HINDU DICTIONARY IN ENGLISH AND TAMIL 73; இந்து மத கலைச்சொல் அகராதி- 73 (Post No.15,915)

Written by London Swaminathan

Post No. 15,915

Date uploaded in London –25 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 73

N words continued…………………….

Nakkirar

A controversial and challenging Tamil poet of Sangam age. His clashes with Lord Shiva and others are in the stories of Tiru Vilaiyatal Purana and Tiru Murugatruppadai in Tamil . Tiru Murugu. Is a Sangam age work, that is 2000 years old. His poems are in Purananuru in praise of Hindu Gods. His controversy was documented by Appar (600 CE) in one of his poems, and so he must have lived at least 300 or 400 years before Appar.

***

Nalangu

A Tamil Post Wedding Ceremony to reduce the stress and strain of a wedding ceremony. It is full of fun and frolicks.

Both the bride and bridegroom are asked to take part in various competitive games. One example: a ring is placed in a pot full of water. When they are asked to GO, both dip their hands into the water pot; whoever takes the ring first is the winner; the winner’s family and friends jump with joy making big noise.

Both of them are asked to roll a coconut, powder a few Pappads in the air with both hands; both parties tease or mock at the other group with  some songs; they are like song caricatures of the bride or bride groom family.

An example : bride groom has Hitler moustache or pot belly; bride has a fake plait; hair is not long enough.

Nalangu is a traditional South Indian and Tamil post-wedding ceremony involving the application of sacred pastes and the playing of games to help the couple relax. As documented in ancient texts, this ritual aims to reduce stress and foster bonding between families.

In some communities it is done before the wedding. The bride and others are applied with turmeric paste. Participants also, particularly women, apply the turmeric paste on their feet and hands..

Something similar to North Indian Hindu ceremonies like Mehandi and Sangeet ceremonies.

***

Naalvar – The Four

The Great Four Saivite Saints; Naalvar means The Four persons; they are Appar alias Tirunavukkarasar, Sambandar (Tiru Gnana Sambanthar), Sundarar and Manikkavasagar (maanikkavaasakar); latest research shows that the last one lived at least 100 years before Appar, a contemporary of Mahendra varman, the greatest Pallava king (600 CE).

***

Namam ( naamam )

It is a symbol on the forehead of Vishnu devotees. They are three vertical lines in the shape of English letter Y or U. between the thick white lines a straight red line is drawn in the middle. Tamil Vaishnavites wear Dvaadasa Naamams on 12 places in the body that is comparable to Saivite Brahmins 12 placed Vibhuti (holy ash).

Y shaped Naamam- symbol of Tenkalai sect of Tamil Viashnavites; those who sing Tamil hymns of Alvars (Tamil Vaishnavite Saints)

U shaped Naamam- symbol of Vadakalai sect of Tamil Viashnavites; those who sing Sanskrit hymns of Vedanta Desikan.

Then= south ; Vada = north .

Even the Naamam on temple elephants will show one to which sect the temple belongs.

But when it comes to big temples like Titupati Balaji temple or Srirangam Ranganatha Temple, common devotees don’t bother about the sectorial divisions. But there are extremists in both sects who take the symbol cases up to the highest court in the country.

Vaishnavite Gurus/Acharyas called Jeeyars are very ardent followers of their respective sects and its practices.

***

Nammazvaar


One of the greatest Vaishnavite saints known in Tamil as Alvars (aazvaar).

Tamil Vishnu devotees believe that he composed Vedas in Tamil; his poems are great and meaningful. He was born in Alvar Titunagari in the southern part of Tamil Nadu. Like Buddha attained wisdom under the Peepal/Bodhi tree, Nammalvar  (nammaazvaar) attained wisdom under a Tamarind tree. Like Tansen’s tamarind tree, this tamarind also attained fame and worshipped until this day.

Following Thirumangai Alvar who composed 1,361 verses, Nammalvar is the second most prolific contributor, having composed exactly 1,296 verses across four works (most notably the Tiruvaymoli). They are part of Naalayira Divya Prabandham (the canonical collection of 4,000 Alvar hymns).

***

Nayanmar or Nayanar (naayanmaar or Naayanaar)

Sixty three Tamil saints and mystics are called Nayanmar or Nayanars. They were ardent followers of Lord Siva. Their stories are sung by Sekkizar in Periya Puranam in Tamil. They revived and spread Bhakti movement between fifth and ninth centuries. They belong to all castes. Of them three are women.

We know the date of Sambandar, the greatest of the 63 saints. He lived around 650 CE. Kannappa Nayanar who was a hunter gave his eye to Lord Siva and attained Mukti/liberation. Woman saint Karaikkal Ammaiyar became famous and worshipped in southeast Asian countries too. Of the Four Great Saivite Saints, Manikkaavasagar is left out and not included in the list of 63. This problem has been debated until this day without a definite conclusion. But his poems are included in the Saivite Tirumurais (Scriptures or Hymns on Lord Siva). Indirect references show that he lived before 600 CE.

****

Narada

A great rishi who undertook frequent trips between heaven and earth.

Narada Muni is portrayed as the quintessential traveller, a supreme devotee of Vishnu, and the “first investigative journalist” of the cosmos. He was a messenger of divine wisdom, an Inter Galactic Traveller. He delivered essential philosophical lessons and stories of devotion to many.

He visited the Pandavas a number of times specially during the period of their banishment in the forest and gave them good advice. About righteous conduct and harmonious living. He illustrated his points by appropriate anecdotes  from past history/puranas. He also tried to persuade Dhritarashtra  to keep his son Duryodhana  in check and make peace with the Pandavas.

Nārada (नारद) was one of the twelve, who knew the dharma ordained by Hari; a celibate; an attendant of Hari; was taught the bhāgavata by the father; and he gave it in his turn to Vyāsa. Wherever he  goes he will create a problem and that will bring something good; end justifies means was his policy.

He was in the company of Bharata when he recited the Nāṭyaveda, according to the Nāṭyaśāstra chapter 35.

He was a celebrated Devarṣi (deified saint or divine sage). He is one of the ten mind-born sons of Brahmā, being supposed to have sprung from his thigh (Manusmṛti 1. 35). He is represented as a messenger from the gods to men and vice versa and as being very fond of promoting discords among gods and men; hence his epithet of Kalipriya or kalahapriya. He is said to have been the inventor of the lute or Vīṇā. He is also the author of a code of laws which goes by his name.

In Tamil literature, he was referred to in Tamil epic Silppadikaram as Naradar Veenai (Veena of Narada). He always travelled with his Veena singing the glory of Vishnu.

Many people born later also had his name. So we find many books in his name. But the original Narada is attributed with one famous book, Narada Bhakti Sutra.

Narada Bhakti Sutra has 84 aphorisms on the nature of Bhakti and the condition of Bhaktas/devotees. Swami Vivekananda has explained it in good English. (see my blogs for more details).

***

Narakasura

Asura killed by Lord Krishna and that day is celebrated as Deepavali (Diwali) in Tamil Nadu.

Narakasura was the son of Goddess earth, (referred to as Dharthi), by Lord Vishnu himself during his Varaha (boar) avatar. It was foretold that he would be destroyed by a later incarnation of Vishnu. His mother, the earth, sought the boon from Vishnu that her son should have a long life, and that he should be all powerful. Vishnu readily granted these boons.

Narakasura became evil, in association with another Asura named Bana. Drunk with power, as he knew himself to be unrivalled in prowess, he brought all the kingdoms on earth under his control. Next he turned his eyes towards Swargaloka/ heaven. Even the mighty Indra could not withstand the assault of this son of Vishnu and had to flee the heavens. Now Narakasura had become the overlord of both the heavens and earth. His reign of oppression was in full swing. His capital was in modern Assam

Once granted immense power, he built a seemingly impregnable fortress, terrorized the three worlds, stole divine treasures (such as the earrings of Aditi), and imprisoned 16,000 celestial princesses

Divine Intervention: The tormented devas sought the help of Lord Krishna to defeat Narakasura.

The Battle: Accompanied by his wife Satyabhama—who was the earthly incarnation of Bhudevi—Lord Krishna rode to Pragjyotishapura to confront the demon.

The Final Blow: Because of the boon that only his mother could kill him, Satyabhama took the bow and struck the decisive blow, paving the way for Krishna to sever Narakasura’s head with his Sudarshana chakra.

Liberation: Following Narakasura’s defeat, Krishna liberated the 16,000 captive women and married them to restore their societal honour.

Festival of Lights: The triumph of good over evil that day is spiritually commemorated as Deepavali (Diwali), specifically the day of Naraka Chaturdashi

Sanskrit phrase 60,000 0r 16,000 means a lot, uncountable, innumerable. Even in English we use a million dollar question etc

***

Nikhumba

Several rakshasas had this name. one of them is referred to in Ramayana .

According to Mahabharata, Nikhumba was the father of demons Sunda and Upasunda who killed each other in an intoxicated fight to get hold of apsara

Tilottama . he was a descendent of Hiranyakasipu.

According to Ramayana,

Nikumbha (निकुम्भ).—A very mighty Rākṣasa. Son of Kumbhakarṇa (Rāvaṇa’s brother) by his wife Vajramālā. He had an elder brother called Kumbha.

When Kumbha was killed in the Rāma-Rāvaṇa war Nikumbha rushed to the front line and fought fiercely, and he was killed by Hanūmān. (Vālmīki Rāmāyaṇa, Yuddha Kāṇḍa, Canto 77).

Nikumbha (निकुम्‍भ): One of Ravana’s generals who led the rakshasas against the host of monkeys and was slain

When Indrajit, son of Ravana tried to do an all powerful Yaga to destroy Rama, timely intervention of Lakshmana spoiled it

According to Puranas

the “dreadful cave of Shatpura” is a foreboding site of deception and imprisonment famously linked to the powerful being Nikumbha.

According to ancient texts, Nikumbha—a powerful figure and lord of the Pisacas—used this cave to harbour captives. Its mythological significance centres around a few key details:

The Standoff: Nikumbha emerged from the dreadful cave wielding a thorn-covered club.

The Conflict: Upon stepping out, he was confronted in combat by Dhananjaya (Arjuna), who shot arrows from his Gandiva bow to block the thoroughfare.

Symbolism: The cave serves as an ominous backdrop for themes of entrapment and trickery during pivotal battles.

***

Nimi

Son of Dattatreya. He grieved greatly at the death of his son Shrimana and then he undertook various ritual for the eternal good of his son. It is said that this constituted the beginning of thee “Shraddha” ceremonies relating to death.

***

Nivatakavacha, Nivātakavacha

These innumerable Danavas/demons occupied a city which previously belonged  to Devas. Not being able to defeat the Nivatakavacha danavas, Indra sought the help of Brahma who said that Indra himself in another form would be able to defeat them. Thus it was when Arjuna  had come to the end of his five years stay in Swarga/heaven and was preparing to return to earth, Indra asked as a parting gift he should get rid of his enemies the Nivatkvachas.  Arjuna went to the abode of the Danavas with Matali as his charioteer and using various divine weapons obtained from heaven he defeated the  Nivatkvacha demons.

More  details

The nivatakavachas (Sanskrit: निवातकवच, romanized: Nivātakavaca, lit. ‘the impenetrable armoured ones’) are a sect of daityas, the children of Kashyapa and Diti, classified under the race of asuras in Hindu mythology. They are best known for their battles against Ravana and Arjuna, the latter of which caused their annihilation.[1]

Thirty million nivatakavachas were born in the daitya clan. Allied with the kalakeyas, they triumphed over the devas in battle. They are described to have been skilled in magic and warfare, wielding powerful weapons to defeat their foes.

From Ramayana

The nivatakavachas are said to have terrorised the world, living deep beneath the ocean, and residing in the city of Maṇimatī after securing boons from Brahma. In the Ramayana, Ravaṇa with his sons Meghanada, Atikaya, and with his army attacked these daityas, but found himself unable to defeat the sect after centuries of battle. The two sides finally formed an alliance after Brahma intervened.

From Mahabharata

In the Mahabharata, Indra sought the destruction of the nivatakavachas from his son, Arjuna, as his dakshina (honorarium). Describing the sect as his foes, he stated that the nivatakavachas lived in a fortress under the ocean, numbered thirty million, and were alike in shape, size, and prowess. To achieve this task, Indra sent his own charioteer, Matali, to drive Arjuna to the location of his foes. The devas offered Arjuna a conch named Devadatta, and Matali offered him ornaments that resembled his own. When the two reached the city of the daityas, they closed their gates, fearing that Indra himself had appeared to slay them. When Arjuna blew his conch, the nivatakavachas attacked him, loosing tridents, spears, and arrows upon him. Arjuna released arrows from his Gandiva, slaying the daityas in the thousands. The nivatakavachas rendered themselves invisible, and showered elemental attacks on Arjuna. The prince grew disheartened when he realised that he was unable to manoeuvre their attacks due to the intensity of their barrage.

Matali urged him to employ the thunderbolt missiles he had brought with him, which devastated the daityas, and defeated them. The daitya women sought shelter in their houses as Arjuna entered Maṇimatī, thinking that it looked better than the city of the devas. The charioteer explained that the city had previously belonged to the devas, but had been captured by the daityas following a boon granted to them by Brahma. Brahma assured Indra that the latter himself, in another form, would defeat the daityas, which had just transpired. He encouraged Arjuna to also lay waste to Hiranyapura, a neighbouring city of the danavas who opposed his father as well, which the prince achieved.

***

Nara Narayana

Nara-Narayana are twin sages and a twin-brother avatar of Lord Vishnu in Hinduism, representing the eternal connection between humanity (Nara) and divinity (Narayana). Together, they represent human effort and divine grace working in harmony to uphold righteousness (dharma

The Name: In Sanskrit, Nara means “human being” or “eternal spirit,” while Narayana refers to the Supreme Being (Vishnu).

Divine Origins: They were born as the sons of Dharma (the god of righteousness) and Murti (the daughter of Daksha).

Life of Penance: The twins famously traveled to the Badari hermitage (modern-day Badrinath) in the Himalayas. They engaged in severe austerities and deep meditation to defeat evil and preserve world order.

Mahabharata Connection: Hindus believe Nara and Narayana reincarnated as the heroes Arjuna (human) and Krishna (divine guide) during the events of the Mahabharata.

Iconography: In traditional art, Nara is usually depicted with two hands and wearing deer skin, while Narayana is portrayed with four hands, holding a mace, discus, conch, and lotus.

***

Narasimha

Narasimha is the fourth, half-man and half-lion avatar of Lord Vishnu, manifesting in the Satya Yuga to protect the devotee Prahlada by destroying the demon king Hiranyakashipu. By overcoming Hiranyakashipu’s invincibility boon at twilight on a threshold, this form symbolizes divine intervention that transcends conventional limitations to uphold dharma.

***

Nalanda

Nalanda was an acclaimed university, a large Buddhist monastery in the ancient kingdom of Magadha (modern-day Bihar) in India. The site is located about 95 kilometres southeast of Patna near the town of Bihar Sharif, and was a centre of learning from the fifth century CE to1200 CE. It is a UNESCO World Heritage Site.

 The highly formalized methods of Vedic learning helped inspire the establishment of large teaching institutions such as Taxila, Nalanda, and Vikramashila which are often characterised as India’s early universities. Nalanda flourished under the patronage of the Gupta Empire in the 5th and 6th centuries and later under Harsha, the emperor of Kannauj.The liberal cultural traditions inherited from the Gupta age resulted in a period of growth and prosperity until the ninth century. 

Muslims burnt the library

Historical consensus and primary records attribute the final destruction and burning of the Nalanda Mahavihara to a Turko-Afghan military general Bakhtiyar Khilji of the Delhi Sultanate in the late 12th century.

The Sacking (c. 1200 CE): During his conquests in northern and eastern India, Khilji famously led a marauding army that attacked and plundered several major Buddhist centers, including Nalanda, Vikramashila, and Odantapuri.

The Library Burning: Nalanda boasted a colossal collection of manuscripts housed in multi-story libraries known as RatnasagaraRatnadadhi, and Ratnaranjaka. The attackers set fire to the institution, with historical accounts stating the massive fires burned for three months.

While Khilji is widely cited for the fatal sacking and mass slaughter of the monks, historians and researchers point out that the destruction was not a one-time total evaporation:

Eyewitness Accounts: Tibetan monk Dharmasvamin visited the site in 1234 CE, nearly 40 years after Khilji’s campaign. He found the institution heavily ruined but still functioning, with a small fraction of about 70 monks being taught by a 90-year-old abbot.

Continuous Raids: Surviving monks and local patrons attempted to revive the university, but persistent raids by subsequent groups of Turkish soldiers over the following decades ultimately forced the permanent abandonment of the site

Tags- Nakkirar, Nalangu, Namam, Nalanda, Narasimha, Nivatakavacha, Narakasura, HINDU DICTIONARY IN ENGLISH AND TAMIL 73; இந்து மத கலைச்சொல் அகராதி- 73

To be continued……………………

Oldest Skanda -Kartikeya- Murugan Coins! (Post No.15,900)

Written by London Swaminathan

Post No. 15,900

Date uploaded in London –21 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Yaudheyas who ruled Northwest part of India had issued Skanda- Kartikeya -Murugan Coins 2000 years ago. They ruled Sapta Sindhu area (Punjab, Haryana regions) from 200 BCE to 300 CE. They issued various types of Skanda coins. The surprising thing is that they were the one who issued Skanda (Murugan in Tamil) coins with his Six Heads and his vehicle peacock. Later Gupta rulers issued such coins. Six Headed Skanda is called Shanmukha in Sanskrit and Aarumukham in Tamil. Adi Sankara who formed six groups of worship called Skanda worship Kaumaram because Kalidas made that name (Kumaara) popular 2200 years ago.

Sangam Tamil literature has one whole work written by a Brahmin poet named Nakkirar on Skanda and it is called Tiru Murugatruppadai. Anti God Dravidians dubbed it as a later interpolation, but Yaudheya coins explode such arguments. Added to this Patanjali’s Mahabhashya reference to Skanda, a commentary on world’s first grammar book by Panini known as Ashtadhyayi. In the 2200-year-old Mahabhasya, Patanjali gives us information about selling Murtis/figures of Skanda -Vishaka. This also gives credence to Sangam book Tiru Murugatruppadai.

Through this we come to know that the Skanda worship was popular from Himalayas to Kanyakumari 2000 years ago.

***

Who are Yaudheyas?

