Running streams in the hill= quiver;

Fingers= Kaanthal flowers;

Indra’s bow= Rainbow;

Arrows= flowers;

War drums = thunder;

Yaaz /Lute music= Vedic chanting

And the people pray for their welfare and the welfare of their relatives.

***

Item 758 King’s Visit to Temple Tirupparamkundram

In Purananuru we saw most famous Pandya King Mudukudumi Peruvazuthi going round Madurai Shiva Temple.

Here in Paripatal verse 19, we see Pandya king visiting Tirupparamkundram Skanda/ Muruga temple with his family and ministers.

It is compared with Stars and Moon going round the holy Meru Mountain.

***

Item 759 Famous Hall of Painting

Though we come across paintings in many Sangam poems, here is a detailed report.

The Hall of Painting had Sun and Planets; it shows Hindus interest in Astronomy;

All the painting halls are inside the  temples, not in palaces! (Kutralam Chitra Sabha etc)

An innocent village woman asked why there is a cat in the religious painting. Immediately her husband enlightened her by telling her the story of Indra molesting Ahalya and running away like a cat.

***

Item 760   Knowledge in World Geography

Hindus of ancient India were far advanced in World History and World Geography.

Their knowledge in World History is seen in the reference to the death of thousands of kings in Kural and Purananuru; also we see seven kings taking the throne on the same day in Purananuru.

Here Vedic reference to sea is repeated.  Hindus knew thousands of rivers pouring water into sea every second and yet the sea coast line is same.

They watched the weather for thousands of years and reported the  wonder, the sun is sucking water from the sea every second; the rivers around the world pouring water into the sea, and yet it never became full and crossed the coast line.

This is in Paripatal verse 20,  Pathitrupathu verse 90 and Maduraikanchi – Line 425.

Unless Hindus pass this information from one generation to another, poets could not have said this.

That shows another fact- passing information by mouth, which we see in Vedic Recitation for 6000 years (Herman Jacobi and B G Tilak’s Dating of Rig Veda)

To be continued……………………………..

Tags- Sex joke, menstruation, Paripatal, Paintings in temple, river and sea, word and meaning, Kalidas simile, Indra as cat, Purananuru wonders-52, Tamil Encyclopedia-92, One Thousand Interesting Facts – Part 92. Item 760.

HINDU DICTIONARY IN ENGLISH AND TAMIL 95; இந்து மத கலைச்சொல் அகராதி-95 (Post No.16,071)

Written by London Swaminathan

Post No. 16,071

Date uploaded in London – 9 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Sarayu

Sarayu most prominently refers to a sacred river in Hinduism featured in the Ramayana, flowing through Uttarakhand and Uttar Pradesh past the city of Ayodhya. It is also a female given name and a common reference for notable public figures. [1, 2, 3, 4]

  • Location: Originates in the Kumaon Himalayas (Uttarakhand) and flows into the Ghaghara or Sharda river.
  • Significance: Deeply tied to the epic Ramayana and the city of Ayodhya; holy baths in its waters are believed to wash away sins.

Girls are named after this river until this day.

1) Sarayū (सरयू).—A river very famous in the Purāṇas. The most important things associated with the river are given below:

(i) Seven tributaries of Gaṅgā originate from the golden peaks of the Himālayas and Sarayū is one of them. Those who bathe in the river will be absolved from sins. (Ādi Parva, Chapter 169, Verse 20)

(ii) The river exists in Varuṇa’s court worshipping him. (Ādi Parva, Chapter 8).

(iii) Śrī Kṛṣṇa, Arjuna and Bhīma, on their way to Girivraja from Indraprastha crossed this river. (Sabhā Parva, Chapter 20, Verse 28).

(iv) It was at Gotāra (or Gopratara) in this river that Śrī Rāma drowned himself to death and attained Viṣṇupāda. (Vana Parva, Chapter 84, Verse 70).

(v) This river is the source of Agni (fire). (Vana Parva, Chapter 222, Verse 22).

(vi) Vasiṣṭha once blocked the course of Gaṅgā on its way to Kailāsa at Mānasasarovara. But, Gaṅgā broke the obstruction and flowed on, and Sarayū is the stream that started from there. (Anuśāsana Parva, Chapter 155, Verse 23).

(vii) It is one of the rivers to be remembered both at dawn and dusk. (Anuśāsana Parva, Chapter 165, Verse 21).

(viii) The city of Ayodhyā is situated on the banks of Sarayū. (Vālmīki Rāmāyaṇa, Bālakāṇḍa, Canto 5, Verse 5).

2) Sarayū (सरयू).—Wife of the Agni Vīra. The couple had a son called Siddhi. (Vana Parva, Chapter 219, Verse

***

Sankaradeva

Srimanta Sankaradeva (1449-1568 CE), the founder of the Vaishnavite order Eka Sarana Nāma Dharmawas a multi-faceted person whose works had different dimensions

He  was an important personality in the annals of Indian history. He was not only a religious preceptor, but also a social reformer, who had sanskritized the ethnic groups of the volatile North East India and assimilated them with the national main-stream. He is considered as the father of the modern Assamese race.

Srimanta Sankaradeva was a cultural maestro too. He created a classical dance form known both as Sankari dance and Satriya dance. The Sangeet Nâtak Akâdemi of India recognized it as a classical dance form in 2000 CE. Srimanta Sankaradeva also evolved a school of classical music, which is named after him. He created as many as 25 Râgas of his own. He was also the first playright in all modern Indian languages. Above all these, he was the first prose writer. He introduced dro Mahapurusha Srimanta Sankaradeva is considered by his followers as an incarnation of God because of his multi-faceted contribution to the mankind as well as his perfect life. He strides over the national life of Assam like a giant colossus even five centuries after passing away. He went on pilgrimage twice, the first time touring the entire length and breadth of the country for long twelve years. He gave up his royal power as a king in middle Assam and came down to the level of the commoners. He founded the Eka Sharana Nâma Dharma, which preached devotion to a single God, lord Krishna.. He was also a fine artist. His art works have been preserved in the Albert Museum of London.