Panini  refers to them specifically as an Ayudhajivin Sangha—a community of warriors who lived by the profession of arms. He explains that the suffix “-ya” was used in Sanskrit to signify martial and warrior tribes, a linguistic detail that fits the Yaudheyas’ historical reputation as a formidable military force

The tribal republics or Janapadas like Audumbara, Kuninda and Yaudheya issued their coins in the name of their presiding deities-Mahadeva. Chitresvara and Brahmanya. The early tribal republics of the 2nd century B.C.E, refer to their names and places in Brahmi script. Some republics issued coins with their names and title Raja or Maharaja. Copper was used as the prime metal for such issues. A few tribes issued coins in silver too.

Monarchies like Surasena and Panchala that sprang up during this period were located in the Ganga-Yamuna plain. The kingdom of Panchala issued copper coins bearing the names of no less than 35 kings.

***

Gupta Coins on Skanda

The golden age of Indian history was the rule of Guptas. They were great worshippers of Vishnu and they called themselves Parama Bhagavatas. But the world famous poet Kalidasa changed them into Saivites. Kalidasa lived in the first or second century BCE. His work Kumarasambhava on the birth of Kumara/ Skanda made Guptas to name their children Skanda Gupta, Kumara Gupta etc.  They issued coins with Skanda with peacock.

Even Asvagosha , author of Buddha Carita in Sanskrit, compared Skanda with Buddha! According to Hindu literature in Tamil and Sanskrit, Skanda was a war god. He was the commander in chief of the Divine army. He married Indra’s daughter Devasena. In spite of his association with war, red colour and planet Mars, Asvagosha compared him to Buddha because of Kalidasa. In Raghuvamsa, Kalidasa compared three kings to Skanda. Tamils of Sangam age also followed Kalidasa and compared the kings with Muruga. Such was the influence of Kumarasambhava Kavya. Not only this, Tamil Sangam poets used the first ten slokas on Himalayas in Kumarasambhava, in their poems.

The greatest Art Historian of India Mr Sivaramanurti (Curator of Madras Museum) was a Sanskrit scholar. He argued Literature comes first Sculptures follow it like the Tamil saying Literature comes first Grammar follows it. He placed Kalidasa in Pre Gupta period,because Gupta coins show whatever Kalidasa said in his seven works.

***

Other coins on Muruga/Skanda/Kartikeya

Huvishka,successor of Kanishka, issued coins on all Hindu gods including Kartikeya around first century CE. Earlier rulers used pictures of Siva only. Huvishka used names in Mahabhashya such as Masena/ Mahasena , Skandakumaro Vizaka . His coins show that Skanda holding Trisula/trident like Shiva.

They spelt the names in strange ways

Shiva – oeso, uma – ommo

***

Yaudheya coins showed Skanda holding a spear; Vel in Tamil.

Kumara Gupta 415-450 CE issued beautiful Skanda coins in gold. The legend on his coin was Mahendrakumarah.

Gold coin issued by Chalukya Vikramaditya of Badami/Vatapi 655-681 CE has the figure of Kartileya. Peacock feather and snake are also seen.

Though  kanda Murugan is called Tamil God, we don’t have any ancient coin with Muruga!

As late as seventeenth century, king Ragunatha Nayak of Thanjavur displayed standing figure of Kartikeya in his coin.

Later Kanthirava Narasaraja Wodeyar (1638-56) of Mysore issued coins with Kartikeya seated on a peacock.

***

Maurya dynasty was named after Peacock (Mayura) growers. Asoka was very fond of peacock meat. Even after spreading Buddhism, he never stopped killing peacocks for food, but he ordered to kill lesser number of the birds. Their coins show peacock with its feather. Since India made peacock its national bird, we can even say that India’s national God is Lord Skanda, Mahasenatipati, Commander in Chief!

–Subham—

Tags- Oldest coin, on Muruga, Kartikeya, Skanda, Visaka, Shanmuka, Yaudheya, Gupta, Chalukya, Peacock ,

Ornaments in Kalidasa’s Works; Ancient Hindu Jewellery! You can get Ph.D.- Part 3 (Post.15,875)

Written by London Swaminathan

Post No. 15,875

Date uploaded in London –15 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

The dress and ornaments used by the women in Kalidas’s time were unrivalled in their simplicity, elegance and effectiveness. He used the rings to give surprises and twists in his dramas. He used the following ornaments,

Nupura- anklet; nuupura

Mekala or Kanchi or Rasna -girdle; waistband; mekalaa, kaanchi, rasnaa .

Valaya – bracelet;

Kankana – bracelet;

Keyura or Angadha – armlet;

Karnapura or Kundala Thadanga – ear ornaments; ear stud or earring; karnapoora, kundela, thaadanga;

Cudamani- ornament for the middle of the head; cuudaamani;

Mudrika- rings ; Aṅgulīyaka अङ्गुलीयक A finger-ring

Pictures of Gem stones found in Excavations in Sri Lanka

Following are some references where Kalidasa used ornaments –

Raghuvamsa – 8-63; 13-23; 8-58; 8-64; 9-37; 10-8; 11-17; 15-1; 16-65; 13-21; 16-56; 14-19; 15-77;16-74;

Vikramorvasiya – -3-15; 4-52;

Malavikagnimitra-  -3-17;4-3; 3-20; 4-4; 6-24;

Rtusamhara- – 4-4; 3-20; 1-5; 3-20; 6-6; 4-3; 2-24;3-19; 2-19;

Kumarasambhava – 1-37; 3-55; 4-85-10; 7-618-14; 8-83; 7-69;7-35; 6-84;

Meghaduta –1-28; 1-35; 1-31; 1-69;2-9;

Sakuntala –3-10; 1-13; 5-13;

There is no reference to nose ring; but brahmins and tribes in the hills are wearing it until this day.

Details of the jewels

In the plot of Sakuntala drama, the ring figures very conspicuously. So also, in Malavikagnimitra , the sarpamudrika, the serpent shaped ring, plays an important part .

Some of the above mentioned ornaments were worn both by men and women. Ancient statues of Gods and Goddesses, men and women show jewels worn on every part of the body. 2000 year old Sangam Tamil literature also confirms it.

Sanskrit words like Kinkini, Nupura, Mani, Kanchi, Mekhala are used in 2000-year-old Tamil Sangam Literature

***

Amarakosha, the oldest dictionary of synonyms in the world, give details of Hindu ornaments:

The Amarakosha, the ancient Sanskrit thesaurus by Amarasimha, catalogues a wide variety of traditional ornaments (ābharaṇa/alaṅkāra). It classifies these jewels comprehensively by the body part they adorn, providing the foundational vocabulary for Indian jewellery.

Specific ornaments mentioned in the Amarakosha include:

1. Head and Ear Ornaments (śīrṣa-ābharaṇa)

•          Mukuṭa: A crown or diadem.

•          Cūḍāmaṇi: A jewel worn on the crest of the head or hair.

•          Kundala: Earrings.

2. Neck and Chest Ornaments (kaṇṭha-ābharaṇa)

•          Hāra: A prominent chain or necklace made of pearls.

•          Niṣka: A necklace made of gold coins.

•          Graiveyaka: A torque or collar necklace worn close to the neck (also known traditionally as kanthi).

•          Tarala: A central pendant on a necklace.

3. Arm and Hand Ornaments (hasta-ābharaṇa)

•          Keyūra and Aṅgada: Armlets worn on the upper arm.

•          Valaya: Bracelets or bangles.

•          Kaṭaka: Rings or bracelets often having a round crest shape. [1, 2, 3, 4, 5]

4. Waist and Hip Ornaments (kaṭi-ābharaṇa)

The Amarakosha distinguishes several types of ornamented waist belts: [1]

•          Mekhalā: The primary term for a jeweled girdle.

•          Kāñcī: A specific type of waist girdle.

•          Raśanā: A multi-stringed or multi-beaded waist ornament.

•          Sārasana: Another variant of a decorated waist belt. [1, 2, 3]

5. Ankle Ornaments

•          Nūpura: Ankle ornaments or anklets.

Head & Hair Ornaments

•          Chūḍāmaṇi: A prominent crest jewel or diadem worn on the top of the head, often used as a key plot point or status symbol.

•          Ratnajāla / Muktajāla: Nets or networks of pearls and gems used to adorn and veil the hair. [1, 2, 3]

Ear Ornaments

•          Kuṇḍalas: Large earrings often crafted in specific designs, such as the Makara-kuṇḍala (shaped like a mythical sea creature) or the Ratna-kuṇḍala (gem-encrusted). [1]

Neck & Chest Ornaments

•          Kaṇṭhīkā / Kaṇṭhīhāra: Traditional, tightly fitting chokers and necklaces.

•          Ekāvalī: A single-string pearl necklace.

•          Muktāvalī: A classic, multi-strand pearl necklace. [1, 2]

Arm & Wrist Ornaments

•          Aṅguliya / Ratna-aṅgulīyam: Gem-studded rings, most famously the signet ring given by King Dushyanta to Shakuntala.

•          Kankaṇa: Bangles and bracelets worn on the wrists. [1, 2]

Waist & Hip Ornaments

•          Mekhalā: Elaborate beaded or multi-stranded hip belts and girdles.

•          Raśanā: A multi-stringed (often 16-strand) beaded waist chain.

•          Kāñcī: A single-strand hip girdle. [1]

Ankle Ornaments

•          Nūpura / Mañjīra: Ornate, often heavy anklets.

•          Kiṅkiṇī: Tinkling anklets adorned with small bells, typically worn by dancers.

***

My old articles on this topic are also attached herewith:

Three wivws of most celebrated Madurai Nayak King Tirumalai Nayak.

 Four Gold Rings in Ramayana and Kalidasa’s Works

Research paper written by London Swaminathan

Research article No.1520; Dated  26th   December 2014.

Gold Rings play an important part in Valmiki Ramayana and three of Kalidasa’s works in addition to Vishaka Datta’s Mudra Rakshasa.

Valmiki, the great Adi Kavi, inspired Kalidasa and Vishaka datta. All these are Sanskrit works. In Sangam Tamil literature we have one reference to a gold ring with shark picture on it. Such rings are found in Rome and Greece. Apart from their literary merits, there are lot of things for researchers.

1.Gold rings were used as seals. They were like government seals and emblems.

2.Gold rings have personal names inscribed on it. Rama’s name was there on his ring. Dushyanata’s name was inscribed on it.

3.Sita was able to recognise the letters RAMA and Shakuntala was able to read the letters. So women were literates and highly educated. Kalidasa tells us how many letters were in Dushyanta’s name and asked Shakuntala to count them so that she would know many days she had to wait.

tiberius

Tiberius ring

4.Tamil had rings with shark picture on them. They might have been imported from Rome. Roman gold coins are found in nook corner of Tamil Nadu and the vaults of Ananta Padmanabha Swami Temple of Tiruvanathapuram, Kerala.

5.Kalidasa gives information about  gem studded rings (Ratna Angukiyam) in Raghu Vamsa (6-18, 12-62, 12-65). In the Sakuntalam, he mentioned about giving engagement rings. Now it has become a big custom and big business in Western countries. Actually Hindus taught the world about giving Engagement Rings. Giving flowers is in Tamil literature.

6.Kalidasa also gives information about ring with a snake picture on it in his drama Malavika Agnimitram.

7.In Kalidasa’s Abinjana Sakuntalam and in Vishaka Datta’s Mudra Rakshasa, the ring  plays an important part. Sanskrit scholar Chandra Rajan compared it with Shakespeare’s Othello (hand kerchief instead of ring in Othello).

Snake ring

8.      Tamil Poet Maruthan Ilanakan used (Kali- 84) the ring in his Kalitokai verse. It is a gold ring given by a prostitute to the hero. It shows that prostitutes were very rich and they may even give rings to their customers if they fall in love with them. In other parts of the world, it is other way round; they only received, never donated.

9.Since Tamil ring has a Makara/shark, Romans might have brought them. Sailors used to visit prostitutes  the counties they visit and the VD or STD are called Sailor’s diseases. But the heroine actually said that it was Manmatha’s flag emblem, meaning that the prostitute wanted to rule over his heart for ever. Manamatha  is God of Love.

10.in Mudra Rakshasa, it is the signet ring of a minister. So, all the top government officials used their rings as signatures. Each one must have a different picture or personal name on it.

11.It is unfortunate that we have such rings only in the vaults of Maharajas now, which slowly find their way to auction houses in London and New York.

12.When I visited Stockholm I was able to see all the jewellery in the museums. In my city London, people queue to see the Royal jewellery including India’s Kohinoor diamond. I paid to enter Metropolitan Museum in New York. India can mint money by displaying her treasures properly. Government should set up a panel for this purpose with historians and archaeologists.

13.Indian government must ban legal or illegal “export” of all Indian jewellery to foreign auction houses. They must also make arrangements to display all the jewellery of temples such as Tirupati, Tiruvananthapuram and palaces of Maharajas. There are many more hidden gems lying in the dark rooms of India. I have written about our treasures in Tehran museum.

(Please Read my articles on “India needs an Indian Jones” and the Diamond studded Rs 1000 crore Globe in Tehran Museum)

238ring3

Gold Ring in Valmiki Ramayana (Sundara Kanda, Canto 36)

Sangam Tamil book Purananuru says that the monkeys did not know how to wear Sita’s jewellery! Sita threw them down from Ravana’s air plane. Hanuman took Sita’s jewellery back to Rama . Hanuman won Sita’s confidence when he gave her Rama’s ring. When she saw the ring with Rama’s name on it she believed that Hanuman was a real messenger from Lord Rama.

Here is the verse from Sundara Kanda

“O, Fortunate One, I am a monkey, the messenger of the sagacious Rama; behold this precious ring on which his name is engraved! O, Goddess, it was given to me by that magnanimous hero so that thou shouldst have faith in me”

“Janaki taking the jewel that had adorned her lord, was overcome with joy, as if he himself were present her gentle countenance with its large eyes sparkle with delight resembling the moon released from Rahu’s hold. Blushing with pleasure on receiving this token from her lord, that youthful woman, in her satisfaction, began to look on that great monkey as on a friend and paid tribute to him”.

From The Ramayana of Valmiki, Volume II, Translated by Hari Prasad Shastri

Here is the Gold Ring from Abhinjana sakuntalam:-

King : Then putting the ring on her finger, I said to her;

Madhavya: What did you say?

King: Count off each day one letter of my name

On the Ring; and when you come to the last,

An escort will present himself, my love,

To lead you to my Royal Apartments.

But in blank confusion I acted cruelly.

Mitrakesi: A charming arrangement, no doubt; only fate slipped in and broke it

Madhavya: How on earth did the ring enter the (fish) carp’s mouth as if it were a hook?

King: It slipped off your friend’s finger when she was worshipping the waters at Sasi’s pool (Soma Tirtha).

Act 6 of Sakuntalam (Chandra Rajan’s Translation in “Kalidasa-The Loom of Time”).

238ring22

Chandra Rajan compared it with Othello of Shakespeare:

“In Othello, proof of the heroine’s chastity and love is demanded. Desdemona’s chastity hangs on a hand kerchief; Sakuntala’s on a ring. Both heroines are blissfully unaware of the importance of the token. To them love is its own proof and a witness to their charity”

Snake ring in Malavikagnimitram

Act 4 of Malavikagnimitram says that the queen parted with her signet ring bearing a serpent seal, as it was required by the poison-doctor to effect a magical cure. He thus procures the freedom of Malavika.

Mudra Rakshasa

The meaning of the drama is “The Signet Ring of Rakshasa”, the Chief Minister of last Nanda King. Chanakya, installed Chandragupta Maurya as king, and dethroned the last Nanda king. Nanda king’s chief minister Rakshasa was made to switch sides through the clever plans of Chanakya.

 *** 

GEM STONES IN KALIDASA & TAMIL LITERATURE 

From my blogs dated 13-2-2012

(This is the third part of my thesis to prove that the age of Kalidasa is around 1st century B.C. Please read other two parts as well-S .Swaminathan)

A country’s wealth is reflected in its literature. If the poets always sing about poverty and begging bowl we know that the general public suffered and starved. If the poets sing about gold and gems and enormous wealth and donation it means that the country was wealthy. Kalidasa,the greatest of the Indian secular poets, sings about gold and gems though out his seven books. As a matter of fact he himself was considered one of the Nine Gems (Nava Ratnas) in the court of Vikramaditya who started his own era in 56 BC.

Kalidasa’s praise of Himalayan gems is sung by Sangam poets as well. Sangam poets who lived hundred or two hundred years after Kalidasa might have got the information from his works. If this is the only similarity then we can ignore it as coincidence. But I have identified 225 similes between Kalidasa and Tamil Sangam literature which proves that Kalidasa lived around 1st century BC or before the Sangam period.

Tamil kings were very rich. Tamil literature refers to thrones and cots made up of ivory and gold. The chariots were decorated with gold. Even the elephants had big gold plated coverings to its face. Roman ships poured gold in to Tamil Nadu (South India) and took spices in exchange. This was corroborated by Roman writers of first few centuries and discovery of thousands of Roman gold coins though out South India.

Kalidasa uses 16 names for the Himalayas including Kailash and Kubera saila. He is all praise for the Himalayas. He is so excited whenever he describes the mountains.

“There is in the northern quarter, the deity souled Lord of Mountains, by name Himalaya,who stands, like the measuring rod of the earth, spanning the Eatern and Western oceans”. 1-1:Kumarasambhava

“Snow could not be a destroyer of beauty in the case of him who is the source of countless jewels.” 1-3

“Who bears on his peaks, a richness of metals, appearing like an untimely twilight, with its colours reflected upon patches of clouds, and the cause of amorous decking of the heavenly nymphs.” 1-4

In Kumara I-3 and Ragu. II 29, IV 79 he describes the gems available in the Himalayas.

Tamil poets echo it in Puram 218 (Kannakanar) 377 (Ulochanar )Pattina. 190-198 sung by a Brahmin poet Kadiyalur Rudran Kannanar:

“Brought by the cart, gems and gold from the Northern Mountain

Sandal and eagle wood from the hills of Coorg

Pearls from the southern sea, coral from the east

Ganga’s wealth and Kaveri’s produce

Eza’s provisions and Kazhaga’s plenty “(Pattinapalai 193-197)

In addition to these there are hundreds of mention of all types of gem stones and precious metals.

Nagaratna/Cobra Jewel

(Please read my article :How did Shakespeare know Cobra Jewel-the Indian Nagaratna, where in I have explained what is Nagaratna)

We find the following references about the cobra jewel in Tamil and Sanskrit.