Srimanta Sankaradeva founded a whole new school of art. He initiated a new form of painting with his epoch-making drama-festival Chihna-Yâtrâ held in 1468 CE, where he drew the imaginary pictures of heaven to be used as backdrop. authored ten plays in his life. These were Chihna Yâtrâ, Patni Prasâda, Kâliya Damana, Keli Gopâla, Rukmini Harana, Pârijât Harana, Janma Yâtrâ, Gopi Uddhava Sambâda, Kangsa Badha and Sri Râma Vijaya. The first of these, Chihna Yâtrâ had been staged in 1468 CE. The second play Patni Prasâda was written while the saint was living at Gajalasuti temporarily.

He always advised his disciples to be very cautious about where and what they ate. He said that food offered by a pious man could liberate one while the food offered by an unmeritorious person destroyed one’s merits. During pilgrimage, he guided his disciples to proper places and proper hosts only. The Eka Sharana Nâma Dharma preached by Srimanta Sankaradeva gradually received wide acceptance in the entire Brahmaputra valley. Even the administrative officials of the Ahom kingdom were gradually won over to this egalitarian religion. The Ahoms earlier had their own traditional religion, which was akin to the Shakti worship of the Hindus. Sacrifice of animals to appease their deities was a common thing in the Ahom religion.

***

Sarpa

Means snake; English words serpent snake are derived from Sanskrit. Sarpa worships is found in Rig Veda, later in Indus Valley sites. Now snakes are worshipped in most of the South Indian Temples. Thousands of stone snakes are installed in temples including Kuke Subrahmanya temple in Karnataka. In Kerala there are special shrines. Hindus believe that if they kill snakes, they wont have children. Naga Panchami is a special annual festival when live snakes are worshipped, particularly in Maharashtra. In the East India Snake goddess Manasa Devi is worshipped. Lord Vishnu is shown lying on a bed of snake, usually shown in statues with five, seven, nine heads.

***

Satakratu

Śatakratu (शतक्रतु).— Indra.  śata a hundred, kratu sacrifice; a hundred Ashwa-Medhas or sacrifices of a horse, elevating the sacrificer to the place and title of Indra. This name is in the Rig Veda. More about him is under INDRA.

***

Satarudriya

Śatarudrīya (शतरुद्रीय):—It is  said that gods are satiated if Śrī Rudram is chanted . Śatarudrīya means extolling one hundred ways of glorifying Rudra.

The Rudra-Adhyaya, known also as the Satarudriya, occurring in the Yajur Veda, is a soul-stirring hymn offered to the all-pervading Almighty, designated as Rudra-Siva. He is present in auspicious, benign forms by way of sustenance of all things created, and also as terrible forms which He assumes at the time of the dissolution and destruction of the cosmos at the end of time. A very intriguing aspect of God presented in this wondrous hymn is that God is both the good and the bad, the beautiful and the ugly, the right and the wrong, the positive and the negative, the high and the low, the conceivable and the inconceivable, the mortal and the immortal, existence and non-existence—every blessed notion of God and its correlative, or we may say the counter-correlative, the opposite, which also is included in the existence of God.

More about RUDRA and RUDRA HOMAM is under Rudra.

***

Sati

Sati  has two primary meanings: the mythological goddess (or a virtuous wife) who immolated herself due to grief or insult, and the historical socio-religious custom where a widow burned on her husband’s funeral pyre,

Goddess Sati: The consort of Lord Shiva who cast her body into the fire because her father Daksha insulted Shiva.

Virtuous Woman: The literal Sanskrit root meaning a pure, chaste, and devoted wife who embodies supreme loyalty.

It is not mentioned in Rig Veda and Manu Smriti. It is optional and not compulsory. From Ramayana and Mahabharata we see not all queens died when their husbands died.

Evil people used this custom with bad motives to inherit the property. Later it was banned.  Christian preachers who burnt millions of women including Joan of Arc branding them witches, used Sati pictures abroad to hide their criminal acts.

***

Satva guna

Sattva guna is the quality of purity, harmony, and balance. It is one of the three fundamental forces of nature (the trigunas) in Indian philosophy, alongside rajas (activity) and tamas (inertia). Sattva represents mental clarity, peace, truth, and inner goodness.

Characteristics of Sattva Guna

Purity: Cleanliness of body, speech, and mind.Clarity: Calm awareness, sharp focus, and truthfulness.Peace: Emotional stability, contentment, and lack of anger. Compassion: Selfless service, empathy, and love for all beings.

In the Bhagavad Gita, Sattva Guna (the mode of goodness, purity, and harmony) is primarily detailed in Chapter 14 (verses 5–18) and further categorized by daily habits like food, faith, and action in Chapter 17. Lord Krishna explains that Sattva illuminates the mind, brings deep inner peace, and creates a thirst for wisdom.Core Slokas on Sattva Guna (Chapter 14)Verse 14.5: Introduction to the three material modes (gunas), noting how Sattva, Rajas, and Tamas bind the eternal soul to the body.Verse 14.6: Defines Sattva as pure, illuminating, and healthy, noting that it binds the soul through attachment to happiness and knowledge.Verse 14.11: Describes the physical/mental symptom of Sattva: “When the light of wisdom shines through all the gates of the body, then know that sattva is predominant.”Verse 14.14: Explains the afterlife result: dying in dominant Sattva leads to the pure, stainless realms of the wise.Verse 14.18: Summarizes the trajectory: those in Sattva rise upward into higher states of spiritual evolution. Sattvik Expressions in Daily Life (Chapter 17)Faith (Verse 17.2–3): A person’s faith reflects their inner nature; a Sāttvik mind naturally leans toward divine and harmonious truths.Food (Verse 17.8): Sāttvik food increases life duration, purity, strength, health, joy, and satisfaction. It is juicy, smooth, wholesome, and pleasing to the heart.Worship, Sacrifice, and Charity (Verses 17.11, 17.17, 17.20): Sāttvik actions are done according to scripture, with a steadfast mind, without selfish desire, and strictly as a matter of duty without expecting rewards.

***

Satyam Sivam Sundaram

Truth ; truth alone triumphs is the motto of India written in the national emblem of India. It is from the VUpanishads.

The first lesson in Vedic School is Satayam Vada- Speak Truth.

No where in the world we can see this syllabus.

Truth is God is the saying in India.

  Taittiriya Upanishad (2.1.1): States “Satyam jnanam anantam brahma“—meaning Brahman is Truth, Knowledge, and Infinite.

  Brihadaranyaka Upanishad (2.3.6): Calls Brahman “Satyasya Satyam”—the Truth of truth, meaning the absolute base behind life forces.

  Mundaka Upanishad (3.1.6): Famously states “Satyam eva jayate nanritam“—Truth alone triumphs, not falsehood.

In Tamil Nadu State Government emblem “Satyam eva jayate is translated as VAAYMAIYE VELLUM.

No culture in the world has given SATYAM that much importance.

Whether it is Tamil Tirukkural or Sanskrit Niti Satakam of Bhartruhari, Truth occupies important place.

“Satyam Shivam Sundaram” is a profound philosophical Sanskrit phrase meaning “Truth, Goodness (Auspiciousness), and Beauty”. Shivam also means Lord Siva.

Satyam Shivam Sundram

which means Shiva is the truth, Shiva is

the divine joy and Shiva is beauty.

This phrase and Satyan Jnanam Anantham Brahma were popularised by Sri Sathya Sai Baba. Before that only Vedanti students knew these dictums.

***

Shyamantaka

The Syamantaka Diamond handled by Lord Krishna and his relatives led to violence and several murders. The full story is in the Bhagavad Purana. My view is that Syamantaka corrupted into Diamantaka. My second view is that the murderous Syamantaka changed hundreds of hands and got the name Hope Diamond which is in an American museum now. Hope diamond became Hopeless diamond during the course of time and at last landed in America.

S=T interchangeability is seen in hundreds of English words we use everyday

Some examples :

condition, education, ambition- in hundreds of words with TION, the pronunciation is SION.

So Syamantaka + Tiamanthaka= DIAMOND is linguistically possible.

Story of Syamanataka:

Satrajit was a Yadava leader. He was a worshipper of Sun God. Sun God gave him a powerful diamond called Syamantaka (The hidden meaning is that he found it on the ground when he went to worship in the Sun Temple). It will emit red light and dazzle like sun. A lot of people eyed this diamond and conspired to get it. When Krishna asked him to give it to Ugrasena, he refused and gave it to his own brother Prasen. When Prasen went on a hunting expedition he was killed by a lion and the diamond was taken by a tribal group known as Jambhavans. They were called Bear people because they wore the bear (Jambhavan) symbol.

Everybody suspected Krishna and thought he stole the diamond from Prasen and disposed him off. Krishna wanted to clear his name and so went in search of Prasen. He found his mauled body in the forest and traced the footsteps. When he saw Jambhavan’s children playing with the diamond, he tried to get it from them, but ended in a fight. The fight with Jambhavan went for a month and at last he reached an agreement with Jambhavan, the tribal leader and got his daughter Jambhavati  in marriage. As a marriage gift he got the diamond.

Krishna returned to his kingdom and gave Syamantaka back to Satrajit. Satrajit thanked Krishna wholeheartedly and gave his daughter Satyabhama in marriage to Krishna. When Krishna made an urgent visit to Hastinapura , another person by name Satadhanwa killed Satrajit and took the diamond. So far the diamond caused two murders and two marriages !! It did not stop there.

When Krishna returned to Dwaraka ,his wife told him that his father was murdered for the diamond. Krishna and Balarama went on a mission to get the diamond.  They chased Satadhanwa for nearly a thousand mile and killed him near Mithila in Bihar. A dangerous diamond caused three deaths and three fights and thousand mile trip from Gujarat to Bihar!! But only after killing him, they came to know the diamond was given to Akrura for safe custody by Satadhanwa.

Akrura had already escaped with the diamond to Kasi. He ran away for a thousand mile just because of the diamond. Krishna brought him back and Akrura returned the diamond to Krishna. Knowing that it was a murderous diamond, Krishna gave it back to Akrura and asked him to stay in Dwaraka. The diamond was attributed with magical qualities like bringing lot of gold like the  goose that lays golden eggs.

This is the end of the Syamantaka story in our Hindu scriptures. My research shows that it caused more fights and murders and went to USA after passing several hands in India, France and Britain. 

Syamantaka went to foreign countries in the name of HOPE diamond. Knowing that it was a HOPELESS diamond, at last it was sent to a museum in the USA.