Kakaipatini Nachellaiyar ,a poetess of Sangam period says that the the snakes with cobra jewels are dancing in the holy Himalayas like the women possessed by divine spirits in Pathitru Pathu (6-lines 10 to 1)

Hindus believed that the snakes carried luminescent gem stones on their heads. They used them to find their prey. The general theme is that snakes use the light of Nagaratnam (cobra jewel) and if they lose it, snakes become very upset.

Kalidasa in Kumara Sambhavam : 2:38, 5:43, Raghuvamsam 6:49, 10:7, 11:59, 11:68,13:12, 17:63;Rtu Samharam 1:20

Sangam Tamil poets in  Aka Nanuru 72, 92, 138, 192, 372; Pura Nanuru 172, 294, 398; Kurunthokai 239; Natrinai 255; Kurinchipattu Lines 221,239

This is not an exhaustive list. We find such references in innumerable places.

Pearl in the Oyster

If the rain falls on Swati star day the oysters open their mouth to drink the rain drops and the rain drops become pearls-This was the belief of ancient Indians including Tamils.

Malavi.1-6: Kalidasa says , ‘the skill of a teacher imparted to a worthy pupil attains greater excellence, as the water of a cloud is turned in to a pearl in a sea shell.In Puram 380 ,Karuvur Kathapillay says the same about the origin of pearls. Bhartruhari makes it more specific by saying the rain on Swati Nakshatra days become pearls. Biologits also confirm on full moon days lot of sea animals like corals release their eggs or spores. So far as India is concerned it might have happened in that particular (Swati star with Moon) season.

Kalidasa gives more similes about pearls. He describes the river that is running circling a mountain as a garland of pearls( Ragu.13-48 and Mega.-49)

Other references from Kalidasa: sweat drops as pearl:Rtu.6-7; tears as pearls: Mega 46, Ragu VI 28,,Vikra V 15; smile-KumarI-44, water drops on lotus leaf:Kumara VII 89

In Tamil the teeth are compared to the pearls: Ainkur. 185, Akam 27

Since Gulf of Mannar is the main source of pearls in India ,thre are innumerable references to pearls in Tamil literature. Even Kautilya refers to the pearls from Pandya country. Korkai was the harbour city where the pearl fishing was flourishing. Aink 185,188, Akam 27,130 and Natri 23mention pearls from Korkai.

Ivory

The pearl recovered from elephant ivory is referred by Kalidasa and other poets:Kumar I-6,Ragu 9-65.This is referred to by several Sangam Tamil poets:Murugu 304, Malaipadu 517, Kali 40-4, Puram 170 (V M Damodaran),Pathitru.32 (K Kappiyanar), Natri. 202 (P P Katunko), Kurinji 36 (Kapilar), Akam 282 (Thol Kapilar).

Pearl from bamboo trees is also sung by a Tamil poet in Akam 173 (Mulliyur Puthiyar).

Ivory throne : Ragu 17-21

Akam 369 gem shield ;Kali 40- ivory pestle; Puram 35 –diamond needle

Hindus’ belief in Gem Stones (Post No.3356)

Compiled  by London Swaminathan

 Date: 15 November 2016

 Time uploaded in London: 9-12 am 

Post No.3356 

Pictures are taken from various sources; they are representational only; thanks. 

contact; swami_48@yahoo.com 

Recorded by The Rev. J E Padfield B.D. year 1908 in his book The Hindu at Home.

It is an old world notion that magic properties are attached to certain gems, and this idea has been systematized by the Hindus. It is called “The Test of Precious Stones” (Ratna Pareeksha). But the testing is largely confined, to the luckiness or otherwise of the particular gem and has nothing to do with its intrinsic value, nine kinds of precious stones are enumerated and mention is made of the  deity, or planet with which each is connected.

It is stated that the wearer of a particular gem receives the blessing of the patron deity. Thus rubies are the favoured gems of the sun; diamonds of Venus; pearls the moon; emeralds of Budha, the son of the moon. sapphires of Saturn; cat’s eye of the dragon’s tail, or descending node of the moon (Rahu); topaz of Jupiter; coral of the ascending node of the moon (Ketu) and the agate of Mars.

Faulty Gems!

Six kinds of rubies with flaws are enumerated, each of which is said to bring misfortune to the wearer. A ruby, with milky layers enveloping it, is said to bring poverty to the wearer; one with a broken ray in it will cause quarrels and disputes; one chipped will make enmity between relatives; one full of cracks will plunge the wearer into sorrows for ever; one with many flaws will endanger the life of the wearer one rough and dark in colour will be sure to cause evils. It is advisable to avoid either of these six kinds. It is also said that rubies containing two or three round spots are not lucky. It is not advisable to cast one’s eyes upon such a stone on awaking in the morning. It is most lucky to wear good and pure rubies; the sun, their patron, will bless the wearer with wealth and prosperity castes.

diamond

Diamonds are divided into four classes or castes. Those that are pure white are said to be of Brahmin caste, and bestow great benefits upon of wearer. Those that are red, are of the Kshatriya caste, and bestow upon the wearer the power. Those that are yellow are of the Banya caste, and bestow prosperity generally. Those that are black, are of the Sudra caste, and mean ruin to the wearer.

When a diamond contains shining streaks, resembling the feet of a crow, it will cause death of the wearer. If a pure diamond is worn, Venus, its patron, will bless the wearer with the comforts of life.

There are said to be nine places in which pearls are found. In the clouds; this kind said to be oval in shape, and to be worn by the gods. In the of a serpent; these are said to be like small seed, and to have the quality of relieving the wearers from all troubles. In the hollow of a bamboo; these are said to be black in colour, and give the wearer certain attractions. In a fish; these are white in colour, and protect the wearer from danger by fire. In the head of an elephant ; these are yellowish green and should be worn by king. In a sugarcane, this kind is of reddish colour and is said to have the power of causing all , even and queens, to be subjected to be subjected to the will of the wearer. In a conch shell; these are said to be like a dove’s egg, but they cannot be obtained by ordinary men. it requires a knowledge of mantrams, or of magic, to get them. In the tusk of a wild boar; this kind is red in colour, and is in size like the regu fruit (ziziphus jujuba); it will bring fame to the wearer.

pearl

In the pearl oyster; of these there are said to be three kinds, of a reddish, a golden, or a white colour. The moon, the patron of pearls, will bless a wearer of pure pearls with fame and the pleasures of life.

emerald

Emeralds are said to be of eight classes according to their colour. Poisons have no power over those persons who wear a good emerald. It gives protection against the power of the evil eye and develops the mental faculties. Emeralds also have the power of protecting the wearer of one from the designs foes, from sorrows, madness, internal pains, swoon and various diseases of the liver. A sure access to heaven is promised to that one who freely gives emerald to a Brahmin.

sapphire

Sapphires are divided into three classes according to the depth of their colour. There are also six kinds (with flaws) that are said to bring evil to the wearer; such evils as quarrels with relatives, loss of children, hazard to life, certain death within a year. A sapphire is purest when, if placed in milk it gives to the milk a bluish tinge. It is then a true sapphire. A sapphire is said to be electric, when a blade of grass will adhere to it though blown upon. Such a stone is said to bring lustre to the wearer. The Saturn, the patron of sapphires, will bless the wear of a true sapphire with prosperity and immunity from death.

The topaz is described as having a colour like a drop of dew on a flower, and its patron deity, Jupiter will bless the wearer with immense wealth.

Four kinds of coral (with flaws) are enumerated that will cause evil to the wearer, troubles, grief, disease, and death. There are six kinds of good coral mentioned, according to the colour, and the wearer of such is promised the pleasures of life and the accomplishment of his designs.

agate

The blessing of Mars is promised to the wearer of an agate, which blessing ensures wealth and prosperity.

The details given in this chapter, have, I think, served to show how strong the passion for jewels amongst the Hindus.

(My comments: Being a Christian preacher, Rev. Padfield had criticized the Hindus for their beliefs at the end of each chapter; that is why he gave more information about flawed (bad) gems than good gems. I have already written about the good gems mentioned by Kalidasa and Varahamihira (Brhat Samhita). Manu also advise that gems should be worn by the kings (7-218)

–Subham—

Tags- Ornaments in Kalidasa Works, Ancient Hindu Jewellery,  You can get Ph.D., part 3

Ancient Hindu Jewellery: You can get Ph.D.- part 1(Post No.15,867)

 Ornaments of Parvati as huntress, Madurai Temple

Ornaments of Lord Siva who appeared as hunter; Madurai Meenakshi Temple.

Written by London Swaminathan

Post No. 15,867

Date uploaded in London –13 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Hindus are the only people in the world who wear ornaments from head to foot. Greeks have no ornaments on their statues in the ancient time. Egyptians had some jewellery  ut only kings and queens wore it around their necks. Where as all Hindus have been wearing it whether it is a king or a servant; our ancient statues and literature prove it. Until this day wedding pictures of brides also show this. We have copious references to these ornaments in the Rig Veda, the oldest book in the world. After Rig Veda, we see it in the necks of Mother Goddess in Harappan Civilization. Statues of Yakshis, Yakshas and devotees dated around second century BCE reveal all types of jewelleries.

***

Apart from Hindus, Mayans and Aztecs in South America wore almost similar ornaments like the Hindus. We know that Mayans migrated to South America after a big conflict with Lord Krishna and Arujana. Both wanted to cultivate in new areas and construct new houses. So, they declared that they are going to burn Khandava Vana (Gond Wana Land). Naga tribes in the forest objected to it. But Krishna went ahead igniting a long fight between Nagas and Rulers for a few centuries. They killed all Nagas when Parikshit was assassinated. Then Astika Rishi and Jaratkaru initiated a peace agreement. Brahmins recite this historical peace agreement in a mantra three times a day. They face towards north and recite Narmadaayai Namah mantra with full details. ( In my research article written a decade ago, I have given over sixty similarities between Mayan Civilization and Hindu Civilization).

***

You can get a doctorate if you do research in Hindu jewellery. Rig Veda, Harappan Civilization, Sangam Tamil literature gives us encyclopaedic information.

Here is the list of ornaments in the Rig Veda (2000 BCE according to Prof. Wilson who thrashed Max Muller and made him to withdraw his 1200 BCE dating)

List of Ornaments in the Rig Veda

Karna sosbhanaa- 8-78-3; ear stud; ear ring;

Khaadi-1-168-3, 5-54-11;brooch, ring, bracelet or anklet;

Khaadihasta- 5-58-2; wearing bracelets;

Khaadi-6-16-48; wearing bracelets and anklets;

Khaadi pada-5-54-11; decked with anklets;

Krsanam- 1-126-4; pearl;

Krisanaavat– 1-126-4; wearing pearls;

Candra- 3-3-5;4-2-13;silver;

Candravat-3-30-20; wearing silver ornaments; possessing silver;

Tamsa- 10-106-1; to decorate;

Niska-2-33-10;8-47-15;golden ornament for the neck;

Niskagriva-5-19-3; wearing a gold necklace;

Mani-1-33-8; globule, crystal, gem;

Manigriva- 1-122-14; wearing a necklace of beads /gems;

Rajata- 8-25-22- silver;

Ratna- 1-41-6; 2-38-1; 4-1-10; shell, gems, pearls;

Ratnadhaa- 4-34-6; 7-16-6;possessing , offering ratna; great wealth;

Ratnadheya- 4-13-1; distribution of ratna; great wealth;

Rukma- 1-88-2; 4-10-5; golden chain or ornament;rukmi-1-66-3-adorned with gold ornaments;

Rukmavaksha- 1-166-3; having golden ornaments on chest;

Vrsakhaadi-1-64-10-having long bracelets;

Hiranyaya- 1-7-2;4-58-4;7-69-1; abounding in gold;

Hiranyam- 1-46-10;3-34-9; gold; precious metal;

Hiranya pinda- 6-47-22; lump of gold;

Hiranya paani-1-35-9;3-54-11;7-38-9; wearing gold ring or bracelets on hand;

Hiranya baahu- 7-34-4; wearing gold armlets;

Hiranya karna- 1-122-14; wearing gold studs; rings;

Hiranya pesa- 8-8-2; 8-31-8- adorned with gold;

Puskarasraj- 10-184-2; lotus garland

This list in not comprehensive; silver is mentioned in a lot of places with the word candra in the Rig Veda.

(Mani, Pinda were used even in 2000-year-old Sangam Tamil literature).

After Rig Veda, we get more information from Atharvana Veda, Yajur Veda, Upanishads, Sangam Tamil literature, and historical Tamil and Sanskrit inscriptions. The full jewellery list of Padhmanabha swamy Temple in Thiruvanathapuram (Kerala), Jagannath temple at Puri (Orissa) are not made public yet; Tirupati Balaji temple jewellery is uncountable. India is the richest country in the world even today. Each item in the temple will get millions of dollars if it is auctioned today. Palaces of old kings have hidden treasures. They keep it a secret until this day.

To be continued………………..

Tags- Ancient Hindu Jewellery, you can get Ph.D., part 1, list of ornaments, Rig Veda, Mayan, Aztec, Greek, Egyptian, ornaments,

Brahmin Gotras on Tamil Inscriptions (Post.15,862)

Written by London Swaminathan

Post No. 15,862

Date uploaded in London –12 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Brahmins lived not only in India but also in Sri Lanka and all over Southeast Asia. The Tamil and Sanskrit inscriptions and books like Mahavamsa confirm it. Agastya and Kaundinya, two Brahmins, occupy an important place in the literature, Historical inscriptions and folklore of Southeast Asian Countries. Sanskrit inscriptions of Mulavaman, Purnavarman (Fourth Century CE) and others were discovered inside the deep virgin forest of Borneo (Indonesia). Yupas (Yaga Pillars) were also found there. That shows Brahmins did big Yagas as well.

The suffix Varman has been continued with the name of Kings from Mahabharata days to the modern period.

Sangam Tamil poets proudly include their Gotra names. Dr R Nagaswamy, famous historian and archaeologist, N.Subramanian, Tamil scholar gave us a list of the gotras found in Tamil Nadu in their books.

Here is a list given by N.Subramanian in his book The Brahmin in the Tamil country, Madurai, 1989 :

The following Brahminical Gotra names are heard of in early and medieval Tamil inscriptions:

1.MAUTKALYAYANA

2.SRIVATSA

3.KAUNDINYA (GNANA SAMBANDAR’S GOTRA)

4.KASYAPA

5.BHARADVAJA (NACHCHINARKINIYAR  GOTRA)

6.JATUKARNA

7.VADULA

8.AGNIVESHYA

9.ATREYA

10.VISHNU VRIDHDHA

11.LOHITA

12.VASISTHA

13.GAUTAMA

14.PARASARA

15.HARITA

16.MUTKALA

17.KAUSIKA

18.SANDILYA

19.TARAYANA

20.AUSITHA

21.SAVARNI

22.SANKRIYAYANA

23.MASHALA

24.GARKA

25.RATHITARA

26.KANEKA

27.SALAVATA

28.KUTSA

29.VARAKYA

30.KAPI

31.TUMRAYANA

32.PAURUKUTSA

33.SAMKRASHTI

34.MATTARA

35.JANATKARNA

36.MADALA

37.KAPPA (KAVYA?

38.UDAMEGHA

39.LAKSHANYA

40.KANVAYANA

41.VISVAMITRA

42.ASHMATYA

****

The following Sutra names are also found in inscriptions:

1.APASTAMBHA

2.PRAVACHANA

3.BAHUVRIKSHA

4.SANDIKA

5.VASAUNI

6.HIRNYAKESI

7.ASVALAYANA

8.BAUVISHYA

9.KALARASPA(KALASARPA?)

10.KALARCHCHA

11.VAJAYANESYA

****

Following suffixes to names occur

1.SARMA, 2.BATTAR, 3.SOMASI (SOMA YAJI), 4.KILAN, 5.SARMAN, 6.CHATURVEDI, 7.VASANTAYAJI, 8.TRIVEDI, 9.SANGHVI (SATANGAVIT), 10.AIYAN, 11.VAJAPEYI, 12.UPADYAYA, 13.DVIVEDI

Chaturvi- one who mastered four Vedas; oldest Tamil book was approved by Chaturvedi Acharya of Tiruvithankodu in Kerala.

Trivedi- one who mastered three Vedas.

Dvivedi – one who mastered two Vedas.

Tamil Brahmins were great scholars; throughout Sangam Tamil literature we hear only Chaturvedi (in Tamil Naan Marai)

Sanghvi is Shat Andga Vit= one who is an expert in Six Angas/parts of Vedas.

In Tamil we call it Sadangu.

***

The following sacrifices are also mentioned:

Vajapeyam (Indian Prime minister Atal Behari Vajpeyi was from the family of Vajapeya Yaga experts)

Agnishtomam;

Asvamedham (horse sacrifice)

Rajasuyam is mentioned in Purananuru (Sangam Tamil Literature)

Kalidasa mentions that Pandyas are always with wet clothes because eof bathing called Avabrudha Snanam (in Raghuvamsa; it may be about Pal yaaga salai Mudu Kudumi Peruvazuthi)

Pal yaaga saalaa= one who constructs many Yaga Kundas at the same time)

The following Sakais (shakaa= branch) or Charanams are mentioned:

Asvalayana – Rig Veda;

Apastambha , Bharadvaja, Baudhayana, Satyasadha, Vaikanasa 0f Yajur Veda; Katyayana- Sukla Yajur Veda; Drahyayana- Sama Veda.

From Madurai N Subramanyam’s book

****

My old article on this subject follows: –

Brahmin Poets and Gotras

Brahmin poets of Sangam age identified themselves by thier Gotras. This gives valuable information to us. Even when Asoka sent his emissaries to Sri Lanka, they were welcomed by Brahmin priests. Mahavamsam says Brahmins were living in Sri Lanka even before Vijayan’s arrival there. It shows Brahmins were there at least from sixth Century BCE.

But most famous Brahmin poets Kapilar, Paranar, Mamulanar (Maamuulanaar) ,Kadiyalūr Uruthirankannanār etc. never mentioned their castes. Only other poets praised Kapilar as the most celebrated Brahmin because he was pure and self-controlled.

Pulan Azukkatra Anthanaalan – in Tamil

செறுத்த செய்யுட் செய் செந்நாவின், வெறுத்த கேள்வி விளங்கு புகழ்க் கபிலன்’  (புறம்.53) ;

‘புலன் அழுக்கற்ற அந்தணாளன்’ – நப்பசலையார் (புறம் 126); ‘

பொய்யா நாவிற் கபிலன் (புறம் 74)

***

We find the following Gotras in Sangam books:

The Gotras mentioned are: Atreya, Kausika, Kaundinya, Gowthama, Kasyapa, Kapya (Kaavya), Vatulya, Gargya,

Ilankousikanār         இளங்கௌசிகனார்

Iraniyamuttathu Perunkundrūr Perunkousikanār     இரணியமுட்டத்துப் பெருங்குன்றூர்ப் பெருங்கெளசிகனார்

Kallil Āthiraiyanār   கள்ளில் ஆத்திரையனார்

Kāppiyan Chēnthanār       காப்பியஞ் சேந்தனார்

Kāppiyātru Kāppiyanār     காப்பியாற்றுக் காப்பியனார்

Kāsipan Keeranār   காசிபன் கீரனார்

Kavuthaman Sāthēvanār  கவுதமன் சாதேவனார் (ஆமூர் கவுதமன் சாதேவனார்)

Kondimankalathu Vāthuli Narchēnthanār       கொடிமங்கலத்து வாதுளி நற்சேந்தனார்

Kōthamanār  கோதமனார்

Madhurai Ilankanni Kōsikanār    மதுரை இளங்கண்ணிக் கோசிகனார்

Madhurai Ilankousikanār மதுரை இளங்கௌசிகனார்

Madhurai Kavuniyan Poothathanār      மதுரைக் கவுணியன் பூதத்தனார்

Neythal Kārkkiyār  நெய்தல் கார்க்கியர்

Pālai Gouthamanār           பாலைக் கெளதமனார்

Perunkousikanār    பெருங்கௌசிகனார்

Sellūr Kōsikan Kannan      செல்லூர் கோசிகன் கண்ணனார்

From other sources we know Chandilya, Bharadvaja Gotras. Most famous commentator Nachchinarkiniyar , and Nedum Bharatayanar, Teacher of a Chera king, belong to Bharadwaja Gotra.

Post Sangam epic Silappadikrama gives more information. Dr Nagaswamy, famous historian and archaeologist, lists 32 Gotras that lived in Tamil Nadu, from post Sangam period inscriptions.

List of Brahmin poets and their contribution in Sangam/ Cankam literature:

List of Famous Brahmin Poets:

Agasthyar ,who received Tamil language from Shiva

Tolkappiyar (Thruna dumagni), who wrote grammar after Agaththiyam became obsolete.

Amur Gowthaman Sathevanar (Sahadevan)

Kadiyalur uruththiran Kannanar ( Rudra Aksha)

Kodimangalam Vathula (Gothra) Narsenthan

Sellur Kosikan (Kausika Gothra) kannanar

Madurai Teacher Nalanthuvan

Madurai Ilam kausikanar

Madurai Kanakkayanar

Nakkiran,son of Madurai Kanakkayanar

Madurai gownian (Kaundinya Gothra) daththnar

Mamulanar

Uraiyur enicheri mudamosi

Perunkundrur Perungkausikan

Kumattur kannan

Gowthaman

Valmiki

Vadamavannakkan damodaran

Vembathur kumaran

Paranar

Kapilar-Paranar

*****

Books written by Brahmin poets

Tolkappiyam (Pre Cankam period); His name was Truna Dhumagni, according to most famous commentator Nachchinarkiniyar. Tolkappiyar beloned to Kavya Gotra (  Kappiyak Kuti in Tamil) Lord Krishna in Bagavad Gita praised this clan. Usanas was the greatest Kavi= Kavya= Kappiya.

Kurinji pattu (lines 261)

Thiru murugatruppadai (lines 317)

Pattinap palai (Lines 301)

Perumpanatrup padai (Lines 500)

Malaipadukadam (lines 583)

Nedunal vadai (lines 188)

Six out of Ten Idylls sung by Brahmins

Pathitrup pathu (all except one)

Ainkurunuru (Kapilar’s 100)

Brahmin’s contribution adds up to 10,000 lines, nearly one third of the Sangam/ Cankam literature.

****

No Brahmins, No Tamil!!


Tamil and Vedashttps://tamilandvedas.com › 2012/01/14 › no-brahmins…

14 Jan 2012 — Without Brahmins Tamil would have died or at least become poorer two thousand years ago. The reason being Brahmins were the teachers of that language

Also more details are given in my article No Brahmins, No Tamil.

–Subham—

Tags- Brahmins, Gotras, Yagas, Tamil inscriptions, Brahmin poets, Sutras, Tolkappiar

Were there Dravidians in India at any time? (Post No.15,847)

Written by London Swaminathan

Post No. 15,847

Date uploaded in London –8 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

NAMES OF ARYAN HUSBANDS???? AND DRAVIDIAN!!!! WIVES (White men Interpretation)

Rig Vedic seer Deergatamas- Married Dasa caste woman Mamata;

Rishi Kavacha Ailusar – married Dasa caste woman;

Sudasa is a famous king in Rig Veda supported by Rishis;

Satyakama kama Jabala- son of  servant maid Jabala.

Rama’s son Kusa- married Naga Princess Kumudavati;

Rama’s son Lava – Naga Princess Kanjajana;

Brahmin Ravana – married Asura kula Mandodari;

Shantanu- Fisher woman Matsyagandha; Son- Veda Vyasa

Matsyagandha means Fish Smell; She was called Yojanagandha, so smelly, her bad smell will go up to one Yojana= eight miles!

Bhima – married Demoness Hidimba; their son- Kadothkajan;

Arjuna- married Naga woman Ulupi; Pandyan Girl Alli (Chitrangatha)- their Son Aravan of Mahabharat;

Lord Muruga- Huntress Valli;

King Yayati- Brahmin Devayani;

Krishna’s son Pradyumna- married Asura Kula Prabhvati;

Vidharpa Desa Princess Maya – married Narakasura; their son Bagatdatta supported Kauravas)

Asura Guru – Brahmin Sukra!

Deva Guru- Brihaspati (These Gurus are in Sangam Tamil Literature)!

Brahmin Asura Vrtrasura was killed by Indra in Rig Veda ;

Brahmin Asura Trisiras was killed by Indra in Rig Veda;

Brahmin Asura Namuchi was killed by Indra in Rig Veda;

(In Bhutan and Nepal Namuchi is used as names of people even today)

Varuna is praised as ASURA in Rig Veda;

Rig Vedic Indra and Varuna are praised as Gods of Tamil Lands by the oldest Tamil book Tolkappiam;

Siva is praised as ARYAN by great Saivite saints who lived around 600 CE or before

No DRAVIDIAN is found anywhere in ancient Tamil literature

All ASURAS prayed to Lord Shiva and Brahma and received boons. Asuras also were practising Hindus.

The above facts explode the myth of foreign writers who said Demons, Asuras, Black skinned men are Dravidians.

Even the Asura names are in Sanskrit!

***

Toda woman in Nilgris

Cousin Marriage

Cousin marriage is followed in Tamil Nadu until this day and it is in all Tamil films as well. But it is also followed in Maharashtra, Gujarat and Orissa. Arjuna married cousin Subhadra, Krishna’s son married cousin Rukmavati. Ther also Northern Aryan custom, Sothern Dravidian custom is exploded.

Whatever foreigners wrote about “Dravidian” and “Aryan” are proved false and mischievous.

***

According to British rulers of India and Christian preachers in India, Dravidians were black and Aryans were white; according to them Dravidians were driven to south by invading Aryans; according to them Dravidians were described as Asuras, Rakshasas and low caste by the Aryans. Look at the list above which explodes this view.

A gang of foreigners led by Max Muller, John Marshall Mortimer Wheeler, John Mackay misled the world by giving racial connotations to two words Aryan and Dravidian. Neither 2000 year old Sangam Tamil literature nor 5000 year old Vedic literature has no evidence for it.

Arya is found in Rig Veda and the later Tamil Sangam literature. In Sanskrit it meant Cultured, educated, disciplined etc. In Tamil Sangam literature it meant Rishis in the Himalayas, People living in the North. No where Arya meant a race of people.

DRAVIDIAN IS NOT AT ALL FOUND IN TAMIL LITERATURE. Later when it is found in Jain literature it meant South. A reference about Dravida Sangam established by a Jain Muni is oft quoted without any detail. It is understood that there is nothing about Tamil or Tamil Nadu. This is the condition in fifth century CE. Three hundred years after this, Kumarila Bhatta mentioned Dravida Bhasa and refereed to Tamil word Soru (cooked rice). That is the only reference to connect this word DRAVIDA with Tamil. There also he meant a language spoken in the SOUTH. Because the ancient division of India as 56 Countries show Dravidian Desa out side Tamil Nadu. Chera Chola, Pandya desas have nothing to do with it.

Desa= country

One more reference from First Century BCE comes from the most famous Jain King Kharavela. He talks about breaking the Dramila Sanghatan which is 130 year old. Here is a controversy, only interesting to linguists. One group argued the very word TAMIL came from DRAVIDA:

Dravida=Dramila= Tamil.

Another group put it in reverse gear and argued:

Tamil=Dramila= Dravida.

It is true that M becomes V.

Most famous Saivite Saint Manikka vasagar changed Mirugam= Virugam (animal-Mrga)

Mandodari= Vandodari (Ravana’s wife and daughter of Demon Mayan, who married Brahmin Ravana)

Tamil Villagers use Muzi= Vizi (pupil in the eye).

Leaving this to linguists, if we move on to Indus Valley (Harappan or Sarasvati River Civilization), there is no Dravidian skeleton; all the skeletons discovered were of Aryan stature. The mischievous gang led by Jonhn Marshall, Mortimer Wheeler and John Mackay used the word Dravidian with racial tone and misled the world. Because  of this misleading, until this day the script remains undeciphered.

Max Muller after getting severe beatings and bricks from scholars like Goldstucker, changed his tone and said I used it without any racial connotation. When he started writing about Vedas he declared I am a German and so I am an Aryan. Germans are Aryans. Hitler used it in his auto biography and killed millions.

***

What did Hindus say about classification of People?

Before foreign Christian preachers and foreign rulers misused and abused the word DRAVIDIANS, Hindus knew nothing about the word.

They divided the mankind into 18 groups of people. It is in Tamil commentaries on Sangam literature. It is also in Sanskrit literature.

One important point is man kind moved from one place to another place in the past 5000 years. But the big question is whether they moved from West to East or East to West. Tamil literature never know there is a river called Indus/Sindhu! But they sang about the Himalayas and Ganges. Since Vedic God Indra was assigned direct East and Rig Vedic rivers list started from Ganga Hindus believe that Hindus originated in this land. Nowhere in Sangam Tamil literature or in Vedic literature there is evidence. Only linguists said look at Matha=Mother, Bratha= Brother, Hora=Hour; this shows you came fromoutside India. But Hindus argue millions of words spoken by Indians are not found outside India, so there is no connection linguistically. They also pointed out thousands of ancient customs of Hindus are not found anywhere in the world. What the Christian foreigners showed so far is HORSE. Even that argument was exploded because Rig Veda mentioned the number of Ribs which is not same in the European horses.

Th Hindus believed in mixed marriages; all the famous Hindus had black skin which exploded the Aryan White Skin and Dravidian Black Skin.

Veda Vyasa= utter  black= born to fisherwoman.

Krishna = utter black= Yadava caste;  now a backward  caste claiming benefits from Government!

Draupadi/ Krishnaaa= Black Woman

Rig Vedic Rishis Dirgatamas (Long Darkness), Kavacha Ailusha, Satyakama Jabala and many others were from Dasa caste!

So called low caste people like meat vendor Dharmavyadha, cart driver Raivak taught Vedic wisdom to great kings according to Upanishads.

The list of Mixed marriages is given in the beginning is only a short list, mostly from ancient literature. If we look into history we get hundreds of examples.

***

Naga Mystery

Over 20 Sangam poets are Naga poets; even Gupta inscriptions have names like Ganapati Nagan. Tamil epic Manimekalai described Sri Lanka as naga island. It said those Naga women used to entice sailors and devour them according to Mahavamsa. Only Buddha civilised them according to Sri Lankan chronicles.

My conclusion is that there were no Dravidians according to Tamil and Sanskrit literature, but black skinned and white skinned people lived together. Asuras followed certain customs like eating human flesh which others detested Even according to Eight Types of marriages in Tolkappiam and Manu Smriti, Asura marriage is violent abduction of brides. It shows Asuras believed in uncontrolled violence. Bhagavad Gita and other scripture also described the qualities of good and bad people. People with balanced mind wont quote one or two slokas from scriptures, but look at the whole picture and judge.

–subham—

Tags- Aryan, Dravidian, Asura, Demon, Devas, marriage, white skin, Black skin, Naga mystery, mixed marriage, Cousin Marriage

HINDU DICTIONARY IN ENGLISH AND TAMIL 71; இந்து மத கலைச்சொல் அகராதி-71 (Post No.15,846)

Written by London Swaminathan

Post No. 15,846

Date uploaded in London –8 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

N  Words

Nabhaga / naabhaaga

Many characters in the Puranas have this name; a bit confusing!

Nabhaga (नभग):—

One of the ten sons of Śrāddhadeva  and Śraddhā. This name is not to be confused with Nābhāga (another son of Manu whose name is sometimes replaced with Kavi). (see Bhāgavata Purāṇa 9.1.11-12)

Nābhāga (नाभाग).—Naabhaaga-

A brother of Ikṣvāku. The famous Ambarīṣa was Nābhāga’s son. After conquering all the worlds, he ruled the kingdom strictly along the path of truth and righteousness. (Vana Parva, Chapter 25, Verse 12). In the evening of his life Nābhāga gifted away the whole land to Brahmins. Since she could not leave Nābhāga, Bhūmidevī herself assumed physical form and went to him on the occasion. This emperor never consumed meat. He lives in Brahmaloka according to Chapter 115, Anuśāsana Parva. (Śānti Parva, Chapter 96, Verse 124).

Another story

 Nābhāga (नाभाग).—A son of Vaivasvata Manu and father of Ambarīṣa.*

The last son of Nabhaga and a bachelor; saw his father’s property divided among his other brothers and himself left with nothing; on his father’s advice he went to the sacrifice of Angīra’s descendants and explained the sixth day rituals relating to Viśvedevas. When the sacrificers went to Heaven their unspent wealth was presented to him. At this time appeared a person of dark complexion who was Rudra and who claimed all the property as his own; when Nabhaga was consulted he said that on a certain occasion, all the remainder in a sacrificial hall was left to Rudra. So Nābhāga apologised and gave away all that wealth. With this Rudra was pleased and initiated him into the knowledge of the Brahman. After making a present of all that wealth to the prince, he disappeared.

***

Naga, Naaga, Naaga loka/ Naaga kanya

Naga (नग) is synonymous with Mountain (śaila).

A mysterious name in Indian History and Tamil Sangam Literature; over twenty Tamil poets have this name. Naga lokam is located in the middle of rivers or seas. Arjuna married Naga Kanya Ulupi. Manimekalai, Tamil epic, described Nagaloka. It says Sri Lanka was full of Naga Kanyas.All the river side beauties and sea side beauties are described as Naga Kanyas (snake nymphs). The very word SNAKE is derived from Sanskrit S+naka!

In Sangam Tamil literature Naaka lokam is heaven/Swarga.

Gupta inscriptions talk about Ganapati Naga etc.

Wisdomlib.org gives more on Nagas:

1) Nāga (नाग).—An asura (demon). (See under Nāgāstra).

2) Nāga (नाग).—A class of serpents. It is stated in Vālmīki Rāmāyaṇa, Araṇya Kāṇḍa, Sarga 14, that of the ten daughters of Kaśyapa, from Surasā, the nāgas and from Kadrū, the Uragas (both are serpents) came into the world.

Nāga (नाग) refers to a group of inhabitants of ancient Kaśmīra (Kashmir valley) according to the Nīlamatapurāṇa.—The Nāga deities of the Nīlamata have power over rain, storm and snow, and dwell generally in lakes, pools and springs.

Creatures born with human forms above the naval and of snakes below; born of Kaśyapa and Kadru; their capital was Bhogavatī; their chief was Ananta;1 came to Dvārakā with the gods;2 attacked the chariot of the Lord;3 residents of the Naiṣadha Hill, of all talams and especially Pātalam; capital Māhiṣmatī, renowned for Karkoṭaka sabhā; worship Pitṛs;4 Vāsuki, as their overlord;5 when milking the cow-earth Takṣaka was the calf;6 celebrated the marriage of Śiva and Umā;7 to be worshipped in Palace buildings.

Nāga (नाग) is a name mentioned in the Mahābhārata (cf. I.34, I.35, I.31.6, I.35, I.60.66) and represents one of the many proper names used for people and places.

From Kashmir Ananta nag to Kanyakumari Nagerkoil ,we have hundreds of names with Naga

***

Nagara

In Sangam Tamil literature Nagar means Temple (in Madurai).

Nāgara (नागर, “townsmen”):—The Sanskrit name for a group of Prāsādas (‘town buildings’), according to the 11th-century Samarāṅgaṇasūtradhāra (chapter 63). This work, authored by Bhojadeva, is an encyclopedia dealing with various topics from the Vāstuśāstra.āsāda

Nāgara (नागर) refers to one of the six types of Temples, according to chapter 4 of the Puruṣottamasaṃhitā

Nagara (नगर) refers to a “city”, according to the Śivapurāṇa 2.5.23

Nagara (नगर) refers to a “city” (suitable for the householder to settle down as a citizen), according to chapter 1.4 of Vātsyāyana’s Kāmasūtra:

***

Nachiketa

Son of Rishi Uddalaka Aruni.

The story of Nachiketas appeared first in the Rig Veda. Later Taitriya Brahmana  and Katha Upanishad dealt with it. Vajra sravasva or Uddalaka Aruni, father of Nachiketa, desirous of attaining heaven, performed great sacrifices and was profuse in his gifts to the Brahmins. Nachiketa, as a boy, noted that his father had given only old and barren cows to them.

Nachiketa told his father that he had not given all and asked him ‘To whom I shall be given?’ On repeating the question three times, father angrily replied, ‘To Death’ (Mrtyu).

Thereupon he fell down as though dead and found himself in the presence of Yama, abode of Death. After staying there for three nights, Yama was forced to offer him a boon. He prayed to see his father again and he reconciled. This boon was granted and another one was offered.  All kinds of blessings were proposed but the boy refused to be contented with anything but a true knowledge of the soul. Yama then proceeded to instruct him.