To be continued……………………

Tags- Sarayu, Sankaradeva, Sati, Satarudriya, Satyam , Syamantaka, Diamond, HINDU DICTIONARY IN ENGLISH AND TAMIL 95; இந்து மத கலைச்சொல் அகராதி-95

Tamil attacks on Atheists: Purananuru wonders-49, Tamil Encyclopedia-89 (Post No.16,060)

Written by London Swaminathan

Post No. 16,060

Date uploaded in London – 6 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

One Thousand Interesting Facts – Part 89

Item 727

River Vaigai  and Tolkappiar

If one looks at the River Vaigai today and compares it with the river in Paripatal, one wouldn’t believe the description in Paripatal. It has deteriorated to the extent of a gutter. And we could easily guess what happened to the ancient Vedic River Saraswati. Half of the devastation is caused by the humans and the other by nature or climate.

The poet described the beauty of Vaigai clothed with flowers. Women and men enjoy bathing in it and lovers made it a meeting point. Theu used boats to cross the river!

Here we remember the strange story of Nachinarkiniar, the most famous Tamil commentator of Sangam literature. During Vaigai floods, Tolkappiar used one stick to cross the river with Lopamudra, wife of Agastya. Tolkappiar avoided holding the woman’s hand and so he gave a long pole so that Lopamudra can hold the other end; even this gesture angered Agastya and he cursed Tolkappiar; and Tolkappiar in turn cursed Agastya for unjust behaviour. Nacchi also added Tolkappiar’s original name was Trunadumagni; unfortunately, we did not have any other personal details about the great Tamil grammarian. The Payiram/Intro of Tolkappiam says Tolkappiar’s work was approved by Acharya of Athankodu who was well versed in Four Vedas.

***

Item 728 Sworn  on Tirupparankundram

In verse six, which is about River Vaigai there is a lovely argument between a lover and the lady love. She blamed him of visiting another woman and hence delay in coming to her. It is a long argument and at the end he swears on Tirupparankundram! That is the abode of Lord Muruga/Skanda. It shows the belief on God Muruga and the custom of swearing.

***

Item 729

Paripatal verse 7 is also on River Vaigai .

Here are some interesting similes. The poet compared the floods to a dancer who could not dance according to rules; devastation caused by the floods is given in full details; the floods washed away the ornaments of women; vast paddy fields were submerged under water. And we come across the city name TIRU MARUTHA MUN THURAI. Scholars believe that was the original name of Madurai. And the woman who enjoyed the bathing prays that she should enjoy it for ever. Vaigai floods looked like Pandya army entering an enemy country , according to the poet.

***

Item 730

Verse 10 is also on the same river where a strange custom is sung by the poet.

Vaigai water festival is narrated. People used wooden water guns to sprinkle colour water. Even today we can see water guns or squirt guns used by the villagers during Chitra festival in Madurai. It is made up of skin bag with a narrow tube to squirt water. Like Holi festival Madurai people used coloured water 2000 years ago.

***

Item 731 strange custom of golden animals

In Hindu temples and in the ancient Greek temples, devotees offered golden or silver replicas of body parts to gods and goddesses as a token of thanks for curing diseases in those body parts of individuals.  Even now Tamil Hindus do this in many temples. But in ancient Madurai, women threw golden replicas of fish, crab, conches into River Vaigai , saying “let there be prosperity”.

Probably devotees do such things in other parts of India as well.

Several types of games including ball games are recounted

***

Item 732

Paripatal verse five is composed on Lord Muruga/Skanda.

God’s elephant name is Pinimukham.

God Skanda has 12 arms, six faces. The demon Surapadman was in the shape of Mango Tree.

The association of the demon with Mango tree deserves more research.

Throughout Tamil Sangam  poems we see certain trees are associated with chieftains; they were guarded, respected and saluted by the common folk. Any disrespect to the Guardian Tree is not tolerated by the chieftain or the local leader.

Throughout Sangam literature a particular Mango Tree is portrayed as the Demon Sura Padman, enemy of Muruga/Skanda.

Nowadays a plantain tree is brought and planted instead of mango tree; and the tree is symbolically cut off during Skanda Sasthi festival.

***

Item 733 rebirth

And in this verse five on Lord Skanda/Muruga belief on rebirth is confirmed.

One gets a good birth if one does good deeds or bad birth if one does bad deeds.

Karma theory is described thus.

***

Item 734 metaphor

We come across a metaphor as follows

Brahma – charioteer;

Earth- chariot;

Vedas- horses;

Mountain – bow;

Snake- the bow string; (also in Puram. Verse 55)

***

Item 735 attack on atheists (Lokayata/ Carvaka)

Those who argued that there is no rebirth are called idiots/ fools in line 76.

Parimel azakar was the commentor for Paripatal verses. He is the most celebrated commentator onTirukkural as well. He was a temple priest of Kanchipuram Vishnu Temple. He has used the same comment on Kural 281.

Lokayata or Carvaka (Sweet Talkers)

 “Indian Materialism” refers to the school of thought within Indian philosophy that rejects supernaturalism.  It is regarded as the most radical of the Indian philosophical systems.  It rejects the existence of other worldly entities such an immaterial soul or god and the after-life.  Its primary philosophical import comes by way of a scientific and naturalistic approach to metaphysics.  Thus, it rejects ethical systems that are grounded in supernaturalistic cosmologies.  The good, for the Indian materialist, is strictly associated with pleasure and the only ethical obligation forwarded by the system is the maximization of one’s own pleasure.

We see it in Valmiki Ramayana in Jabali Rishi’s argument.

Hindus are the only people who included this as a system of philosophy. But in most places, it is condemned. Patripatal poet Kaduvan Ilaveyinanar called the atheists  idiots/ false people (Madavor in Tamil)

To be continued…………………..