In Mahabharata , it is told that Nachiketa expressed a desire to see some great persons there. Yama then arranged Nachiketa to see some of the great persons who had given away cows to Brahmanas. Bhishma related this episode to Yudhisthira to stress the importance of gifting cows to Brahmana.

***

Nahusha

An ancestor of Kuru Dynasty; son of Ayu and father of Yayati. Once in the temporary absence of Indra, he became the king of Swarga/heaven. There he became intoxicated with power and began to behave like a tyrant. He even entertained a desire that Indrani (Sachi) wife of Indra, should submit to him. Indrani had to seek the help of Brahma and together they devised a plan to topple him

Sachidevi (Indrani) went to Nahusha’s palace. There, she said, “O mighty king of the gods! Before I become your wife, I have a request to make. I wish you to come majestically to my house in a grander style than the Lord Vishnu or Shiva. Let the seven rishis bear your palanquin.” Nahusha, already riding high in his pride, instantly fell into the trap.

Seven revered rishis carried him in a palanquin on the dreadful day of Nahusha’s supposed meeting. Engulfed in lust, Nahusha was impatient to reach Sachidevi soon.  Agastya, shortest of the Rishis, also joined the seven Rishis. Because he was too short the palanquin had wobbled. So Nahusa began goading the rishis to go faster and, out of mad wickedness, kicked the pious sage Agastya, saying “sarpa, sarpa.” Sanskrit has two meanings of ‘sarpa’- one is ‘‘to move’, and the other is ‘serpent’. Agastya cried out loud in anger, “O wicked Nahusha, you out of pride had made us the rishis bearer of your palanquin. On top of it, you are also goading us and saying sarpa, sarpa constantly. I curse you now and here that thou shall fall from heaven and become a sarpa on earth.”

Immediately, Nahusha fell headlong from heaven and became a python in the jungle. There, he had to wait for long period for deliverance. His progeny, Yudhisthira, came to rescue him in Dwapara Yuga.

When Nahusha got his deliverance from the curse, he told Yudhisthira:

सुप्रज्ञमपि चेच्छूरमृद्धिर्मोहयते नरम् ⁠।

वर्तमानः सुखे सर्वो मुह्यतीति मतिर्मम ⁠।⁠।⁠

suprajñamapi cecchūramṛddhir mohayate naram

vartamānaḥ sukhe sarvo muhyatīti matir mama

“O righteous king Yudhisthira! The wealth and opulence fascinate even the most intelligent and brave man. I believe that everyone immersed in pleasure is disillusioned by it and subjected to the great fall as I did.”

Goswami Tulasidas ji also said in Ramcharitmanas:

नहिं कोउ अस जनमा जग माहीं,

प्रभुता पाई जाहि मद नाहीं ⁠।

nahim kou asa janama jaga māhī,

prabhutā pā’ī jāhi mada nāhī

“Never has a creature born in this world who doesn’t get intoxicated with pride when exalted with power and opulence.”

The story of Nahusha proves that excessive fame and power lead to pride, and pride leads to the ultimate downfall. So, one must always be conscious of one’s surroundings and not allow pride to take over.

***

Nakula

Youngest of the five Pandava brothers, he was the son of Madri and twin brother of Sahadeva. He was an extremely handsome youth renowned for his mastery in sword fighting. As he was an expert rider, he had no difficulty in obtaining a post as the keeper of royal stable of King Virata of Matsya Desa during the thirteenth year of banishment. Under the name of Granthika, he spent one year without anyone recognising him. At the end, just before revealing his identity,  he fought along with the Matsya forces against the invading army of Susharma of Trigarta desa and earned the respect of King Virata.

Mythologically he was the son of Aswins, also known as Nasatya in the Vedas. He had a son named Niramitra by his wife Karenu-mati, a princess of Chedi desa.

In Indonesia, Nakula is a highly prominent name in Bali. It is a major street in the upscale resort town of Seminyak (Jalan Nakula) and the namesake of Nakula, a leading Bali-based hospitality and private villa management company

***

Nala and Damayanthi

This interesting love story of Nala and Damayanthi is in the third chapter, Vana Parva, of Mahabharata. The story was adapted into Tamil by two poets Pukazenthi and Athi Veera Rama Pandyan.  Other poets of Tamil epic Silappadikaram and Thevaram made passing references to it. Because the story is so moving, a lot of other important things in the story are missed by many.

Following subjects are dealt within the story:-

1.Extra Terrestrials

Art of Disguise

Eight Paranormal Powers

4.Bird Migration and Training Birds for communication

5.Art of Cookery

6.Art of Charioting

7.Magic Numbers

8.Art of Gambling and Manipulation

9.invisible Cloaking

10.Toxicology

11.Moral Teaching and Psychology

12.Letter Writing by Kings

13.Truth alone Triumphs

14.Necessity of cleanliness

15.Role of Poetry

16.Brahmin Ambassadors/ Role of Ambassadors

17.Travellers’ Tale & Business Travel & Robbers

18.Geography

19.History

20.Role of Saints/Psychologists

21.Child care

22.Unusual Freedom of Indian Women

23.Body marks

24.Science of Horses

25.Tree Science

NALA DAMAYANTI story was translated into Latin by Bopp and into English verse by Dean Milman. 

DAMAYANTHI was the only daughter of King Bhima of Vidarbha (Nagpur region in Maharashtra). She was very beautiful and clever. Nala, King of Nishada, was a brave and handsome person. He was learned in Vedas and virtuous. He had great skills in arms, management of horses and cooking. His only weakness was addiction to gambling (which we see later in Yudhishthira of Mahabharata as well). Nala and Damayanti loved each other, though they have never met. Nala sent a message using swans.

(This shows the use of animals for human communication; it is in Sangam literature Purananuru verse as well.)

Bhima determined that his daughter should hold a swayamvara. The warrior class Hindu women of India had the highest freedom in the world. They chose the bravest and the cleverest prince or a king as their husband. This explodes the theory of Aryan immigration and Aryan-Dravidian division. Since it was not practised anywhere in the world except Hindus

Bhima sent letters to all the kings inviting them to Swayamvara (princess choosing her own partner).

Kings flocked to Damayanti’s Swayamvara and among them was Nala. Having heard the beauty of Damayanti through the Inter Galactic traveller Narada, even the Vedic Gods Indra, Varuna, Agni and Yama came to it. Nala who met them on the way, without knowing their intention, promised them to help. Even when they asked his help in marrying Damayanti, he did not go back on his words.

Nala reluctantly performed the promised task, but his presence perfected his conquest, and the maiden announced her resolve to pay due homage to Four Vedic Gods, but choose him for her lord. Nala entered the harem of Damayanti by becoming invisible with the power given by the Vedic gods. Now we read in science magazines about ‘Invisible cloaks’. We had such facilities thousands of years ago!

During the Swayamvara (princess freely choosing her own lord), all the four gods looked like Nala (art of disguise), but Damayanti was able to see the features of Extra Terrestrials in the Four heavenly Gods. Their feet never touched the ground (floating), they never winked (no beating of brows) and their garlands never withered.

When Damayanti chose Nala as her husband, they got married formally and lived happily for some time. Kali, the symbol of bad age- Iron Age- also came for the Swayamvara, but very late. When he heard that everything was over, he decided that he would separate the couple in future. One day when Nala did not wash his hands and feet before worshipping God, Kali entered him and made him an addict to gambling. Hindus always quote this event to emphasize cleanliness

At Kali’s instigation Pushkara, younger brother of Nala challenged him to come for a game of dice. Nala lost everything and his brother Pushkara became king. Both Nala and Damayanthi were forced to leave the country

As he lost even his clothes, he shared the cloth of Damayanti and decided at one stage that he should leave her alone. While she was sleeping, he slipped out leaving her in great distress. When she came to forest she wisely sent her two children Indrasena and Indrasenaa (long vowel is used for females in Sanskrit; Krishna is lord; Krishnaa is Draupadi).

This shows the importance of child care. A woman worries more about the safety and welfare of her children than her life.

Damayanti joined the caravan that was passing through the forest. We find such caravans going through forest in Tamil literature as well. The caravan of merchants was attacked by an elephant, and the chaotic scene is described vividly in the Mahabharata. Even Brahmins joined the group of tradesmen passing through the forest.

When the queen mother of Chedi Kingdom saw a beautiful woman with all the features of a queen, walking with the traders, she called her and gave her refuge.

Nala was bitten by the king of serpents Karkotaka in the forest, who was under a curse from which Nala was to deliver him. The serpent bit Nala and the poison should work upon him till the evil spirit (Kali) was gone out of him, and then he should restore his original handsome form. The serpent’s poison made him ugly and deformed. Here we learn about toxicology.

Later, Nala entered the service of King Rituparna of Ayodhya, as a trainer of horses and an accomplished cook, under the name of Bahuka.

Damayanti was sent to her father’s kingdom of Vidarbha where he found her children. Then she devised a clever plan to bring back Nala. She announced a second swayamvara.

In those days Brahmins were used as ambassadors, and Damayanti also employed a Brahmin to find Nala with all the available information. One Brahmin identified and informed Damayanti about his whereabouts.

In the meantime, Rituparna, having heard the second swayamwara of Damayanti, decided to attend it. Since he knew that Nala was a great driver of chariots, he employed the service of him to travel 800 miles in 24 hours (100 yojanas in the original).

On their way Rituparna taught Nala the science of numbers and the rule of chances and learnt from Nala, the science of horses. This shows the Exchange of Knowledge and Sharing Information. As soon as Nala acquired this knowledge, the evil spirit (Kali which means Dark) went out of him.

Damayanti convinced that it was her husband Nala by the flavour of a dish he cooked. Here comes the art of cooking.

Afterwards Nala and Damayanti met and Nala resumed his form. Now that he knew the science of numbers, he challenged Pushkara for a game of dice and won the game. Rituparna’s teaching helped him. Nala got back his kingdom and lived happily with his wife.

—Subham—

Tags-HINDU DICTIONARY IN ENGLISH AND TAMIL 71; இந்து மத கலைச்சொல் அகராதி-71 (Post No.15,846), Nahusa, Nala, Nachiketa, Naga

Vishnu Temples 108 “Divya Desams” in Pictures-48; திவ்யதேசம்- லண்டன் சுவாமிநாதன் படங்கள் (Post.15,845)

Written by London Swaminathan

Post No. 15,845

Date uploaded in London –8 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

திருவேங்கடம் (திருப்பதி, திருமலை, ஆதிவராஹ க்ஷேத்ரம்)

ஆந்திரப் பிரதேசத்தின் தென்கிழக்குப் பகுதியில் உள்ள சித்தூர் மாவட்டத்தில் அமைந்துள்ள ஒரு வைணவ தலம்.. இத்தலம் வைஷ்ணவர்களின் 108 திவ்விய தேசங்கள் என்றழைக்கப்படும் கோவில்களில் திருவரங்கத்திற்கு அடுத்தபடியாக இரண்டாம் இடத்தில் வைத்துக் கொண்டாடப்படுகிறது.

1) முதல்பிரிவு – கீழ்த்திருப்பதி, கோவிந்தராஜப் பெருமாள், கோவில்

மூலவர் – கோவிந்தராஜப் பெருமாள், புஜங்கசயனம், கிழக்கே திருமுக மண்டலம்.

தாயார் – புண்டரீகவல்லி.

விசேஷங்கள் – இங்கு, ஆண்டாள், உடையவர், முதலியவர்களின் ஸந்நிதிகள் உள்ளன.

2) இரண்டாம் பிரிவு – திருமலை.

மூலவர் – திருவேங்கடமுடையான், ஸ்ரீ நிவாஸன், வெங்கடாசலபதி, பாலாஜி, நின்ற திருக்கோலம், கிழக்கே திருமுக மண்டலம்.

உத்ஸவர் – கல்யாண வெங்கடேச்வரர்.

தீர்த்தம் – சேஷாசல ஸ்வாமி புஷ்கரிணி, பாபவிநாச நீர்வீழ்ச்சி, ஆகாசகங்கை, கோனேரி தீர்த்தம். 14 தீர்த்தங்கள் – வைகுண்ட தீர்த்தம், சக்ர தீர்த்தம், ஜாபாலி தீர்த்தம். வருண தீர்த்தம், ஆகாசகங்கை, பாபவிநாசம், பாண்டவ தீர்த்தம், குமாரதாரை, ராமக்ருஷ்ண தீர்த்தம், தும்புரு தீர்த்தம், சேஷ தீர்த்தம், ஸுகஸந்தன தீர்த்தம், யுத்தகள தீர்த்தம், சீதம்ம தீர்த்தம் உள்ளன.

விமானம் – ஆநந்த நிலய விமானம்.

ப்ரத்யக்ஷம் – தொண்டைமான், ஆறுமுகன்.

ஆதீவராஹர் ஸந்நிதி – ஸ்வாமி புஷ்கரிணியின் வடமேற்கு மூலையில் கோவில் கொண்டுள்ள இப்பெருமாளக்கு தளிகை ஸமர்ப்பித்த பிறகே, அது ஸ்ரீநிவாஸனுக்கும் ஸமர்ப்பிக்கப்படுகிறது. ஏழு பர்வதங்கள் வெங்கடாத்ரி, சேஷாசலம், வேதாசலம், கருடாசலம், வ்ருஷபாத்ரி, அஞ்சனாத்ரி, ஆனந்தாத்ரி என்ற பெயர்களுடன் இருக்கின்றன. இதன் மத்தியில் கோயில் அமைந்துள்ளது. ஸ்ரீ நீவாஸன் எழுந்தருளுவதற்கு முன் ஆதிவராஹன் இத்தலத்தில் ஸேவை ஸாதித்ததனால் ஆதிவராஹரைஸேவித்த பிறகுதான் ஸ்ரீநிவாஸனை ஸேவிக்கவேண்டும்.

3) மூன்றாம் பிரிவு – திருச்சானூர் (அலர்மேல் மங்காபுரம்)

மூலவர் தாயார் – அலர்மேல்மங்கை (பத்மாவதி) , கிழக்கே திருமுக மண்டலம்.

தீர்த்தம் – பத்மஸரோவரம்.

விசேஷங்கள் – இக்கோவிலில் ஸ்ரீ க்ருஷ்ணனுக்கும் ஸெனந்தரராஜனுக்கும் ஸந்நிதிகள் உள்ளன. இந்தக்கோயிலை ஸ்ரீநிவாஸன் நியமனப்படி, தொண்டைமான் என்ற அரசர் கட்டி பகவான் மிக்க ஆனந்தத்துடன் எழுந்தருளியதால் ஆனந்த விமானம் என்று பெயர் உண்டானதாக ஸ்தலவரலாறு.

திருமலைமேல் கல்யாண உத்ஸவம், ப்ருஹ்மோத்ஸவம் முடியளிப்பது ஏராளமான பிரார்த்தனைகள் செலுத்தப்படகின்றன. காணிக்கைகளின் காரணமாக உலகத்திலேயே பணக்காரக் கோவில் இதுதான்.

திருப்பதி பாசுரங்கள்

மங்களாசாஸனம் –

பெரியாழ்வார் – 56, 104, 180, 184, 207, 247, 463

ஆண்டாள் – 504, 506, 535, 546, 577-586, 601, 604.

குலசேகராழ்வார் – 677-87.

திருமழிசையாழ்வார் – 799, 811, 832, 2415, 2420-29, 2471.

திருப்பாணாழ்வார் – 927, 929

திருமங்கையாழ்வார் – 1018-1057, 1275, 1312, 1371, 1388, 1404, 1518, 1572, 1640, 1660, 1811, 1836, 1849, 1946, 1978, 2001, 2038, 2059, 2060, 2067, 2673 (69) , 2674 (6, 124)

பொய்கையாழ்வார் – 2107, 2118-21, 2149, 2157, 2158, 2163, 2180

பூதத்தாழ்வார் – 2206, 2209, 2214, 2226, 2227, 2234, 2235, 2256.

பேயாழ்வார் – 2295, 2307, 2311, 2313, 2320, 2321, 2326, 2339, 2342-44, 2349-54, 2356, 2370

நம்மாழ்வார் – 2485, 2487, 2492, 2508, 2527, 2537, 2544, 2558, 2754, 2848, 2849, 2862, 2919-29, 2948, 2985, 3061, 3282-92, 3326-36, 3458, 3586, 3716, 3740

மொத்தம் – 202 பாசுரங்கள்.

சென்னை – பம்பாய் ரயில்பாதையிலுள்ள ரேணிகுண்டாவிலிருந்து சுமார் 7 மைல் தூரத்திலுள்ள ரயில்வேஸ்டேஷன் திருப்பதி.. திருப்பதி, திருமலை, திருச்சானூர் என்ற மூன்று முக்ய பிரிவுகளிலும், தேவஸ்தான சத்திரங்களும் ஹோட்டல்களும் மற்ற எல்லா வசதிகளும் உள்ளன.

சென்னையிலிருந்து 108 கி.மீ. ரயில், விமானம், சாலை வழியாகச் செல்லலாம் சாலை வழியாகச் சென்றால் கோவிலுக்கு மிக அருகில் போகலாம். இயற்கை வனப்புமிக்க 7 மலைகளையும்  காணலாம்..பத்தொன்பது கி.மீ தூரம். சுமார் நாற்பது நிமிடங்கள் பிடிக்கும்.

மலை அடிவாரத்திலிருந்து, மலை உச்சியிலுள்ள வெங்கடாசலபதி கோவிலுக்கு நடந்து போனால் 11 கிமீ. மூன்று மணி முதல் ஆறு மணி நேரம் பிடிக்கும். எல்லோரும் போகும்பாதை அலிபிரி பாதை எனப்படும்; 3500 படிகளுக்கு மேல் உள்ளது.

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திருப்பதி அதிசயங்கள்

திருப்பதி சென்று திருமலையில் ஏறினால் அதிசய வெங்கடாசலபதி நமக்கு தரிசனம் தருவார். இந்த மலையப்ப சுவாமி, ஏழு மலை வாசன் பற்றி புஸ்தகம் புஸ்தகமாக எழுதலாம். அவ்வளவு அற்புதங்களை பகதர்கள் வாழ்வில் செய்துள்ளார். ஆயினும் எல்லா  விஷயங்களையும் புல்லட் பாயிண்டில் பார்ப்போம்.

உலகின் பணக்கார வழிபாட்டுத்தலங்களில் திருப்பதி,  முன்னிலையில் நிற்கிறது தினமும் 4 முதல் 6 கோடி ரூபாய் வரை உண்டியலில் விழுகிறது!

பாலாஜி என்றும் வெங்கடேஸ்வரன் என்றும் அழைக்கப்படும் பெருமாள்  உலகில் அதிகமான பக்தர்களைக் கவர்ந்து இழுக்கிறார்.

பெருமாளே ஒரு அதிசயம்தான். வைஷ்ணவ, சைவ சின்னங்களுடன் காட்சிதருகிறார். இதனால் அருணகிரிநாதர் 500 ஆண்டுகளுக்கு முன்னால் எழுதிய திருப்புகழில் இவர் முருகப் பெருமானே என்று பாடிவிட்டார்.

மக்கள் நாட் கணக்கில் நின்று தரிசிக்கும் ஒரே கடவுள் இவர்தான்.

இந்தியாவில் அதிகமான கல்வெட்டுகள் உள்ள கோவிலும் இதுதான்.

பக்தர்களால் அதிகம் பாடப்பட்ட துதிக்கப்பட்ட கடவுளும் இவர்தான் அன்னமாசார்யா  மட்டுமே ஆயிரக்கணக்கில் கிருதிகளை செய்துவிட்டார்.

சுமார் 2000 ஆண்டு வரலாறு உடைய கோவில் இது.

தமிழின் மிகப்பழைய நூலான தொல்காப்பியமே வட வேங்கடத்தைக் குறிக்கிறது.

இன்றுவரை பாலாஜி, வெங்கடேஸ்வரன், வெங்கடாசலபதி,  சீனிவாசன், வெங்கட் என்ற பெயர்களை இந்துக்கள் குழந்தைகளுக்குச் சூட்டி வருகிறார்கள். 

தமிழ் இலக்கியம் குறிப்பிடும் பழைய கோவிலும் இதுதான்.

 இது 108 வைஷ்ணவ தலங்களில் ஒன்று. 

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 திருப்பதி லட்டு 

இங்கு பிரசாதமாக வழங்கப்படும் லட்டு உலகப் புகழ் பெற்றது. இந்த பிரசாதமானது திருப்பதி திருமலை தேவஸ்தானத்தினரைத் தவிர வேறெவரும் தயாரித்து விற்கமுடியாது ; 1931 ஆம் ஆண்டு திருப்பதியில் லட்டுப் பிரசாதத்தை முதன் முதலாக அறிமுகப்படுத்தியவர் கல்யாணம் ஐயங்கார் எனும் பெரியவர். 

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நான்  24 AUGUST 2019-ல் எழுதிய கட்டுரையிலிருந்து  முக்கியத் தகவல்கள்

திருப்பதியில் அதிசயம்- உலகிலேயே அதிகமான கல்வெட்டுகள் (Post No.6925)

திருப்பதி என்றவுடன் வெங்கடாசலபதியும் அவருடைய உண்டியலும், லட்டு-ம் தான் நம் கண்ணுக்கு முன்னே வரும். அங்கு மிகப்பெரிய வரலாற்றுப் புதையல் , தமிழ் வரலாற்றுப் புதையல்- இருப்பது பலருக்கும் தெரியாது. அதுவும் தமிழ் வரலாற்றுப் புதையல்.

2000 ஆண்டுக்கும் மேலாக வேங்கட மலை உச்சியில் நின்றுகொண்டு, போகும் வருவோரின் பணத்தை எல்லாம் வாங்கிக் கொண்டு, உலக அரசியல்வாதிகளைத் தன் கோவிலுக்கு வரவழைக்கும், காலடியில் விழ வைக்கும் வேங்கட நாயகனுக்கு பல சிறப்புகள் உண்டு. அருணகிரிநாதர் அவரை முருகா என்று பாடுகிறார்; பேயாழ்வரோ அவரை சிவனே என்று பாடுகிறார்; குல சேகர ஆழ்வாரோ உனது மலையில் எனக்குப்

பறவையாகவோ, புதராகவோ, சுனையாகவோ இருக்க அருள் புரி; அதுவும் முடியாவிட்டால், Please, At least ப்ளீஸ், அட் லீஸ்ட் என்னை வெற்றிலை எச்சில் துப்பும் தட்டாகவாது செய்து விடு என்று இறைஞ்சுகிறார்.

சிலப்பதிகார இளங்கோவோ பாடிப்பரவுகிறார். புரந்தரதாசரோ 600 ஆண்டுக்கு முன்னரே அவரை கிண்டல் செய்கிறார்; நீ ஒரு சரியான செட்டிப்பயல்; காசிலே கறாரான கெட்டிப் பயல் என்று கன்னடத்தில் பாடி சந்தோஷப்படுகிறார்.

kAsu tappidare paTTi baTTi kAsu biDade kaNDu kaTTi

dAsanendare biDa gaTTi namma kEsakki timmappasetti

இதில் எல்லாம் மயங்கிப் போன நமக்கு அங்குள்ள தமிழ்க் கல்வெட்டுகள் பற்றி அதிகம் தெரிவதில்லை. எனக்கும் தெரியாது . நேற்று லண்டனில் பிரிட்டிஷ் லைப்ரரிக்குச் சென்று ஆறு தடித் தடிப் புஸ்தகங்களைத் தூக்கி வந்து படித்தபோது நிறைய அதிசயச் செய்திகள் கிடைத்தன. சில செய்திகளைக் காண்போம்.

பல்லவர் காலம் முதல் அண்மைக்காலம் வரை கல்வெட்டு மூலமே 800 ஆண்டு வரலாறு கிடைக்கிறது இவ்வளவு நீண்ட வரலாறு ஒரு கோவிலில் உலகில் வேறு எங்கும் கிடைக்காது!

திருப்பதி கோவிலிலும் புனித மலை வளாகத்திலும் 1150 கல்வெட்டுகள் உள்ளன. இது 1930ம் ஆண்டு கணக்கு! அவைகள் பெரும்பாலும் தமிழ் மொழியில்தான் இருக்கின்றன. ஏன் தெரியுமா?

சிவன் உடுக்கை அடித்தபோது ஒரு புறம் தமிழ் ஒலியும் மறுபுறம் ஸம்ஸ்க்ருதமும் வந்ததாம். இதற்குச் சான்று தமிழ் இலக்கியத்தில் உள்ளது பரஞ்சோதி முனிவர் பாடிய திருவிளையாடல் புராணம் அகஸ்தியரும், பாணினியும் எப்படி இரண்டு மொழிகளை சிவ பெருமானிடமிருந்து பெற்றனர் என்று பாடி இருக்கிறார்.

ஆயிரத்துக்கும் அதிகமான கல்வெட்டுகளோடு கவிஞர்கள் பாடிய பாடல்கள் அடங்கிய 3000 தாமிர சாசனங்கள் இருக்கின்றன. இதில் அன்னமாச்சார்யா பாடிய கீர்த்தனைகளை அறியாத சங்கீத வித்துவான் கிடையாது.

ஆக உலகிலேயே அதிக கல்வெட்டுகள் நிறைந்த ஒரு வழிபாட்டுத் தலம், உலகிலேயே கல்வெட்டு மூலமே 800 ஆண்டு வரலாற்றைச் சொல்லும் ஒரு இடம், உலகிலேயே அதிகமான தமிழ்க் கல்வெட்டுகள் உள்ள இடம், உலகிலேயே அதிகமான தாமிர சாசனங்கள் உள்ள இடம், உலகிலேயே அதிகமான பக்தர்கள் வரும் இடம், உலகிலேயே அதிகமான வசூல் செய்யும் சாமி என்று எல்லா வகையிலும் வேங்கட +அசல+  பதி சாதனைப் புத்தகத்தில் நுழைந்து விடுகிறார்.

1150 கல்வெட்டுகளையும் படியெடுத்து வெளியிட்ட பெருமை சாது சுப்ரமண்ய சாஸ்திரியைச் சாரும். அவர், சிறப்புக் கல்வெட்டு பயிற்சி பெற்ற திருப்பதி கோவில் தொல்பொருட் துறை அறிஞர்; அவரை முன்னின்று நடத்திய பெருமை தேவஸ்தான விசாரண கர்த்தா சுவாமி  மஹந்த் பிரயாகதாஸ்ஜியைச் சாரும். 1930ம் ஆண்டிலேயே இவைகளை வெளியிட்ட பெருமை கோவிலைச் சாரும். இவைகளை சேர்த்துவைத்து இலவசமாகப் படிக்க அனுமதிக்கும் பெருமை லண்டன் பிரிட்டிஷ் லைப்ரரியைச் சாரும்.

1150 கல்வெட்டு பற்றியும் ஒவ்வொரு கட்டுரை எழுதலாம். இவைகளை ஆராய்ந்து பத்து டாக்டர் பட்டம் பெறலாம் ; அவ்வளவு விஷயம்.

பல்லவன் தந்திவர்மன் அவனது 51ஆவது ஆட்சியாண்டில் ஒரு கல்வெட்டு வழங்கியுள்ளான்.

51 ஆண்டுக்காலம் ஆண்ட மன்னன் தந்திவர்மன்!

ராஜ ராஜ சோழன், ராஜேந்திர சோழன், குலோத்துங்க சோழன் முதலியோர் கல்வெட்டுகளும் உள.

பழங்கால பல்லவ, பாண்டிய, சோழ , விஜய நகர மன்னர்களின் 236 கல்வெட்டுகள் ஆங்கில மொழிபெயர்ப்புடன் முதல் தொகுதியில் உளது.

ஏனைய 5 தொகுதிகளில் உள்ள கல்வெட்டுகள் :-

சாளுவ நரசிம்மன் -169 கல்வெட்டுகள்,

கிருஷ்ணதேவராயர்- 229 கல்வெட்டுகள்,

அச்யுதராயர்- 251 கல்வெட்டுகள்

சதாசிவராயர்-147 கல்வெட்டுகள்

ஆரவீடு வம்சாவளி- 135 கல்வெட்டுகள்

இவர்களில் வண்னமிகு மன்னன் – மாமன்னன், சக்ரவர்த்தி– கிருஷ்ண தேவராயர் ஆவார்; 35 முறை வெங்கடாசலாதி கோவிலுக்கு வந்து தரிசனம் செய்தவர். ஆமுக்த மால்யதா எழுதி ஆண்டாள் புகழ்

 பாடியவர் அவருக்கு நான்கு மனைவிகள். இது போன்ற ஏராளமான வரலாற்றுத் தகவல்கள், கலெட்டுகளுக்குப் பின்னணியாக தரப்பட்டுள்ளன.

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திருப்பதி மலைமேல் முருகன் !

(எனது பழைய அக்கட்டுரையில் ஒரு பகுதி)

திருப்புகழ் ஆராய்ச்சிக் கட்டுரை– 9

அருணகிரிநாதரால் பாடப்பட்டு நமக்குக் கிடைத்துள்ள அற்புதமான 1300+ திருப்புகழ் பாடல்களில் பல அழகான சொல்லாக்கமும், சொல்லாட்சியும், சொற்சிலம்பமும் இருப்பதை  கண்டோம். அவர் போடும் பல புதிர்களுக்கு விடை கிடைக்காமல் அறிஞர்கள் திண்டாடுகிறார்கள் ஒரு மூன்று புதிர்களை மட்டும் இங்கே காண்போம்.

1.            திருவேங்கட மலையில் முருகன் கோவில் இருப்பதாகப் பாடுகிறார். நமக்குத் தெரிந்து வேங்கடாசலபதி (பாலாஜி ) கோவில் இருக்கிறது. அப்படியானால் முருகன் கோவில் ஒன்று இருந்து அழிந்துவிட்டதா? அல்லது இப்போதைய பாலாஜி கோவில் ஒருகாலத்தில் முருகன் கோவிலாக இருந்ததா? இது அவர் போடும் புதிர்.

திருப்பதி (திருவேங்கடம்) பற்றி அருணகிரி நாதர் பாடியது இதுதான்:

வேந்த குமார குகசேந்த மயூர வட

வேங்கட மாமலையில் உறைவோனே

வேண்டிய போது அடியர் வேண்டிய போகம் அது

வேண்டவெறாது உதவு பெருமாளே

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திருவேங்கடத்தில் பாடிய இன்னும் ஒரு திருப்புகழில்

ராவணார் முடி பொடியாகச்

சிலை வாங்கிய நாரணார் மரு

மகனாம் குகனே பொழில் சூழ்தரு

திருவேங்கடமாமலை மேவிய பெருமாளே

என்று பாடுகிறார்.

திருப்பதி கடவுள் பற்றி நிறைய புதிர்கள் உள்ளன. வேறு எந்த வைணவ தலங்களிலும் இல்லாத உருவ அமைப்பும், பல நடைமுறைகளும் பூஜைகளும் திருவேங்கடநாதருக்கு இருக்கின்றன. ஆனால் சிலப்பதிகார காலம் முதல் ஆழ்வார்கள் காலம் வரை அங்குள்ள விஷ்ணுவையும் பாடி இருக்கிறார்கள் அப்படியானால் முருகன் கோவில் எங்கே? இதுவரை ஏழு மலைகளில் முருகன் கோவில் கண்டுபிடிக்கப்படவில்லை.

வேங்கடேசன் என்று சிவனைப் போல ‘ஈஸ்வரன்’ என்று பெயர் வைக்கிறோம். பொதுவாக ‘ஈசன், ஈஸ்வரன்’ என்பது சிவனையே குறிக்கும். எதற்காக ஈசன் பெயரைச் சேர்க்கிறார்கள்? ‘வேங்கட சுப்ரமணி’யனென்றும் பெயர் வைக்கிறோம். வேங்கடத்தில் (திருப்பதி-திருமலை) சுப்பிரமணியன் எங்கே இருக்கிறார்? குன்று தோராடும் குமரன் தமிழக வட எல்லையான வேங்கடத்தில் கட்டாயம் கோவில் கொண்டிருப்பாரே? அது எங்கே? சிலர் விஷ்ணு கோவில் (பாலாஜி),  முதலில் முருகன் கோவிலாக இருந்திருக்க வேண்டும் என்றும் சொல்லுகிறார்கள். அதற்கும் ஆணித்தரமான ஆதாரங்கள் இல்லை.

இருதரப்பு வாதங்களையும் படித்த பின்னர் எனக்கு என்ன தோன்றுகிறது என்றால் ஒருவேளை இரண்டு கோவில்களும் இருந்து ஒன்று மறைந்திருக்கலாம். தமிழ் நாட்டில் கூட சிதம்பரம் போன்ற இடங்களில் சிவனும் விஷ்ணுவும் அடுத்தடுத்து இருப்பதைப் பார்க்கிறோம். “அரியும் சிவனும் ஒன்னு அறியாதவன் வாயில் மண்ணு” என்ற பொன்மொழியை அறிந்தவர்களுக்கு இது வியப்பு தராது. காலப் போக்கில் ஒன்று மறைந்திருக்க வாய்ப்பு உண்டு. தமிழ்நாட்டில் பலகோவில்களில் பலராமன் வழிபாடும் இருந்தது. ஆனால் இன்று அறவே இல்லை. புறநானூற்றிலும் சிலப்பதிகாரத்திலும் பலராமன் வழிபாடு உள்ளது. பழமுதிர்ச்சோலை காணாமற்போகவே நமது காலத்தில் நாமாக புதிய பழமுதிர்ச்சோலையை உருவாக்கினோம்.

நமது ரெகுலர் வாசகரும் பேரரறிஞருமான காலஞ்சென்ற நஞ்சப்பா அவர்கள் தரும் தகவல்

R.Nanjappa

  /  August 24, 2019

Tirupathi- the abode of Balaji,the most famous and wealthy of our Hindu temples- is it a wonder or mystery?

If we follow the ancient Tamil tradition of the five-fold division of the land with a Deity for each, then the hilly region of Tirumala-Tirupati qualifies as Kurinji land, of which the presiding Deity is Subrahmanya, the eternal Kumara ie Balaji! So claims are made that this was originally a Subrahmanya temple.

On the other hand, ancient Tamil literature gives the extant of the land of the Tamil speaking people as “lying between Venkatam in the North and Kumari in the South”. The interesting inference here is that as Kumari is the famous seat of Devi, which is the southern border, the northern border could as well have been a seat of Devi!. In fact we see the image of lion on the four corners of the Gopuram in Tirupati, and lion is the va-hana of Devi!

When Swami Brahmananda [ Rakhal Maharaj] the spiritual son and direct disciple of Sri Ramakrishna and the first President of the RK Math and Mission visited Tirupati around 1911/12, he had a mystic experience there. He felt the presence of Devi there. He asked the priests there about the Deity. And the priests confirmed that it had been a De-vi temple. This is clearly stated in the book ‘Swami Brahmananda As We Knew Him’, published by RK Math, Chennai.

So there is enough mystery surrounding this temple. Wish someone will unravel it with-out bigotry and prejudice.

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திருப்பதி கோவில் அறிவிப்பு

திருமலையில் பிறந்தார் அனுமன்!

’திருமலை திருப்பதி திருக்கோவில் அமைந்துள்ள, சேஷாசல மலைத்தொடரில் உள்ள அஞ்சனாத்ரி என்ற மலை தான், அனுமனின் பிறப்பிடம்’ என, திருப்பதி தேவஸ்தானம் அதிகாரப்பூர்வமான ஆதாரங்களுடன் அறிவித்தது.

ராம பக்தரான அனுமன் பிறந்த இடம் குறித்து, புராணங்களிலும், இதிகாசங்களிலும் பல்வேறு குறிப்புகள் உள்ளன. வெங்கடாசல மகாத்மியம் உள்ளிட்ட சில புராணங்களில் அனுமன் பிறந்த இடம், திருமலையில் அமைந்துள்ள அஞ்சனாத்ரி மலை என கூறப்பட்டுள்ளது.

இதுகுறித்து ஆய்வு செய்ய, தேசிய சமஸ்கிருத பல்கலைக்கழக துணை வேந்தர் பேராசிரியர் முரளி தர சர்மா தலைமையில், பல்வேறு துறை சார்ந்த வல்லுனர்கள் அடங்கிய குழுவை, திருமலை திருப்பதி தேவஸ்தானம் சமீபத்தில் நியமித்தது. இக்குழுவினர், நான்கு மாதங்களாக ஆய்வு நடத்தி, தங்கள் அறிக்கையை நேற்று வெளியிட்டனர். அதில், ‘திருமலை திருப்பதி திருக்கோவில் அமைந்துள்ள சோஷாசல மலைத் தொடரில் ஒன்றான, அஞ்சனாத்ரி மலையில் தான், அனுமன் பிறந்தார்’ என, குறிப்பிடப்பட்டுள்ளது.