Tags- item 735, Tamil attacks on Atheists: Purananuru wonders-49, Tamil Encyclopedia-89 , One Thousand Interesting Facts – Part 89

Tamils Rewrite History: Purananuru wonders-48, Tamil Encyclopedia-88 (Post.16,055)

Written by London Swaminathan

Post No. 16,055

Date uploaded in London – 5 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Paripatal wonders

Purananuru wonders-48, Tamil Encyclopedia-88, One Thousand Interesting Facts -Part 88

Item 714 Poems on River and Hindu Gods

Tamils are nature lovers; they composed 26 long poems on River Vaigai of Madurai.

No where in the world we see such group of poems in one book, that too 2000 year old.

Paripatal – paripaatal- is one of the eight anthologies of Sangam literature. Like Sama Veda in Vedic literature this is the only anthology dealing with Tamil music. Out of the 70 poems we have got only 24 poems in full and nine more in fragments.

In the olden days we had

Eight poems on lord Vishnu

Thirty one poems on lord Murugan/ Skanda

One poem on Goddess Durga

Twenty six on river Vaigai and

Four on Madurai city.

***

Item 715 Poets Names in Sanskrit

Another wonder is Paripatal genre has pome running up to 400 lines.

Some half baked people considered it as late production because lot of poems are in praise of Hindu Gods.; they are proved wrong because Maruthan Ilanagan of Purananuru  praised Paripatal poet Nallanthuvanar (in Akam.59) which shows Nallanthuvan  was his contemporary or an earlier poet.

This book is about Pandya country. That is another specialty; all other Sangam books deal with the entire Tamil  Nadu.

We have at least 13 poets giving us 2050 lines.

Interesting point is poets have names like KESAVA and ACHYUTHA; and in Purananuru we have DAMODARA, KANNAN/Krishnan, VALMIKI etc.

It shows that there was no taboo in using Sanskrit names.

Another wonder is poets with Vaishnavite names praised Saivite gods.

***

Item 716 Balarama

In the modern days Krishna’s brother Balarama is not worshiped in big temples; but during Sangam age he was praised along with Krishna  his skin colour, his flag, plough on his shoulder, wearing ear stud in only one ear etc are described by poet  in the first poem.

This shows that Sangam age Tamils were great Hindus who have mastered all Sanskrit texts.

***

Item 717 — 1000 headed snake

If we go to Vishnu temples we can see five headed, seven headed and many headed snakes as the bed of Vishnu. We know all these are symbolic; but thuis is sung by Sangam age poets ; see poem 1.

We come across five headed snake even in Purananuru verse 37. That is the symbol of five senses.

***

Item 718 — seven types of catastrophes.

Paripatal poem two has very interesting information about seven types of catastrophes.

They believed that the apocalypse will have destructions from sky, fire, sea, earth quakes etc

***

Item 719 Vishnu avataras

Verse three described Avataras of Vishnu such as Annam/swan, Varaham/boar, Krishna .

Five planets are mentioned; 33 gods are listed.

Upanishad is also mentioned.

Four colours are attributed to Vasudeva, Sankarshana, Pradyumna and Aniruddha

***

Item 720

Paripatal poem 4, adds Narasimha avatar compared the sun, moon sky earth, wind rain, flower etc to Vishnu.

One would be reminded of Vibhuti yoga of Bhagavad Gita.

***

Item 721 puranic stories

Great tamil scholar U Ve Sa has listed the puranic episodes mentioned in Paripatal, which shows Tamils were thorough with Hindu puranas 2000 years ago.

Following are some of the episodes,

Ahalya becoming stone;

Devas getting Amrit;

Demons jumped and hid themselves in sea;

Vishnu becoming swan and stopping rain;

Indra guarding the Himalayas;

Indra being cursed;

Siva burning tri pura’ three hanging space stations;

Urvasi becoming horse;

Churning the milky ocean;

Garuda recuing Vinata;

Vishnu controlling arrogant Garuda;

Birth of divine medicine men;

Brahma sending Ganges river to earth.

***

Item 722 forty types of ornaments

Tamil scholar U Ve Sa listed over forty ornaments worn by Sangam age Tamils as found in Paripatal.

They were worn from head to foot.

All the statues from second century BCE show them to us; so it is not in exaggeration. No where in the world we see such head to foot ornaments.

***

Item 723 Rewrite History

Half baked foreign scholars (???) took the latest addition or interpolation from ancient Hindu books and gave the wrong dates.

They dated all Puranas in Gupta period or later.

Sangam Tamil Books exposed those idiots; all the Purana stories about Lord Vishnu, Lord Siva and Lord Skanda are in 2000 year old Sangam Tamil poems.

  Kumaragupta I (c. 415–455 CE): Preserved peace and founded Nalanda University.

  Skandagupta (c. 455–467 CE): Repelled early invasions by the Hunas (White Huns), straining imperial resources.

Kumara and Skanda for Lord Murugan is in Kalidasa’s books Meghaduta, Raghuvamsam and Kumarasambhavam.

Both these naes for Lord Muruga are in Paripatal and Tirumurugatruppadai, two Sangam books on Hindu Gods.

Gupta , who were Vishnu worshippers named their children after Lord Muruga/Skanda.

Even Asvaghosha stole Kalidasa’s names and compared Skanda with Buddha!!!!!!!

All the Sangam poems on Muruga/Skanda show Kalidasa lived before Sangam Age and influenced Gupta Dynasty, Asvaghosa and Sangam Poets.

Sangam Poems and Kalidasa works made two great Gupta Kings.

If we believe foreign idiots , then we will have to date all Sangam poems after Gupta period.

Sangam Age Tamils were well versed in all Puranic stories.

Yaudheya kings issued punch marked coins with Six Headed Muruga! Kalidasa and Sangam poems mentioned Six Headed Skanda=Muruga

***

Item 724

Murugan=Skanda names in Tamil:

Seyon – red coloured – in Tolkappiyam.