இது தொடர்பான விளக்க உரை மற்றும் ஆதாரங்கள் அடங்கிய, 20 பக்க கையேடும் வெளியிடப்பட்டது.

இந்தப் பணிக்காக ஆய்வு செய்யப்பட்ட, 12 புராணங்களிலும் அனுமன் திருமலையில் பிறந்ததற்கான ஆதாரங்கள் உள்ளதாகவும், 12 மற்றும் 13ம் நுாற்றாண்டுகளில் எழுதப்பட்ட பல புராணங்களில் அஞ்சனாத்ரி பற்றிய குறிப்புகள் உள்ளதாகவும் அந்த அறிக்கையில் தெரிவிக்கப்பட்டுள்ளது.

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QUIZ திருப்பதி பத்து QUIZ (Post No.12,291)

Post No. 12,291

Date uploaded in London –   18 July , 2023                 

1.திருப்பதியில் இருப்பது முருகனே என்று பாடியவர் யார் ?

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2.திருப்பதியில் எத்தனை கல்வெட்டுகள்  இருக்கின்றன ?

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3.திருமலையில் உள்ள புதராகவோ பறவையாகவோ , சுனையாகவோ பிறந்தாலும் போதும் என்று பாடியவர் யார்?

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4.திருமலையில் உள்ள பெருமாள் மீது அதிக துதிகளை இயற்றியவர் யார்?

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5.வெங்கடேச சுப்ரபாதத்தை  இயற்றியவர் யார் ? ஸுப்ரபாதத்தின் முதல் வரி எங்கிருந்து எடுக்கப்பட்டது ?

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6.திருப்பதி மலையை தமிழ் பாட்டுக்கள் எப்படிக் குறிப்பிடுகின்றன?

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7.திருப்பதியில் உள்ள அருவியின் பெயர் என்ன?

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8.ஏழு மலையான் என்று ஏன் பெருமாளை அழைக்கின்றனர்?

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9.பெருமாள் எப்படி  உலகிலேயே பணக்கார கடவுள் ஆனார்?

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10.வெங்கடாசலபதியைத் தரிசிக்கும் பக்தர்கள் உடனே வழிபடும்  திருமலைக்குக் கீழேயுள்ள கோவில் எது ?

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விடைகள்

1.முருகனே என்று பாடியவர் அருணகிரி நாதர் (திருப்புகழில் ); சிவனே என்று பாடியவர் பேயாழ்வார்.

திருப்பதி (திருவேங்கடம்) பற்றி அருணகிரி நாதர் பாடியது இதுதான்:

வேந்த குமார குகசேந்த மயூர வட

வேங்கட மாமலையில் உறைவோனே

வேண்டிய போது அடியர் வேண்டிய போகம் அது

வேண்டவெறாது உதவு பெருமாளே

திருவேங்கடத்தில் பாடிய இன்னும் ஒரு திருப்புகழில்

ராவணார் முடி பொடியாகச்

சிலை வாங்கிய நாரணார் மரு

மகனாம் குகனே பொழில் சூழ்தரு

திருவேங்கடமாமலை மேவிய பெருமாளே

என்று பாடுகிறார்.

கச்சியப்ப சிவாசாரியார் திருவேங்கடத்தில் முருகன் இருந்தான் என்பதற்கு ஒரு வரலாற்றைச் சொல்கிறார்………. … தாமரைமலர் போன்ற வடிவுடைய சிவந்த திருக்கத்தில் வேலாயுதத்தை ஏந்திய குமரக் கடவுளே குகையின் வழியாக வந்து வெளிவந்த மலையாகிய சிகரத்தையுடைய திருவேங்கடமலை மீது எழுந்தருளியுள்ள பெருமாளே…என்கிறார்

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2.திருமலை-திருமலை கோவிலிலும்  அதன் கீழ் வரும் பகுதியிலும் 1150-க்கு மேலான கல்வெட்டுகள் உள்ளன. உலகிலேயே அதிக கல்வெட்டுகள் உள்ள  வழி பாட்டுத் தலம் இதுதான். பல்லவர்  காலம் முதல் 800 ஆண்டு வரலாற்றைக்  கல்வெட்டுகள் மூலம் அறியலாம் .

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3. குலசேகர ஆழ்வார்

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4.திருப்பதி பெருமாள் குறித்து அதிகமான பாடல்களை இயற்றியவர் அன்னமாச்சார்யா

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5.பிரதிவாதி பயங்கரம் அண்ணங்காச்சாரியாரால்  ஸம்ஸ்க்ருத மொழியில் இயற்றப்பட்டது.

இதன் முதல் வரி கெளசல்யா ஸுப்ரஜா சந்த்யா பிரவர்த்ததே — என்பது வால்மீகி ராமாயணத்தில் உள்ள வரி .

कौसल्यासुप्रजा राम पूर्वा संध्या प्रवर्तते ।

उत्तिष्ठ नरशार्दूल कर्त्तव्यं दैवमाह्निकम् ॥- Valmiki Ramayana

kausalyāsuprajā rāma pūrvā sandhyā pravartate ।

uttiṣṭha naraśārdūla karttavyaṃ daivamāhnikam ॥

Valmiki Ramayna Translation, 1.23.2

O Rāma, the noble son of Kausalyā! The Sandhyā of the East commences. O! best of men (Purushottama)! Wake up, the daily duties have to be performed.

The Veṅkaṭeśasuprabhātam begins with this very verse.

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6.வடவேங்கடம் முதல் தென்குமரி

தொல்காப்பியத்துக்கு பாயிரம் எழுதிய பனம்பாரனார் சொல்கிறார்

வடவேங்கடம் தென்குமரி

ஆயிடைத்

தமிழ்கூறு நல்லுலகத்து—(தொல்காப்பியம், சிறப்புப்பாயிரம்:1-3)

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நெடியோன் குன்றமும் தொடியோள் பௌவமும்

தமிழ் வரம்பறுத்த தண்புனல் நல்நாட்டு

(சிலப்பதிகாரம்,வேனிற்காதை:1-2)

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பனிபடு சோலை வேங்கடத்து உம்பர்

மொழிபெயர் தேஎத்தர் ஆயினும்…..(அகநானூறு, 211:7-மாமூ லனார் )

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7.ஆகாய கங்கா.

திருமலையில் உள்ள புண்ணிய தீர்த்தங்களில் ஒன்று ஆகாச கங்கை. இங்கிருந்து தான் தினமும் திருமலை ஏழுமலையானுக்கு அபிஷேகம் செய்ய நீர் கொண்டுவரப்படுகிறது. இந்த நீரில் பக்தர்களும் பொது மக்களும் குளித்து மகிழ அனுமதி உண்டு. இந்த இடம் ஸ்ரீ வாரி திருக்கோயிலில் இருந்து 4 கிலோமீட்டர் தொலைவில் அமைந்துள்ளது.

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8.திருமலை வெங்கடாசலபதி, ஏழு குன்றுகள் இடையே காட்சி தருகிறார். அவையாவன:

Vrushabhadri – விருஷபாத்ரி

Anjanadri – அஞ்சனாத்ரி (ஹனுமான் பிறந்த இடம்)

Neeladri – நீலாத்ரி

Garudadri or Garudachalam – கருடாத்ரி

Seshadri or Seshachalam – சேஷாத்ரி

Naraynadri–நாரதாத்ரி அல்லது நாராயணாத்ரி

Venkatadri – வேங்கடாத்ரி

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9.திருப்பதி பாலாஜி தன் திருமணத்துக்காக குபேரனிடம் கடன் வாங்கியதாகவும், கடனை  அடைப்பதற்காக பக்தர்களிடம் காணிக்கை வாங்குகிறார் என்றும் பக்தர்கள் நம்புகிறார்கள். 600 ஆண்டுகளுக்கு முன்னர் கீர்த்தனை பாடிய புரந்தரதாசரோ நீ சரியான செட்டிப்பயல் என்று பெருமாளை கிண்டல் செய்கிறார்.

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10.திருப்பதியிலி ருந்து 5 கி.மீ. தூரத்தில் உள்ள திருச்சானூர் என்றும் அலமேல் மங்காபுரம் என்றும் அழைக்கப்படும் புனிதத் தலத்தில் பத்மாவதி தாயாரின் அழகிய திருக்கோவில் உள்ளது.

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தொல்காப்பியர் காலத்தில் திருப்பதி

தொல்காப்பியத்துக்கு பாயிரம் (முன்னுரை) எழுதிய பனம்பாரனார் பாடுகிறார்:-

வடவேங்கடம் தென்குமரி

ஆயிடைத்

தமிழ் கூறு நல்லுலகத்து

வழக்கும் செய்யுளும் ஆ இரு முதலின்

எழுத்தும் சொல்லும் பொருளும் நாடிச்

செந்தமிழ் இயற்கைச் சிவணிய நிலத்தொடு

முந்துநூல் கண்டு……………………………

பொருள்:-

வடக்கே வேங்கட மலையும் தெற்கே குமரி முனையும் ஆகிய இந்நிலத்திற்கு இடைப்பட்ட செந்தமிழ் பேசும் தமிழகத்தில் உலக வழக்கு, செய்யுள் வழக்கு என்ற இரு வழக்குகளில் உள்ள எழுத்து, சொற்கள், பொருள்களை நன்கு ஆராய்ந்து (தொல்காப்பியர் நூல் இயற்றினார்).

புராணங்களில் வரும் 56 தேசங்களில் திராவிட தேசத்துக்கும் தெற்கில்தான் பாண்டிய சோழ தேசங்கள் குறிப்பிடப்படுகின்றன. ஆக திராவிட என்ற சொல்லையும் தமிழ்நாட்டுக்குப் பயன்படுத்த வில்லை.

கம்பன் என்ன சொல்கிறான் என்று பார்ப்போம்;

வடசொற்கும் தென்சொற்கும் வரம்பு ஆகி

நான் மறையும் மற்றை நூலும்

இடைசொற்ற பொருட்கு எல்லாம் எல்லை ஆய்

நல் அறிவுக்கு ஈறு ஆய் வேறு

புடை சுற்றும் துணை இன்றிப் புகழ் பொதிந்த

மெய்யேபோல் பூத்துநின்ற

அடைசுற்றும் தண்சாரல் ஓங்கிய

வேங்கடத்தில் சென்று அடைதீர் மாதோ

பொருள்:-

வடமொழிக்கும் தென்மொழியாகிய தமிழ் மொழிக்கும் எல்லையாகியும், நான்கு வேதங்களுக்கும், ஆறு அங்கங்களுக்கும் மற்றுமுள்ள நூல்களுக்கும் முடிவான பொருளைக் காட்டுவதாகவும் நல்லறங்களின் மேன்மையாகவும்,  ஈடு இணை இல்லாததும் புகழ்மிக்கதும், எல்லோரும் வணங்கக்கூடியதுமான, குளிர்ந்த மலைப்பகுதியான வேங்கட மலையில் போய்த் தேடுங்கள்.–கிட்கிந்தா காண்டம், நாடவிட்ட படலம்- கம்ப ராமாயணம்.

சீதையைத் தேடச் செல்லும் வானரப் படைகளுக்கு கட்டளையிட்டபோது இச்செய்யுள் கூற்று வருகிறது.

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பாசுரங்கள்

3101.  

சொன்னால் விரோதம் இது*  ஆகிலும் சொல்லுவான் கேண்மினோ,*

என் நாவில் இன்கவி*  யான் ஒருவர்க்கும் கொடுக்கிலேன்,*

தென்னா தெனா என்று*  வண்டு முரல் திருவேங்கடத்து,*

என் ஆனை என் அப்பன்*  எம் பெருமான் உளனாகவே.

3177.  

மாரி மாறாத தண் அம் மலை*  வேங்கடத்து அண்ணலை,*

வாரி மாறாத பைம் பூம் பொழில்சூழ்*  குருகூர் நகர்க்,*

காரி மாறன் சடகோபன்*  சொல் ஆயிரத்து இப் பத்தால்,*

வேரி மாறாத பூமேல் இருப்பாள்*  வினை தீர்க்குமே.

3398.  

மாலுக்கு*  வையம் அளந்த மணாளற்கு,*

நீலக் கருநிற*  மேக நியாயற்கு,*

கோலச் செந்தாமரைக்*  கண்ணற்கு,*

என் கொங்குஅலர்ஏலக் குழலி*  இழந்தது சங்கே.

3399.  

சங்கு வில் வாள் தண்டு*  சக்கரக் கையற்கு,*

செங்கனிவாய்ச்*  செய்ய தாமரைக் கண்ணற்கு,*

கொங்கு அலர் தண் அம் துழாய்*  முடியானுக்கு,*  என்

மங்கை இழந்தது*  மாமை நிறமே.

56.  

சுற்றும் ஒளிவட்டம்*  சூழ்ந்து சோதி பரந்து எங்கும்*

எத்தனை செய்யிலும்*  என்மகன் முகம் நேரொவ்வாய்*

வித்தகன் வேங்கட வாணன்*  உன்னை விளிக்கின்ற*

கைத்தலம் நோவாமே*  அம்புலீ! கடிது ஓடி வா     

104.  

என் இது மாயம்?*  என் அப்பன் அறிந்திலன்*

முன்னைய வண்ணமே*  கொண்டு அளவாய் என்ன*

மன்னு நமுசியை*  வானிற் சுழற்றிய*

மின்னு முடியனே!  அச்சோ அச்சோ*

 வேங்கடவாணனே! அச்சோ அச்சோ 

180.  

தென் இலங்கை மன்னன்*  சிரம் தோள் துணிசெய்து*

மின் இலங்கும் பூண்*  விபீடண நம்பிக்கு*

என் இலங்கும் நாமத்து அளவும்* அரசு என்ற*

மின் அலங்காரற்கு ஓர் கோல் கொண்டு வா!

வேங்கட வாணற்கு ஓர் கோல் கொண்டு வா.

504.  

தை ஒரு திங்களும் தரை விளக்கி*  தண் மண்டலம் இட்டு மாசி முன்னாள்*

ஐய நுண் மணல் கொண்டு தெரு அணிந்து*  அழகினுக்கு அலங்கரித்து அனங்கதேவா!*

உய்யவும் ஆம்கொலோ என்று சொல்லி*  உன்னையும் உம்பியையும் தொழுதேன்*

வெய்யது ஓர் தழல் உமிழ் சக்கரக் கை*  வேங்கடவற்கு என்னை விதிக்கிற்றியே. (2)   

020.  

நின்ற மா மருது இற்று வீழ*  நடந்த நின்மலன் நேமியான்*

என்றும் வானவர் கைதொழும்*  இணைத் தாமரை அடி எம் பிரான்*

கன்றி மாரி பொழிந்திட*  கடிது ஆ நிரைக்கு இடர் நீக்குவான்*

சென்று குன்றம் எடுத்தவன்*  திரு வேங்கடம் அடை நெஞ்சமே!  

1021.  

பார்த்தற்கு ஆய் அன்று பாரதம் கைசெய்திட்டு*  வென்ற பரஞ்சுடர்*

கோத்து அங்கு ஆயர்தம் பாடியில்* குரவை பிணைந்த எம் கோவலன்*

ஏத்துவார் தம் மனத்து உள்ளான்*  இட வெந்தை மேவிய எம் பிரான்*

தீர்த்த நீர்த் தடம் சோலை சூழ்*  திருவேங்கடம் அடை நெஞ்சமே!  

1023.  

எண் திசைகளும் ஏழ் உலகமும் வாங்கி*  பொன் வயிற்றில் பெய்து*

பண்டு ஓர் ஆல் இலைப் பள்ளி கொண்டவன்*  பால் மதிக்கு இடர் தீர்த்தவன்*

ஒண் திறல் அவுணன் உரத்து உகிர் வைத்தவன்*  ஒள் எயிற்றொடு*

திண் திறல் அரியாயவன்*  திருவேங்கடம் அடை நெஞ்சமே!

–SUBHAM–

Tags- Vishnu Temples 108 “Divya Desams” in Pictures-48, திவ்யதேசம்- லண்டன் சுவாமிநாதன் படங்கள், திருவேங்கடம் ,திருப்பதி, திருமலை, ஆதிவராஹ க்ஷேத்ரம், திருச்சானூர் திருப்பதி அதிசயங்கள் .

HINDU DICTIONARY IN ENGLISH AND TAMIL 69; இந்து மத கலைச்சொல் அகராதி-69 (Post No.15,824)

Written by London Swaminathan

Post No. 15,824

Date uploaded in London –3 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

MO, MU words

Modaka/m

Modaka is found in the hand of Ganesh statues. This sweet rice dumpling is his favourite food. Tamil Brahmins and Maharashtrians make it and offer it to Lord Ganesh during Ganesh Chaturthi festival. It is a steamed snack in which coconut mixed with jaggery is stuffed into cups made up of rice flour.

Modaka (मोदक) refers to a “sweet ball”, according to the Vālmīki-Rāmāyaṇa Yuddhakhaṇḍa 131.38

Modaka (मोदक) refers to a type food-stuff used in the worship of Gaṇeśa, according to the Padmapurāṇa 1.65

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Moksha

One of the four stages in a Hindu’s life: Dharma, Artha, Kama Moksha; of the four stages, Moksha is the final goal all Hindus aim at.

Moksha most commonly refers to the ultimate spiritual goal in Indian religions like Hinduism, Buddhism, and Jainism. Literally translating to “release” or “liberation” in Sanskrit, it signifies freedom from samsara—the eternal cycle of birth, death, and rebirth.

It is achieved by realizing the ultimate truth and freeing oneself from the illusions of the ego and karmic baggage

Most of the devotional songs or poems pray for this.

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Mookambhika

Sarasvati or Vak Devi.

Mookambika is Hindu Goddess of Knowledge and her famous abode, the Kollur Mookambika Temple, is located in the Udupi district of Karnataka, India.

She is an aspect of Adi Parashakti (the supreme mother goddess) and is considered a powerful union of Goddesses Parvati, Lakshmi, and Saraswati.

The legend of the Kollur Mookambika Temple is deeply intertwined with the journey of Adi Shankara. The Goddess agreed to follow him to Kerala on the condition that he never looked back; when he did, she stayed in Kollur. Adi Shankaracharya meditated in the Chitramoola caves on the Kodachadri hills and requested the Goddess to come with him to Kerala. She agreed, but on the strict condition that she would walk behind him and he must never look back to check. When the tinkling sound of her anklets abruptly stopped, Adi Shankara turned back, breaking the vow. The Goddess stayed exactly where they were, which is the current location of the temple in Kollur. Adi Shankara then consecrated the four-armed idol and the Sri Chakra inside the shrine.