Son of Siva – pari. 9-6/7;

Red coloured like sun, six heads- Tirumurugu. Lines 1-11 and 77-125;

Looking like fire and coral – Pari.19-97/100;

His pearl garland looked liked the v shaped flight of migratory birds – Akam120;

Lord Muruga = Skanda had an elephant named Pinimukham as vahana – Kuru.1; Puram-56; Pathitr.11-16;

Pari .5-2, 17-44, 21-1; Murugu.78-82.

Peacock as his vahana is in many places.

His weapon Vel= spear is in innumerable poems.

All these are in Skaandam in Sanskrit Kandapuranam in tamil.

So purana dating is wrong.

***

Item 725 destroying demons

Kumarasambhava of Kalidasa made it very clear that incarnation of Muruga appeared to destroy demons.

They are called Tarakasura, Surapadma etc.

Again it is in a number of poems- Kuru.1;  Murugu.59-60; Pari.1-25; 5-7;

Puram. 23-3; Pathit-11-56; Perumpa- 456-460; many poems in Kalittokai.

***

Item 726 breaking Krauncha hill

Krauncha is the migratory bird that uses a Himalayan pass to enter India from China and Russia.

This Himalayan pass is linked with lord Murugan= Skanda in tamil and Sanskrit.

This also proves foreigners dating of Kalidasa and puranas wrong.

Breaking open Krauncha / Kuruku in tamil – Murugu.266; pari.8-29, 19-26, 19-102/103.

Geologists to do more research to find out whether any earth quake caused it. Tamil and Sanskrit literature shows clearly Muruga= Skanda did this with his vel/spear.

***

Item 727 Jambhudwipa in Tamil

Brahmins use the Jambhudwipa geography very often in their Sankalpa and priests use it almost every day whenever, wherever they do puja or any religious ceremonies.

Hindus are great historians and geographers and so they always begin any ceremony by announcing where and when they do it.

No culture in the world had this custom.

The great land mass of asia is called Jambhudwipa. Jambhu is the name of the blackberry trees of India. In tamil it is called naaval.

And so Tamils called india Naavalam  Tivu.

It is in Paripatal 5-8/10.

This shows that tamil never lacked behind their counterparts in the north.

Following references are found in Tamil about the tree and the Land of Jhambu tress (Jambudwipa): Paripatal 5-8,9 ,Puram 397, 177-11 ,Perum 465 ,Malai 135, Akam 380, Narr 35-2, Thiru 18, Post Sangam Literature: Mani 25—2—12/16, Silambu 17-15

KALIDAS: Megha 19 talks about the Jambu forests. Ragu 18—44 refers to Jhambu land.

Later Tamil poets such as Appar  (in marmaatrah thiruth thandakam) use this more times in their poems.

To be continued……………………

Tags– Jambhudwipa, Krauncha Hill, Muruga, Skanda, Kumara Gupta, Skanda Gupta, Date of Puranas, of Kalidasa, Paripatal wonders, Tamils Rewrite History: Purananuru wonders-48, Tamil Encyclopedia-88 , Item 727

HINDU DICTIONARY IN ENGLISH AND TAMIL 90; இந்து மத கலைச்சொல் அகராதி-90 (Post.16,041)

Written by London Swaminathan

Post No. 16,041

Date uploaded in London – 1 August 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 90

Sakuntala and Saakuntalam

Śakuntalā (शकुन्तला).—The daughter of Viśvāmitra and Menakā; was brought up in Kaṇva’s āśrama with nīvāra food; Duṣyanta who came there was entertained and was accepted as her Lord by Gāndharva vidhi. Gave birth to the future Bharata and came to the king’s palace with the child; was refused admission by the king who had forgotten her. A voice in the air urged the king to accept her and he did so;1 a queen of Duṣyanta and mother of Bharata.  Bharata  became a universal monarch, and gave his name to India which came to be called Bharatavarsa.

The Abhijnana Shakuntalam

The Abhijnana Shakuntalam is a renowned Sanskrit play by Kalidasa, depicting the story of Sakuntala from the Mahabharata. The play chronicles the love between King Dushyanta and Shakuntala, who faces trials due to a curse that makes the king forget her. After losing a ring that signifies their union, fate ultimately leads to their reunion and the birth of their son Bharata, an ancestor of the Kauravas and Pandavas. The play has inspired numerous translations and adaptations globally. William Jones translated the play into English and published it in 1792 under the title

Sacontalá; : or, The fatal ring: an Indian drama By 

CÁLIDÁS.

Sir William Jones: Translated the play into English in 1789 as Sacontalá or The Fatal Ring and famously compared Kālidāsa to Shakespeare, calling him the “Shakespeare of India” for his deep insight into human nature.

Johann Wolfgang von Goethe: Wrote an ecstatic epigram stating that Śākuntalā combines the early blossoms of spring and late fruits of autumn, encompassing earth and heaven in a single name. He was also inspired by its prologue for his own Faust.

Alexander von Humboldt: Praised Kālidāsa as a masterly describer of nature who combined creative fancy with delicate expressions of feeling, giving the playwright a lofty rank among global poets.

Friedrich Schlegel: Noted that despite its exotic and foreign setting, the general structure of Śākuntalā bears a striking and favorable resemblance to European romantic drama. [1]

Modern Critics: View the text through comparative frameworks like ecocriticism, analyzing how the deep bond between Śākuntalā and the natural forest world anticipates modern environmental and ecofeminist thought.

***

Shalmali dwipa

Salmali Dwipa is one of the seven concentric insular continents (sapta-dwipa) described in ancient Hindu cosmology and Puranic texts. It derives its name from the large Shalmali (silk-cotton) tree that characterizes the land, and is traditionally said to be surrounded by an ocean of wine (Sura-samudra)

Australia Connection: Many modern alternative interpretations and independent researchers correlate Shalmali Dwipa with Australia, noting the presence of native silk-cotton (Shalmali) or similar kapok trees.

Eastern Europe, East Africa, or regions of Southeast Asia, because these cosmological descriptions use symbolic geography rather than literal modern borders.

My opinion

No two clocks agree; no two identifications agree. It is sheer waste of time to identify them with modern geographical locations. I still wonder why did they say it. Identifying such dwipas in America and Australia is also not wise. They were described as Patala loka. So, all the seven Dwipas must be within Asia, and  may be coastal East Africa .

***

Salatura

Known historically as the birthplace of Pāṇini, the famous ancient linguist and grammarian who formalized Sanskrit. Documented by the 7th-century Chinese traveler Xuanzang, who noted a local memorial statue dedicated to Pāṇini.

Location: Near modern-day Lahore in Pakistan.

***

Sama Veda

Samaveda is one of the four Vedas . It is known for its focus on melodies, chants, and musical aspects. Most of the hymns are from the Rigveda. This Veda plays a significant role in rituals and worship, with its hymns sung for ceremonial purposes. It is also associated with the development of Indian music. It must be as old as Rig Veda, that is 4000 BCE to 2000 BCE.

Rigvedic origin: 1,474 to 1,771 verses are sourced from the Rigveda (primarily books 8 and 9).

Original compositions: Only about 75 to 99 verses are uniquely native to the Samaveda itself

Ritual Timing: Performed during major sacrificial ceremonies, particularly when the juice of the Soma plant was mixed and offered as a drink to the gods.

Regional Schools (Sakhas): Preserved through oral traditions across different parts of India, notably the Kauthuma tradition in Gujarat, Ranayaniya in Maharashtra, and Jaiminiya in Southern India.

***

Sambhu

Śaṃbhu (शंभु).—a. [śaṃ-bhū-ḍu] Causing happiness, granting prosperity.

 Name of Śiva. Sambhavi is goddess.

***

Samiti – committee

English word Committee is derived from Rig Vedic word Samiti. English pronunciation is wrong; C=S. Committee should be pronounced SAMITI.

Samiti (समिति) denotes an ‘assembly’ of the Vedic tribe. It is already mentioned in the Rigveda, and  sometimes in connexion with Sabhā. Ludwig considers that the Samiti included all the people, primarily the viśaḥ, ‘subjects’, but also the Maghavans and Brahmins if they desired, though the Sabhā was their special assembly

***

Samudrika lakshana

Samudrika Lakshana is an ancient Indian science of body features. It interprets physical marks, shapes, and structures to understand a person’s character, fortune, and life path.

  • Samudrika Lakshanam (Agathiyar): Authored by the sage Agathiyar, this historic text focuses heavily on South Indian traditions, life histories, and the categorization of physical features.
  • Rati Rahasya by Kokkoka: A medieval Sanskrit text that classifies bodily and psycho-physical traits, particularly detailing the physical classifications of women (such as Padmini, Chitrini, Shankini, and Hastini).
  • Samudrikam / Samudrika Shastra Chapters: Found within broader ancient manuscripts, these texts systematically record face shapes, cranial structure, hair patterns, palm lines, and moles to interpret character and destiny.

Hindus have divided arts under 64 branches. An expert is expected to master all those subjects. A popular Tamil hymn is praising Goddess Saraswati as the one who bestows everyone with these 64 “arts”. One of them is the art of knowing the character of a man by studying his features. This is called Samudrika Lakshna.

Throughout Sanskrit scriptures like Ramayana and Sangam Tamil poems we come across Aajaanu Baahu, eyes like  lotus petal etc. So the science of body features must have existed even before the epics.

***

Sandana/ Sandal wood

The sandana tree—more commonly known as the sandalwood tree (specifically Santalum album)—is a sacred evergreen tree famed for its heavy, yellow, highly aromatic wood and essential oils.

Sandal paste is used to decorate idols and statues of Gods and Goddesses in Indian Temples.

It is used by male and female for coolness.

It is considered an auspicious symbol and offered at the gates of Wedding Halls to the guests.

The pasted applied on Gods is valued very much. In Temples like Guruvayur they offer it on green leaves.

It is used in Ayurvedic medicines and treatment.

***

Santhaana Lakshmi

One of the Eight Lakshmi forms; bestower of good children.

Santānalakṣmī (सन्तानलक्ष्मी, “Progeny Lakṣmī”):—One of the eight primary forms of Lakṣmī (aṣṭalakṣmī) represented as the bestower of offspring. She has six arms, carries two kalashas (water pitcher with mango leaves and a coconut on it), sword, shield, a child on her lap, a hand in abhaya-mudra and th eo ther holding the child. The child holds a lotus.

  Adi Lakshmi: The first form, giving spiritual wealth and inner peace.

  Dhana Lakshmi: The giver of money, gold, and material riches.

  Dhanya Lakshmi: The goddess of food, crops, and farming.

  Gaja Lakshmi: The giver of animal wealth, power, and royal status.

  Santana Lakshmi: The protector of family, children, and future generations.

  Dhairya Lakshmi (Veera Lakshmi): The source of great courage, strength, and bravery.

  Vijaya Lakshmi: The bringer of success and victory in all tasks.

  Vidya Lakshmi: The provider of education, intellect, and arts knowledge.

To be continued…………………

Tags- santhana Lakshmi, sakuntala, part 90, Hindu Dictionary, Ashta Lakshmi.