Tamil politicians and once chief ministers M G Ramachandran, Jayalalitha and others offered the deity valuable Diamond Sword, golden ornaments etc. This made her popular among their followers as well.

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Mooka kavi

“Mooka Kavi was dumb from birth; but obtaining the grace of Kamakshi he burst forth into exquisite poetry. He sang five hundred verses in praise of Sri Kamakshi in five satakas of 100 verses each. Muka Kavi means dumb (turned) poet. He used to go to Kanchi Kamakshi temple and prostrate before the statue of the goddess every day. One day he saw the goddess and suddenly started composing poems. He was one of the Kanchi Sankaracharyas.

According to Kanchi Mutt calculations Muka Sankara (398-437 CE) was the 20th Shankaracharya. He was the son of Vidyavati, an astronomer. He mastered Vedas after he became eloquent.

Matrugupta, King of Kashmir, and Pravarasena, all considered it a privilege to serve Sri Muka Sankara (Muka Kavi).

The Mooka Pancha Sathi (five hundred verses) is a celebrated Sanskrit devotional text composed by Muka Sankara in praise of Goddess Kamakshi of Kanchi.

The work is divided into five parts (or Shatakas), each containing exactly 100 verses:

Arya Satakam: Focuses on the physical beauty, grandeur, and divine grace of the Goddess, using the melodic Arya meter.

Padaravinda Satakam: Extols the divine, lotus-like feet of Goddess Kamakshi, emphasizing their power to grant salvation and peace.

Stuti Satakam: Comprises hymns of praise and surrender, deeply expressing the devotee’s reverence and reliance on the Goddess’s mercy.

Kataaksha Satakam: Describes the transformative and compassionate sidelong glance of Goddess Kamakshi, which removes sins and brings prosperity.

Mandasmitha Satakam: Details the enchanting and radiant smile of the Goddess, symbolizing her boundless grace and cosmic joy.

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Muchukunda

Very interesting stories are woven around a Choza king who was not recorded or documented in history. The Choza king Mucukunda is in the Puranas and Tamil literature. But history does not know him. From Kandhapurana and Silappadikaram commentaries we know the following details about him:

1.He helped Indra in defeating a demon.
2.Indra gave him a goblin (Bhuta) to protect his city. Later Chera took it to Vanji.
3.Mucukunda ruled from Pumpukar, Choza port city or Tiruvarur.
4.Mucukunda was an ardent devotee of Shiva.
5.He received several statues from Indra and installed them in and around Tiruvarur.
6.His face looked like a monkey (Musu = Monkey).
7.Mucukunda celebrated Indra Festival. He was very much into it.
8. A lot of Sthalapuranas have recorded Mucukunda’s role in local temples. He is connected with Tiruvarur, Tirumaraikkadu, Nagappatinam, Tirunallaru, Tirukkarayal, Tiruvaymur and Tirukkuvalai.

Following are the references from the Puranas and Tamil Epic Silappadikaram.
Pumpukar was a port city in the Chola kingdom. The importance of Pukar was not long lived. Now part of it is under the sea– Bay of Bengal. Anticipating the forthcoming devastation of the city, ‘buta’ (goblin) at Butachahukkam, which was brought from Indra’s abode by Mucukunta, was removed to Vanji by the Chera king. Source : –Canto 28 commentary of Silappadikaram

Origin of Cholzas is shrouded in mystery. Pura Nanuru of Sangam literature and Silappadikaram of Post Sangam period praised Sibi Chakravarthy in many places as the forefather of the Chozas. Sibi ruled North West of India, far away from the Choza territory of Tamil Nadu.

Tamil Encyclopeadia Abidana Chintamani adds more interesting stories: Mucu means monkey and when he was born as a monkey in the Himalyas, he did offer Bilva leaves to Shiva. As a result of this Puja he was born as a son of Dilipa and Mangalvathy in the solar race found in Hindu Puranas. Then he married Vichitravathy and helped Indra in his fight against Vala. When Indra told him that he would give him a gift, Mucukundan wanted a particular Shiva idol from Indra. That was given to Indra by Vishnu. But Indra gave him a different idol. This happened six times and at last he got the idol he wanted. He installed all the idols in different temples in Thanjavur district. The main idol was installed in Tiruvarur.

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Mudagalya

Story of Mudgala is in Mahabharata, the longest epic in the world. Mudgala was a great sage. He ate only twice a month on Full Moon Day and New Moon Day. He used to gather grains from the field and cook it for his family. He lived with his wife Nalayani, his son and daughter in law. There may be many Rishis (seers) with this name; but the common belief is that the Maudgalya Brahmins came from this Vedic Rishi (sage).

Though Mudgala lived in poverty, he used to feed all the Brahmins, saints and others whoever came to him. He gleaned grains like a pigeon, but it never underwent diminution. This was a miracle like Akshaya patra (inexhaustible vessel) of Draupadi. Once sage Durvasa wanted to test his patience. He went in the disguise of a mendicant just before his fortnightly meals. Mudgala gave his share, but it did not satisfy the mendicant’s hunger. He demanded more and consumed all the food in the house. He returned after a fortnight and did the same- devoured all the available food. This happened six times. Mudgala never burst out in anger. He was happy to feed him.

Durvasa, the sage who was notorious for his anger, was extremely happy and revealed his identity. At the same time a messenger from the heaven came to take him to heaven in appreciation of his hospitality and generosity. He did not fall a prey for heavenly pleasures. He asked the messenger the benefits of going to heaven. Messenger told him that he would enjoy all the pleasures there as long as his merits are not exhausted. Once all the merits are used he would have to return to earth. Immediately he refused the offer and told him that he wanted to do more penance. He dismissed the messenger of the gods and began to practise ascetic virtues. He decided to go to the eternal abode where there is no sorrow, nor distress nor change. (3-216 Mbh).

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Mudra

BUDDHA SHOWING FIVE DIFFERENT MUDRAS

A mudra is a hand gesture with fingers pointing different directions or postures. The reason for having different postures is to channelize the body energy. Each Mudra brings or enhances certain type of energy in us.

All Hindu Gods show Mudra mostly Abhaya or Varada. 

Mudras are used by Hindu priests differently. There is a book called ‘Mudra Vidanam’ giving a list of over 125 Mudras. A Brahmin who does Sandhyavandana ritual three times a day use Mudras as well. The Sanskrit slokas in the beginning of the book explain the significance of those Mudras. It says Mudras make the Devas (angels and gods) happy and it drives away the sins. The Devatas in charge of each Mantra (spell) are pleased with the Mudras. It also adds one should learn the Mudras used in Archana, Japa, Dhyana (Prayer and Meditation) Kamya Karmas (desire fulfilling rituals), Snanam , Avahanam (Bathing and Invoking), Prathista, Rakshanam and Naivedyam ( Installing, preserving and offering to god). The book classified Mudras under 11 titles and illustrated all Mudras with line drawings.

 In the classical dance called Bharatanatyam, there are lot of Mudras called Karanas. They are used to express feelings and give different messages. The books about Mudras are in Sanskrit. There are 108 different Mudras shown on the tower of Chidambaram temple where the Lord of Dance Nataraja/Shiva appears in his dancing form. The dance Mudras are different from Yoga Mudras. The Tantric Mudras are different from these two categories.

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Muralidhara

Muralidhara (often spelled Muralidhar or Muralidhara) is a Sanskrit name meaning “the one who holds the flute.” [12]

In Hindu mythology, it is one of the most popular epithets used for Lord Krishna, who is famously depicted as a cowherd boy enchanting the world by playing the divine melody on his flute (the murali).

Lord Skanda is called Murugan in Tamil.

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Muruga

Murugan means handsome one, beautiful.

He is the son of Lord Shiva and Goddess Parvati

He is the younger brother of Ganesh .

His vehicle is peacock.

Skanda’s other names are Subrahmanya, Kartikeya, Shanmukha

Hindu gods like Ganesh, Murugan are shown with many hands, some with many heads.

He is the popular god with highest number of heads and hands.

He has six heads and 12 hands in Shanmuga form. Shanmukha means six faces. You may wonder why? If you are at school final level, please got to Level Two of Skanda Murugan.

In normal form, he is also shown as a child like Ganesa. He is Kumara (youth)  or Bala kumara.

Subrahmanya means he possesses all the qualities of Brahman (god).

The name Kartikeya came to him because he was raised by six Krittika women personified as stars in the sky.

He was born in a grass land and so he is known as Saravana bhava.

Saravana is the name of the forest/grass land

We know that Ganesa is the head of Bhuta Ghana’s and in the same way Murugan is the Commander of the Divine Army. He killed Tarakasura and Sura pathman.

Skanda worship is very popular in Tamil speaking world. Tamils give Him a special status and so he is known as Tamil God.

They celebrate all his festivals with Kavadi. They carry it to the

Temple . A normal Kaavadi will have a long pole tied with two baskets on either side. Devotee s carry food and offerings to god in the attached pots or baskets. Later they constructed different shapes.

Another important thing is that his temples are mostly on top of hills or at the foot of the hills. There are six famous temples for him in Tamil Nadu

He married two women and they are Valli and Devasena (Deivaanai)

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Muladhara/m

Muladhara (the Root Chakra) is the first energy center in the body, located at the base of the spine. It governs your sense of stability, safety, and basic survival needs (like food and shelter). When balanced, you feel grounded and confident; when blocked, it can cause anxiety or fear.

Root Chakra (Mooladhara): The Gateway of Power

Sex Chakra (Svadhisthana): Overcoming Karma and Sensory Delusions

Navel Chakra (Manipuraka): The Seat of Power and Spiritual Mastery

Heart Chakra (Anahata): The Portal to Love and Divine Connection

Throat Chakra (Vishuddha): The Repository of Karma and Truth

Third Eye Chakra (Ajna): The Birthplace of Divine Wisdom

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Mulam star Mamular Tiru Mular

Mulam (also known as Moola) is the 19th lunar mansion in Vedic astrology, falling within the Sagittarius zodiac sign. Known as the “Foundation Star” or “Root Star,” it is symbolized by a tied bunch of roots and is governed by Ketu (the south lunar node) and the goddess Nirriti.

Mythological Association: It is frequently associated with Lord Hanuman’s birth star.

Literary references – Tiru Mular, Saivite saint of ninth century CE and Ma Mular of Sangam Tamil Literature are linked with Mulam star

The astronomical name of the Moolam star (or Moola Nakshatra) is Lambda Scorpii.

In modern astronomy, this refers to a multiple star system (primarily \(\lambda \) Scorpii) located in the tail of the Scorpius constellation

To be continued…………

Tags – Murugan, Moksha, Mookakavi,  Modaa, Mulam star,HINDU DICTIONARY IN ENGLISH AND TAMIL 69; இந்து மத கலைச்சொல் அகராதி-69

HINDU DICTIONARY IN ENGLISH AND TAMIL 67; இந்து மத கலைச்சொல் அகராதி-67 (Post No.15,814)

Written by London Swaminathan

Post No. 15,814

Date uploaded in London –1 June 2026

Contact – swami_48@yahoo.com

Pictures are taken from various sources for spreading knowledge.

this is a non- commercial blog. Thanks for your great pictures.

tamilandvedas.com, swamiindology.blogspot.com

xxxx 

Part 67


Mātaṅga (Sanskrit: मातंग) literally means an elephant.

MATANGA. ‘An elephant.’ A man who was brought up as a Brahman but was the son of a Chandala. His story, as told in the Mahabharata, relates that he was mercilessly goading an ass’s foal which he was driving. The mother ass, seeing this, tells her foal that she could expect no better, for her driver was no Brahman but a Chandala. Matanga, addressing the ass as ” most intelligent,” begged to know how this was, and was informed that his mother when intoxicated had received the embraces of a low-born barber, and that he, the offspring, was a Chandala and no Brahman. In order to obtain elevation to the position of a Brahman, he went through such a course of austerities as alarmed the gods. Indra refused to admit him. He persevered again for a hundred years, but still Indra persistently refused such an impossible request, and advised him to seek some other boon. Nothing daunted, he went on a thousand years longer, with the same result. Though dejected he did not despair but proceeded to balance himself on his great toe. He continued to do this for a hundred years, when he was reduced to mere skin and bone, and was on the point of falling. Indra went to support him, but inexorably refused his request, and, when further importuned, “gave him the power of moving about like a bird, and changing his shape at will, and of being honoured and renowned.” In the Ramayana, Rama and Sita visited the hermitage of Matanga near Rishyamukha mountain

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ME Words

Medathithi

Name of a Vedic seer in Kanwa clan. There is a legend in one of the Upanishads that he was carried up to heaven by Indra in the form of a ram, because the god had been pleased with his austerities.

He is compared with Ganymede of Greece who was abducted by the eagle of Zeus. His Phrygian cap denoting an eastern origin, and a river god.

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Medhavi

Son of rishi Baladhi. As a result of his father’s severe penances, he had obtained a boon that he wouldn’t die as long as the mountain remain standing. Thinking that he was immortal he became arrogant and illtreated other brahmana. At last rishi Dhanusaksha caused a ram to be born and this ram destroyed the mountain with its horns and thus brought an end to Medhavi’s life. This episode was related by Bharadwaja to his son Yavakrita to impress upon him that he who became arrogant came to grief in the end.

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Menaka

A beautiful apsaras whom Indra sent to earth to entice Vishwamitra rishi and distract him from his severe penances because Indra became concerned at the thought that Vishwamitra may accumulate too much merit and thus threaten his own security. Menaka appeared before him and seduced him. He lived with her for long and Menaka gave birth to Shakuntala .

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Mena

In the rig Veda Mena was the daughter of Vrishanaswa. Indra fell in love with here. In the puranas, wife of Himavat and mother of Uma and ganga and of a son named Mainaka .

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Meru

A fabulous mountain  in the centre of the earth, on which is situated swarga, the heaven of Indra. It is north of Himalaya. It is depicted as north pole in some descriptions. Other names are Sumeru, Hemadri Ratnasaanu, Karnikaachala, Amaraadri, Deva Parvata .

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Mithila

Capital city of Videha, north Bihar. It was the country of king Janaka and the name of his capital Janakapura, now called Janakpur. Since Sita devi was born here she was called Mythili.

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Mlechcha

Foreigners, barbarians, people who came from out side india. Sangam tamil books also referred to them as people of harsh words “incomprehensible speech” or unintelligible accents; During medieval times, the term was frequently used to refer to Arab, Persian, and Muslim invaders who came into the subcontinent.

Mlecha in Mullaippattu:

In the200 year old  Sangam Tamil literature we come across the word Mlecha in Mullaippaattu (line 66). Poet Napputhanar called the Yavanas as Mlechas. He described them as dumb who used only sign language. Lot of Roman or Greek bodyguards were used by the Tamil kings. Tamils called the Yavanas (Romans) ‘mlechas’ because they did not speak Tamil and they were from foreign soil.

Mlecha in Mahabharata: In the Adiparavam and Drona Parvam we come across the word Mlecha referring to an engineer (Purochana) who constructed the lac house and kings who fought in the Great Bharata War. They were all from the North West of India. Vidura was said to have spoken to him in the Mlecha language

Nigel Lewis observation on Mlecha in his book ‘The Book of Babel’ is very interesting. He says “the Greek equivalent of barbarians was Aglossoi, the speechless, while the Poles  had the same idea about Germans, whom they called ‘niemiec’, the dumb people. The Turks got this word from the Poles and used it for the Austrians. Even Coleridge used it as nimiety with regard to Germans”.

“Commenting on the word vealh, oe wealh, the Barbarian British, or Welsh, Max Muller writes it is supposed to be the same as the Sanskrit mlekkha, and, if so,  it meant originally a person who talks indistinctly. Mlekkah has also been identified with ‘Beluchi’: a strange area of probable common ground between Beluchistan and the principality of Wales, whose very name was an Anglo Saxon insult”.

“Also insulting was the now defunct nickname for the Jamaican Jabbering crow, it was called the Welshman because according to Edward Long ‘with their strange , noisy gabble of guttural sounds’… they are thought to have much  the confused vociferation of a party of Welsh people”

-from ‘ The Book of Babel’

Mleccha (म्लेच्छ).—A tribe of people of ancient India. This tribe was born from the tail of the celestial cow Nandinī, kept by Vasiṣṭha for sacrificial purposes when there was a fight between Viśvāmitra and Vasiṣṭha. Mahābhārata gives the following information regarding them.

The mlecchas who sprang up from the tail of the celestial cow Nandinī sent the army of Viśvāmitra flying in terror. (Śloka 38, Chapter 174, Ādi Parva)

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Meganatha

Eldest Son of Ravana ; his epithet is Indrajit, one who conquered indra. His heroic acts were described in Ramayana.

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Meghaduta

Cloud messenger is the meaning. It is a celebrated work by Kalidasa. It is the oldest travelogue describing the beauty of central india and north India; it is the oldest meteorological work I Sanskrit about the progress of South West Monsoon. A banished yaksha implores the monsoon cloud to covey his message to his wife

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Mitra (Varuna)

Vedic god Mitra meant sun, positive energy and light. He is associated with Varuna in the Vedic hymns; there Varuna meant sea, darkness and negative energy. They were like positive and negative nodes in a battery. Both are required to produce heat or light or energy. Mitra was the ruler of the day and Varuna was the ruler of night. They together uphold and rule the earth and sky, guard the world, encourage religion, and chastise sin. Mitra was one of the Adityas or sons of Aditi. One more example for link is sun/Mtra draws sea water/Varuna and pours down as rain/ Indra that goes to Sea/Varuna.

Mitra is a Vedic god. He is associated with the Sun. Mitra is another name of Sun as well. This Vedic god was worshipped throughout the Roman empire 2000 years ago. At one time there were 700 temples for Mitra in Rome. The worship reached Rome from Iran in a degenerated form. Wherever the rule of the Romans was extended there the cult of Mitra was also practised. Even in London they have excavated one Mitra temple sixty years ago.

In London an inscription dated to 310 CE was discovered. It said, “For the salvation of our Lords, the four emperors and the Caesar, and to the God Mithras the invincible sun from the east to the west”. Most of the British Christian churches were built in the model of Mithraeums.

Mithra in Germany, Picture by Subhashini, THF

To be continued……………………..

Tags- HINDU DICTIONARY IN ENGLISH AND TAMIL 67; இந்து மத கலைச்சொல் அகராதி-67 ,Mitra, Menaka, Medathithi