Zoological Facts from Sangam Book! Purananuru wonders-45, Tamil Encyclopedia-Part 85 (Post No.16,032)


Written by London Swaminathan

Post No. 16,032

Date uploaded in London – 29 July 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Item 679

Imported mountain goats from Dandakaranya, according to Pathirupattu, a Sangam book.

Adukotpadu Cheralathan- aadu kotpaadu cheral  aadan

AADU is goat in Tamil.

He brought Mountain goats, specifically the native Nilgiri tahr, are called Varai Aadu (வரையாடு) in Tamil.

About the Nilgiri Tahr

Scientific Name: Nilgiritragus hylocrius

Now we find Nilgri Tahrs. But they are listed as endangered animals. This Chera king brought them from Dandakaranya forest.

He was the son of Neduncheralatan – Nedun Cheral aadan—

He ruled for 35 years and gave lot of gold to Miss Nachchellai, a poetess of Sangam age.

***

Item 680; donated all land that the poet could see!

Selvak Kadunko Vazi Adan – selvak kadunko vaazi aadan-

Son of Anthuvan Cheral; ruled for 25 years; Vishnu devotee.

He climbed the hill and donated all the land that Kapilar could see.

He donated lot of gold to poet Kapilar.

***

Item 681 Donated the Palace and Throne!

Perum Cheral Irumporai; son of Selvak Kadungko; ruled for 17 years.

He defeated Choza and Pandya kings in a place near Kolli Malai.

Destroyed Thagadur ( modern Dharmapuri)

He went out of his palace and asked Poet Arisil Kizar to take his throne and the entire palace!

***

Item 682 Chatukka Bhutam

Ilamcheral Irumporai – Ilam/Junior Cheral Irumporai

Son of Kuttuvan Irumporai;

He defeated Pothianda Choza and Pazaiyan Maran.

Ruled for 16 years; donated a lot to poet Perumkundrur Kizar.

He established Chatukka Bhutam; we hear many stories about Chatukka Bhutam in Tamil epic Silappadikaram.

Chatukkam is City Square.

***

Item 683 Committed Suicide

Kanaikkal Irumporai; Chozan Ko Chenganan (Red Eyed Choza) defeated this king and put him in Jail; when he asked for water the prison warders deliberately delayed it to insult him;  he starved himself to death.

A great king who upheld self -respect.

All Tamil poems encourage death instead of losing one’s self-respect.

***

Item 684

Anthuvan Cheral Irumporai; father of Selvak Kadunko Vazi Adan – selvak kadunko vaazi aadan.

He ruled from Karur (also called Vanji);

His enemy was Choza king Mudithalai Kopperu Narkilli.

***

Item 685

Palai Padiya Perunkadunko—paalai paadiya –

Composed many poems under Palai genre.

Poetess Miss Peymakal Ilaveyini praised him.

He donated Golden Lotus to poets.

***

Item 686

Marutham Padiya Ilam kadunko—marutham paadiya –

He composed many poems under Marutham genre

***

Item 687 Chera Kings in Inscriptions!

Though we have lots of names of kings in the Sangam literature we need archaeological proof to confirm the details.

For the first time, we have three kings mentioned in Pukalur Inscriptions.

Following kings were mentioned in it:

Ko Adan Sellirumporai;

Perum Kadungko;

Ilam Kadungko.

From the Pathitruppattau book, scholars concluded that we have two sets of Chera Kings ruling simultaneously; they were Cheras and Irumporais.

***

Item 688

The above information from Sangam book Pathitruppathu  is valuable historical information.  From no other Sangam book we have such orderly information. The ruling years of each king shows that someone had collected and documented such information.  The only problem is two kings ruling at the same time in two different places in Chera kingdom. If scholars sit together the problem can be solved. Already Sesha Iyer and others have written books on Chera history. But a co ordinated attempt using coins, inscriptions and Sanskrit Books is needed.

***

Item 689

Among the Pandyas we have reliable information from Velvikkudi copper plates and Purananuru. We have precise information of Kaddungkon (590-620 CE) who drove out the Kalbhras, a mysterious gang. So far we can only guess who they were.

Later we have

Maravarman Avani sulamani-  620-645 CE

Senthan- 645-670

Arikesari Maravarman 670-700

Kochadaiyan Ranadheeran 700-70

Maravarman Rajasimhan – 730-765

Parantaka Nedunchadaiyan 756-815

Srimara Srivallabhan- 815-862

Varagunan II-  862-885

Parantaka Veeranarayanan- 862-905

Maravarman Rajasimhan- 905-920 CE

Chera Kings and Pandya Kings had an average 30 years ruling period which is above the average of other areas.

We did not have this much information from Sangam books about the Early Pandyas.

***

Item 690

Sangam Age Pandyas

 My research shows Kalidasa knew Mudukudumi Peruvazuthi who performed innumerable Yagas and erected Yupa pillars according o Purananuru. Kalidasa in his Raghuvamsam linked the Agastya and Pandyas for the first time in literature; this Mudukudumi Peruvazuthi must have lived in the first century BCE or a little earlier. Kalidasa helps us to identify him.

Tiruvilayadal Puranam gives a complete list of Pandyas up to Tiru Gnana Sambandar 630 CE and no attempt has been made to correlate that information with other literature.

It is strange that neither Kalidasa nor Kharavela (130 BCE) mentioned Chozas or Cheras. My guess is that just after or just before Karikal Choza, Pandyas had an upper hand. Sri Lanka’s Mahavamsam also said that Vijaya got princesses from Pandya country for himself and other ministers.

–Subham–

Tags- Zoological Facts from Sangam Book, Purananuru wonders-45, Tamil Encyclopedia-85, One Thousand Interesting Facts -Part 85, Mountain goats, Nilgris Tahr, item 690